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Zaalteksten En.Indd
ground in the city Under g aller EnPlease drop me in the box as you leave y texts Down the rabbit hole 1 We experience what is happening above ground on a daily basis, but what lies underneath the earth’s surface is usually hidden from view. And because that world is largely terra incognita for us, what happens there is shrouded in mystery. Stories about tunnels used to access and rob banks or as secret escape routes capture our imagination. By their very nature, illegal resistance movements operate ‘underground’, shunning the spotlight. The underground scene of artistic subcultures also prefers to avoid the glare of public attention. Besides arousing our curiosity, the unknown frightens us. The devil and other monstrous creatures are said to be lurking deep under the ground. Sewage workers would be well advised to offer up a quick prayer before removing a manhole cover. On the other hand, it is to the earth that we entrust our most cherished treasures. Venture down below and a wondrous world will open up to you! 1.1 Hepworth Manufacturing Company, The deep and Alice in Wonderland, 1903 mysterious underground It is very difficult to fathom what 1.2 Walt Disney Productions, is actually happening inside the earth Alice in Wonderland, 1951 and for a long time this was a matter of guesswork. Even now the deepest 1.3 In 1877 Thomas Wallace Knox, an Ameri- drilling operations into the earth’s can journalist and author of adventure crust are mere pinpricks. stories, wrote a weighty tome entitled The German priest and scholar Athana- The Underground World: a mirror of life sius Kircher tried to explain a number below the surface, with vivid descrip- of phenomena in the influential book tions of the hidden works of nature and he wrote in 1664: Mundus subterraneus, art, comprising incidents and adven- quo universae denique naturae tures beyond the light of day… divitiae. -
Belgian Internationalists, the Great War and the Quest for Peace Daniel Laqua
Belgian Internationalists, the Great War and the Quest for Peace Daniel Laqua To cite this version: Daniel Laqua. Belgian Internationalists, the Great War and the Quest for Peace . Marie-Louise Pelus- Kaplan, Anne-Marie Bernon-Gerth, Liliane Crips et Nicole Gabriel. Être citoyen du monde. Entre destruction et reconstruction du monde : les enfants de Babel XIVe-XXIe siècles, Édition Université Paris Diderot, pp.135-150, 2015, 978-2-7442-0198-1. hal-01322633 HAL Id: hal-01322633 https://hal.archives-ouvertes.fr/hal-01322633 Submitted on 27 May 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. DANIEL LAQUA1 BELGIAN INTERNATIONALISTS, THE GREAT WAR AND THE QUEST FOR PEACE In 1932, Henri Pirenne – widely renowned for his work on medieval towns – published the final part of his Histoire de Belgique. The first instalment of his magnum opus had appeared more than three decades earlier and tackled a period long before Belgium’s independent statehood, from Antiquity to end of the High Middle Ages2. It was only with volume VII that Pirenne finally reached the era since the Belgian Revolution of 1830. The account drew a wider picture of the country before the First World War. -
Henri Pirenne / L
BE-A0510_007177_006947_DUT Inventaris van het archief van Henri Pirenne / L. De Mecheleer Het Rijksarchief in België Archives de l'État en Belgique Das Staatsarchiv in Belgien State Archives in Belgium This finding aid is written in Dutch. 2 Henri Pirenne BESCHRIJVING VAN HET ARCHIEF:................................................................................7 Raadpleging en gebruik.................................................................................................8 Voorwaarden voor de raadpleging en reproductie...........................................................8 Taal....................................................................................................................................8 Toegangen.........................................................................................................................8 Geschiedenis van archiefvormer en archief...................................................................9 Archiefvormer...................................................................................................................9 Naam.............................................................................................................................9 Biografie........................................................................................................................9 Archief..............................................................................................................................11 Geschiedenis...............................................................................................................11 -
Pirenne and Fredericq Historiographical Ambitions Around 1900
Pirenne and Frederic Hi!"#ri#$rap%ica& am(i"i#n! ar#)nd 1900 *+ T+LL,B,,-1 ................................ Pr#/e!!#r #/ Cu&")ra& Hi!"#ry 1 2ni3ersi"0 #/ Le)3en Henri Pirenne and Pa)& Frederic 4ere 3er0 c&#!e acquaintance! /#r /or"0 0ear!.2 T%e "4# 'en'! acade'ic career! !"ar"ed a" 3ir"ua&&0 "he !a'e "i'e. 7/"er a career a! a "eac%er, a" "%e a$e #/ 8)!" 29, Frederic $ained %i! appoin"'ent in 1879 a! e:"raordinar0 pr#/e!!#r ;and a! ordinar0 pr#/e!!#r /r#' 1882) a" "he uni3er!i"0 #/ Li=$e, 4here %i! d)"ie! inc&uded "eac%ing >)"c% &i"era")re, conte'porar0 hi!"#r0 and "he hi!"#r0 #/ Be&$i)' and 4here he 8oined hi! #&d /riend /r#' !"udent da0!, Gode/r#id -)r"%.3 7'on$ %i! !"udent! 4a! Pirenne, hi! 8unior (0 12 0ear!, 4%# had arri3ed in Li=$e in 1880.4 In 1883, Frederic recei3ed an appoint'ent in Ghent, a$ain /or a c#'bina"ion #/ &i"erar0-hi!"orica& and hi!"#rica& !)(8ec"!.? Pirenne5! career !"ar"ed another "4#60ear!6&a"er in Li=$e, where he64a! entr)!"ed wi"%6"eaching pa&ae#$raphy and dipl#'a"ic! in 1885. 7 0ear &a"er, he 8oined Frederic in Ghent, /ir!" a! an e:"raordinar0 pr#/e!!or, "%en a! an ordinar0 pr#/e!!#r /r#' 1889. T%i! occ)rred 4i"% Frederic 5! !uppor", a&"%#)$% i" 4a! a&!# acc#'pa- nied (0 a di!pu"e be"4een "he "4# re$arding "he di3i!ion #/ "eac%ing dutie! ;L0on, 1974, 71-78). -
Verzameld Werk. Deel 2
Verzameld werk. Deel 2 August Vermeylen onder redactie van Herman Teirlinck en anderen bron August Vermeylen, Verzameld werk. Deel 2 (red. Herman Teirlinck en anderen). Uitgeversmaatschappij A. Manteau, Brussel 1951 Zie voor verantwoording: http://www.dbnl.org/tekst/verm036verz02_01/colofon.htm © 2007 dbnl / erven August Vermeylen 5 Verzamelde opstellen Eerste bundel August Vermeylen, Verzameld werk. Deel 2 7 AAN PROSPER VAN LANGENDONCK EN ALFRED HEGENSCHEIDT August Vermeylen, Verzameld werk. Deel 2 9 Voorrede Toen in 1904 de eerste uitgave van deze ‘Verzamelde Opstellen’ verscheen, werden zij door de volgende woorden ingeleid: ‘Deze stukken blijven hier naar tijdsorde geschikt, want ze zijn het beeld van een jeugd in gestadige wording. Ook heb ik geen enkel idee gewijzigd, al spreekt het vanzelf, dat menige opvatting van negen of tien jaar geleden met mijn tegenwoordige zienswijze niet meer strookt. Maar de vroegere opstellen leren later geschrijf beter begrijpen, en dan - ik hecht meer aan den toon, dan aan de onfeilbaarheid der gedachte. Als men voor 't eerst in 't werkdadige leven treedt, heeft men veel vragen uit te vechten met zich zelf en met de mensen: het is dan zo natuurlijk, dat men de absolute leuzen, waar men gaarne zijn eigen zedelijk leven op grondvesten zou, en die daar volkomen op haar plaats zijn, ook tegenover de pas-ontdekte maatschappelijke wereld gaat stellen. En 't was even schoon, sommige woorden toen te spreken, als het me gepast zou voorkomen, ze thans te laten rusten: Cosi n' andammo infino alla lumiera, Parlando cose che il tacere è bello, Si com'era il parlar colà dov'era.’ August Vermeylen, Verzameld werk. -
Literature of the Low Countries
Literature of the Low Countries A Short History of Dutch Literature in the Netherlands and Belgium Reinder P. Meijer bron Reinder P. Meijer, Literature of the Low Countries. A short history of Dutch literature in the Netherlands and Belgium. Martinus Nijhoff, The Hague / Boston 1978 Zie voor verantwoording: http://www.dbnl.org/tekst/meij019lite01_01/colofon.htm © 2006 dbnl / erven Reinder P. Meijer ii For Edith Reinder P. Meijer, Literature of the Low Countries vii Preface In any definition of terms, Dutch literature must be taken to mean all literature written in Dutch, thus excluding literature in Frisian, even though Friesland is part of the Kingdom of the Netherlands, in the same way as literature in Welsh would be excluded from a history of English literature. Similarly, literature in Afrikaans (South African Dutch) falls outside the scope of this book, as Afrikaans from the moment of its birth out of seventeenth-century Dutch grew up independently and must be regarded as a language in its own right. Dutch literature, then, is the literature written in Dutch as spoken in the Kingdom of the Netherlands and the so-called Flemish part of the Kingdom of Belgium, that is the area north of the linguistic frontier which runs east-west through Belgium passing slightly south of Brussels. For the modern period this definition is clear anough, but for former times it needs some explanation. What do we mean, for example, when we use the term ‘Dutch’ for the medieval period? In the Middle Ages there was no standard Dutch language, and when the term ‘Dutch’ is used in a medieval context it is a kind of collective word indicating a number of different but closely related Frankish dialects. -
Discord & Consensus
c Discor Global Dutch: Studies in Low Countries Culture and History onsensus Series Editor: ulrich tiedau DiscorD & Discord and Consensus in the Low Countries, 1700–2000 explores the themes D & of discord and consensus in the Low Countries in the last three centuries. consensus All countries, regions and institutions are ultimately built on a degree of consensus, on a collective commitment to a concept, belief or value system, 1700–2000 TH IN IN THE LOW COUNTRIES, 1700–2000 which is continuously rephrased and reinvented through a narrative of cohesion, and challenged by expressions of discontent and discord. The E history of the Low Countries is characterised by both a striving for consensus L and eruptions of discord, both internally and from external challenges. This OW volume studies the dynamics of this tension through various genres. Based C th on selected papers from the 10 Biennial Conference of the Association OUNTRI for Low Countries Studies at UCL, this interdisciplinary work traces the themes of discord and consensus along broad cultural, linguistic, political and historical lines. This is an expansive collection written by experts from E a range of disciplines including early-modern and contemporary history, art S, history, film, literature and translation from the Low Countries. U G EDIT E JANE FENOULHET LRICH is Professor of Dutch Studies at UCL. Her research RDI QUIST AND QUIST RDI E interests include women’s writing, literary history and disciplinary history. BY D JAN T I GERDI QUIST E is Lecturer in Dutch and Head of Department at UCL’s E DAU F Department of Dutch. -
Activisme | International Encyclopedia of the First World
Activisme By Antoon Vrints A minority of the adherents of the Flemish movement were willing to collaborate with the German occupier in the context of Flamenpolitik. This minority labelled themselves “activists”, stressing their dislike of the Belgian patriotic truce. Table of Contents 1 Definition 2 Debate 3 Impact Selected Bibliography Citation Definition The term “activisme” refers to the part of the Flemish Movement that was willing to collaborate politically with the German occupier in Belgium during the First World War. Both the perspectives offered by the German Flamenpolitik and the fulfilment of the Flemish movement’s pre-war demands – in fact, far beyond what was originally demanded – were decisive in this regard. The fraction was referred to as “activist” since it was willing to break with the Belgian patriotic truce in contrast to the majority of the adherents of the Flemish movement, who remained loyal to the Belgian state. Activisme represented a double watershed in the history of the Flemish Movement. It not only initiated anti-Belgian Flemish nationalism as a political current, but also heralded the beginning of authoritarianism within the Flemish Movement. The “activist” political collaboration was intrinsically authoritarian, since it wanted to use the German force’s presence (including violence, if needed) to impose its program on the unwilling Flemish population that first and foremost wanted the departure of the repressive occupation regime. This was in contrast to the flamingants (adherents of the Flemish movement), such as the Catholic politician Frans van Cauwelaert (1880-1961), who did not want to isolate themselves from the population and therefore remained loyal to the Belgian state; they wanted to implement the Flemish movement’s program by parliamentary, democratic means. -
August Vermeylenkring
De August Vermeylenkring Roel De Groof De August Vermeylenkring Politiek-culturele actie van progressieve en socialistische intellectuelen in Brussel (1954-2004) Uitgegeven met de steun van: het Ministerie van de Vlaamse Gemeenschap, Administratie Cultuur de Vlaamse gemeenschapscommissie de minister-president van de Vlaamse regering Erecomité August Vermeylenkring 50 ! Vic Anciaux • Frank Beke • Ingrid Bens • Jos Bertrand • Rik Boel • Annie Bonnijns • Philippe Bossaert • Henk Brat • Wilfried Decrock • Eric De Loof • Lisette Denberg • Simone Deridder • Pieter Frantzen • Robert Geerts • Karel Hagenaar • Dirk Leonard • Silvain Loccufier • Madeline Lutjeharms • Camiel Maerivoet • Daniela Martin • Frans Ramael • Frans Schellens • Hugo Schurmans • Pascal Smet • Dany Van Brempt • Frank Vandenbroucke • Anne-Marie Vandergeeten • Anne Van Lancker • Louis Vermoote • Joz Wyninckx Omslagontwerp: Danni Elskens Boekverzorging: Boudewijn Bardyn Druk: Schaubroeck, Nazareth © 2004 vubpress Waversesteenweg , Brussel Fax: ++ [email protected] www.vubpress.be D / / / Niets uit deze uitgave mag worden verveelvoudigd en/of openbaar gemaakt door middel van druk, fotokopie, microfilm of op welke andere wijze ook zonder voorafgaande schriftelijke toestemming van de uitgever. Inhoud Inleiding 9 Hoofdstuk 1 –De culturele legitimatie van de 19 Vlaamse beweging na 1945 1. Het odium van de culturele collaboratie 19 2. De oprichting van cultuurhistoriografische en 21 literaire ‘monumenten’ 3. Literaire groei, modernisering en experimentalisme: 23 naar een cultuur van het Vrije Woord 4. De oprichting van het August Vermeylenfonds 25 Hoofdstuk 11 –De August Vermeylenkring Brussel: 29 doel, bestuur en netwerk 1. Doel en oprichting van de August Vermeylenkring 29 2. Hendrik Fayat: ‘flamingant, want socialist’ 31 3. Lydia De Pauw-Deveen: vier generaties vrijzinnig 37 flamingantisme en Rode Leeuwin 4. Besturen in vriendschap en met de kracht van een overtuiging 39 5. -
'Maar Wat Een Wespennest!' Het Rectoraat Van August
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ghent University Academic Bibliography ‘MAAR WAT EEN WESPENNEST!’ HET RECTORAAT VAN AUGUST VERMEYLEN EN DE VERNEDERLANDSING VAN DE GENTSE UNIVERSITEIT Ruben Mantels en Hans Vandevoorde Illustratie kaftomslag: De expressionistische kunstenaar Frits van den Berghe maakte voor het juninummer 1931 van Koekoek, de humoristische bijlage van het blad Vooruit, een karikatuur van rector August Vermeylen. De tekening sierde de cover van het populaire blad. De onstuimige jaren van de vernederlandsing van de Gentse universiteit hadden van zijn eerste rector een publieke figuur gemaakt, ‘karikatuurwaardig’. Kaftontwerp: Jan W. Hespeel en Randoald Sabbe (www.janenrandoald.be) © 2010 Ruben Mantels en Hans Vandevoorde ISBN 978 90 382 1654 6 U 1480 D/2010/4804/170 NUR 1 680 Alle rechten voorbehouden. Niets uit deze uitgave mag worden verveelvoudigd, opgeslagen in een geautomatiseerd gegevensbestand of openbaar gemaakt, in enige vorm of op enige wijze, hetzij elektronisch, mechanisch, door fotokopieën, opnamen of op welke wijze ook, zonder voorafgaandelijke schriftelijke toestemming van de uitgever. Sint-Pietersnieuwstraat 35 Eekhout 2 9000 Gent 9000 Gent 09/331 02 78 09/233 80 88 [email protected] [email protected] Deze publicatie kwam tot stand in het kader van het Wetenschap- en Maatschappijproject “August Vermeylen (1872-1945) en zijn netwerken. Intellectuele sociabiliteit rond de Gentse universiteit tijdens het fin de siècle en interbellum”, promotor prof. dr. Gita Deneckere (UGent), copromotoren prof. dr. Christophe Verbruggen (UGent) en prof. dr. Hans Vandevoorde (UGent/VUB). Met dank aan de medewerkers van het AMSAB-Instituut voor Sociale Geschie- denis, Universiteitsarchief, de Universiteitsbibliotheek en AMVC-Letterenhuis. -
The Book Tower's Long Tail 0 CO MME N T S DE L E N
The Book Tower's Long Tail 0 CO MME N T S DE L E N LIT ERAT URE The Book Tower's Long Tail On the deal between Google Books and Ghent University library By Ruben Mantels, translated by 25/06/2019 10 min reading time Lindsay Edwards On 23 May 2007 Google and the University of Ghent signed an agreement. As a result, the Book Tower became the fifteenth institution worldwide to join the American company in its ambition to digitize the world's paper heritage. Ghent University Library and the Royal Library in The Hague (14 July 2010) are still the only libraries in the Low Countries whose collections are included in Google Books. The first shipment left on 11 October 2007; the last load of old editions appeared online in 2018. So, it's time to take stock. oogle was founded in 1998 with the mission "to organize the G world's information and make it universally accessible and useful". In the early 2000s it indexed more or less the whole web and opened it up with the PageRank algorithm, which was developed by Larry Page and Sergey Brin in the garage of Susan Wojcicki, who is now CEO of YouTube. New sources of information entered the picture. In 2004, by which time the company was listed on the stock exchange, it developed Google Scholar, a bibliographical databank that made it possible to search through scientific journals. It also launched Google Books. Then, on 14 December the same year, the company announced that it would “digitize the ‘world’s knowledge’”. -
Brussels, the Avant-Garde, and Internationalism
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ghent University Academic Bibliography <new page>Chapter 15 Met opmaak ‘Streetscape of New Districts Permeated by the Fresh Scent of Cement’:. Brussels, the Avant-Garde, and Internationalism1 La Jeune Belgique (1881–97);, L’Art Moderne (1881–1914);, La Société Nouvelle (1884–97);, Van Nu en Straks (1893–94; 1896– 1901); L’Art Libre (1919–22);, Signaux (1921, early title of Le Disque Vert, 1922–54);, 7 Arts (1922–8);, and Variétés (1928– 30). Francis Mus and Hans Vandevoorde In 1871 Victor Hugo was forced to leave Brussels because he had supported the Communards who had fled there.2 This date could also be seen as symbolisiizing the 1 This chapter has been translated from the Dutch by d’onderkast vof. 2 Marc Quaghebeur, ‘Un pôle littéraire de référence internationale’, in Robert Hoozee (ed.), Bruxelles. Carrefour de cultures (Antwerp: Fonds Mercator, 2000), 95–108. For a brief 553 passing of the baton from the Romantic tradition to modernism, which slowly emerged in the 1870s and went on to reach two high points: Art Nouveau at the end of the nineteenth century and the so-called historical avant-garde movements shortly after World War I. The significance of Brussels as the capital of Art Nouveau is widely acknowledged.3 Its renown stems primarily from its architectural achievements and the exhibitions of the artist collective ‘Les XX’ (1884–93),4 which included James Ensor, Henry Van de Velde, Théo van Rysselberghe, George Minne, and Fernand Khnopff.