A Tribute to Hinduism
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Scattered References of Ayurvedic Concepts & Dravyas in Vedas
International Journal of Current Research and Review Review Article DOI: http://dx.doi.org/10.31782/IJCRR.2021.13406 Scattered References of Ayurvedic Concepts & Dravyas in Vedas IJCRR 1 2 3 4 5 Section: Healthcare Zade D , Bhoyar K , Tembhrnekar A , Guru S , Bhawane A ISI Impact Factor (2019-20): 1.628 1 2 IC Value (2019): 90.81 Associate professor, Department of Dravyaguna, DMAMCH&RC, Wandonagri, Nagpur, Maharashtra, India; Assistant Professor, Depart- SJIF (2020) = 7.893 ment of Samhita, DMAMCH&RC, Wandonagri, Nagpur, Maharashtra, India; 3Professor, Department of Agadatantra, DMAMCH&RC, Wan- donagri, Nagpur, Maharashtra, India; 4Associate Professor, Department of KriyaShaarir, DMAMCH&RC, Wandonagri, Nagpur, Maharashtra, Copyright@IJCRR India; 5Assistanr Professor Department of Medicine Jawaharlal Nehru Medical College, Datta Meghe Institute of Medical Sciences, Sawangi (Meghe), Wardha, Maharashtra, India. ABSTRACT Ayurveda and Veda have an in-depth relationship. The Ayurveda system is not simply medical. It is the holiest science of crea- tion. It allows the person to lead a happy life with a pure body and spirit. The Vedas date back five thousand years or so. They’re preaching life philosophy. Ayurveda is known as Atharvaveda’sUpaveda. The Vedas are ancient doctrines of great terrestrial knowledge. Vedas are mantras sets. It portrays ancient people’s living habits, thinking, traditions, etc. Key Words: Ayurveda, Veda, Upaveda, Atharvaveda INTRODUCTION corded, respectively. In reality, Ayurveda is known as Athar- vaveda Upaveda.3 There is also a place for medicinal plants Ayurveda means “Science of life and longevity.” Ayurveda in the Upanishads, where about 31 plants are recorded.4 is one of India’s traditional systems. -
Correspondence
CORRESPONDENCE MINING GEOLOGICAL KNOWLEDGE FROM ANCIENT SANSKRIT TEXTS I found the editorial by Dr .B .P. Radhakrishna on - "A I fully concur with the views expressed by him that our Few Fascinating Geological Observations in the Rnmayana ancient epics/classics and early Sanskrit texts are'sources of Valmih" (Jour. Geol. Soc. India, v.62, Dec.2003, pp.665- of a great treasure of valuable information relevant to 670) very interesting and was greatly delighted to read the scientific knowledge. The promotion of Sanskrit and same. What is striking is that this ancient epic (approximately study of the ancient literature in this language should be dated 1600 BC) by the sage and poet Valrniki not only pursued, especially by the younger generation and all contains vivid descriptions of the nature -rivers , mountains, encouragement and support should be extended by oceans etc., while narrating a great story, but also about the educational institutions and scientific organizations. the detailed knowledgelinformation that was available There is definitely great scope for the research scholars during that time - a sign of great advancement achieved and the scientists to mine more valuable information relevant by our ancient civilization, which is over 5000 years to geologylearth science from the ancient Sanskrit texts old. As Dr. B. P. Radhakrishna has pointed out, the in addition to what is already available. Ramayana mentions the various dlzatunnm or metals Apart from Vedas, Upanishads, and Arthashastra, there known at that time and that they were mined on a fairly are many ancient Sanskrit texts written on smelting/ extensive scale. The importance of mining minerals1 extraction of metals, medicinal chemistry, alchemy and other metals was well established as a source of revenue even relevant aspects. -
Hindu Music from Various Authors, Pom.Pil.Ed and J^Ublished
' ' : '.."-","' i / i : .: \ CORNELL UNIVERSITY LIBRARY MUSIC e VerSl,y Ubrary ML 338.fl2 i882 3 1924 022 411 650 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31 92402241 1 650 " HINDU MUSIC FROM VARIOUS AUTHORS, POM.PIL.ED AND J^UBLISHED RAJAH COMM. SOURINDRO MOHUN TAGORE, MUS. DOC.J F.R.S.L., M.U.A.S., Companion of the Order of the Indian Empire ; KNIGHT COMMANDER OF THE FIRST CLASS OF THE ORDER OF ALBERT, SAXONY ; OF THE ORDER OF LEOPOLD, BELGIUM ; FRANCIS OF THE MOST EXALTED ORDEE OF JOSEPH, AUSTRIA ; OF THE ROYAL ORDER OF THE CROWN OF ITALY ; OF THE MOST DISTINGUISHED ORDER OF DANNEBROG, DENMARK ; AND OF THE ROYAL ORDER OF MELTJSINE OF PRINCESS MARY OF LUSIGNAN ; FRANC CHEVALIER OF THE ORDER OF THE KNIGHTS OF THE MONT-REAL, JERUSALEM, RHODES HOLY SAVIOUR OF AND MALTA ; COMMANDEUR DE ORDRE RELIGIEOX ET MILITAIRE DE SAINT-SAUVEUR DE MONT-REAL, DE SAINT-JEAN DE JERUSALEM, TEMPLE, SAINT SEPULCRE, DE RHODES ET MALTE DU DU REFORME ; KNIGHT OF THE FIRST CLASS OF THE IMPERIAL ORDER OF THE " PAOU SING," OR PRECIOUS STAR, CHINA ; OF THE SECOND CLASS OF THE HIGH IMPERIAL ORDER OF THE LION AND SUN, PERSIA; OF THE SECOND CLASS OF THE IMPERIAL ORDER OF MEDJIDIE, TURKEY ; OF THE ROYAL MILITARY ORDER OF CHRIST, AND PORTUGAL ; KNIGHT THE OF BASABAMALA, OF ORDER SIAM ; AND OF THE GURKHA STAR, NEPAL ; " NAWAB SHAHZADA FROM THE SHAH OF PERSIA, &C, &C, &C. -
Hindu Music in Bangkok: the Om Uma Devi Shiva Band
Volume 22, 2021 – Journal of Urban Culture Research Hindu Music In Bangkok: The Om Uma Devi Shiva Band Kumkom Pornprasit+ (Thailand) Abstract This research focuses on the Om Uma Devi Shiva, a Hindu band in Bangkok, which was founded by a group of acquainted Hindu Indian musicians living in Thailand. The band of seven musicians earns a living by performing ritual music in Bangkok and other provinces. Ram Kumar acts as the band’s manager, instructor and song composer. The instruments utilized in the band are the dholak drum, tabla drum, harmonium and cymbals. The members of Om Uma Devi Shiva band learned their musical knowledge from their ancestors along with music gurus in India. In order to pass on this knowledge to future generations they have set up music courses for both Indian and Thai youths. The Om Uma Devi Shiva band is an example of how to maintain and present one’s original cultural identity in a new social context. Keywords: Hindu Music, Om Uma Devi Shiva Band, Hindu Indian, Bangkok Music + Kumkom Pornprasit, Professor, Faculty of Fine and Applied Arts, Chulalongkorn University, Thailand. email: [email protected]. Received 6/3/21 – Revised 6/5/21 – Accepted 6/6/21 Volume 22, 2021 – Journal of Urban Culture Research Hindu Music In Bangkok… | 218 Introduction Bangkok is a metropolitan area in which people of different ethnic groups live together, weaving together their diverse ways of life. Hindu Indians, considered an important ethnic minority in Bangkok, came to settle in Bangkok during the late 18 century A.D. to early 19 century A.D. -
Available Online Through ISSN 2229-3566
Paliwal Murlidhar et al / IJRAP 2011, 2 (4) 1011-1015 Review Article Available online through www.ijrap.net ISSN 2229-3566 CHARAKA-THE GREAT LEGENDARY AND VISIONARY OF AYURVEDA Paliwal Murlidhar*, Byadgi P.S Faculty of Ayurveda, Institute of Medical Sciences, Banaras Hindu University, Varanasi, India Received on: 18/06/2011 Revised on: 21/07/2011 Accepted on: 11/08/2011 ABSTRACT Ayurveda, the upaveda of Rigveda as mentioned in Charana-Vyuha and an upaveda or upanga of Atharvaveda as mentioned in Ayurvedic classics, is the unique system of healing the ailments, has crossed many mile stones in due course of time because of it’s valid and scientific principles propounded by divine personalities like-Brahma, Dakshaprajapati, Ashwinis (the twins), Indra and later by Bharadwaja, Punarvasu Atreya, Kashiraja Divodasa Dhanvantari and their disciples. Brahma is considered to be the original propounder of Ayurveda. The order of transmission of the knowledge of Ayurveda, as described in the Charaka-Samhita is as follows-Brahma, Dakshaprajapati, Ashwinis, Indra, Bharadwaja, Atreya Punarvasu and his six disciples (Agnivesha, Bhela, Jatukarna, Parashara, Harita and Ksharapani). Agnivesha etc. studied Ayurveda from Atreya Punarvasu and wrote Ayurvedic treatises in their own name. Agnivesha, the disciple of Punarvasu Atreya composed a book named “Agnivesha- tantra” which was later on improved and enlarged by Charaka and named “Charaka- Samhita”. Original work of Agnivesha is not available now. Therefore it is very difficult to ascertain the portion subsequently added, deleted or amended by Charaka. After a lapse of time, some of its contents were lost which were reconstituted and restored by Dridhabala. -
Why I Became a Hindu
Why I became a Hindu Parama Karuna Devi published by Jagannatha Vallabha Vedic Research Center Copyright © 2018 Parama Karuna Devi All rights reserved Title ID: 8916295 ISBN-13: 978-1724611147 ISBN-10: 1724611143 published by: Jagannatha Vallabha Vedic Research Center Website: www.jagannathavallabha.com Anyone wishing to submit questions, observations, objections or further information, useful in improving the contents of this book, is welcome to contact the author: E-mail: [email protected] phone: +91 (India) 94373 00906 Please note: direct contact data such as email and phone numbers may change due to events of force majeure, so please keep an eye on the updated information on the website. Table of contents Preface 7 My work 9 My experience 12 Why Hinduism is better 18 Fundamental teachings of Hinduism 21 A definition of Hinduism 29 The problem of castes 31 The importance of Bhakti 34 The need for a Guru 39 Can someone become a Hindu? 43 Historical examples 45 Hinduism in the world 52 Conversions in modern times 56 Individuals who embraced Hindu beliefs 61 Hindu revival 68 Dayananda Saraswati and Arya Samaj 73 Shraddhananda Swami 75 Sarla Bedi 75 Pandurang Shastri Athavale 75 Chattampi Swamikal 76 Narayana Guru 77 Navajyothi Sree Karunakara Guru 78 Swami Bhoomananda Tirtha 79 Ramakrishna Paramahamsa 79 Sarada Devi 80 Golap Ma 81 Rama Tirtha Swami 81 Niranjanananda Swami 81 Vireshwarananda Swami 82 Rudrananda Swami 82 Swahananda Swami 82 Narayanananda Swami 83 Vivekananda Swami and Ramakrishna Math 83 Sister Nivedita -
Satvavajaya – Psycho Therapy 11
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Journal of Ayurveda and Integrated Medical Sciences (JAIMS) REVIEW ARTICLE May-June 2016 Concept of Satwavajaya Chikitsa (Psychotherapy) Dr. Sachin S. Bagali, Dr. Umapati C Baragi,1 Dr. R. A. Deshmukh 2 Assistant Professor, 1Reader, 2Assistant Professor, Department of Basic Principles, BLDEA’S, AVS Ayurveda Mahavidyalaya, Vijayapur, Karnataka, India. A B S T R A C T Health is defined as, a state of complete physical, mental and social well-being and not merely an absence of disease or infirmity. Manas or Satwa plays an important role in keeping person healthy, even during the time of physical disorder Manas helps in relieving it. But during present day’s lifestyle and stress related environment, human beings are suffering from many psychological disorders; As many as 450 million people suffer from a mental or behavioral disorder. Among them nearly 1 million people commit suicide every year (WHO). So this balancing nature of mind nowadays is getting deprived under the influence of growing stress and strain in life. But treatment is not absolute in the modern science, but Ayurveda may provide better treatment modality in controlling or curing these then other existing sciences. Satwavajaya Chikitsa is a unique non-pharmacological approach for treating the mental disorders. It is the first of its kind and if developed can really prove much useful. So Satwavajaya plays major role to get rid of these problems. So it is very much essential to understand the concept of Satwavajaya Chikitsa. Key words: Satwavajaya , Psychotherapy, Manas , Satva . -
Inpsychosomaticdisorders
JapaneseJapaneseSociety Society ofofPsychosomatic Psychosomatic Medicine Shinshin-Igaku 32: 417-425, 1992 Review Nonpharmacological Approaches of Hindu Buddhist Medicine in Psychosomatic Disorders Amarendra N. Singh, MD., F. R, C. P. (C)' tt-ttt ttttttttt tt tt approaches have of a very ancient origin. Abstract The psychesomatic in India been evolution of these approaches started with medieine ago and was The Hindu 1500 B.C. expanded and spread te other of Asia like China, Korea, IndoCh{na, Thailand and parts eventually Japan by Buddhist medicine in 510 B,C, The Buddhist rnedicine as originated from the teaching of Lord Buddha and completed spread whole of monks andi with spread of by Jivaka to the Asia by Buddhjst the Bud- religion, dhist science, religien, spiritualism and merged and Philosophy, culture through the time great- of to make Hindu Buddhist medicine a holistic one, on ness people yet based biopsychoso- cial and ecolegical concept, ln this paper nenpharmacological approaches of Hindu Buddhist rnedicine is described of v,-hich can be significant therapeutie benefitin the management of psychosornatic dis- eases. I・Iindu Buddhist approaches imparts information and knowledge concerning the measur- able structure and powers of psyche. Hindu approaches clarify the processes by which interpreted, experiences are apprehended, assimilated, and comprehended while Buddhist dream ignorance, approaches eradicate the cause of sickly spells, of and thus to make possible the attainment of serene awakened perfection. help to The combind approaches of two ancient religiens us assimilate the foundarion everything remains and empty. of our beingwithout which stressful The combined and cohesive approaches the state of utter consciousness super-rationally and open the produce emotional door of self which is composed of spirituaL physical and joy, are expressions ef and social Psychosonnatic diseases pathological biological,psychic pa- rarneters of healthand illnesswhereas Hindu Buddhistapproaches show the way to bind closcly the normal interrelationshipof the above. -
An Introduction to The-History of Music Amongst
AN INTRODUCTION TO THE-HISTORY OF MUSIC AMONGST INDIAN SOUTH AFRICANS IN NATAL 1860-1948: 10WARDS MEL VEEN BETH J ACf::::'GN DURBAN JANUARY 1988 Of ~he hi stoczf ffiCISi C and mic and so; -political status Natal, 186<)- 1948. The study conce ns itself e:-:pr- essi on of musi c and the meanings associated with it. Music for-ms, music per-sonalities, and music functions ar-e tr-aced. Some expl anations of the rel a tionships between cl ass str-uctur-es, r- eligious expr-ession, political affiliation, and music ar-e suggested. The first chapter establishes the topic, par-ameters, motivation, pur-pose, theor-etical framewor-k, r esear-ch method and cons traints of the study. The main findings ar-e divided between two chronological sections, 1860-1920 and 1920-1948. The second chapter- describes early political and social structures, the South African phase of Gandhi's satyagraha, Muslim/Hindu festivals, early Christian activity, e arly organisation of a South Indian Hindu music group, the beginnings of the Lawrence family, and the sparking of interest in classical Indian music. The third chapter indicates the changing nature of occupation and life-style f rom a rural to an how music styles changed to suit t he new, Assimilation, assimilation music:: Ind :i. dn Ei s_ fo~ s.. Hindu an·I Muslim.. are identified. including both imported recorcl recor· / and the growth of the cl assi -al music movement ar-e traced, and the role of the "Indian II or-chestr·a is anal yst~d . Chapter· four presents the main conclusions, regarding the cultural, political, and social disposition of Indi a n South Africans, educational implications, and s ome areas requiring further research. -
The Sound of Belonging
The Sound of Belonging Music and Ethnic Identification among Marrons and Hindus in Paramaribo, Suriname Verena Brey Anne Goudzwaard Background picture: Hindu Dancer Small photograph: Marron Dance Group Both pictures were taken during a performance for festivities of the women's club “Soroptimist”, March 19th 2015. The Sound of Belonging Music and Ethnic Identification among Marrons and Hindus in Paramaribo, Suriname Verena Brey, 3920356 [email protected] Anne Goudzwaard 4028279 [email protected] Wordcount: 19192 Coordinator: Hans de Kruijf June 2015 Content 1.Introduction..............................................................................................................................9 2.Theoretical Frame..................................................................................................................13 2.1Ethnomusicology.............................................................................................................13 2.2The Role of Music in constructing Identity.....................................................................16 2.3Music and Ethnic Identity in the Context of Cultural Diversity and Creolization..........20 3.Introducing Suriname.............................................................................................................23 4.Marrons..................................................................................................................................24 4.1Introducing Marrons .......................................................................................................24 -
History of Anatomy in India*
History of Anatomy in India* Dr.Lakshmi Rajgopal, Dr.Govind N Hoskeri, Dr.Pritha S Bhuiyan, Dr.K Shyam Kishore (* Reproduced with the kind permission of the Editor, Journal of Postgraduate Medicine J Postgrad Med 2002; 48:243-245) “India is the cradle of human race, the birthplace of human speech, the mother of history, the grandmother of legend and the great grandmother of tradition. The most valuable and most instructive materials in the history of man are treasured up in India only.” — Mark Twain History of mankind is inseparably entwined in the history of India. Medicine is as old as man and must have come into being with the first awakening of human consciousness. Is it then a wonder that history of medicine should be an integral part of history of India? Anatomy is the oldest and the most important of all medical sciences. There is enough evidence of practice of this science in the ancient Hindu India. In this article, evidence is presented to show that the Hindus were the first scientific cultivators of the most important and essential department of medical knowledge namely practical anatomy. Pre-Vedic Period Five thousand years ago, around 3000 BC Indus Valley Civilization flourished on the banks of the river Indus, contemporaneous with Mesopotamian civilization. Medicine was practised by priests, who were considered next only to Kings and the practice itself was a mixture of magic, rites and rituals. Archaeological excavations from this ancient period show clear evidence of knowledge of comparative anatomy. There are cave paintings depicting pictures of animals on which the critical areas are marked. -
Special Editor's Introduction: Three Tendencies in Indian Philosophy
SPECIAL EDITOR’S INTRODUCTION: THREE TENDENCIES IN INDIAN PHILOSOPHY Devendra Nath Tiwari Going through the texts on Indian philosophical systems we find that the chief purpose of them is to find a solution against the conflicting ideas, digging out the problems, removing doubts of the opponents and getting freedom from them. Unless the thoughts are not clear they cannot be the part of our conduct. No problem is problem for itself; all problems are imposed at thought level and that is why they can be liquidated and removed by philosophical reflection. Removal of them provides bliss. The texts deal with cultivation of a wonderful capacity that accommodates conflicting situations for the greater purpose of living the life in harmony and peace. Great thoughts about the ways of life and the views of life dawn in Vedas and the classical texts. Philosophical systems originated as a safeguard for the maintenance and practice of those great ideas useful for the welfare of the universe. The history of great thoughts is at the same time the history of their critical observation, evaluation and refutation. Arguments in opposition and response in favour not only serve as breath of the protection of those thoughts but promoted Indian philosophical thinking to perfection of Indian culture that comprises the seed of almost all the reflective subtleties which serve as the novelty of the later thinking in India. Three types of tendency in Indian philosophical thinking are apparently observed. First to analyze and reflect on all the arguments popular at a time and then to observe that no argument given for proving the subject and object is steady.