20Th-Century Repertory
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Dante Életműve Az Egyetemes Emberi Kultúra Lényeges Része
Dante életműve az egyetemes emberi kultúra lényeges része. Babits sza- vaival: „Dante élete, amint nem végződik halálával, úgy nem kezdődik születésével: hanem szétolvad a világtörténetbe”. Szellemi örökségének ápolása, ahogy országokat átfogó, úgy hazánkban is igen jelentős. Bizo- nyítja ezt a magyar dantisztika kétszáz éves hagyománya, Péterfy Jenő, Szász Károly, Kaposi József, Fülep Lajos, Babits Mihály, Koltay-Kastner Jenő, Bán Imre, Kardos Tibor, Szauder József munkássága. E hagyomány folytonosságát a 2004-ben alakult Magyar Dantisztikai Társaság kon- cepciózus működése biztosítja. Valamint az elmúlt két évtizedben meg- jelent számos, nemzetközi szinten is jelentős hazai Dante-monográfia, tanulmánykötet, mely könyvek alkotói – Kelemen János, Pál József és Szabó Tibor – egyben a jelen kötet első részének szerzői. Mellettük Máté Zsuzsanna irodalmár, művészetfilozófus és Dombiné Kemény Erzsébet tanár és zongoraművész írása olvasható. A kötet második része a „Dante – 750” szakkollégiumi pályázat díjazott hallgatói tanulmányait; a harma- dik rész az „Égi Paradicsom – „Földi Paradicsom” c. kiállítás nyertes hall- gatói pályamunkáit és az alkotók illetve műveik rövid ismertetését fog- lalja magába; az utolsó rész pedig, a legújabb Dante-könyvekről, Bárdos Judit esztéta és Szabó Tibor filozófus könyvismertetésével zárja a kötetet. 2015. szeptember 30-án, a 750 éve született Dantéra emlékeztünk, a Szegedi Tudományegyetem JGYPK Művészeti, Művészetpedagógiai és Művészetközvetítő Szakkollégiuma által rendezett „Dante – 750” Kiállí- táson és -
A Chronology of All Artists' Appearances with the Chamber
75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 Season, 1938 – 1939 Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 Season, 1939 – 1940 The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 Season, 1940 – 1941 Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian PianoString Quartet The Coolidge Quartet th 4 Season, 1941 – 1942 The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 Season, 1942 – 1943 The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 Season, 1943 – 1944 The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 Season, 1944 – 1945 The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 Season, 1945 – 1946 The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 Season, 1946 – 1947 The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 Season, 1947 – 1948 Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 Season, 1948 – 1949 The Alma Trio -
Polish Music Since Szymanowski Adrian Thomas Index More Information
Cambridge University Press 0521582849 - Polish Music since Szymanowski Adrian Thomas Index More information Index Adler,Guido 12 Overture (1943) 26,27 Aeschylus 183 Partita (1955) 69,94,116 The Eumenides Pensieri notturni (1961) 114,162 AK (Armia Krajowa) Piano Concerto (1949) 62 see under Home Army Piano Sonata no. 2 (1952) 62,69 aleatoricism 93,113,114,119,121,132–133, Quartet for Four Cellos (1964) 116,162 137,152,173,176,202,205,242,295 String Quartet no. 3 (1947) 72 Allegri,Gregorio String Quartet no. 4 (1951) 72–73 Miserere 306 String Quartet no. 5 (1955) 73,94 Amsterdam 32,293 String Quartet no. 6 (1960) 90,113–114 Amy,Gilbert 89 Symphonic Variations (1957) 94 Andriessen,Louis 205,265,308 Symphony no. 2 (1951) 72 Ansermet,Ernest 9 Symphony no. 3 (1952) 72 Apostel,Hans Erich 87 Symphony no. 4 (1953) 72 Aragon,Louis 184 Ten Concert Studies (1956) 94 archaism 10,57,60,61,68,191,194–197,294, The Adventure of King Arthur (radio opera) 299,304,305 (1959) 90,113 Arrau,Claudio 9 Viola Concerto (1968) 116,271 artists’ cafés 17–18 Violin Concerto no. 4 (1951) 69 Association des Jeunes Musiciens Polonais a` Violin Concerto no. 5 (1954) 72 Paris 9–10 Violin Concerto no. 6 (1957) 94 Attlee,Clement 40 Violin Sonata no. 5 (1951) 69 Augustyn,Rafal 289,290,300,311 Wind Quintet (1932) 10 A Life’s Parallels (1983) 293 Bach,J.S. 8,32,78,182,194,265,294, SPHAE.RA (1992) 311 319 Auric,Georges 7,87 Brandenburg Concerto no. -
14 January 2011 Page 1 of 9
Radio 3 Listings for 8 – 14 January 2011 Page 1 of 9 SATURDAY 08 JANUARY 2011 05:37AM virtuosity, but it's quite possible he wrote this concerto to play Mozart, Wolfgang Amadeus (1756-1791) himself. One early soloist commented that the middle SAT 01:00 Through the Night (b00wx4v1) Alma Dei creatoris (K.277) movement was 'too clever by half', but it's the finale that's The Genius of Mozart, presented by John Shea Ursula Reinhardt-Kiss (soprano); Annelies Burmeister (mezzo); catches most attention today, as it suddenly lurches into the Eberhard Büchner (tenor); Leipzig Radio Chorus & Symphony 'Turkish' (or more accurately Hungarian-inspired) style - and 01:01AM Orchestra), Herbert Kegel (conductor) the nickname has stuck. Mozart, Wolfgang Amadeus (1756-1791) Thamos, König in Ägypten (K.345) 05:43AM Conductor Garry Walker is no stranger to Mozart, last season Monteverdi Choir; English Baroque Soloists; cond. by John Mozart, Wolfgang Amadeus (1756-1791) he visited the St David's Festival in West Wales with the Eliot Gardiner 16 Minuets (K.176) (excerpts) Nos.1-4 orchestra, taking the 'Haffner' symphony. Today he conducts Slovak Sinfonietta, cond. Tara Krysa the players in Symphony No. 25, written when Mozart was a 01:50AM teenager. It's his first symphony in a minor key, and maybe the Mozart, Wolfgang Amadeus (1756-1791) 05:51AM passion and turbulence we hear in the outer movements a young Piano Sonata in C minor (K. 457) (1784) Mozart, Wolfgang Amadeus (1756-1791) man struggling out of his adolescence. Denis Burstein (piano) Quartet for strings in B flat major (K.458) "Hunt" Quatuor Mosaïques MOZART 02:15AM Violin Concerto No. -
The University of Chicago Objects of Veneration
THE UNIVERSITY OF CHICAGO OBJECTS OF VENERATION: MUSIC AND MATERIALITY IN THE COMPOSER-CULTS OF GERMANY AND AUSTRIA, 1870-1930 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY ABIGAIL FINE CHICAGO, ILLINOIS AUGUST 2017 © Copyright Abigail Fine 2017 All rights reserved ii TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES.................................................................. v LIST OF FIGURES.......................................................................................... vi LIST OF TABLES............................................................................................ ix ACKNOWLEDGEMENTS............................................................................. x ABSTRACT....................................................................................................... xiii INTRODUCTION........................................................................................................ 1 CHAPTER 1: Beethoven’s Death and the Physiognomy of Late Style Introduction..................................................................................................... 41 Part I: Material Reception Beethoven’s (Death) Mask............................................................................. 50 The Cult of the Face........................................................................................ 67 Part II: Musical Reception Musical Physiognomies............................................................................... -
La Voix Humaine: a Technology Time Warp
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2016 La Voix humaine: A Technology Time Warp Whitney Myers University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.332 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Myers, Whitney, "La Voix humaine: A Technology Time Warp" (2016). Theses and Dissertations--Music. 70. https://uknowledge.uky.edu/music_etds/70 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
Arnold Schoenberg Wind Quintet Op. 26 Mp3, Flac, Wma
Arnold Schoenberg Wind Quintet Op. 26 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Wind Quintet Op. 26 Country: US Released: 1978 Style: Modern MP3 version RAR size: 1884 mb FLAC version RAR size: 1453 mb WMA version RAR size: 1326 mb Rating: 4.4 Votes: 714 Other Formats: WAV DMF AIFF AA ASF TTA WMA Tracklist A1 First Movement: Schwungvoll 11:31 A2 Second Movement: Anmutig Und Heiter; Scherzando 8:17 B1 Third Movement: Etwas Langsam (Poco Adagio) 9:05 B2 Fourth Movement: Rondo 8:28 Credits Bassoon – Brian Pollard Clarinet – Piet Honingh Flute – Frans Vester Horn – Adriaan van Woudenberg Illustration – Kandinsky* Liner Notes – Alan Stout, Jeffrey Wasson Oboe – Maarten Karres Producer – Wolf Erichson Other versions Category Artist Title (Format) Label Category Country Year Schoenberg*, Danzi Philips, Schoenberg*, PHC 9068 Quintet* - Wind Quintet, World PHC 9068 Canada 1967 Danzi Quintet* Opus 26 (LP, Album) Series Arnold Schönberg* - Danzi Quintett* - Arnold Schönberg* 64 812 Bläserquintett Op. 26 BASF 64 812 Germany 1975 - Danzi Quintett* (1923/24) (LP, Album, Club) Arnold Schönberg* - Arnold Schönberg* Danzi Quintett* - 25 22057-5 Acanta 25 22057-5 Germany Unknown - Danzi Quintett* Bläserquintett Op. 26 (LP, RE) Arnold Schönberg* - Arnold Schönberg* Danzi Quintett* - 25 22057-5 BASF 25 22057-5 Germany 1975 - Danzi Quintett* Bläserquintett Op. 26 (1923/24) (LP, Album) Arnold Schönberg* - Arnold Schönberg* 37 93007 Danzi Quintett* - BASF 37 93007 Spain 1976 - Danzi Quintett* Bläserquintett Op. 26 (LP) Related Music albums to Wind Quintet Op. 26 by Arnold Schoenberg Schönberg / Claude Helffer - Intégrale De L'Oeuvre Pour Piano Seul Messiaen, Schoenberg - Yvonne Loriod, Pierre Boulez - Sept Haïkaï / Kammersymphonie / 3 Orchesterstücke Paul Hindemith, Danzi-Quintett - Kleine Kammermusik Op. -
Eine Symphonie Zu Dantes Divina Commedia Deux Légendes
Liszt SYMPHONIC POEMS VOL. 5 Eine Symphonie zu Dantes Divina Commedia Deux Légendes BBC Philharmonic GIANANDREA NOSEDA CHAN 10524 Franz Liszt (1811–1886) Symphonic Poems, Volume 5 AKG Images, London Images, AKG Eine Symphonie zu Dantes Divina Commedia, S 109* 42:06 for large orchestra and women’s chorus Richard Wagner gewidmet I Inferno 20:03 1 Lento – Un poco più accelerando – Allegro frenetico. Quasi doppio movimento (Alla breve) – Più mosso – Presto molto – Lento – 6:31 2 Quasi andante, ma sempre un poco mosso – 5:18 3 Andante amoroso. Tempo rubato – Più ritenuto – 3:42 4 Tempo I. Allegro (Alla breve) – Più mosso – Più mosso – Più moderato (Alla breve) – Adagio 4:32 II Purgatorio 21:57 5 Andante con moto quasi allegretto. Tranquillo assai – Più lento – Un poco meno mosso – 6:22 6 Lamentoso – 5:11 Franz Liszt, steel plate engraving, 1858, by August Weger (1823 –1892) after a photograph 3 Liszt: Symphonic Poems, Volume 5 7 [L’istesso tempo] – Poco a poco più di moto – 3:42 8 Magnificat. L’istesso tempo – Poco a poco accelerando e Deux Légendes published by Editio Musica in Budapest in crescendo sin al Più mosso – Più mosso ma non troppo – TheDeux Légendes, ‘St François d’Assise: la 1984. ‘St François d’Assise’ is scored for strings, Un poco più lento – L’istesso tempo, ma quieto assai 6:40 prédication aux oiseaux’ (St Francis of Assisi: woodwind and harp only, while ‘St François de the Sermon to the Birds) and ‘St François de Paule’ adds four horns, four trombones and a Deux Légendes, S 354 19:10 Paule marchant sur les flots’ (St Francis of bass trombone. -
75Thary 1935 - 2010
ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State. -
"Lucca Città Della Musica" Di Sara Matteucci
SARA MATTEUCCI Lions Club Lucca Host CLuccaITTÀ DELLA MUSICA Questo volume è un’espressione del progetto “Lucca città della musica” che il Lions Club Lucca Host sta portando avanti negli ultimi anni al fine di far entrare Lucca fra le città UNESCO creative della musica. Il Comitato Cultura del Lions Club Lucca Host, presieduto da Leonardo Odoguardi e com- posto da Riccardo Benvenuti, Michele Bianchi, Francesco Cipriano, Giuliano Marchetti, Cristiano Meossi, Enrico Ragghianti, Antonio Sargenti, è stato supportato dai presidenti del Club Umberto Stefani, Adalberto Saviozzi, Maria Carla Giambastiani e dai soci Cesare Rocchi, Gualberto Del Roso. Si ringraziano tutti coloro che hanno collaborato alla realizzazione di questa pubblicazione ed in particolare l’autrice del lavoro Sara Matteucci e Manifatture Sigaro Toscano. SARA MATTEUCCI CLuccaITTÀ DELLA MUSICA Lions Club Lucca Host Si ringrazia per il contributo CLuccaITTÀ DELLA MUSICA Referenze fotografiche Foto Ghilardi, Lucca; Foto Arnaldo Fazzi, Archivio Maria Pacini Fazzi Editore © Copyright 2010: Lions Club Lucca Host Cura grafica e impaginazione Gabriele Moriconi per Maria Pacini Fazzi Editore, Lucca www.pacinifazzi.it ISBN 978-88-6550-026-2 Lions Club Lucca Host Negli Scopi del lionismo è previsto di «prendere attivo interesse al bene civico, culturale, sociale e mo- rale della comunità», mentre nel Codice dell’etica lionistica si chiede di «dimostrare con l’eccellenza delle opere e la solerzia del lavoro, la serietà della vocazione al servizio». Questo desiderio di incidere positiva- mente nel tessuto cittadino è stato ed è una vocazione congenita al Lions Club Lucca Host. Dalla sua istituzione nel 1955, esso si è impegnato per la valorizzazione del patrimonio culturale ed artistico di una città dalla lunga storia. -
Dialogues Des Carmélites. FP 159
1/26 Data Dialogues des Carmélites. FP 159 Francis Poulenc (1899-1963) Langue : Français Genre ou forme de l’œuvre : Œuvres musicales Date 06-1956 Fin de création : Note : Opéra en 3 actes et 12 tableaux. - Livret du compositeur, d'après la pièce de même titre (1949) de Georges Bernanos, elle-même inspirée de la nouvelle "Die Letzte am Schafott" (1931) de Gertrude von Lefort. - Dates de composition : août 1953-juin 1956. - 1re représentation : Milan, Teatro alla Scala, le 26 janvier 1957, dans une traduction de Flavio Testi. - 1re représentation en français : Paris, Opéra, le 21 juin 1957, orchestre sous la direction de Pierre Dervaux Domaines : Musique Autre forme du titre : Dialogue des Carmélites. FP 159 Détails du contenu (1 ressources dans data.bnf.fr) Contient (1) Dialogues des Carmélites. , Francis Poulenc Acte 2. Ave Maria. FP 159 (1899-1963) (1953) data.bnf.fr 2/26 Data Éditions de Dialogues des Carmélites. FP 159 (60 ressources dans data.bnf.fr) Spectacles (29) Dialogues des carmélites , Toulon (France) : Opéra de Dialogues des carmélites , Lyon (France) : Opéra (2013) Toulon - 27-01-2013, Jean- (2013) national - 12-10-2013, Philippe Clarac, Olivier Christophe Honoré Deloeuil Dialogues des Carmélites , Nantes (France) : Théâtre Dialogues des carmélites , Nice (France) : Opéra de (2013) Graslin - 15-10-2013, (2010) Nice - 07-10-2010, Robert Mireille Delunsch Carsen Dialogues des carmélites , Toulouse (France) : Halle Dialogues des Carmélites , Marseille (France) : Opéra (2009) aux grains - 27-11-2009, (2006) de Marseille -
Faculty Woodwind Quartet Flyer Earl Boyd Eastern Illinois University
Eastern Illinois University The Keep Music Programs The Earl Boyd Collection 2015 Faculty Woodwind Quartet Flyer Earl Boyd Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/earl_boyd_programs Part of the Music Commons Recommended Citation Boyd, Earl, "Faculty Woodwind Quartet Flyer" (2015). Music Programs. 29. http://thekeep.eiu.edu/earl_boyd_programs/29 This Book is brought to you for free and open access by the The Earl Boyd Collection at The Keep. It has been accepted for inclusion in Music Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. 0 €astenn 1tt1nols Un1vens1ty w oo0w1n0 Quintet Dear Music Director: Your flutist, oboist, clarinetist, bassoonists, and hornists will welcome the opportunity to hear and work personally with the fine performers in the Eastern Illinois University Woodwind Quintet You are invited to write or call Rhoderick Key, Chairman, Music Department, Eastern Illinois University, Charleston, Illinois, 61920 Phone 217-581-2917 Scheduled to suit your program FLUTE - Robert C. Snyder, flutist, frequent recitalist in Illinois and recent performer at Carnegie Recital Hall in New York, clinician, · writer, and band direetor, graduated from Indiana University with a Masters Degree in Woodwinds and complet~ his doctorate in History and Literature at University of Missouri at Kansas City. He has studied with Vallie Kirk at Washburn University of Topeka, James Pellerite at Indiana University, and William Kincaid. OBOE -Joseph Martin, oboist, double-reed specialist, recitalist, and clinician, graduated with his Masters Degree in Education from East Carolina University in North Carolina. Mr. Martin directs a University stage band and assists in the Symphony Orchestra program.