DOCSLIB.ORG

ARP 2600 Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ARP 2600 Book FUNDAMENTALS OF MUSIC TECHNOLOGY Volume One: The ARP 2600 S•Y•N•T•H•E•S•I•Z•E•R S E C O N D E D I T I O N A Pedagogic Work in Elementary Synthesis With Sampling and Example CD by S A M U E L E C O F F FUNDAMENTALS OF MUSIC TECHNOLOGY Volume One: The ARP 2600 S•Y•N•T•H•E•S•I•Z•E•R S E C O N D E D I T I O N A Pedagogic Work in Elementary Synthesis With Sampling and Example CD by S A M U E L E C O F F Secret Society Productions Fundamentals of Music Technology Volume One: The ARP 2600 Synthesizer Copyright ©& P 2000 by Samuel Wells Ecoff. All Rights Reserved. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a data base or retrieval system, without the prior written permission of the author. If you would like to use excerpts from this book as part of a web page, call me; we’ll talk. :-) The author hereby grants permission to the reader to make copies of Appendix Two (patch sheets for the 2600 and ARP sequencer) as needed, as long as they are used for personal purposes, and not for profit. Typeface: Times ® This book is printed on acid-free paper. 1 1.70 2 2.03 3 1.73 4 3.79 CD LICENSING AGREEMENT 6 1.67 8 2.82 Permission is hereby granted to create samples from the audio CD included with this book. However, by 10 1.32 breaking the seal on the CD casing, the user agrees to the following terms: The sounds and samples on 13 1.33 this disc are licensed, not sold to you. You may use the sounds and samples found on this disc in a 15 1.50 commercial or non-commercial recording without paying any additional license fees. However, you must 17 1.38 strictly adhere to the following crediting guidelines on any music recording that uses material from the 19 1.22 enclosed CD: 21 1.12 23 2.11 In the written materials accompanying your music release, you must include the following courtesy 25 1.31 credits using this wording strictly: 27 1.23 29 1.32 ARP 2600 samples courtesy of Sam Ecoff of Secret Society Productions 31 1.22 33 1.19 Use of these sounds is limited to use musical context, and these sounds must not be left exposed where 35 1.10 they could be easily sampled by a third party. This license of free use is granted exclusively to the original 36 1.10 purchaser of this disc and book, and is non-transferrable. 37 1.04 38 1.06 Any redistribution of this material in any form or by any means is strictly prohibited. 39 1.08 40 1.01 41 1.3 42 1.1 ii This book is dedicated to all of the people that love this wonderful instrument as much as I do; to the people who know that the patch isn’t complete until every available patch cord has been used. iii TABLE OF CONTENTS Table of Contents............................................................................................................................... iv Listing of Tracks on CD ....................................................................................................................vi How the CD was Recorded ...............................................................................................................x Prefaces..............................................................................................................................................xi Thank You..........................................................................................................................................xiii About the Format of this Book.......................................................................................................... xiv UNIT ONE: INTRODUCTION AND OSCILLATORS Section One: General Controls.......................................................................................................... 001 Experiments........................................................................................................................... 009 Review Questions ................................................................................................................. 010 Section Two: VCO-1..........................................................................................................................011 Experiments........................................................................................................................... 016 Review Questions ................................................................................................................. 017 Section Three: VCO-2 ...................................................................................................................... 018 Experiments........................................................................................................................... 028 Review Questions.................................................................................................................. 029 Section Four: VCO-3......................................................................................................................... 030 Experiments........................................................................................................................... 034 Review Questions.................................................................................................................. 035 UNIT TWO: MODIFYING THE SIGNAL Section Five: Noise Generator........................................................................................................... 036 Experiments........................................................................................................................... 040 Review Questions.................................................................................................................. 041 Section Six: The VCF ....................................................................................................................... 042 Experiments........................................................................................................................... 052 Review Questions.................................................................................................................. 054 Section Seven: ADSR & AR Generators........................................................................................... 055 Experiments........................................................................................................................... 060 Review Questions.................................................................................................................. 062 Section Eight: The VCA.................................................................................................................... 063 Experiments........................................................................................................................... 068 Review Questions.................................................................................................................. 069 iv TABLE OF CONTENTS UNIT THREE: FINISHING TOUCHES Section Nine: The Mixer Section and Reverberator.......................................................................... 070 Experiments........................................................................................................................... 073 Review Questions.................................................................................................................. 074 Section Ten: The Internal Clock, Electronic Switch, and S/H Circuits............................................. 075 Experiments........................................................................................................................... 080 Review Questions.................................................................................................................. 081 Section Eleven: The Ring Modulator, Preamp and Envelope Follower ........................................... 082 Experiments........................................................................................................................... 088 Review Questions.................................................................................................................. 090 UNIT FOUR: ADDITIONAL MODULES Section Twelve: The Voltage Processors........................................................................................... 091 Experiments........................................................................................................................... 095 Review Questions.................................................................................................................. 097 Section Thirteen: Keyboard Controls................................................................................................ 098 Experiments........................................................................................................................... 106 Review Questions.................................................................................................................. 108 Section Fourteen: Patch Analysis and Diagramming........................................................................ 109 Experiments........................................................................................................................... 118 Review Questions.................................................................................................................. 118 Section Fifteen: Further experiments with the ARP Sequencer.........................................................119 Experiments..........................................................................................................................
Load more

Recommended publications
  • Music & Film Memorabilia
    MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played.
    [Show full text]
  • Full Text in Question
    Cover Page The handle http://hdl.handle.net/1887/62088 holds various files of this Leiden University dissertation Author: Krenz, Joanna Title: Life on a strip : essayism and emigration in contemporary Chinese literature Date: 2018-05-15 Life on a Strip ∞ Essayism and Emigration in Contemporary Chinese Literature by Joanna Krenz © 2018, Joanna Krenz Photographs on the front and back cover: Möbius strip-inspired Chinese Lucky Knot Bridge in the city of Changsha. Photographer: Krzysztof Kowalczyk Life on a Strip Essayism and Emigration in Contemporary Chinese Literature PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit Leiden, op gezag van Rector Magnificus Prof. mr. C.J.J.M. Stolker, volgens besluit van het College voor Promoties te verdedigen op 15 mei 2018 klokke 16:15 uur door Joanna Krenz geboren te Gniezno, Polen in 1989 Promotores: Prof. Dr. Maghiel van Crevel (Leiden University) Prof. Dr. Izabella Łabędzka (Adam Mickiewicz University) Promotiecommissie: Prof. Dr. Ernst van Alphen (Leiden University) Prof. Dr. Jeroen de Kloet (University of Amsterdam) Prof. Dr. Esther Peeren (University of Amsterdam) Contents Acknowledgements .................................................................................................................... 7 Introduction ................................................................................................................................ 9 PART ONE. One-Sided Writing, or the Essay .................................................................... 19 CHAPTER 1. An
    [Show full text]
  • Substance 1987, New Order
    Substance 1987, New Order. En 2017 son los 30 años del lanzamiento original del álbum Substance 1987 de New Order. Proyecto: Reinterpretación de la portada original, convirtiéndola en una maquetación, doble página de interior de revista. Selección de una de las canciones de Substance 1987 que servirá de contenido, texto motor, para la composición de las dos páginas. Alumnos: 2º curso, Grado Oficial en Diseño Multimedia y Gráfico, ESNE, 2017. Asignatura: Diseño Editorial y Maquetación. Profesor: Renato Seixas [email protected] Alumnos: Alejandro Alcolea Claudia Arroyo Pablo Carreño Alfonso Armenteros Claudia Pérez Rubén Martín Ana Elsa Gil Deydre Alonso Sandra Valero Arturo Grima Elisa de la Torre Sara Alzaga Beatriz de Dios Emilio Pila Sara Bianchi Belén Cerdeira Laura Beamuz Selene P. García Celia Domínguez Manuel González Yoav Caballer New Order Sub- stance 1987 New Order Temptation Each way I turn, I know I’ll always try To break this circle that’s been placed around me From time to time, I find I’ve lost some need SUBSTANCE 1987 That was urgent to myself, I do believe Up, down, turn around Please don’t let me hit the ground Tonight I think I’ll walk alone I’ll find my soul as I go home Heaven, a gateway, a hope Up, down, turn around Please don’t let me hit the ground Tonight I think I’ll walk alone Just like a feeling inside,Just it’slike no a feelingjoke inside, it’s no joke I’ll find my soul as I go home And though it hurts me to see you this way Oh, you’ve got green eyes Oh, you’ve got blue eyes Oh, you’ve got grey eyes Betrayed
    [Show full text]
  • Music & Film Memorabilia
    MUSIC & FILM MEMORABILIA Friday 19th March at 4pm Unfortunately we are unable to open to the public for viewing or auctions at the present time – please contact us for extra images and condition reports. Catalogue web site: WWW.LSK.CO.UK Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Image this page: 623 Your contact at the saleroom is: Glenn Pearl Tel: 01284 748 625 E-mail: gpearl @lsk.co.uk 503 509 An Artley 6S clarinet serial no. 85238, A Steepletone CD Rock i-1CD retro 67cm. style illuminating floor standing jukebox £20-40 CD player on stand, with remote w.54, d.27, h.122 including stand. 504 £50-100 A “Romilly” Graduate flute made for Rudall Carte & Co Ltd, London, serial 510 no. 342561, in fitted hard carry case. Knebworth Fair 1976 limited edition £40-60 1999 concert poster, signed H Bannister and numbered 129/750, designed by 505 Hipgnosis, acts include The Rolling A Bang & Olufsen Biocenter 2200 Stones, Lynyrd Skynyrd, Hot Tuna and stereo system, in silver finish, designed 10cc etc., dia 61cm. (rolled), togther by David Lewis and manufactured 1983- with one other 1999 re-print poster for 1986, w.74, d.33, h.9cm, together with a Knebworth Park 1974, signed and pair of B&O Beovox X25 speakers, numbered 129/750, 77 x 51cm. (rolled) w.22, d.15, h.40cm. (2) £40-60 £40-60 506 511 A Bang & Olufsen Beolit 700 portable Bath Festival of Blues & Progressive radio FM/MW/LW, designed by Jacob Music ‘70, 1998 limited edition poster, Jensen, circa 1972.
    [Show full text]
  • Digital Cultures Listening Lists
    Digital Cultures: Music Recommended Listening and Reading (Prof Andrew Hugill) The following long (but nowhere near long enough to cover everything) listening list not only illustrates some of the key ideas about modernism and postmodernism, structuralism and deconstruction, but also adds up to a mini-history of the evolution of electronic and electroacoustic music in the 20th Century. Some brief descriptive notes are included to indicate the salient features, but there is no substitute for careful and repeated listening, with perhaps some attempt to analyse what is heard. It should be remembered that Modernism and Postmodernism are not musical styles, nor words that artists and composers use to describe their work, but rather terms from critical and cultural theory that seem to sum up broad tendencies in art. In fact, all the pieces below will probably be heard to exhibit characteristics of both ‘isms’. Some useful questions to ask when listening are: what is the artist’s intention? How well is it realized? What is the cultural context for the work? What are its compositional techniques? What is the musical language? Pierre Schaeffer ‘Etude aux chemins de fer’ from ‘Cinq études de bruits’ (1948) on OHM: the early gurus of electronic music: 1948-1980. Roslyn, New York: Ellipsis Arts. This was the first time recorded sound was assembled into a musical composition. The sounds included steam engines, whistles and railway noises. Pierre Schaeffer and Pierre Henry Symphonie pour un homme seul (1950) on Pierre Schaeffer: l’oeuvre musicale EMF EM114. A 12-movement musical account of a man’s day using recorded sounds.
    [Show full text]
  • What Is Post-Punk?
    What is Post-Punk? A Genre Study of Avant-Garde Pop, 1977-1982 Mimi Haddon Schulich School of Music McGill University, Montréal April 2015 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Ph.D. in Musicology © Mimi Haddon 2015 iii TABLE OF CONTENTS Abstract ........................................................................................................................................... vi Résumé ......................................................................................................................................... vii Acknowledgements ..................................................................................................................... viii List of Musical Examples ................................................................................................................ x List of Diagrams and Tables ........................................................................................................... xi List of Figures ............................................................................................................................... xii INTRODUCTION ........................................................................................................................... 1 Historiography and Genre ........................................................................................................ 4 Genre as Musical Style ..........................................................................................................
    [Show full text]
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI Date: 11-Aug-2010 I, Moon-Sook Park , hereby submit this original work as part of the requirements for the degree of: Doctor of Musical Arts in Voice It is entitled: Doubt and Belief: Hugo Wolf’s settings of Geistliche Lieder from Mörike Lieder and Spanisches Liederbuch Student Signature: Moon-Sook Park This work and its defense approved by: Committee Chair: Kenneth Griffiths, MM Kenneth Griffiths, MM 8/16/2010 1,050 Doubt and Belief: Hugo Wolf’s settings of Geistliche Lieder from Mörike Lieder and Spanisches Liederbuch A document submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2010 by Moon-Sook Park B.M., Seoul National University, 1981 M.M., Staatliche Hochschule für Musik in Freiburg, Germany, 1988 Committee Chair: Professor Kenneth Griffiths ABSTRACT Doubt and Belief: Hugo Wolf’s settings of Geistliche Lieder from Mörike Lieder and Spanisches Liederbuch by Moon-Sook Park This study focuses on Hugo Wolf’s settings of religious-themed poetry (“Geistliche Lieder”) in “Mörike Lieder” and Spanisches Liederbuch, composed during his highly prolific period of inspired creativity of 1888–90. While Wolf’s attitude towards religion was ambiguous, his settings of the “Geistliche Lieder” from both collections are remarkable examples of originality, artistry, and personal expression. The study traces Wolf’s motivation for working with religious-themed verses from two divergent poetic sources in the context of biographical circumstances and examines Wolf’s distinctive musical articulation in selected sacred songs from two representative works: the Mörike volume which initiated the mature period of the composer’s career and artistry, and the Spanisches Liederbuch, which represents his originality in full bloom.
    [Show full text]
  • A Meta-Analysis of the Effectiveness of Incarceration-Based Rehabilitation in Regards to Recidivism Reduction
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2013 The new paradigm of rehabilitation : a meta-analysis of the effectiveness of incarceration-based rehabilitation in regards to recidivism reduction. Shaun Andrew Dixon 1985- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Dixon, Shaun Andrew 1985-, "The new paradigm of rehabilitation : a meta-analysis of the effectiveness of incarceration-based rehabilitation in regards to recidivism reduction." (2013). Electronic Theses and Dissertations. Paper 357. https://doi.org/10.18297/etd/357 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE NEW PARADIGM OF REHABILITATION A META-ANALYSIS OF THE EFFECTIVENESS OF INCARCERATION-BASED REHABILITATION IN REGARDS TO RECIDIVISM REDUCTION By Shaun Andrew Dixon B.S. Sociology / Criminal Justice University of Southern Indiana, 2008 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville In Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of Sociology University of Louisville Louisville, Kentucky August 2013 THE NEW PARADIGM OF REHABILITATION A META-ANALYSIS OF THE EFFECTIVENESS OF INCARCERATION-BASED REHABILITATION IN REGARDS TO RECIDIVISM REDUCTION By Shaun Andrew Dixon B.S.
    [Show full text]
  • Executive Summary the 2000 HAWAII STUDENT ALCOHOL, TOBACCO, and DRUG USE STUDY (1987-2000)
    ALCOHOL AND DRUG ABUSE DIVISION State of Hawaii Department of Health Ka Leo O Na Keiki The 2000 Hawaii Student Alcohol, Tobacco, and Other Drug Use Study (1987-2000) Hawaii Adolescent Prevention and Treatment Needs Assessment Executive Summary THE 2000 HAWAII STUDENT ALCOHOL, TOBACCO, AND DRUG USE STUDY (1987-2000): HAWAII ADOLESCENT PREVENTION AND TREATMENT NEEDS ASSESSMENT Executive Summary by Renee Storm Klingle, Ph.D. The University of Hawaii at Manoa Speech Department Contract by: Hawaii Department of Health Alcohol and Drug Abuse Division 601 Kamokila Boulevard, Room 360 Kapolei, Hawaii 96707 2001 TABLE OF CONTENTS Section I. Lifetime Prevalence and Trends ........................................... 2 Section II. Monthly and Daily Prevalence and Trends................................... 8 Section III. Treatment Needs ...................................................... 13 Section IV. Prevention Needs...................................................... 19 Conclusion and Recommendations ..................................................... 25 Appendix A. Prevalence Tables ..................................................... 28 Appendix B. Treatment Needs Tables ................................................ 41 Appendix C. Factors Related to Use.................................................. 44 Appendix D. Prevention Needs Tables................................................ 55 References........................................................................ 64 Data presented here are excerpted from the comprehensive volume
    [Show full text]
  • December 1989
    Cover Photo by Andrew MacNaughtan FEATURES NEIL PEART 18 After being with Rush for 15 years, Neil Peart continues to find new challenges and is still excited about every performance. He discusses the evolution of his drum- ming, and explains how he develops parts for new songs. by William F. Miller Gould Rick by STEPHEN Photo 24 MORRIS The members of New Order—and before that, Joy Division—have always submerged their individual identities into a total band image. But here, drummer Stephen Morris steps out to reveal how he blends acous- tics and electronics into a unique drumming signature. by Adam Budofsky WALFREDO / LFI Rapport 28 REYES, JR. by S. Currently occupying the drum throne with Santana, Photo Walfredo Reyes, Jr. has enjoyed a varied career, work- ing with such artists and groups as David Lindley & El Rayo-X, Jackson Browne, Jimmy Barnes, and Tania Maria. He recalls his early years, and explains how he merges drumset and percussion into one. by Robyn Flans STICKS OF THE STARS The drumstick models favored by today's 32 leading drummers. Wales Lissa by MD TRIVIA CONTEST Photo Win a set of Sabian Jack DeJohnette Signature cymbals. 96 COLUMNS VOLUME 13, NUMBER 12 EDUCATION ROCK 'N' JAZZ DRUM SOLOIST CLINIC Art Blakey: EQUIPMENT Using The Floor Tom "Sincerely Diana" PRODUCT As A Bass Drum Transcribed by Joe CLOSE-UP DEPARTMENTS by Louis Contino LaBarbera Yamaha Chain-Drive EDITOR'S 46 80 Pedals OVERVIEW by William F. Miller 4 STRICTLY THE MACHINE 38 TECHNIQUE SHOP Paiste Signature Series Cymbals READERS' Warm Up/Warm Down Go With
    [Show full text]
  • University of Southampton Research Repository Eprints Soton
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES INTERACTIONS BETWEEN CONTEMPORARY AMERICAN INDEPENDENT CINEMA AND POPULAR MUSIC CULTURE By Matthew William Nicholls For the degree of Doctor of Philosophy July 2011 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Doctor of Philosophy INTERACTIONS BETWEEN CONTEMPORARY AMERICAN INDEPEND- ENT CINEMA AND POPULAR MUSIC CULTURE By Matthew Nicholls In recent years, many American independent films have become increasingly en- gaged with popular music culture and have used various forms of pop music in their soundtracks to various effects. Disparate films from a variety of genres use different forms of popular music in different ways, however these negotiations with pop music and its cultural surroundings have one true implication: that the 'inde- pendentness' (or 'indieness') of these movies is informed, anchored and embellished by their relationships with their soundtracks and/or the representations of or posi- tioning within wider popular music subcultures.
    [Show full text]
  • Student Cancellations Costadvisor $500
    J ,_ .. "_ c .•.• ".._ ~.- .. ; . .···l ~ ..-,.." ,., .' '~" . .... .............., -.'. .'-~ . ;:-'.. • ....... !oilo _4~ .... *1932* The St1ldeats' Voice for .Over. SO Yean Vol. 55 No.3 Barucb CoUege, CUNY September 19, 1917 r STUDENTS DENIED THE USE OF TABLES TO PETITION By LINDA ZUECH A group of students who wanted to set up tables to petition for sup­ port of Regent Adelaide Sanford to become the next chancellor of the City University of New York were refused by the Office of Campus JoIna RIdImIs, Planning and Facilities. DSSG. Cherel Nelson. who is Reform Act Declares spearheading the effort to petition for Sanford. said. "We' requested Financial Aid to have two tables (through Ron STUDENT GOVERNMENT Williams) and we were denied," FACES FUNDING PROBLEMS "Taxable" Income' According to John Richards, the president of the Day Session Stu­ By CHRISTOPHER A. WARD By NANNEI IE F. GORDON dent Government. the reason Mikulsky gave for refusing the re­ quest was that the group was not af­ DSSG PROPOSES LESS MONEY filiated withthe college. FEE INCREASE FROM SPRING Nelson said. "There are many students in the Baruch Community OF $13.65 CARRIED OVER who support this effort." According to Dr ~ Marilyn The Day Session Student According to records at Baruch's Mikulsky. disector of Campus Government 'has proposed a St 3.65 Student "Center Accountmg office. .~·ana :'Fli:ifities~cActualJY. ~11£Te-ase to the e"ist~ng student fee . the -Da~-- Ses5iion-S*,,,le•.c.oven. " of '$36.35. 'DSSG President John ment fou.nd .itself' widt Rss than '11 WasII't arormal'group that re- . ~ tables.lt-liiS-toc;e-a- etu6 t6at­ (hc :-.'8'-"01 file' ~aIJ 'l~1 semes,.~ ,...
    [Show full text]