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Bluegrass Songs with Chords
The Freebird Fell Intro: C Am C Am I was just a teenage boy on my way to school Mama mad at me for me 'cause I turned on the news Details still uncertain as I put on my shoes Wasn't sure what happened but I knew I had the blues. F GC Cause that's the day the freebird fell Oh, I remember it well F GC So many cried when Ronnie died He never said farewell F G What he'd say in a southern song C Am Stories told still here long F GC The day the freebird fell. CAm Pulled myself together and I went on my way Missed the bus on purpose so I could walk that day Tuesday's Gone and Simple Man Play on in my mind Sweet Home Alabama, Curtis Loew and One More Time 'Cause that's the day the freebird fell Oh, I remember it well So many cried when Ronnie died He never said farewell What he'd say in a southern song Stories told still here long The day the freebird fell. Freebird fell Freebird fell, mmmm. Many years have come and gone, a lot of things have changed Father time has passed me by one thing stayed the same When I'm feeling lonely, when I'm feeling blue I crank up some of that good ol' honkey, Lord I think of you. Back to the day the freebird fell Oh, I remember it well So many cried when Ronnie died Visit www.traditionalmusic.co.uk for more songs. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played. -
Gendermatters
SPRING/SUMMER 2010 gender matters THE UNIVERSITY OF TEXAS AT AUSTIN t the end of this, my first year as Director of CWGS, I want to thank all those who have made this year such a pleasure—a challenge, yes, but always transformed Ainto pleasure at the willingness of colleagues (staff, faculty, advisory board members, and students) who found time to listen, to help, to advise, and to ap- plaud our successes. And despite a rather grim budgetary climate, we have had many successes: more seniors graduat- ing than ever before, our Masters’ students advanc- Susan Sage Heinzelman Photo by G. Morse ing to PhD programs around the country, our fac- students, offer curriculum grants to WGS faculty af- ulty publishing books, winning teaching awards and filiates to develop courses for the WGS major and prestigious grants, and our community of support- Masters’ program, as well as bring together the vari- ers growing larger and larger as we bring together ous human rights programs and research agendas those who care about social justice and equality in on campus. As with so much of what we do, we will the arts, in politics, and in the academy. need the advice and help of colleagues from across the University, and from those around the world These and other contributions to The Uni- who have already made significant contributions to versity of Texas at Austin and the larger community the cause of women’s rights. What receiving this culminated in the announcement that we had been grant has made even clearer to us is just how much awarded $451,000 by the Embrey Family Founda- we rely on the on-going commitment and energy tion of Dallas to develop a Women’s Rights Initiative of those who support what we do. -
Since the Idea of Doing a Lynyrd Skynyrd Tribute Was Conceived By
For over three decades, Whiskey River’s musicians have thrilled audiences all over the West Coast as America's number one tribute to the legendary southern-rock band Lynyrd Skynyrd. Re-creating the image and the music of the southern rock band that took the world by storm in the "70's. Whiskey River not only plays Lynyrd Skynyrd, they personify the group onstage bringing the audience back in time thirty years as they blaze through classics like Sweet Home Alabama, Gimme Three Steps, The Breeze and their phenomenal note-for-note version of Lynyrd Skynyrd’s "Live" guitar opus Freebird. One of the most amazing aspects of Whiskey River’s tribute to Lynyrd Skynyrd is that their fan base literally runs from seven to seventy years old! Whiskey River has performed countless fairs, festivals, casinos and clubs throughout the region including Spokane Interstate Fair, Chehalis Music in the Parks, Darrington Classic Rock Festival, the White River Amphitheater, Key Arena @ Seattle Center, Bite of Seattle, the Emerald Queen, Tulalip, 7 Cedars, Red Wind and Skagit Casinos, the Jackson Prairie Speedway, the Sturgis Black Hills Rally in Sturgis, SD, and many many more. The band has also shared billing with numerous National Artists including Molly Hatchet, Delbert McClinton, Little Feat, Pat Travers, Foghat, Mountain, Grand Funk Railroad, Black Oak Arkansas, Quiet Riot, Dr. John, Savoy Brown, Seattle's own Randy Hansen, Elvin Bishop, Commander Cody, Paul Rodgers, Head East, Janis Joplin's band Big Brother and the Holding Company, Blue Oyster Cult, The Southern Rock All Stars, Iron Butterfly, Steppin Wolf and many others. -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash
Washington and Lee Law Review Volume 64 | Issue 2 Article 4 Spring 3-1-2007 [Insert Song Lyrics Here]: The sesU and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Legal Writing and Research Commons Recommended Citation Alex B. Long, [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash. & Lee L. Rev. 531 (2007), https://scholarlycommons.law.wlu.edu/wlulr/vol64/iss2/4 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long* Table of Contents I. For Those About To Rock (I Salute You) .................................... 532 II. I'm Looking Through You ........................................................... 537 A. I Count the Songs That Make the Legal Profession Sing, I Count the Songs in Most Everything, I Count the Songs That Make the Young Lawyers Cry, I Count the Songs, I Count the Songs ................................................. 537 B . A dd It U p ............................................................................... 539 C. I'm Looking Through You .................................................... 541 1. It Takes a Profession of Thousands To Hold Us Back .... 541 2. Baby Boomers Selling You Rumors of Their History ..... 544 3. -
Gimme Three Steps
GIMME THREE STEPS As recorded by Lynyrd Skynyrd (From the 1973 Album PRONOUNCED LEH-NERD SKIN-NERD) Transcribed by prusche Words and Music by Allen Collins and Ronnie Van Zant E5 A A5 F 5 D5 5 fr. D5/A 5 fr. C 5/G D/A 5 fr. xxx x x x xx bxxx x xx xx bxxxbx x A Intro Moderate Rock = 132 D P A 1 g V V c I g 4 V k V V V V k V V V V V k V V V V k V V V V V V V V V V V V V V V fV gV V V V V V Gtur I V V V V V V T 7 2 2 2 7 7 7 7 7 7 7 2 2 2 2 2 2 A 7 7 7 7 7 7 7 7 2 2 2 2 2 2 0 B 9 9 7 9 7 9 0 0 0 4 0 0 4 0 3 4 2 4 g I g 4 j Gtr II V V T A 0 B 4 D A5 F 5D5/A D/A b 5 c c g V V c c V g V k V V V V k V V V k V k V V V V k V V k V I V V V V V V V V V V V V V V V V u V V V V V V V V V V V V T 7 7 7 7 7 7 7 7 7 (7) 7 7 7 7 A 7 7 7 7 7 7 7 7 7 7 (7) 7 7 7 7 B 9 9 7 9 7 9 0 7 7 7 4 5 (5) 5 5 5 5 0 5 5 5 0 2 5 (5) 5 5 5 5 c c g V V c c V g V k V V V V k V V V V k V k V V V V k V V k V I V V V V V V V V V V V V V V V V u V V V V V V V V V V V V T 7 7 7 7 7 7 7 7 7 (7) 7 7 7 7 A 7 7 7 7 7 7 9 7 7 7 7 (7) 7 7 7 7 B 9 9 7 9 7 9 7 7 7 4 5 (5) 5 5 5 5 0 5 5 5 0 2 5 (5) 5 5 5 5 Generated using the Power Tab Editor by Brad Larsen. -
Rebel Rock Lynyrd Skynyrd, Normaal, and Regional Identity by Maarten Zwiers
University of Groningen Rebel Rock Zwiers, Maarten Published in: Southern Cultures DOI: 10.1353/scu.2015.0026 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2015 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Zwiers, M. (2015). Rebel Rock: Lynyrd Skynyrd, Normaal, and Regional Identity. Southern Cultures, 21(3), 85-102. https://doi.org/10.1353/scu.2015.0026 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. -
Billboard-1987-11-21.Pdf
ICD 08120 HO V=.r. (:)r;D LOE06 <0 4<-12, t' 1d V AiNE3'c:0 AlNClh 71. MW S47L9 TOO, £L6LII.000 7HS68 >< .. , . , 906 lIOIa-C : , ©ORMAN= $ SPfCl/I f011I0M Follows page 40 R VOLUME 99 NO. 47 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT November 21, 1987/$3.95 (U.S.), $5 (CAN.) CBS /Fox Seeks Copy Depth Many At Coin Meet See 45s As Strong Survivor with `Predator' two -Pack CD Jukeboxes Are Getting Big Play "Predator" two-pack is Jan. 21; indi- and one leading manufacturer Operators Assn. Expo '87, held here BY AL STEWART vidual copies will be available at re- BY MOIRA McCORMICK makes nothing else. Also on the rise Nov. 5-7 at the Hyatt Regency Chi- NEW YORK CBS /Fox Home Vid- tail beginning Feb. 1. CHICAGO While the majority of are video jukeboxes, some using la- cago. More than 7,000 people at- eo will test a novel packaging and According to a major -distributor jukebox manufacturers are confi- ser technology, that manufacturers tended the confab, which featured pricing plan in January, aimed at re- source, the two -pack is likely to be dent that the vinyl 45 will remain a say are steadily gaining in populari- 185 exhibits of amusement, music, lieving what it calls a "critical offered to dealers for a wholesale viable configuration for their indus- ty. and vending equipment. depth -of-copy problem" in the rent- price of $98.99. Single copies, which try, most are beginning to experi- Those were the conclusions Approximately 110,000 of the al market. -
Full Text in Question
Cover Page The handle http://hdl.handle.net/1887/62088 holds various files of this Leiden University dissertation Author: Krenz, Joanna Title: Life on a strip : essayism and emigration in contemporary Chinese literature Date: 2018-05-15 Life on a Strip ∞ Essayism and Emigration in Contemporary Chinese Literature by Joanna Krenz © 2018, Joanna Krenz Photographs on the front and back cover: Möbius strip-inspired Chinese Lucky Knot Bridge in the city of Changsha. Photographer: Krzysztof Kowalczyk Life on a Strip Essayism and Emigration in Contemporary Chinese Literature PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit Leiden, op gezag van Rector Magnificus Prof. mr. C.J.J.M. Stolker, volgens besluit van het College voor Promoties te verdedigen op 15 mei 2018 klokke 16:15 uur door Joanna Krenz geboren te Gniezno, Polen in 1989 Promotores: Prof. Dr. Maghiel van Crevel (Leiden University) Prof. Dr. Izabella Łabędzka (Adam Mickiewicz University) Promotiecommissie: Prof. Dr. Ernst van Alphen (Leiden University) Prof. Dr. Jeroen de Kloet (University of Amsterdam) Prof. Dr. Esther Peeren (University of Amsterdam) Contents Acknowledgements .................................................................................................................... 7 Introduction ................................................................................................................................ 9 PART ONE. One-Sided Writing, or the Essay .................................................................... 19 CHAPTER 1. An -
Artist of the Year
THE 4 Trading Post Way Medford Lakes, New Jersey 08055 HARD REPORT' December 18, 1987 Issue #59 609-654-7272 ARTIST OF THE YEAR ZGI A a 112 MALE VOCAL ISLAND RADIO RATES THE BEST OF '87 COMEBACK BREAKTHROUGH GRATEFUL REM DEAD "DOCUMENT" "TOUCH OF GREY" IRS ARISTA FEMALE 6.vryttri,Vizer NEW FEMALE VOCAL SUZANNE VEGA ANN WILSON "SOLITUDE STANDING" "BAD ANIMALS" A&M CAPITOL IMAGE NEW MALE TURNAROUND RICHARD AEROSMITH MARX "PERMANENT EMI VACATION" GEFFEN WORLD PARTY NEW AMERICAN Private Revolution NEW IMPORT BAND ACT THE BRANDOS WORLD PARTY "HONOR AMONG "PRIVATE THIEVES" REVOLUTION" RELATIVITY CHRYSALIS AND NOW A WORD FROM OUR SPONSOR ... It's four in the morning and frcm where we sit, this Final Issue looks like a keeper. We've put a ton of time and energyinto this particular edition, and we think you'll have lots of fun with the overview. After all, with some 90 + stations responding to our sur- vey, it's basically your window on RockWorld as it went down this past year. The first year of any new business is hell on wheels, (Groanong, creaking, barking dog sound efx, please) and we've seen quite a parade in '87. When I look back over my final comments last year (after nine issues), it sounded as if we had moved mountains. And in a way we had, starting from scratch to a full service publication some 140 stations deep. But in the 12 months since, it has become readily apparent that we were barely walking then. We've extended our reporter roster well past the 200 mark; Our New Alternative and Hard Rock sections have inspired numerous imitators, and our combi- nation of high technology and people power has effectively re -defined what a tip sheet can and will be in the years to come.