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Chris Jagger クリス・ジャガー Mp3, Flac, Wma
Chris Jagger クリス・ジャガー mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: クリス・ジャガー Country: Japan Released: 1973 Style: Rhythm & Blues, Classic Rock MP3 version RAR size: 1343 mb FLAC version RAR size: 1406 mb WMA version RAR size: 1474 mb Rating: 4.4 Votes: 522 Other Formats: MIDI AA AIFF MP4 MPC MMF APE Tracklist Hide Credits Handful Of Dust A1 Acoustic Guitar – David Pierce Backing Vocals [Helpout Vox] – M. Jagger*Bass, Lead Guitar 3:36 – John UribeDrums – Roger EarlSaxophone – Bobby KeysWritten-By – C. Jagger*, D. Pierce* My Friend John Arranged By – J. Uribe*Backing Vocals [Helpout Vox] – Chris Jagger, Oliver TobiasBass, A2 2:51 Acoustic Guitar, Percussion, Backing Vocals [Helpout Vox] – John UribeDrums – Roger EarlOrgan – Michael O'MardinPercussion – Don PoncherWritten-By – C. Jagger* Let Me Down Easy Arranged By – J. Uribe*Bass – Pat VegasDrums – Don PoncherPiano – Michael A3 5:01 O'MardinSlide Guitar, Rhythm Guitar – John UribeVoice [Voices] – Claudia Linnear*, Elaine , Pat Arnold*Written-By – C. Jagger* Going Nowhere A4 Bass, Percussion, Guitar – John UribeCello – Bob DentDrums – Roger EarlPercussion – 3:06 Diane Piano, Guitar – David Pierce Written-By – C. Jagger*, D. Pierce* Something New A5 Bass – Bob GriffithDrums – Roger EarlPiano – Chris Jagger, Ian StewartRhythm Guitar, 3:56 Lead Guitar – John UribeWritten-By – C. Jagger* Riddle Song Arranged By – D. Pierce*Bass, Effects [Electric Lead & Effects], Percussion – John B1 2:38 UribeDrums – Mike KelliePiano, Rhythm Guitar, Effects [Electric Lead & Effects] – David Pierce Written-By – C. Jagger* All Souls Acoustic Guitar, Electric Guitar – David Pierce Bass, Lead Guitar – John UribeDrums – B2 2:38 Roger EarlHorns – Elijah HornsPiano – Michael O'MardinWritten-By – C. -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played. -
Full Text in Question
Cover Page The handle http://hdl.handle.net/1887/62088 holds various files of this Leiden University dissertation Author: Krenz, Joanna Title: Life on a strip : essayism and emigration in contemporary Chinese literature Date: 2018-05-15 Life on a Strip ∞ Essayism and Emigration in Contemporary Chinese Literature by Joanna Krenz © 2018, Joanna Krenz Photographs on the front and back cover: Möbius strip-inspired Chinese Lucky Knot Bridge in the city of Changsha. Photographer: Krzysztof Kowalczyk Life on a Strip Essayism and Emigration in Contemporary Chinese Literature PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit Leiden, op gezag van Rector Magnificus Prof. mr. C.J.J.M. Stolker, volgens besluit van het College voor Promoties te verdedigen op 15 mei 2018 klokke 16:15 uur door Joanna Krenz geboren te Gniezno, Polen in 1989 Promotores: Prof. Dr. Maghiel van Crevel (Leiden University) Prof. Dr. Izabella Łabędzka (Adam Mickiewicz University) Promotiecommissie: Prof. Dr. Ernst van Alphen (Leiden University) Prof. Dr. Jeroen de Kloet (University of Amsterdam) Prof. Dr. Esther Peeren (University of Amsterdam) Contents Acknowledgements .................................................................................................................... 7 Introduction ................................................................................................................................ 9 PART ONE. One-Sided Writing, or the Essay .................................................................... 19 CHAPTER 1. An -
Substance 1987, New Order
Substance 1987, New Order. En 2017 son los 30 años del lanzamiento original del álbum Substance 1987 de New Order. Proyecto: Reinterpretación de la portada original, convirtiéndola en una maquetación, doble página de interior de revista. Selección de una de las canciones de Substance 1987 que servirá de contenido, texto motor, para la composición de las dos páginas. Alumnos: 2º curso, Grado Oficial en Diseño Multimedia y Gráfico, ESNE, 2017. Asignatura: Diseño Editorial y Maquetación. Profesor: Renato Seixas [email protected] Alumnos: Alejandro Alcolea Claudia Arroyo Pablo Carreño Alfonso Armenteros Claudia Pérez Rubén Martín Ana Elsa Gil Deydre Alonso Sandra Valero Arturo Grima Elisa de la Torre Sara Alzaga Beatriz de Dios Emilio Pila Sara Bianchi Belén Cerdeira Laura Beamuz Selene P. García Celia Domínguez Manuel González Yoav Caballer New Order Sub- stance 1987 New Order Temptation Each way I turn, I know I’ll always try To break this circle that’s been placed around me From time to time, I find I’ve lost some need SUBSTANCE 1987 That was urgent to myself, I do believe Up, down, turn around Please don’t let me hit the ground Tonight I think I’ll walk alone I’ll find my soul as I go home Heaven, a gateway, a hope Up, down, turn around Please don’t let me hit the ground Tonight I think I’ll walk alone Just like a feeling inside,Just it’slike no a feelingjoke inside, it’s no joke I’ll find my soul as I go home And though it hurts me to see you this way Oh, you’ve got green eyes Oh, you’ve got blue eyes Oh, you’ve got grey eyes Betrayed -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 19th March at 4pm Unfortunately we are unable to open to the public for viewing or auctions at the present time – please contact us for extra images and condition reports. Catalogue web site: WWW.LSK.CO.UK Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Image this page: 623 Your contact at the saleroom is: Glenn Pearl Tel: 01284 748 625 E-mail: gpearl @lsk.co.uk 503 509 An Artley 6S clarinet serial no. 85238, A Steepletone CD Rock i-1CD retro 67cm. style illuminating floor standing jukebox £20-40 CD player on stand, with remote w.54, d.27, h.122 including stand. 504 £50-100 A “Romilly” Graduate flute made for Rudall Carte & Co Ltd, London, serial 510 no. 342561, in fitted hard carry case. Knebworth Fair 1976 limited edition £40-60 1999 concert poster, signed H Bannister and numbered 129/750, designed by 505 Hipgnosis, acts include The Rolling A Bang & Olufsen Biocenter 2200 Stones, Lynyrd Skynyrd, Hot Tuna and stereo system, in silver finish, designed 10cc etc., dia 61cm. (rolled), togther by David Lewis and manufactured 1983- with one other 1999 re-print poster for 1986, w.74, d.33, h.9cm, together with a Knebworth Park 1974, signed and pair of B&O Beovox X25 speakers, numbered 129/750, 77 x 51cm. (rolled) w.22, d.15, h.40cm. (2) £40-60 £40-60 506 511 A Bang & Olufsen Beolit 700 portable Bath Festival of Blues & Progressive radio FM/MW/LW, designed by Jacob Music ‘70, 1998 limited edition poster, Jensen, circa 1972. -
Mick Jagger © Felix Aeppli 04-2020 / 09-2021
Memo From Turner Mick Jagger © Felix Aeppli 04-2020 / 09-2021 1001 July 26, 1943 Born in Dartford, Kent: Michael Philip Jagger. 1001A Late 1961 Bob Beckwith’s home, Bexleyheath, near Dartford, and/or Dick Taylor’s home, Dartford, Kent: LITTLE BOY BLUE AND THE BLUE BOYS, SOME OLD SONGS (Download EP, Promotone / iTunes, May 27, 2013: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES FILES 1961-1964 (BT CD: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES, REELIN’ & ROCKIN’ (BT CD: cuts 1-5 [all incomplete]); DOWN THE ROAD APIECE (STONES TOURING HISTORY VOL. 1) (BT CD: cuts 1, 9 [1 longer, but still incomplete]); HOW BRITAIN GOT THE BLUES (BT CD: cuts 2, 3, 6, 8), BILL WYMAN’S BLACK BOX (BT CD [VGP]: cuts 2, 3, 6, 8); GENUINE BLACK BOX (BT CD box set [Disc 1]: cuts 5, 11-13); REEL TIME TRIP (BT CD: cut 7): 1. Around And Around, 2. Little Queenie, 3. Beautiful Delilah (all Berry), 4. La Bamba (Trad. arr. Valens), 5. Go On To School (Reed) [not Wee Baby Blues (Turner, John- son)], 6. I Ain’t Got You (Carter), 7. I’m Left, You’re Right, She’s Gone (Kesler, Taylor), 8. Down The Road Apiece (Raye), 9. Don’t Stay Out All Night (Arnold), 10. I Ain’t Got You (Carter), 11. Johnny B. Goode, 12. Little Queenie, 13. Beautiful Delilah (all Berry) MJ: vocals; Keith Richards: guitar, Bob Beckwith: guitar, and maybe harmonica (13); Dick Taylor: bass, guitar, drums (probably 13); Alan Etherington: maracas, drums, back-up vocals; – NOTES: Cuts 1-13: 30 minutes reel-to-reel tape of which the original was bought by Mick Jagger at Christie’s auction house, London, May 25, 1995, for £ 50,250; Cut 10: Existence unconfirmed; Cuts 11-13: Might come from a January, 1962, session at Dick Taylor’s home; – In spite of respective rumours, LITTLE BOY BLUE AND THE BLUE BOYS just rehearsed in their parents homes and never had a public appearance. -
Digital Cultures Listening Lists
Digital Cultures: Music Recommended Listening and Reading (Prof Andrew Hugill) The following long (but nowhere near long enough to cover everything) listening list not only illustrates some of the key ideas about modernism and postmodernism, structuralism and deconstruction, but also adds up to a mini-history of the evolution of electronic and electroacoustic music in the 20th Century. Some brief descriptive notes are included to indicate the salient features, but there is no substitute for careful and repeated listening, with perhaps some attempt to analyse what is heard. It should be remembered that Modernism and Postmodernism are not musical styles, nor words that artists and composers use to describe their work, but rather terms from critical and cultural theory that seem to sum up broad tendencies in art. In fact, all the pieces below will probably be heard to exhibit characteristics of both ‘isms’. Some useful questions to ask when listening are: what is the artist’s intention? How well is it realized? What is the cultural context for the work? What are its compositional techniques? What is the musical language? Pierre Schaeffer ‘Etude aux chemins de fer’ from ‘Cinq études de bruits’ (1948) on OHM: the early gurus of electronic music: 1948-1980. Roslyn, New York: Ellipsis Arts. This was the first time recorded sound was assembled into a musical composition. The sounds included steam engines, whistles and railway noises. Pierre Schaeffer and Pierre Henry Symphonie pour un homme seul (1950) on Pierre Schaeffer: l’oeuvre musicale EMF EM114. A 12-movement musical account of a man’s day using recorded sounds. -
Mick Jagger Solo Works, 1964-2007 Mp3, Flac, Wma
Mick Jagger Solo Works, 1964-2007 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul / Blues / Pop Album: Solo Works, 1964-2007 Country: Europe Released: 2011 MP3 version RAR size: 1589 mb FLAC version RAR size: 1402 mb WMA version RAR size: 1919 mb Rating: 4.6 Votes: 827 Other Formats: RA DTS MP2 AUD FLAC MMF VOC Tracklist 1-1 –Andrew Oldham Orchestra* Da Doo Ron Ron 1-2 –Eric Clapton Snake Drive 1-3 –Eric Clapton West Coast Idea 1-4 –Mick Jagger You Got The Silver 1-5 –Mick Jagger Wild Colonial Boy 1-6 –Mick Jagger Memo From Turner 1-7 –Various It Hurts Me Too 1-8 –The Rolling Stones Exile On Main Street Blues 1-9 –Carly Simon You're So Vain 1-10 –Ron Wood I Can Feel The Fire 1-11 –Peter Frampton I Can Feel The Fire 1-12 –Peter Tosh Don't Look Back 1-13 –The Jacksons State Of Shock 1-14 –Mick Jagger Just Another Night 1-15 –Mick Jagger Lucky In Love 1-16 –David Bowie & Mick Jagger Dancing In The Street 1-17 –Mick Jagger Hard Woman 1-18 –Mick Jagger Lonely At The Top 2-1 –Mick Jagger Ruthless People 2-2 –Mick Jagger I'm Ringing 2-3 –Peter Wolf Pretty Lady 2-4 –Mick Jagger Blues Jam And Danger Up Ahead 2-5 –Mick Jagger Danger Up Ahead 2-6 –Mick Jagger Gangsters's Moll 2-7 –Mick Jagger Catch As Catch Can 2-8 –Mick Jagger Let's Work 2-9 –Mick Jagger Say You Will 2-10 –Mick Jagger Shoot Off Your Mouth 2-11 –Mick Jagger Throwaway 2-12 –Mick Jagger Peace For The Wicked 3-1 –Mick Jagger Party Doll 3-2 –Mick Jagger War Baby 3-3 –Mick Jagger Party Doll 3-4 –Mick Jagger Little Red Rooster 3-5 –Mick Jagger Shine A Light 3-6 –Mick -
Ronnie Wood, Keith Richards, and Mick Jagger by S.L
The Retort - Wednesday, February 17, 1993 Revelations Editor Greg Chinberg - 2195 Solo Stones: Ronnie Wood, Keith Richards, and Mick Jagger By S.L. Maasch the album to an immediate rousing boil as Retort Revelations Writer Jagger rages with cyclonic fury, "I'm hard as a The Rolling Stones. The mere mentioning brick / I hope I never go limp." There's the of that name brings to mind the distinctive reckless declaration of independence of the Jagger vocals, the metallic whiplash of Richards' rockin' title track and the vocal duet of Jagger and Ron Wood's guitars, and the elementary and Lenny Kravitz doing a cover of Bill bass-and-drums thunder of Bill Wyman and Withers's 1970's hit song, "Use Me". His Charlie Watts. brashness and swagger are well intact on num- Though the Stones are set to regroup later bers like "Put Me In The Trash" and the relent- this year for yet another new studio album, they lessly strutting cover ofJames Brown's "Think". aren' t ones to sit on their laurels. Recently, three The first single, "Sweet Thing", has Jagger of them put out solo albums and have proven applying a "Fool To Cry" falsetto to a danceable, that they are far from being merely three oldies "Miss You"- style track. On "Out Of Focus", a acts. It's startling to hear rock' n roll so alive and churchy piano-vocal intro segues into a kind of passionate from players whose ages hover near gospel-funk. "Don't Tear Me Up" is a sadder- fifty and who come trailing chains of history, but-wiserreflection bolstered byechoes of "You myth and cash. -
KULTURKULTUR Samstag 17
KULTURKULTUR Samstag 17. SEPTEMBER 2011 / Seite 30 www.schwetzinger-zeitung.de SZ/HTZ Geburtstag: Heute vor 100 Jahren wurde der Gründer der Schwetzinger Mozarttage, Generalmusikdirektor Gerhard Treiber, in Heidelberg geboren Unermüdlicher Streiter in Sachen Musik Von unserer Gastautorin chermaßen einen enorm hohen einmaligen Atmosphäre des Roko- Angela Bräunig Stellenwert einnimmt. kotheaters ermöglichen. Häufig Der 1911 geborene Richard Trei- stand er selbst am Dirigentenpult Die Mozartgesellschaft Schwetzin- ber entstammt einer alten Heidel- und hat mit großem Einfühlungsver- gen gedenkt heute des 100. Geburts- berger Musikerfamilie. Sein Vater er- mögen Orchester und Solisten gelei- tages ihres Gründers und Spiritus kannte und förderte schon früh sei- tet. Rector, Generalmusikdirektor Dr. ne musikalische Begabung. Berich- Man erinnert sich noch gerne an Richard Treiber. Mit vielen Titeln be- ten von Klassenkameraden zufolge die vielen schönen Konzerte. Kurz dacht wie „Dirigierende Legende“, hat er bereits während seiner Schul- vor seinem 85. Geburtstag dirigierte „Feste Größe im Musikleben“, „Nes- zeit intensiv – unter der Schulbank – er letztmals für die Mozartgesell- tor der deutschen Dirigenten“, Partituren studiert. schaft Schwetzingen beim Eröff- Schwergewicht bei SuperHeavy: Mick „Maestro“ oder liebevoll „Richy“ ge- Nach dem Studium der Musik- nungskonzert des 21. Schwetzinger Jagger. BILDER: UNIVERSAL nannt, hatte Dr. Richard Treiber wissenschaft an der Mannheimer Mozartfestes 1996 das Mozartor- über 30 Jahre lang den Taktstock fest Musikhochschule und Promotion chester der Münchener Philharmo- Pop: Bei SuperHeavy sticht der im Griff. Bereits 1986 wurde ihm ein bei Heinrich Bessler in Heidelberg niker. Inder A. R. Rahman heraus langes Leben bescheinigt, war doch begann eine erfolgreiche Dirigen- in den Medien zu lesen: „Das Kon- tenlaufbahn, die in der Stelle des ers- Ein Jüngling mit 85 Jahren zert im Rokokotheater am 20. -
ARP 2600 Book
FUNDAMENTALS OF MUSIC TECHNOLOGY Volume One: The ARP 2600 S•Y•N•T•H•E•S•I•Z•E•R S E C O N D E D I T I O N A Pedagogic Work in Elementary Synthesis With Sampling and Example CD by S A M U E L E C O F F FUNDAMENTALS OF MUSIC TECHNOLOGY Volume One: The ARP 2600 S•Y•N•T•H•E•S•I•Z•E•R S E C O N D E D I T I O N A Pedagogic Work in Elementary Synthesis With Sampling and Example CD by S A M U E L E C O F F Secret Society Productions Fundamentals of Music Technology Volume One: The ARP 2600 Synthesizer Copyright ©& P 2000 by Samuel Wells Ecoff. All Rights Reserved. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a data base or retrieval system, without the prior written permission of the author. If you would like to use excerpts from this book as part of a web page, call me; we’ll talk. :-) The author hereby grants permission to the reader to make copies of Appendix Two (patch sheets for the 2600 and ARP sequencer) as needed, as long as they are used for personal purposes, and not for profit. Typeface: Times ® This book is printed on acid-free paper. 1 1.70 2 2.03 3 1.73 4 3.79 CD LICENSING AGREEMENT 6 1.67 8 2.82 Permission is hereby granted to create samples from the audio CD included with this book. -
What Is Post-Punk?
What is Post-Punk? A Genre Study of Avant-Garde Pop, 1977-1982 Mimi Haddon Schulich School of Music McGill University, Montréal April 2015 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Ph.D. in Musicology © Mimi Haddon 2015 iii TABLE OF CONTENTS Abstract ........................................................................................................................................... vi Résumé ......................................................................................................................................... vii Acknowledgements ..................................................................................................................... viii List of Musical Examples ................................................................................................................ x List of Diagrams and Tables ........................................................................................................... xi List of Figures ............................................................................................................................... xii INTRODUCTION ........................................................................................................................... 1 Historiography and Genre ........................................................................................................ 4 Genre as Musical Style ..........................................................................................................