Il Pungolo Duecinecircolo
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Kinotayo-2010
PROGRAMME - PROGRAMME - PROGRAMME - PROGRAMME - 20 Nov 11 Déc 2010 5eme FESTIVAL DU FILM JAPONAIS CONTEMPORAIN Mascotte de Kinotayo 2010 140 projectionsAvec la participation d'Écrans - d'asie 25 villes Kinotayo2010 Yoshi OIDA, l’Acteur flottant, président du Festival Kinotayo 2010 Pour le festival Kinotayo, c’est un immense honneur que d’avoir pour président ce comédien, acteur, metteur en scène et écrivain insaisissable, animé par l’omniprésente énergie de la vie, sur scène et en dehors. Yoshi Oida est un acteur hors du commun. Né à Kobe en 1933, il a dédié sa vie aux théâtres du monde entier, en ayant pour seule ligne de conduite de renoncer à la facilité. Son apprentissage commence au Japon : il est initié au théâtre Nô par les plus grands maîtres de l’école Okura. De cette expérience, il retirera l’importance de l’harmonie entre tous les éléments qui constituent l’outil principal du comédien : son corps. Puis en 1968 Yoshi Oida est invité à Paris par Jean-Louis Barrault pour travailler avec Peter Brook. Il fonde avec ce dernier le Centre International de Recherche Théâtrale (CIRT). Au contact du « magicien du théâtre européen », il apprend que le comédien doit être « un vent léger, qui devenant de plus en plus fort, doit allumer une flamme et la faire grandir ». Aux côtés du maître, il apprend également la mise en scène, métier qui l’occupe énormément aujourd’hui. Il sillonne alors le monde à la recherche de la maîtrise théâtrale la plus complète, apprenant les jeux Africains, Indien, Persan. Il s’interroge sur la frontière entre la scène et la vie de tous les jours : « Qu’ai-je appris sur la scène qui pourrait m’aider à vivre ma vie d’homme ordinaire ? ». -
February 2020 Ajet
AJET News & Events, Arts & Culture, Lifestyle, Community FEBRUARY 2020 Riding the Jiu-Jitsu Wave Working for the Kyoryokutai The Changing Colors of the Red and White Singing Battle Journey Through Magic Embarrassing Adventures of an Expat in Tokyo The Japanese Lifestyle & Culture Magazine Written by the International Community in Japan1 In response to ongoing global news, the team at Connect Magazine would like to acknowledge the devastating impact of the 2019-2020 bushfires in Australia. Our thoughts and support are with those suffering. 2 Since September 2019, the raging fires across the eastern and southeastern Australian coastal regions have burned over 17.9 million acres, destroyed over 2000 homes, and killed least 27 people. A billion animals have been caught in the fires, with some species now pushed to the brink of extinction. Skies are reddened from air heavy with smoke— smoke which can be seen 2,000km away in New Zealand and even from Chile, South America, which is more than 11,000km away. Currently, massive efforts are being taken to tackle the bushfires and protect people, animals, and homes in the vicinity. If you would like to be a part of this effort, here are some resources you can use to help: Country Fire Authority Country Fire Service Foundation In Victoria In South Australia New South Wales Rural The Australian Red Cross Fire Service Fire recovery and relief fund World Wildlife Fund GIVIT Caring for injured wildlife and Donating items requested by habitat restoration those affected The Animal Rescue Collective Craft Guild Making bedding and bandaging for injured animals. -
15.Ankara Filmleri Festivali
ANKARA JAPON FİLMLERİ FESTİVALİ 15.22-24 ŞUBAT 2019 FİLMLER TÜRKÇE ALTYAZILIDIR | GİRİŞ ÜCRETSİZDİR GÖSTERİMDEKİ FİLMLER KARA KEDİ RUDOLF OSHIN SAMURAYIN KEDİSİ USTANIN SESİ KÜÇÜK KIZ KARDEŞİM FIRTINADAN SONRA KELİME BAHÇESİ JAPONYA BÜYÜKELÇİLİĞİ ANKARA | TÜRKİYE www.tr.emb-japan.go.jp facebook.com/japonyabuyukelciligi Detaylı bilgiyi internet sitemizde bulabilirsiniz. KÜÇÜK KIZ KARDEŞİM Umimachi Diary Üç kız kardeş, vefat etmiş olan büyükannelerinin Kamakura kentindeki evinde birlikte yaşıyordur. Kardeşler, babaları başka bir kadın için evi terk ettiğinden ve anneleri de tıpkı kocası gibi başka bir erkekle gittiğinden beri birlikte yaşamaktadır. Yerel bir hastanede hemşire olan 29 yaşındaki Sachi Kouda, 22 yaşındaki Yoshino Kouda’ya ve 19 yaşındaki Chika Kouda’ya annelik etmektedir. Bir gün, üç kız kardeş babalarının ölümünü duyar ve isteksizce cenazesine katılırlar. Fakat Yamagata'da beklenmeyen bir şey olur: 13 yaşındaki kardeşleri Suzu'yla karşılaşırlar. Sachi, babasının dul eşi Yoko'nun uygun bir veli olmayacağını sezer ve Suzu'yu yanlarına taşınmaya davet eder. Bilgi: 2015 Cannes Film Festivali En İyi Film Adayı 22 ŞUBAT 2019 CUMA 19.00 Tür: Aile – Drama Yönetmen: Hirokazu Koreeda Senaryo: Hirokazu Koreeda Yapım: 2015 / 128 dk. / Renkli / Vista (1,85:1) Oyuncular: Haruka Ayase: Sachi Koda Masami Nagasawa: Yoshino Kôda Kaho: Chika Koda Suzu Hirose: Suzu Asano Ryo Kase: Yoshimi Sakashita Ryohei Suzuki: Dr. Yasuyuki Inoue Takafumi Ikeda: Sanzo Hamada Kentaro Sakaguchi: Tomoaki Fujii Ohshiro Maeda: Futa Ozaki Midoriko Kimura: Hideko Takano Yuko Nakamura: Yoko Asano Jun Fubuki: Sachiko Ninomiya Kazuaki Shimizu: Toshio Iida © 2015 "Our Little Sister" Film Partners FIRTINADAN SONRA Umi Yorimo Mada Fukaku Geçmişte ödül almış bir yazar olan Ryota, özel dedektif olarak kazandığı parayı kumara harcadığından dolayı çocuğunun nafakasını güçlükle ödeyebilmektedir. -
Japanese Film Festival 2013 Flyer Here
3 MARCH 201 FREE ADMISSION JAPANESE NO BOOKINGS FILM 日本映画祭 VENUE: Cinema 4, Hoyts Northlands Northlands Shopping Centre, Main North Road ENQUIRIES Consular Office of Japan (03) 366-5680 FESTIVAL [email protected] ©2010 GNDHDDTW ©「時をかける少女製作委員会」2006 Monday 4 March 6.30 pm Tuesday 5 March 6.30 pm Wednesday 6 March 6.30pm 借りぐらしのアリエッテイ 時をかける少女 まあだだよ THE SECRET THE GIRL WHO LEAPT WORLD OF ARRIETTY THROUGH TIME MAADADAYO G 2010 94 minutes PG 2006 126 minutes PG 1993 134 minutes Director: Hiromasa Yonebayashi Director: Mamoru Hosoda Director: Akira Kurosawa Main Cast Voices: Mirai Shida (Arrietty), Main Cast Voices:Riisa Naka (Makoto Cast:Tatsuo Matsumura, Kyoko Kagawa, Ryunosuke Kamiki (Sho), Tomokazu Miura Konno), Takuya Ishida (Chiaki Mamiya), Hisashi Igawa, Joji Tokoro, Masayuki Yui, (Pod), Shinobu Otake (Homily) Mitsutaka Itakura (Kousuke Tsuda) Akira Terao Music by Cécile Corbel Music by Kiyoshi Yoshida Timeless and endearing! Luminous animation and a captivating Intriguing and heartwarming! story that will remain with you! Retired Professor Hyakken Uchida is the A Studio Ghibli animation based on Mary An animation of Yasutaka Tsutsui’s epitome of the Japanese “Sensei” (teacher) Norton’s novel “The Borrowers” about a novel of the same name, centered on 3 – respected and admired by his tiny girl, Arrietty, who lives secretly with teenage friends, Makoto, Chiaki and ex-students, who celebrate his birthday her parents beneath a grand house with a Kousuke. After a car accident Makoto annually. Akira Kurosawa’s 30th and final large garden. One summer day Arrietty is obtains the power to time travel and film wisely portrays the mutual benefits discovered by Sho, a 12-year-old boy who believes she can use it to her advantage, of the relationship between an elderly has come to live in the house. -
Reminder List of Productions Eligible for the 86Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill. -
Fantasius Pan Ab 16
biograph Titel 01-16_biograph Titel 12/09 14.12.15 13:06 Seite 1 Kultur. Kino. Düsseldorf. Januar 2016 36. Jhg. www.biograph.de NEUER TANZ Frauenberatungsstelle Düsseldorf e. V. EIN ZAUBERMÄRCHEN FÜR DIE GANZE FAMILIE FANTASIUS PAN AB 16. JANUAR 2016 IM DÜSSELDORFER MARIONETTEN-THEATER www.marionettentheater-duesseldorf.de Titelredaktion 01-16_Playtime 01/09 EA 16.12.15 21:42 Seite 1 www.biograph.de 03 20. Januar um 20 Uhr Jürgen Becker: Der Künstler ist anwesend 6. Januar um 20 Uhr Urst Becker reicht uns den Pinsel und mischt für uns die Thomas Nicolai: Welt der Kunst auf. Seine kabarettistische Kulturge- Was, mag sich der Nicht-Sachse fragen, schichte knallt uns respektlos die Kunst und den Kult ZWERGE UND RIESEN bedeutet eigentlich „Urst“? Ganz einfach: um die Ohren und gibt uns damit zugleich die Freude EINE FRAGE DER PERSPEKTIVE an beidem zurück. „Urst“ heißt … ach was! Reingehen, die Show 21. November 2015 bis 1. Mai 2016 im Neanderthal Museum sehen und ursten Spaß haben! In diesem Winter lädt das Neanderthal Museum in einer spannenden Ausstellung die Besucher dazu ein, ihre eigene Körpergröße und die anderer Menschen wahr- um 20 Uhr zunehmen. Sich vor der Promi-Fotowand mit Dirk Nowitzki und Lionel Messi ver- 10. Januar gleichen, im Ames-Raum optischen Täuschungen erliegen, auf dem Riesenstuhl Moritz Netenjakob: wie ein Zwerg fühlen, Märchen an den Hörstationen lauschen oder auch gemüt- Mit Kant-Zitaten zum Orgasmus lich im Bett liegen und lesen: interaktive Elemente für klein und groß lassen die In seinen Geschichten gelingt Netenjakob das Kunststück, 21. Januar um 20 Uhr Ausstellung zu einem Erlebnis für die ganze Familie werden. -
(Revised0507)JAPAN BOOTH 2013 Cannes FIX
CONTENTS INTRODUCTION Contents Introduction 1 Introduction Japan Booth is organized by JETRO/UNIJAPAN with the support from Agency for Cultural Affairs (Government of Japan). 2 Geneon Universal Entertainment Japan, LLC 3 Gold View Co., Ltd. 4 Happening Star Project JETRO, or the Japan External Trade Organization, is UNIJAPAN is a non-profit organization established 5 MODE FILMS INC. a government-related organization that works to pro- in 1957 by the Japanese film industry under the mote mutual trade and investment between Japan and auspice of the Government of Japan for the purpose 6 Nikkatsu Co. the rest of the world. of promoting Japanese cinema abroad. Initially named 7 Office Walker Inc. Originally established in 1958 to promote Japanese ex- ‘Association for the Diffusion of Japanese Film Abroad’ 8 Omgact Entertainment LLC ports abroad, JETRO’s core focus in the 21st century (UniJapan Film), in 2005 it joined hands with the has shifted toward promoting foreign direct investment organizer of Tokyo International Film Festival (TIFF), to 9 Open Sesame Co., Ltd. into Japan and helping small to medium-sized Japa- form a combined, new organization. 10 Production I.G nese firms maximize their global business potential. 11 SDP Inc. 12 Sedic International Inc. 13 Showgate Inc. 14 Tsuburaya Productions Co., Ltd. Category Action Drama Comedy Horror / Suspense Documentary Animation Screening schedule Day Starting Time Length of the Film Title Place 1 Geneon Universal Entertainment Japan, LLC Gold View Co., Ltd. The Chasing World: The Origin Belladonna Of Sadness AD 3000. 1 in 20 has the family name "SATO" in Japan. The A story about a young and beautiful woman, who has lived a life 150th king implements a horrific policy to reduce the number of of hardships. -
SCHERMI DI CLASSE Istruzioni Per L'uso
SCHERMI DI CLASSE Istruzioni per l’uso Gentili insegnanti, vi diamo il benvenuto a questa proiezione che avviene nell’ambito del Progetto Schermi di classe, a cura di Regione Lombardia, Fondazione Cariplo, Agis Lombarda e Fondazione Cineteca Italiana, in una delle sale cinematografiche più qualificate della Regione che potrete avere come punto di riferimento anche per il futuro. Il film che state per vedere è stato selezionato per il suo valore artistico, storico, autoriale, e appartiene a una delle Aree tematiche prescelte per organizzare il catalogo dei film: Storia dei popoli e dei territori, il aloreV della disabilità, il Valore della vita-Prevenzione e contrasto alle dipendenze, Educazione all’ambiente, il Patrimonio culturale. Per vivere al meglio questa esperienza e prolungarla oltre il termine della proiezione, abbiamo pensato per voi e i vostri studenti a diversi strumenti, che sono a vostra disposizione e a un invito molto particolare: - la proiezione sarà preceduta da un breve video originale dedicato all’Area tematica del caso in cui potrete trovare, concentrati in pochi secondi, spunti critici, storici, teorici, di riflessione e una carrellata dei più grandi capolavori della storia del cinema che potete usare come referenza. - riceverete la scheda didattica, concepita per darvi in sintesi le informazioni di base del film e sollecitare nei ragazzi alcune riflessioni – dopo la visione – su diversi aspetti, dando la priorità a quelli più strettamente cinematografici. - video e scheda didattica saranno sempre a vostra disposizione sulla Pagina Facebook del Progetto e sui siti degli enti organizzatori. - il contatto [email protected] vi ascolterà in qualsiasi momento se volete avere approfondimenti, suggerire modifiche, consultare video. -
Movie Museum MAY 2019 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY
Movie Museum MAY 2019 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! Hawaii Premiere! ARCTIC 2 Hawaii Premieres! ARCTIC HANJIRO HONNOUJI HOTEL (2018-Iceland) SAMURAI HUSTLE (2018-Iceland) (2010-Japan) (2017-Japan) in English, in widescreen Chô kôsoku! Sankin kôtai in English, in widescreen Japanese w/Eng subtitles ws Japanese w/Eng subtitles ws with Mads Mikkelsen (2014-Japan) with Mads Mikkelsen 12:00, 4:30 & 9:00pm 11:00am, 3:45 & 8:30pm 12:00, 3:30, 5:15 & 8:45pm Japanese w/Eng subtitles ws 10:45am, 2:45 & 6:45pm ------------------------------------ --------------------------------- ---------------------------------- 12:00, 4:30 & 9:00pm ------------------------------------ MURMUR OF THE TOKYO TOWER: TORA-SAN, HIS ------------------------------------ Hawaii Premiere! HEARTS MOM AND ME, AND TENDER LOVE HANJIRO HONNOUJI HOTEL (2015-Hong Kong/Taiwan) SOMETIMES DAD (1970-Japan) (2010-Japan) (2017-Japan) Mandarin w/Eng subtitles ws (2007-Japan) Japanese w/Eng subtitles ws Japanese w/Eng subtitles ws Japanese w/Eng subtitles ws Directed by Sylvia Chang Japanese w/Eng subtitles ws with Kiyoshi Atsumi with Takaaki Enoki with Haruka Ayase 2:15 & 6:45pm 2 1:15 & 6:00pm 3 1:45 & 7:00pm 4 2:15 & 6:45pm 5 12:30, 4:30 & 8:30pm 6 TORA-SAN, HIS Hawaii Premiere! EVERYBODY KNOWS Mother's Day 2 Hawaii Premieres! TENDER LOVE SAMURAI HUSTLE (2018-Spain/France/Italy) SWEET BEAN A MAN CALLED (1970-Japan) (2014-Japan) Spanish/Eng w/Eng subs ws (2015-Japan/France/Germany) INTREPID Japanese w/Eng subtitles ws Japanese w/Eng subtitles -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations A Dissertation Presented by I-Te Rita Sung to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University August 2016 Stony Brook University The Graduate School I-Te Rita Sung We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. E. Ann Kaplan, Distinguished Professor, Dissertation Co-Advisor Cultural Analysis & Theory Krin Gabbard, Professor Emeritus, Dissertation Co-Advisor Cultural Analysis & Theory Jeffrey Santa Ana, Associate Professor, Chairperson of Defense Cultural Analysis & Theory and English Department Leo T.S. Ching, Outside Member, Duke University, Department of Asian and Middle Eastern Studies Aaron A. Gerow, Outside Member, Yale University, Department of East Asian Languages and Literatures This dissertation is accepted by the Graduate School Nancy Goroff Interim Dean of the Graduate School ii Abstract of the Dissertation Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations by I-Te Rita Sung Doctor of Philosophy in Comparative Literature Stony Brook University 2016 Since the beginning of the 21st century, the jun’ai (pure-love) genre has flourished in Japan, both in works of popular literature and in film. This phenomenon coincides with a time when the country is seen by the media as being characterized by soshitsukan (sense of loss). -
7Th Sakura Gala Toronto Japanese Film Festival
第7回桜ガラ 7TH SAKURA GALA トロント日本映画祭 TORONTO JAPANESE FILM FESTIVAL May 2015 2015年5月 Vol.41 Issue 5 1 2014 -15 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Jan Nobuto 2 JCCC Events VP, Management Ann Ashley Secretary Sharon Marubashi Treasurer Chris Reid 4 Toronto Japanese Film Festival Directors Ken Fukushima Anzu Hara 日 Chris Hope 7-8 Heritage & Sedai News Warren Kawaguchi Karen Kuwahara 系 Lorene Nagata 9 Gala News Christine Nakamura Cary Rothbart 13 Donations Ross Saito 文 Nao Seko Tak Yoshida 15-16 Moriyama Nikkei Heritage Centre Inscriptions 化 Advisors Mackenzie Clugston (Ambassador of Canada to Japan) 17-20 日本語紙面 Sid Ikeda Miki Kobayashi 会 Mickey Matsubayashi Steve Oikawa Connie Sugiyama 館 JCCC Foundation Chair Shari Hosaki Calendar of Events 役 JCCC Staff James Heron 員 May Executive Director Sat 2 Bazaar [email protected] 416-441-2345 ext.224 Sun 10 Kumihimo Workshop Kathy Tazumi 及 Mon 18 JCCC closed -Victoria Day Accounting/General Administration Manager Thu 21 Movie Night - Kanzaburo [email protected] 416-441-2345 ext.229 Sat 23 Karate Tournament Christine Takasaki び Sat 23 Karaoke Club Community Events Coordinator [email protected] 416-441-2345 ext.221 Mon 25 Manju Workshop Wed 27 Origami Workshop Haruko Ishihara ス Community Rentals Coordinator Sat 30 Sakura Gala [email protected] 416-441-2345 ext.228 Christine Seki タ Corporate Rentals/Programming and Business Development June [email protected] 416-441-2345 ext.231 Thu 11 Toronto JFF opening Sally Kumagawa -
A Survey of Shakespearean Performances in Japan from 2001-2010
A Survey of Shakespearean Performances in Japan from 2001-2010 Kosai Ishihara Osamu Hirokawa 1. An Overview of Shakespearean Performance in Japan We are going to survey the performances on Shakespeare in this century. The Shakespeare Institute of Komazawa University has been compiling data on Shakespeare in Japan. We would like to exhibit how widely Shakespeare has been appreciated by people in and around Tokyo on the evidence of the performance records for the ten years from 2001 to 2010, based mainly upon the data of Nihon Sheikusupia Soran ( A General Survey of Shakespeare in Japan), composed by Takashi Sasaki, a member of The Komazawa University Shakespeare Institute. *(Table 1) The annual number of performances in the 1980s came to around 20-30 but increased to about 60-70 in the 1990s. The peak year of the 1990s was 1991, when the Fifth World Shakespeare Congress was held in Tokyo; in the autumn the Japan Festival of Great Britain was held in Great Britain. A total of 93 plays was performed that year. As the graph above shows, the lower rate of the early 2000s peaked again in 2002. In the recent years more than 100 Shakespearean productions have been staged. The fi gures include all performances, varying - 1 - Kosai Ishihara, Osamu Hirokawa from small amateur groups to large professional companies, from authentic British productions to traditional Japanese productions. Most of the plays staged in Japan are performed in Japanese, sometimes highly adapted. Once Shakespeare’s plays are translated into Japanese they are no longer strictly Shakespearean, since the structural differences between English and Japanese detract from his beautiful rhyme, accent, rhythm and imagery.