Beyond the Memories (潔く柔く) 2013 / Vista / 127’ / Color / Romance

Total Page:16

File Type:pdf, Size:1020Kb

Beyond the Memories (潔く柔く) 2013 / Vista / 127’ / Color / Romance Beyond the Memories (潔く柔く) 2013 / Vista / 127’ / Color / Romance Director: Takehiko Shinjo Producer: Daisuke Kadoya, Writer: Ryo Ikuemi (manga), Minami Ichikawa, Atsushi Terada, Sachiko Tanaka, Satomi Oshima Hiroyasu Asami, Tomoko Jo, Seiji Okuda, Cinematographer: Mitsuru Komiyama Naoto Hatakeyama, Kasumi Yao [Cast] Masami Nagasawa as Kanna Seto Aoi Nakamura as Toshikuni Mayama Masaki Okada as Roku Akazawa Yuki Furukawa as Kiyomasa Komine Kengo Kora as Kazue Haruta Kaoru Hirata as Momoka Senke Chizuru Ikewaki as Manami Sakuraba Ryosei Tayama as bar master Haru as Tomomi Kawaguchi Soko Wada as Yanagihara Megumi as Chikako Nohara (c)2013 Beyond the Memories Film Partners (c)Ryo Ikuemi / SHUEISHA [Synopsis] Kanna and Haruta are childhood friends. During their first year of high school, one night at a fireworks festival while Kanna is listening to a classmate declare his love for her, Haruta dies in a traffic accident. …Right after he sends a message to her cell phone… Since the accident, Kanna is unable to feel anything romantic for guys and grows older in age but remains a 15- year-old at heart. As an adult, she starts working at a movie publicity company and one day meets Roku, an employee of a publishing firm. “What a jerk…” She is turned off by Roku, who callously stomps over her heart with his words and actions, but she gradually develops an interest in him. Roku, cheerful and seemingly without a care in the world, actually also has a tragic past. They clash and quarrel but can’t help being attracted to each other. Kanna and Roku, both carrying wounds in their hearts… What does fate have in store for them? [Film Festivals, Awards] 2013 - (26th) Tokyo International Film Festival - October 17-25, 2013 - Special Screenings 2013 - "Best Supporting Actress" ("Chizuru Ikewaki") at (38th) Hochi Film Awards - December, 2013 .
Recommended publications
  • Kinotayo-2010
    PROGRAMME - PROGRAMME - PROGRAMME - PROGRAMME - 20 Nov 11 Déc 2010 5eme FESTIVAL DU FILM JAPONAIS CONTEMPORAIN Mascotte de Kinotayo 2010 140 projectionsAvec la participation d'Écrans - d'asie 25 villes Kinotayo2010 Yoshi OIDA, l’Acteur flottant, président du Festival Kinotayo 2010 Pour le festival Kinotayo, c’est un immense honneur que d’avoir pour président ce comédien, acteur, metteur en scène et écrivain insaisissable, animé par l’omniprésente énergie de la vie, sur scène et en dehors. Yoshi Oida est un acteur hors du commun. Né à Kobe en 1933, il a dédié sa vie aux théâtres du monde entier, en ayant pour seule ligne de conduite de renoncer à la facilité. Son apprentissage commence au Japon : il est initié au théâtre Nô par les plus grands maîtres de l’école Okura. De cette expérience, il retirera l’importance de l’harmonie entre tous les éléments qui constituent l’outil principal du comédien : son corps. Puis en 1968 Yoshi Oida est invité à Paris par Jean-Louis Barrault pour travailler avec Peter Brook. Il fonde avec ce dernier le Centre International de Recherche Théâtrale (CIRT). Au contact du « magicien du théâtre européen », il apprend que le comédien doit être « un vent léger, qui devenant de plus en plus fort, doit allumer une flamme et la faire grandir ». Aux côtés du maître, il apprend également la mise en scène, métier qui l’occupe énormément aujourd’hui. Il sillonne alors le monde à la recherche de la maîtrise théâtrale la plus complète, apprenant les jeux Africains, Indien, Persan. Il s’interroge sur la frontière entre la scène et la vie de tous les jours : « Qu’ai-je appris sur la scène qui pourrait m’aider à vivre ma vie d’homme ordinaire ? ».
    [Show full text]
  • Fantasius Pan Ab 16
    biograph Titel 01-16_biograph Titel 12/09 14.12.15 13:06 Seite 1 Kultur. Kino. Düsseldorf. Januar 2016 36. Jhg. www.biograph.de NEUER TANZ Frauenberatungsstelle Düsseldorf e. V. EIN ZAUBERMÄRCHEN FÜR DIE GANZE FAMILIE FANTASIUS PAN AB 16. JANUAR 2016 IM DÜSSELDORFER MARIONETTEN-THEATER www.marionettentheater-duesseldorf.de Titelredaktion 01-16_Playtime 01/09 EA 16.12.15 21:42 Seite 1 www.biograph.de 03 20. Januar um 20 Uhr Jürgen Becker: Der Künstler ist anwesend 6. Januar um 20 Uhr Urst Becker reicht uns den Pinsel und mischt für uns die Thomas Nicolai: Welt der Kunst auf. Seine kabarettistische Kulturge- Was, mag sich der Nicht-Sachse fragen, schichte knallt uns respektlos die Kunst und den Kult ZWERGE UND RIESEN bedeutet eigentlich „Urst“? Ganz einfach: um die Ohren und gibt uns damit zugleich die Freude EINE FRAGE DER PERSPEKTIVE an beidem zurück. „Urst“ heißt … ach was! Reingehen, die Show 21. November 2015 bis 1. Mai 2016 im Neanderthal Museum sehen und ursten Spaß haben! In diesem Winter lädt das Neanderthal Museum in einer spannenden Ausstellung die Besucher dazu ein, ihre eigene Körpergröße und die anderer Menschen wahr- um 20 Uhr zunehmen. Sich vor der Promi-Fotowand mit Dirk Nowitzki und Lionel Messi ver- 10. Januar gleichen, im Ames-Raum optischen Täuschungen erliegen, auf dem Riesenstuhl Moritz Netenjakob: wie ein Zwerg fühlen, Märchen an den Hörstationen lauschen oder auch gemüt- Mit Kant-Zitaten zum Orgasmus lich im Bett liegen und lesen: interaktive Elemente für klein und groß lassen die In seinen Geschichten gelingt Netenjakob das Kunststück, 21. Januar um 20 Uhr Ausstellung zu einem Erlebnis für die ganze Familie werden.
    [Show full text]
  • SCHERMI DI CLASSE Istruzioni Per L'uso
    SCHERMI DI CLASSE Istruzioni per l’uso Gentili insegnanti, vi diamo il benvenuto a questa proiezione che avviene nell’ambito del Progetto Schermi di classe, a cura di Regione Lombardia, Fondazione Cariplo, Agis Lombarda e Fondazione Cineteca Italiana, in una delle sale cinematografiche più qualificate della Regione che potrete avere come punto di riferimento anche per il futuro. Il film che state per vedere è stato selezionato per il suo valore artistico, storico, autoriale, e appartiene a una delle Aree tematiche prescelte per organizzare il catalogo dei film: Storia dei popoli e dei territori, il aloreV della disabilità, il Valore della vita-Prevenzione e contrasto alle dipendenze, Educazione all’ambiente, il Patrimonio culturale. Per vivere al meglio questa esperienza e prolungarla oltre il termine della proiezione, abbiamo pensato per voi e i vostri studenti a diversi strumenti, che sono a vostra disposizione e a un invito molto particolare: - la proiezione sarà preceduta da un breve video originale dedicato all’Area tematica del caso in cui potrete trovare, concentrati in pochi secondi, spunti critici, storici, teorici, di riflessione e una carrellata dei più grandi capolavori della storia del cinema che potete usare come referenza. - riceverete la scheda didattica, concepita per darvi in sintesi le informazioni di base del film e sollecitare nei ragazzi alcune riflessioni – dopo la visione – su diversi aspetti, dando la priorità a quelli più strettamente cinematografici. - video e scheda didattica saranno sempre a vostra disposizione sulla Pagina Facebook del Progetto e sui siti degli enti organizzatori. - il contatto [email protected] vi ascolterà in qualsiasi momento se volete avere approfondimenti, suggerire modifiche, consultare video.
    [Show full text]
  • Stony Brook University
    SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations A Dissertation Presented by I-Te Rita Sung to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University August 2016 Stony Brook University The Graduate School I-Te Rita Sung We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. E. Ann Kaplan, Distinguished Professor, Dissertation Co-Advisor Cultural Analysis & Theory Krin Gabbard, Professor Emeritus, Dissertation Co-Advisor Cultural Analysis & Theory Jeffrey Santa Ana, Associate Professor, Chairperson of Defense Cultural Analysis & Theory and English Department Leo T.S. Ching, Outside Member, Duke University, Department of Asian and Middle Eastern Studies Aaron A. Gerow, Outside Member, Yale University, Department of East Asian Languages and Literatures This dissertation is accepted by the Graduate School Nancy Goroff Interim Dean of the Graduate School ii Abstract of the Dissertation Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations by I-Te Rita Sung Doctor of Philosophy in Comparative Literature Stony Brook University 2016 Since the beginning of the 21st century, the jun’ai (pure-love) genre has flourished in Japan, both in works of popular literature and in film. This phenomenon coincides with a time when the country is seen by the media as being characterized by soshitsukan (sense of loss).
    [Show full text]
  • 7Th Sakura Gala Toronto Japanese Film Festival
    第7回桜ガラ 7TH SAKURA GALA トロント日本映画祭 TORONTO JAPANESE FILM FESTIVAL May 2015 2015年5月 Vol.41 Issue 5 1 2014 -15 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Jan Nobuto 2 JCCC Events VP, Management Ann Ashley Secretary Sharon Marubashi Treasurer Chris Reid 4 Toronto Japanese Film Festival Directors Ken Fukushima Anzu Hara 日 Chris Hope 7-8 Heritage & Sedai News Warren Kawaguchi Karen Kuwahara 系 Lorene Nagata 9 Gala News Christine Nakamura Cary Rothbart 13 Donations Ross Saito 文 Nao Seko Tak Yoshida 15-16 Moriyama Nikkei Heritage Centre Inscriptions 化 Advisors Mackenzie Clugston (Ambassador of Canada to Japan) 17-20 日本語紙面 Sid Ikeda Miki Kobayashi 会 Mickey Matsubayashi Steve Oikawa Connie Sugiyama 館 JCCC Foundation Chair Shari Hosaki Calendar of Events 役 JCCC Staff James Heron 員 May Executive Director Sat 2 Bazaar [email protected] 416-441-2345 ext.224 Sun 10 Kumihimo Workshop Kathy Tazumi 及 Mon 18 JCCC closed -Victoria Day Accounting/General Administration Manager Thu 21 Movie Night - Kanzaburo [email protected] 416-441-2345 ext.229 Sat 23 Karate Tournament Christine Takasaki び Sat 23 Karaoke Club Community Events Coordinator [email protected] 416-441-2345 ext.221 Mon 25 Manju Workshop Wed 27 Origami Workshop Haruko Ishihara ス Community Rentals Coordinator Sat 30 Sakura Gala [email protected] 416-441-2345 ext.228 Christine Seki タ Corporate Rentals/Programming and Business Development June [email protected] 416-441-2345 ext.231 Thu 11 Toronto JFF opening Sally Kumagawa
    [Show full text]
  • THE TORONTO JAPANESE FILM FESTIVAL 2017 2017年トロント日本映画祭まもなく開催 May 2017 Vol.43 Issue 5 1 April 2017 2017年4月 Vol.43 Issue 4 5% Discount for JCCC Members
    THE TORONTO JAPANESE FILM FESTIVAL 2017 2017年トロント日本映画祭まもなく開催 May 2017 Vol.43 Issue 5 1 April 2017 2017年4月 Vol.43 Issue 4 5% discount for JCCC members DAVID IKEDA Sales Representative 416-234-2424 www.ikedasells.com Sutton Group Old Mill Realty Inc., Brokerage For Experienced Professional Real Estate Services Beyond your Expectations Please call for a consultation - no obligation bonni maikawa sales representative www.bonnimaikawa.com 416 966 0300 2 Sutton Group Associatiates Realty Inc., Brokerage 2016 - 17 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Jan Nobuto 2-7 JCCC Upcoming Events VP, Management Ann Ashley Secretary Sharon Marubashi Finance Chair Chris Hope 8-9 Heritage News VP, NJCC Miki Rushton VP, Marketing/Strategic Planning Karen Kuwahara 9-11 Community News Directors Jonathan Carter Mark Hashimoto Kristin Kobayashi 11-12 Donations Keiichi Kubo Dereck Oikawa Chris Reid 13-16 日本語紙面 Cary Rothbart Ross Saito Nao Seko Peter Wakayama Bob Yamashita Tak Yoshida Calendar of Events Advisors Mackenzie Clugston May William Hatanaka Sid Ikeda Sat 6 JCCC Annual Bazaar Steve Oikawa Thu 11 The 4th Ishizue Awards Connie Sugiyama JCCC Foundation Chair Shari Hosaki PHOTOLAB II Exhibit Opening JCCC Staff Sat 13 JCCC Karaoke Club James Heron Karate Tournament Executive Director Thu 18 JCCC Movie Night [email protected] 416-441-2345 ext.224 "After the Storm" Kathy Tazumi Accounting/General Administration Manager Sat 20 JCCC Karaoke Club [email protected] 416-441-2345 ext.229
    [Show full text]
  • PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way
    PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way Režie: Kang Je-Gyu (Shiri, Taegukgi) Obsazení: Joe Odaigiri, Fan Bingbing, Jang Dong Gun Blind Režie:Ahn Sang-Hoon Obsazení: Kim Ha-Neul ,Yoo Seung-Ho Quick Režie: Jo Beom-Gu Obsazení: Lee Min-Ki Kang Hye-Won Kim In-Kwon War of the Arrows Režie: Kim Han-Min Obsazení: Park Hae-Il Ryoo Seung-Ryong Moon Chae-Won Kim Mu-Yeol Sector 7 Režie: Kim Ji Hun Obsazení: Ha Ji-Won Ahn Sung-Ki Oh Ji-Ho Lee Han-Wi Cha Ye-Ryeon Park Cheol-Min Song Sae-Byeok Park Jung-Hak Spellbound Režie: Hwang In-Ho Obsazení: Son Ye-Jin Lee Min-Ki Link Režie: Woody Han Obsazení: Ryu Deok-Hwan Kwak Ji-Min The Front Line Režie: Jang Hun (Secret Reunion, Rough Cut) Obsazení: Ko Soo Shin Ha-Kyun Kim Ok-Bin Ryoo Seung-Ryong Lee Je-Hoon Ko Chang-Seok Ryu Seung-Soo Lee Da-Wit Always Režie: Song Il-Gon (Spider Forest) Obsazení: So Ji-Sub Han Hyo-Joo Yun Jong-Hwa Kang Shin-Il Park Cheol-Min Jo Sung-Ha Jin Goo The Day He Arrives Režie: Hong Sang-Soo Obsazení: Yu Jun-Sang Song Seon-Mi Kim Bo-Kyung Kim Sang-Jung Baek Jong-Hak That‘s The Way! Režie: Hideaki Sato Obsazení: Horikita Maki Tadano Asanobu Tsuyoshi Abe Tae Kimura Ayumi Ishida Koichi Sato Bokuzo Masana Makoto Awane Hirofumi Arai Takeshi Yamamoto Andalucia: Revenge of the Goddess Režie: Hiroshi Nishitani Obsazení: Yuji Oda Meisa Kuroki Hideaki Ito Erika Toda Masaharu Fukuyama Shosuke Tanihara Takeshi Kaga Isao Natsuyagi Into the White Night Režie: Yoshihiro Fukagawa Obsazení: Maki Horikita Kengo Kora Eichiro Funakoshi Nobuo Kyo Yurie Midori Urara Awata Hara-Kiri: Death of
    [Show full text]
  • Hirokazu Kore-Eda: Die Gefühlte Realität SOSHITE CHICHI NI NARU (WIE DER VATER, SO DER SOHN) VATER, Dreharbeiten Zu SOSHITE CHICHI NI NARU (WIE DER
    Hirokazu Kore-eda: Die gefühlte Realität SOSHITE CHICHI NI NARU (WIE DER VATER, SO DER SOHN) VATER, SOSHITE CHICHI NI NARU (WIE DER Dreharbeiten zu Es ist eine merkwürdige Idylle, in die SHOPLIFTERS – Nestwärme dieses Refugiums nistet durchaus eine FAMILIENBANDE (MANBIKI KAZOKU, 2018) seine Zu- Bedrohung des Kindeswohls. Nobuyo und Osamu ver- schauer einführt. Die Familie Shibata lebt in heiterer bindet ein düsteres Geheimnis, dessen Aufklärung sie Verwahrlosung. Offiziell gemeldet ist an ihrem Wohnort erlösen könnte. Ihr Sohn Shota, der nun reif genug ist, nur Hatsue, deren Rente die schmale ökonomische sich aus der Amoral zu befreien, muss den Verlust der Grundlage der Gemeinschaft bildet, die sie zuweilen Geborgenheit verwinden. Der unbestechliche Humanist aber auch gern in einer Pachinko-Halle verjubelt. Die Kore-eda fällt keine Urteile, sondern hält die Verhältnis- Mutter Nobuyo hat einen schlecht bezahlten Job in ei- se bis zum Ende in der Schwebe. Seine Figuren gehen ner Wäscherei, der Vater Osamu verdingt sich als Tage- ihm dabei nicht verloren. Ihre Beweggründe mögen löhner und Aki verdient ein Zubrot in einer Peepshow. vieldeutig sein, seine Sympathie ist es nicht. Mensch- Die Haupteinnahmequelle dieses kleinen Clans aber lichkeit offenbart sich bei diesem Regisseur in den un- sind Ladendiebstähle, an denen bald auch der Neuan- erwarteten Situationen und stets ist sie komplexer, als kömmling Juri mitwirkt, ein Mädchen aus der Nachbar- man auf Anhieb denkt. schaft, das von seiner Mutter in die Winterkälte ausge- In SHOPLIFTERS, für den er in Cannes wohlverdient setzt wurde. Trotz der prekären Verhältnisse wird man die Goldene Palme erhielt, zieht der Regisseur eine Hirokazu Kore-eda den Verdacht nicht los, dass die kriminelle Energie der Zwischenbilanz seines bisherigen Schaffens.
    [Show full text]
  • America's Largest Japanese Film Fest Announces 27 NYC Premieres For
    Media Contacts: Shannon Jowett, [email protected], 212-715-1205 Kuniko Shiobara, [email protected], 212-715-1249 America’s Largest Japanese Film Fest Announces 27 NYC Premieres for 8th Installment JAPAN CUTS: The New York Festival of Contemporary Japanese Cinema July 10-20, 2014 at Japan Society New York, NY -- North America’s largest showcase of Japanese film and “One of the loopiest… and least predictable of New York’s film festivals” (New York Magazine), JAPAN CUTS: The New York Festival of Contemporary Japanese Cinema returns for its eighth annual installment. Running July 10-20 and screening 27 features with 8 special guests, JAPAN CUTS 2014 encompasses a thrilling cross section of cinephilic genre oddities, sword-swinging period action, profound documentaries, cathartic melodramas, warped comedies and cutting-edge arthouse cinema made in and around Japan. Guests include superstar performers and independent auteurs opening up in rare Q&As and dynamic parties rocking Japan Society’s historic theater and waterfall atrium. As in past years, the festival dovetails with the 13th New York Asian Film Festival (NYAFF), co-presenting 13 titles in the JAPAN CUTS lineup July 10-13. JAPAN CUTS 2014 again earns the distinction as “New York’s premiere Japanese cinema event,” every title never before screened in New York City, “unspooling across a kaleidoscopic range of taste and aesthetics” (The Wall Street Journal). Boasting 1 World Premiere, 3 International Premieres, 7 North American Premieres, 6 U.S. Premieres, 5 East Coast Premieres, and 4 New York Premieres, every day of the festival provides a must-see event for the NYC cinephile, follower of Japanese art and culture, and devoted world cinema aficionado alike.
    [Show full text]
  • Cinemateca Uruguaya Noviembre/Diciembre 2018 Nro.530
    CINEMATECA URUGUAYA NOVIEMBRE/DICIEMBRE 2018 NRO.530 CinematecaUruguaya cinemateca.org.uy CinematecaUruguaya cinemateca.org.uy NUEVO COMPLEJO CINEMATECA muchas personas que lo hicieron posi- te de dicho Ministerio en 2005. Bartolomé Mitre 1236. Montevideo. CP.11000 EDITORIAL ble. Pero el final de este proceso es un De la misma manera, los directores del www.cinemateca.org.uy nuevo comienzo, que es el de volver a Instituto de Cine y el Audiovisual del Sala Cinemateca, Sala 2 aquella Cinemateca de las salas llenas. Uruguay Martín Papich y Adriana Gon- Lorenzo Carnelli 1311 Una Cinemateca donde acceder no so- zález trabajaron por estas salas desde el Secretaría, Administración [email protected] UNA NUEVA SEDE, tres salas de última lamente a la última producción de ci- ICAU, Gisella Previtali, fue un motor in- tel. 2419.5795. tecnología, proyección en fílmico y digi- ne nacional sino en la cual sea posible cansable desde Locaciones Montevidea- Dirección y Coordinación [email protected] tal, cafetería, estacionamiento… para Ci- reconstruir su historia. Un lugar donde nas y Gerardo Grieco sumó en los últimos Centro de Documentación nemateca esta nueva etapa es refunda- los escolares y liceales aprendan a ver meses su vasta experiencia al equipo. [email protected] dora. No solamente porque volvemos a cine a través de talleres y charlas, pe- La nueva Cinemateca Uruguaya fun- Cinemateca medios [email protected] honrar el arte cinematográfico exhibién- ro también donde accedan a películas cionará en el antiguo Mercado Cen- tel. 2419.5795 dolo en los formatos y condiciones tec- que de otra manera no verían. Un es- tral, hoy sede de la Corporación Andi- CINEMATECA 18 nológicas para las que fue concebido, pacio donde transcurra el mayor festival na de Fomento (CAF) quienes fueron 18 de Julio 1280-1286 sino porque esta nueva sede está pues- cinematográfico internacional del Uru- los encargados de construir este edifi- tel.
    [Show full text]
  • (XXXV:12) Hayao Miyazaki the WIND RISES (2014), 126 Min
    November 14, 2017 (XXXV:12) Hayao Miyazaki THE WIND RISES (2014), 126 min. (The online version of this handout has color images and hot urls.) ACADEMY AWARDS, 2014 Nominated for Best Animated Feature DIRECTED BY Hayao Miyazaki WRITTEN BY Hayao Miyazaki (comic & screenplay) PRODUCED BY Naoya Fujimaki, Ryoichi Fukuyama, Kôji Hoshino, Nobuo Kawakami, Robyn Klein, Frank Marshall, Seiji Okuda, Toshio Suzuki, Geoffrey Wexler MUSIC Joe Hisaishi CINEMATOGRAPHY Atsushi Okui FILM EDITING Takeshi Seyama ART DIRECTION Yôji Takeshige SOUND DEPARTMENT Howard Karp (dialogue editor), Koji Kasamatsu (sound engineer) Eriko Kimura (adr director), Scott Levine, Michael Miller, Cheryl Nardi, Renee Russo, Brad Semenoff, Matthew Wood Stanley Tucci…Caproni ANIMATION DEPARTMENT Hiroyuki Aoyama, Masaaki Endou, Mandy Patinkin…Hattori Taichi Furumata, Shôgo Furuya, Makiko Futaki, Hideki Hamazu, Mae Whitman…Kayo Horikoshi / Kinu Shunsuke Hirota, Takeshi Honda, Kazuki Hoshino, Fumie Imai, Werner Herzog…Castorp Takeshi Imamura, Yoshimi Itazu, Megumi Kagawa, Katsuya Jennifer Grey…Mrs. Kurokawa Kondô, Tsutomu Kurita, Kitarô Kôsaka William H. Macy…Satomi Hiroko Minowa Zach Callison…Young Jirô Madeleine Yen…Young Nahoko CAST (all cast are voice only) Eva Bella…Young Kayo Hideaki Anno…Jirô Horikoshi Edie Mirman…Jirô's Mother Hidetoshi Nishijima…Honjô Darren Criss…Katayama Miori Takimoto…Naoko Satomi Elijah Wood…Sone Masahiko Nishimura…Kurokawa Ronan Farrow…Mitsubishi Employee Mansai Nomura ...Giovanni Battista Caproni David Cowgill…Flight Engineer Jun Kunimura…Hattori Mirai Shida…Kayo Horikoshi HAYAO MIYAZAKI (b. January 5, 1941 in Tokyo, Japan) grew up Shinobu Ohtake ...Kurokawa's Wife surrounded by planes. His father was the director of Miyazaki Morio Kazama…Satomi Airplane, a manufacturing concern that built parts for Zero Keiko Takeshita…Jirô's Mother fighter planes.
    [Show full text]
  • 2019 July "The Truth"(Directed by Kore-Eda Hirokazu) Was Selected As the Movie
    2019 July "The Truth"(directed by Kore-eda Hirokazu) was selected as the movie for the opening of the Venice International Film Festival. March "Shoplifters" received awards for Best Film and Best Original Music at the 13th Asian Film Awards. February "Shoplifters" received the Best Foreign Film Award at the 44th César Awards. " Green Book” received 3 awards for Best Picture, Best Actor in a Supporting Role (for Mahershala Ali), and Best Original Screenplay at the 99th Academy Awards. "Shoplifters" received best awards in 8 categories, the most awards at the 42nd Japan Academy Prize, for Picture of the Year, Director of the Year (for Hirokazu Kore-eda), Outstanding Performance by an Actor in a Leading Role (for Lily Franky), Outstanding Performance by an Actress in a Leading Role (for Sakura Ando), Outstanding Performance by an Actress in a Supporting Role (for Kirin Kiki), Outstanding Achievement in Music (for Haruomi Hosono), Outstanding Achievement in Cinematography (for Ryūto Kondō), Outstanding Achievement in Lighting Direction (for Isamu Fujii) January "Green Book" received awards for Best Motion Picture - Musical or Comedy, Best Performance by an Actor in a Supporting Role (for Mahershala Ali), and Best Screenplay at the 76th Golden Globe Awards. "Shoplifters" received the International Critics' Prize (FIPRESCI Prize) for Best Foreign Language Film at the 30th Palm Springs International Film Festival. "Green Book," "At Eternity's Gate,” Shoplifters" received a total of 7 nominations at the 91st Academy Awards. "Green Book" was nominated for Best Picture, Best Actor in a Leading Role (for Viggo Mortensen), Best Actor in a Supporting Role (for Mahershala Ali), Best Original Screenplay, Best Editing.
    [Show full text]