DOCSLIB.ORG

Damage from Fighting Revealed

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Damage from Fighting Revealed 2 | Tuesday, September 1, 2020 HONG KONG EDITION | CHINA DAILY PAGE TWO Left: The battle at Sihang Warehouse during the War of Resistance Against Japanese Aggression (1931-45). HAN FU / FOR CHINA DAILY Right: A poster for The Eight Hundred. HUANG JINKUN / FOR CHINA DAILY Site: Damage from fighting revealed From page 1 geted by critics, as fighting at the site is shown against a backdrop of the neon lights and Zhang and his girlfriend visited the site high-rises of downtown Shanghai. However, during the Qixi Festival, or Chinese Valen- when you look out from the warehouse in real tine’s Day. life, the south bank of the creek is lined by “I have always been aware of the Sihang buildings no more than two stories high. site. I know it marks an important time in Tang Weijie, a scholar of Shanghai’s film- Shanghai’s history, but without seeing it in making history and professor in the humani- person, it was impossible to imagine the bru- ties faculty at Tongji University, said, “Such tality of the war. The movie made a deep exaggeration of historical events, along with impression on me,” Zhang said. intentional plot twists, set a bad example for The Eight Hundred, which premiered in filmmakers in the future.” cinemas across China on Aug 21, is by far the In 2015, restoration work at the Sihang country’s biggest box-office success of the year. Warehouse was completed, with part of the Directed by Guan Hu and produced by building housing the memorial hall featuring Huayi Brothers Media Corp in association the 1937 battle. with nearly 20 other companies, the movie The warehouse building consists of two earned 1.5 billion yuan ($218 million) in the parts. The eastern section was built in 1930 as first week of its release, a large proportion a warehouse for the Continental Bank, while of the nationwide box office total of 5 billion the western part was constructed five years yuan this year to date. later to house the Sihang Joint Savings Bank. The film is based on events that took In the 1920s, Shanghai was an open port, a place at the Sihang Warehouse during the center of international trade and home to war against the Japanese. China’s major banks. Four leading lenders from northern areas of the country — Gold Soldier’s death leap City Bank, Salt Bank, South Central Bank and One scene in particular, based on a real the Continental Bank — formed the Sihang incident, that struck Zhang and many other Joint Savings Bank. moviegoers features soldier Chen Shusheng, In the 1930s, this bank was so successful with hand grenades tied to his body, jumping that it bought a plot of land in downtown to his death from a wall, killing Japanese Shanghai on which the Park Hotel was built. troops hiding underneath. The hotel later became known as the “No 1 A note left by Chen to his mother stated high-rise of the Far East”. that he wanted to sacrifice his life for a just When the War of Resistance Against Japa- cause. nese Aggression started, the savings bank Chen was one of some 400 soldiers and was the largest of its kind in China, approving their officers from the First Battalion of the many loans and receiving numerous goods in 524th regiment of the 88th division of the return as collateral. The goods were stored in Chinese Army defending the Sihang Ware- the warehouse built alongside Suzhou Creek. house under the leadership of Xie Jinyuan. The battle took place in 1937, when the Army headquarters main force of the army, after losing to the Jap- When the war reached Zhabei, the Sihang anese in Zhabei, Warehouse was used as the headquarters for Shanghai, with- the Chinese Army. drew to the rural The 1937 battle caused some damage to the western fringes of warehouse, but the structure largely escaped the city. Xie and the relatively unharmed. After the war, repairs battalion were left were carried out and it continued to be used behind, guarding as a warehouse. the divisional In the 1980s, the site was used for a time to headquarters at sell furniture and then stationery. the Sihang Ware- In 2014, restoration work at the site, which house to buy time was recognized as a cultural relic under and show the inter- municipal protection and is now under State Xie Jinyuan national communi- protection, was carried out by Arcplus Insti- PROVIDED TO CHINA DAILY ty that China was tute of Shanghai Architectural Design and determined to Research Co. resist the Japanese. Chief architect Tang Yu’en and her deputy Xie and his troops fought valiantly from Zou Xun recently released a journal about the Oct 26 to Nov 1, and the successful defense of restoration project, in which they disclose the warehouse was witnessed by locals and some of the heated discussions concerning expatriates in the international settlement on work on the much-damaged western wall. the other side of Suzhou Creek. They write, “If we had been unable to find The soldiers and their officers later became the exact locations of the damage caused by known as The Eight Hundred Warriors, as the bombs and bullets, we would have pre- Xie in an attempt to hide their true strength ferred to restore it (the wall) to the way it from the enemy, provided an exaggerated fig- looked in 1935, when the Sihang Warehouse ure to Yang Huimin, a visiting girl scout, who had just been completed.” announced it publicly. After investigating, the architects cautious- Handwritten testimony is on view at the ly removed part of the paintwork from the memorial hall, signed by local resident Shen western wall on the fifth floor, showing the Ji on July 1, 2015, when Shen was 92. It states: structure had originally been built with red “I was a 14-year-old middle school student in bricks, but that blue ones were used to repair 1937. My family lived on Xinzha Road. The it after the battle. Sihang Warehouse was just across Suzhou This evidence helped Tang and colleagues Creek, and I climbed to the top of our build- locate the damage caused in the battle, ing and watched through my binoculars. including eight large holes in the western “I saw a soldier with hand grenades tied to wall from bombs and 430 from bullets. his body jumping in the air and killing Japa- Conducting a guided tour along Suzhou nese soldiers. Creek, Zhu Yichen, a postgraduate scholar at “I also saw soldiers on the warehouse roof Tongji University, told visitors of the structur- sacrificing their lives guarding the national al changes made to the warehouse during the flag. Such scenes have remained in my mind restoration work. ever since.” Architects removed the entire seventh While much of the movie is based on true floor and much of the sixth, both of which events, the filmmakers have combined fact had been added to the main structure. “Now, and fiction to create a big-screen blockbuster. when we look up at the warehouse, we see the However, while The Eight Hundred fea- five-story structure just as it looked in the tures spectacular scenes of soldiers gathering 1930s,” Zhu said. in a spacious lobby at the warehouse, in real Today, Suzhou Creek is seldom used by life the building’s foyer is relatively confined, shipping. People take leisurely strolls along so it is unlikely that fierce fighting took place its banks, and Sihang Warehouse has become there. Neither does the building have an a landmark. underground water link to Suzhou Creek, or Lou Chenghao, an architectural protection an elaborately decorated office, as featured in Top: Visitors photograph the Sihang Warehouse Memorial Hall. The holes in the western wall from bombs and bullets advocate, said, “When we look up, we can the movie. serve as a reminder of the battle that took place at the site. ZHANG HENGWEI / CHINA NEWS SERVICE Center: Wartime photographs are only marvel at this enormous structure by the Footage of Suzhou Creek has also been tar- viewed at the hall. Above: A view of the warehouse from across Suzhou Creek. PHOTOS BY GAO ERQIANG / CHINA DAILY side of the creek.”.
Load more

Recommended publications
  • P20-21 Layout 1
    Established 1961 21 Lifestyle Music & Movies Thursday, June 27, 2019 Sudanese music producer and guitarist Amjad Badr plays the guitar as singer MaMan per- Ahmad Hikmat, content and program manager at Sudanese English-language Capital Radio, is A Sudanese visual artist works at Sudanese English-lan- forms at Sudanese English-language Capital Radio in Khartoum. — AFP photos pictured in Khartoum. guage Capital Radio. uring the day, Gadoora checks his patients at a clin- chanting a peaceful slogan looking for freedom but they ‘Peace and justice’ Dic near Khartoum, but at night he locks himself in were greeted by barbaric militias,” Gadoora sings the For singer MaMan, the sit-in was a replica of a utopian his room rapping songs which echo the sentiments lyrics in a sober voice. “Their foreheads are smeared with society where “democracy” flourished. “What happened in of Sudan’s “revolution”. “The revolution broke the long- blood for eternity”. the sit-in is exactly what we want for our life in the future,” standing wall of fear,” said Gadoora. “Songs have become said the musician, who did not want to give his real name. much more daring now,” added the doctor, who chose to ‘Creative hub’ “It was like a small Khartoum ... We did music in the mid- use his stage name. A surge of freedom has taken over Protesters accuse the feared paramilitary Rapid dle of the sit-in and then people just gathered around.” Sudan’s underground music scene since the army ousted Support Forces, which are part of Sudan’s armed forces, With that he sings his song, “Angora”, in a deep voice longtime ruler Omar al-Bashir in April after months of for the June 3 bloodshed.
    [Show full text]
  • Interim Report
    Alibaba Pictures Group Limited 阿里巴巴影業集團有限公司 INTERIM REPORT Stock Code：1060 This Interim Report is printed on environmentally friendly paper 2020/21中期報告 INTERIM REPORT 01 CORPORATE INFORMATION BOARD OF DIRECTORS PRINCIPAL BANKERS Executive Directors China CITIC Bank International Limited Mr. Fan Luyuan (Chairman & Chief Executive Officer) China Merchants Bank Co., Ltd. Mr. Li Jie (President) Bank of Communications Co., Ltd. Mr. Meng Jun (Chief Financial Officer) The Hongkong and Shanghai Banking Corporation Limited Non-Executive Director Citibank (China) Co., Ltd. Mr. Xu Hong East West Bank JPMorgan Chase Bank, N.A. Independent Non-Executive Directors Ms. Song Lixin REGISTERED OFFICE Mr. Tong Xiaomeng Clarendon House, 2 Church Street, Mr. Johnny Chen Hamilton HM 11, Bermuda EXECUTIVE COMMITTEE HEAD OFFICE AND PRINCIPAL PLACE Mr. Fan Luyuan (Committee Chairman) OF BUSINESS IN HONG KONG Mr. Li Jie 26/F Tower One, Times Square, 1 Matheson Street, Mr. Meng Jun Causeway Bay, Hong Kong Telephone : (852) 2215 5428 Facsimile : (852) 2215 5200 REMUNERATION COMMITTEE Mr. Tong Xiaomeng (Committee Chairman) Mr. Fan Luyuan BEIJING OFFICE Block B, Wangjing, Ali Center, Ms. Song Lixin Building 4, Zone 4, Wangjing East Park, Chaoyang District, Beijing, China AUDIT COMMITTEE Postal Code : 100020 Mr. Johnny Chen (Committee Chairman) Telephone : (86) 10 5885 1881 Ms. Song Lixin Facsimile : (86) 10 5697 2838 Mr. Tong Xiaomeng PRINCIPAL SHARE REGISTRAR AND NOMINATION COMMITTEE TRANSFER OFFICE Mr. Fan Luyuan (Committee Chairman) MUFG Fund Services (Bermuda)
    [Show full text]
  • Ideological, Dystopic, and Antimythopoeic Formations of Masculinity in the Vietnam War Film Elliott Stegall
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 Ideological, Dystopic, and Antimythopoeic Formations of Masculinity in the Vietnam War Film Elliott Stegall Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES IDEOLOGICAL, DYSTOPIC, AND ANTIMYTHOPOEIC FORMATIONS OF MASCULINITY IN THE VIETNAM WAR FILM By ELLIOTT STEGALL A Dissertation submitted to the Program in Interdisciplinary Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2014 Elliott Stegall defended this dissertation on October 21, 2014. The members of the supervisory committee were: John Kelsay Professor Directing Dissertation Karen Bearor University Representative Kathleen Erndl Committee Member Leigh Edwards Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii ACKNOWLEDGEMENTS I am most grateful for my wife, Amanda, whose love and support has made all of this possible; for my mother, a teacher, who has always been there for me and who appreciates a good conversation; to my late father, a professor of humanities and religion who allowed me full access to his library and record collection; and, of course, to the professors who have given me their insight and time. iii TABLE OF CONTENTS List of Figures................................................................................................................................. v Abstract………………………………………………………………………………………...... vi 1. VIETNAM MOVIES, A NEW MYTHOS OF THE MASCULINE......................................... 1 2. DISPELLING FILMIC MYTHS OF THE VIETNAM WAR……………………………... 24 3. IN DEFENSE OF THE GREEN BERETS ……………………………………………….....
    [Show full text]
  • Announcement of Final Results for the Year Ended March 31, 2021
    Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this announcement, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this announcement. (Incorporated in Bermuda with limited liability) (Stock Code: 1060) ANNOUNCEMENT OF FINAL RESULTS FOR THE YEAR ENDED MARCH 31, 2021 The board of directors (the “Director(s)”) (the “Board”) of Alibaba Pictures Group Limited (“Alibaba Pictures” or the “Company”) announces that the audited consolidated results of the Company and its subsidiaries (collectively, the “Group”) for the year ended March 31, 2021 together with the comparative figures for the previous year were as follows: FINANCIAL HIGHLIGHTS For the year ended March 31, 2021 2020 Changes RMB’000 RMB’000 % Revenue 2,858,897 2,874,694 (0.5) Loss attributable to owners of the Company (96,311) (1,150,570) (91.6) Adjusted EBITA 118,143 (660,895)# NM Net cash inflow/(outflow) from operating activities 264,952 (776,148) NM NM- Not Meaningful NM- Not meaningful # Adjusted 1 CONSOLIDATED STATEMENT OF PROFIT OR LOSS For the year ended March 31, 2021 2020 Note RMB’000 RMB’000 Revenue 3 2,858,897 2,874,694 Cost of sales and services 6 (1,471,489) (1,307,950) Gross profit 1,387,408 1,566,744 Selling and marketing expenses 6 (438,674) (1,016,680) Administrative expenses 6 (870,013) (1,044,142) Impairment losses on financial assets,
    [Show full text]
  • On the Precipice of Change by Marta Kubacki
    On The Precipice Of Change by Marta Kubacki A thesis presented to the University of Waterloo in fulfillment of the thesis requirements for the degree of Master of Architecture Waterloo, Ontario, Canada, 2014 © Marta Kubacki 2014 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis will be made electronically available to the public. iii Abstract Situated centrally, two blocks north of strengthened the identity of the Chinese People’s Square, in Zhabei District of people at a critical point in their history, is Shanghai, China, Sihang Warehouse is a now in disrepair and soon to be assimilated place steeped in time. In 1937, during the into a more modern and gentrified vision Sino-Japanese War, when this building was of the new Zhabei District. still one of Shanghai’s tallest structures, it Sihang warehouse is an integral part briefly slowed down the ruthless onslaught of Shanghai’s collective cultural memory of Japanese troops. As a result, it provided and, arguably, a part of Shanghai’s identity. a moment of hope and pride for the Because Zhabei stands at the precipice demoralized Chinese. of change, the memories of the events Though deeply ingrained in Chinese that shaped Shanghai’s history are under history and culture through its wartime story, threat of voluntary amnesia. With many the structure has received little attention of Shanghai’s historic districts erased from the general public, local government, due to rapid expansion, it is crucial to re- and investors since the war and through the establish this building as a relevant edifice push for rapid development of Shanghai in its changing context.
    [Show full text]
  • Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities
    Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities Matthew Robinson A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education, University of the West of England, Bristol June 2016 90,792 words Contents Abstract 2 Chapter One: Introduction 3 Chapter Two: Critical Review 24 Chapter Three: Producing the British Biopic 1900-2014 63 Chapter Four: The Reception of the British Biopic 121 Chapter Five: Conventions and Themes of the British 154 Biopic Chapter Six: This is His Story: ‘Wounded’ Men and 200 Homosocial Bonds Chapter Seven: The Contemporary British Biopic 1: 219 Wounded Men Chapter Eight: The Contemporary British Biopic 2: 263 Homosocial Recoveries Chapter Nine: Conclusion 310 Bibliography 323 General Filmography 355 Appendix One: Timeline of the British Biopic 1900-2014 360 Appendix Two: Distribution of Gender and Professional 390 Field in the British Biopic 1900-2014 Appendix Three: Column and Pie Charts of Gender and 391 Profession Distribution in British Biopics Appendix Four: Biopic Production as Proportion of Total 394 UK Film Production Previously Published Material 395 1 Abstract This thesis offers a revaluation of the British biopic, which has often been subsumed into the broader ‘historical film’ category, identifying a critical neglect despite its successful presence throughout the history of the British film industry. It argues that the biopic is a necessary category because producers, reviewers and cinemagoers have significant investments in biographical subjects, and because biopics construct a ‘public history’ for a broad audience.
    [Show full text]
  • Movie & Tv Availability Highlights Catalogue 2021
    MOVIE & TV AVAILABILITY HIGHLIGHTS CATALOGUE 2021 PLAY TRAILER ENTERTAINMENT IN MOTION (EIM) Lynda Harriss [email protected] 310 433 0946 EMPHASIS Features – Gigi Lee Short Features – Stella Lau [email protected] [email protected] +852 2516 1017 +852 2516 1040 FAIRDEAL Nameeta Chhabria [email protected] +91 98217 87980 GLOBAL EAGLE (EMEA) Alex Heather Arabic – Nihal Barhoush European/Latin Spanish – Niamh McNicholas [email protected] [email protected] [email protected] +44 755 752 6097 +971 4 249 0120 PLAY TRAILER AVAILABLE: MARCH 2021 MISBEHAVIOUR Comedy, Drama | NR A group of women hatch a plan to disrupt the 1970 Miss World beauty competition in London. DIRECTOR: Philippa Lowthorpe CAST: Keira Knightley Gugu Mbatha-Raw Greg Kinnear Jessie Buckley Rhys Ifans PLAY TRAILER AVAILABLE: 2Q 2021 THE DOORMAN Action, Thriller | R A woman returns from combat and befriends a family in NYC. A gang of thieves plot to take the family’s valuables and she is all that stands between them and their lives. DIRECTOR: Ryûhei Kitamura CAST: Ruby Rose Jean Reno PLAY TRAILER AVAILABLE: 2Q 2021 SUMMERLAND Drama, Romance | PG During World War II a woman opens her heart to an evacuee after initially resolving to be rid of him in this moving journey of womanhood, love and friendship. DIRECTOR: Jessica Swale CAST: Gemma Arterton Gugu Mbatha-Raw Penelope Wilton Tom Courtenay PLAY TRAILER AVAILABLE: 2Q 2021 THE WAR WITH GRANDPA Comedy, Family | PG Upset that he has to share the room he loves with his grandfather, Peter decides to declare war in an attempt to get it back.
    [Show full text]
  • Chinese Cinemas Are Recovering from COVID19's Impact Faster Than Some Insiders Expected, Xu Fanreports
    16 | Thursday, September 3, 2020 HONG KONG EDITION | CHINA DAILY LIFE Above: Filmgoers watch a movie in a cinema in Shanghai. CHEN YUYU / FOR CHINA DAILY Top right: The Capital Cinema in Beijing’s Xidan receives its first customers on July 24, after theaters in the capital reopened. NIU YUNGANG / FOR CHINA DAILY Right: A film attendee gets her ticket from an automatic machine after booking it online. XU CONGJUN / FOR CHINA DAILY The silver screen shines again Chinese cinemas are recovering from COVID­19’s impact faster than some insiders expected, Xu Fan reports. ropelled by the summer’s top blockbuster, Yu says audiences have become used to reserv­ The Eight Hundred, China’s movie market ing tickets online using their names and wearing is seeing a robust growth in box­office tak­ masks throughout the screenings. ings, indicating a stable recovery in the But a “challenge” is that staffers often find view­ Pwake of COVID­19. ers bring snacks or drinks into the theaters, which As of Sept 2, over 9,600 cinemas — nearly 90 per­ isn’t allowed, Yu says. cent of the total — have opened across the country Song Bingmei, a manager of Nanning Minzu since the China Film Administration, the top sec­ Cinema in the Guangxi Zhuang autonomous tor regulator, announced domestic theaters in low­ region, says her theater has encountered the same risk areas could reopen from July 20. situation. Although July grossed a modest box­office “We set out boxes for customers to deposit total of 216 million yuan ($31.5 million), August drinks and foods.
    [Show full text]
  • Book Helps to Navigate the Maritime Silk Road Initiative
    18 | Friday, August 21, 2020 HONG KONG EDITION | CHINA DAILY LIFE Book helps to navigate the Maritime Silk Road initiative Ships, ports and ocean voyages and knowledge exchange platform He in the 14th century. It was a “does not exist, and it probably nev- carry between 70 percent and 80 to see why, for a long time, they have fascinated me from my child- in Leiden, the Netherlands, sent me subject that has always fascinated er did”, he said, but it does embody percent of the world’s trade, seemed so vast and so remote from hood days. Though the fascination a PDF of his latest book The Mari- me and I wish I could find more the very essence of these voyages in depending on whether it is meas- the consequences of what we did did find an early outlet during my time Silk Road, which I must say about the legendary admiral. Part spirit. The Maritime Silk Road is an ured by value or by volume. And on land, or even at sea. That is no student days, it did did indeed make compelling read- of my curiosity was also piqued as initiative that seeks to integrate half of that traffic is carried on the longer the case. The particles that not blossom until ing. Zheng He had made several trips international seaborne trade and various trade routes that bind we pump into the air also heat the much later as a I do not know what it was about to Calicut and Kochi in my home shipping into the broader and more Europe and Asia.
    [Show full text]
  • American Association for Chinese Studies （全美中国研究 协会） • Taiwan Studies, Henry M
    • American Association for Chinese Studies （全美中国研究 协会） • Taiwan Studies, Henry M. China’s Use of Film in Jackson School of International Its Pursuit of Soft Studies Power: Structural • University of Washington and Self-Imposed • October 4-6, 2019 Limits in China’s Competition with Hollywood • Stanley Rosen • Professor of Political Science • University of Southern California, USA FILM NOT KEY ISSUE FOR CHINA’S SOFT POWER • China spends well over $10 billion a year on Soft Power projection, but until Donald Trump, has not been as successful as the U.S., which spends very little; Why? • In the age of Donald Trump and Xi Jinping, is Chinese Soft Power still weaker than America’s? Soft Power and Favorability ratings • In China’s hierarchy of values, INFLUENCING the behavior of other countries more important than Soft Power; Soft Power is sacrificed at times • Chinese Soft Power is often focused on the DOMESTIC AUDIENCE since political and social stability, as well as patriotism, are higher values to China • Enhancing Soft Power is a long-term goal; developing countries and Chinese diaspora currently a priority; Silk Road Schools and China Cultural Centers • Measuring Soft Power linked to continuation of “liberal international order” • Success of creative individual Chinese will be claimed as success of China • CONTRADICTIONS in Chinese policies; they want to do many things at the same time; contradictions in state-sanctioned (“socialist core values”) and individual VALUE SYSTEMS • Chinese and American DREAMS competing at home and abroad •
    [Show full text]
  • Queer Classics, Coen Brothers, Satyajit...Ilm Buffs In
    6/15/2019 Queer Classics, Coen Brothers, Satyajit Ray and More: A June To-Do List for Film Buffs in L.A. | Hollywood Reporter Heat Vision Box Office Reviews Roundtables MOVIES 2:11 PM PDT 6/3/2019 by Jordan Cronk Photofest 'Lola Montes' (1955) https://www.hollywoodreporter.com/news/queer-classics-coen-brothers-satyajit-ray-more-a-june-do-list-film-buffs-la-1215107 1/9 6/15/2019 Queer Classics, Coen Brothers, Satyajit Ray and More: A June To-Do List for Film Buffs in L.A. | Hollywood Reporter SAYING GOODBYE TO THE BING THEATER | 5905 Wilshire Blvd. The Leo S. Bing Theater, one of LACMA’s three original buildings and one of Los Angeles’ longest- Heat Vision Box Office Reviews Roundtables running and most storied cinemas, is closing its doors at the end of June in anticipation of a years- long redevelopment project set to begin at the museum in the coming months. Appropriately, for its final month of programming the theater is screening a number of classics from across the annals of film history, movies of the sort that the theater built its reputation on. In addition to the regular Tuesday Matinee series — this month dedicated to three late-'60s/early-'70s crime films (Super Fly, June 4; The French Connection, June 11; and The Godfather, June 18) and the 1942 Ernst Lubitsch black comedy To Be or Not to Be (June 25) — and a special June 13 screening of Leo McCarey’s seminal screwball comedy The Awful Truth (presented, full disclosure, as the opening night of Locarno in Los Angeles, a film festival I help organize), the calendar is highlighted by a quartet of final films by legendary directors.
    [Show full text]
  • CHINA the Health Sector
    A WORLD BANK COUNTRY STUD' PUB-4664 CHINA Public Disclosure Authorized The Health Sector Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized I) I1 :! A WORLD BANK COUNTRY STUDY CHINA The Health Sector Dean T. Jamison John R. Evans Timothy King Ian Porter Nicholas Prescott Andre Prost The World Bank Washington, D.C., U.S.A. Copyright CC)1984 The International Bank for Reconstruction and Development/THE WORLD BANK 1818 H Street, N.W. Washington, D.C.20433, U.S.A. All rights reserved Manufactured in the United States of America First printing November 1984 World Bank Country Studies are reports originally prepared for internal use as part of the continuing analysis by the Bank of the economic and related conditions of its developing member countries and of its dialogues with the govemments. Some of the reports are published informally with the least possible delay for the use of govern- ments and the academic, business and financial, and development communities. Thus, the typescript has not been prepared in accordance with the procedures appropriate to formal printed texts, and the World Bank accepts no responsibility for errors. The publication is supplied at a token charge to defray part of the cost of manufacture and distribution. The designations employed, the presentation of material, and any maps used in this document are solely for the convenience of the reader and do not imply the expression of any opinion whatsoever on the part of the World Bank or is affiliates concerning the legal status of any country, territory, city, area, or of its authorities, or concerning the delimitation of its boundaries or national affiliation.
    [Show full text]