Movie & Tv Availability Highlights Catalogue 2021

Total Page:16

File Type:pdf, Size:1020Kb

Movie & Tv Availability Highlights Catalogue 2021 MOVIE & TV AVAILABILITY HIGHLIGHTS CATALOGUE 2021 PLAY TRAILER ENTERTAINMENT IN MOTION (EIM) Lynda Harriss [email protected] 310 433 0946 EMPHASIS Features – Gigi Lee Short Features – Stella Lau [email protected] [email protected] +852 2516 1017 +852 2516 1040 FAIRDEAL Nameeta Chhabria [email protected] +91 98217 87980 GLOBAL EAGLE (EMEA) Alex Heather Arabic – Nihal Barhoush European/Latin Spanish – Niamh McNicholas [email protected] [email protected] [email protected] +44 755 752 6097 +971 4 249 0120 PLAY TRAILER AVAILABLE: MARCH 2021 MISBEHAVIOUR Comedy, Drama | NR A group of women hatch a plan to disrupt the 1970 Miss World beauty competition in London. DIRECTOR: Philippa Lowthorpe CAST: Keira Knightley Gugu Mbatha-Raw Greg Kinnear Jessie Buckley Rhys Ifans PLAY TRAILER AVAILABLE: 2Q 2021 THE DOORMAN Action, Thriller | R A woman returns from combat and befriends a family in NYC. A gang of thieves plot to take the family’s valuables and she is all that stands between them and their lives. DIRECTOR: Ryûhei Kitamura CAST: Ruby Rose Jean Reno PLAY TRAILER AVAILABLE: 2Q 2021 SUMMERLAND Drama, Romance | PG During World War II a woman opens her heart to an evacuee after initially resolving to be rid of him in this moving journey of womanhood, love and friendship. DIRECTOR: Jessica Swale CAST: Gemma Arterton Gugu Mbatha-Raw Penelope Wilton Tom Courtenay PLAY TRAILER AVAILABLE: 2Q 2021 THE WAR WITH GRANDPA Comedy, Family | PG Upset that he has to share the room he loves with his grandfather, Peter decides to declare war in an attempt to get it back. DIRECTOR: Tim Hill CAST: Robert De Niro Uma Thurman Christopher Walken Jane Seymour PLAY TRAILER AVAILABLE: 3Q 2021 COME AWAY Adventure, Drama | PG Before Alice went to Wonderland, and before Peter became Pan, they were brother and sister. When their eldest brother dies in a tragic accident, they each seek to save their parents from their downward spirals of despair until finally they are forced to choose between home and imagination, setting the stage for their iconic journeys into Wonderland and Neverland. DIRECTOR: Brenda Chapman CAST: Angelina Jolie Gugu Mbatha-Raw Michael Caine PLAY TRAILER David Oyelowo AVAILABLE: 3Q 2021 MY SALINGER YEAR Drama | NR A college graduate takes a clerical job working for the literary agent of the renowned, reclusive writer J.D. Salinger. DIRECTOR: Philippe Falardeau CAST: Sigourney Weaver Margaret Qualley PLAY TRAILER AVAILABLE: 3Q 2021 BIOS Drama, Sci-Fi | NR On a post-apocalyptic earth, a robot, built to protect the life of his dying creator’s beloved dog, learns about life, love, friendship and what it means to be human. DIRECTOR: Miguel Sapochnik CAST: Tom Hanks Caleb Landry Jones AVAILABLE: 4Q 2021 DISTANT Drama, Sci-Fi | NR It follows an asteroid miner who, after crash-landing on an alien planet, must make his way across the harsh terrain, running out of oxygen, hunted by strange creatures, to the only other survivor. DIRECTORS: Josh Gordon Will Speck CAST: Naomi Scott Anthony Ramos AVAILABLE: 4Q 2021 THE GOOD HOUSE Comedy, Drama | NR Life for New England realtor Hildy Good begins to unravel when she hooks up with an old flame of hers from New York. Based on Ann Leary’s ‘The Good House.’ DIRECTORS: Maya Forbes Wallace Wolodarsky CAST: Sigourney Weaver Kevin Kline AVAILABLE: Now THE EIGHT HUNDRED Action, Drama, History | 150 mins | PG-13 The Battle of Shanghai is drawing to an end and the National Revolutionary Army seems doomed to failure. It starts to retreat while the “Eight Hundred Heroes” stay to defend a warehouse. A group of draft dodgers is forced to join the defence and residents watch indifferently. The bravery shown by the Chinese army exerts an influence on the draft dodgers and civilians who take up weapons and lend support. DIRECTOR: Guan Hu CAST: Zhang Yi PLAY TRAILER Jiang Wu Wang Qianyuan AVAILABLE: 2Q 2021 MY PEOPLE, MY HOMELAND Comedy, Drama | 158 mins | PG-13 ‘My People, My Homeland’ is a collection of five shorts from seven of China’s top-selling directors. Ning Hao ‘Crazy Alien’, ‘Breakup Buddies’, Xu Zheng ‘Lost in Russia’ and Chen Sicheng ‘Detective Chinatown 3’ each direct their own contribution while Yan Fei and Peng Damo, the duo behind ‘Hello Mr. Billionaire’, join forces as do Deng Chao ‘Shadow’ and Yu Baimei ‘The Breakup Guru’. DIRECTORS: Ning Hao, Xu Zheng, Chen Sicheng, Yan Fei, Peng Damo, Deng Chao, Yu Baimei CAST: Huang Bo, Ge You, Fan Wei, Deng Chao, Shen Teng, Wang Baoqiang, Zhang Zhanyi, Xu Zheng, Yan Ni, Ma Li PLAY TRAILER AVAILABLE: 2Q 2021 I’M LIVIN’ IT Drama | 115 mins | PG-13 A former star of the finance industry now spends his nights in a 24-hour fast food joint where he discovers a range of accidental new “roommates” who strive to lift one another out of rock bottom. DIRECTOR: Wong Hing Fan CAST: Aaron Kwok Miriam Yeung Alex Man PLAY TRAILER AVAILABLE: 2Q 2021 FIND YOUR VOICE Drama | 96 mins | PG-13 Seen by teachers as a typical delinquent student, Hei is given one last chance but on one condition to join a 9-month programme which brings together underperforming students to form a choir and participate in a choral competition. Labelled a “rock bottom choir”, the renowned “Nightmare Maestro” conductor Yim, agrees to lead the youngsters. What will happen when “problem” students meet a demanding instructor? DIRECTOR: Adrian Kwan CAST: Andy Lau Loletta Lee Eddie Kwan PLAY TRAILER Lowell Lo Martin Wong AVAILABLE: 3Q 2021 THE CALLING OF A BUS DRIVER Romance, Comedy | 105 mins | PG-13 Just when a middle-aged aspiring bus driver thinks she and her boyfriend of seven years are headed to the altar, she learns that he’s involved with another woman. A year later she receives an invitation to their wedding where she accidentally foils the plan of the bride’s ex who aims to reveal his once-girlfriend as a swindler. The two jilted lovers plan revenge on the alleged con woman. DIRECTOR: Patrick Kong CAST: Ivana Wong PLAY TRAILER Philip Keung Edmond Leung Cai Jie AVAILABLE: 3Q 2021 SHOCK WAVE 2 Action | TBC | PG-13 A bomb attack is carried out in Hong Kong by extremists. The police suspect a former bomb disposal officer, found on the spot and unconscious, of committing the crime. Surviving the blast, the amnesia-suffering officer seeks help from his colleague in order to clear his name. DIRECTOR: Herman Yau CAST: Andy Lau Sean Lau Ni Ni PLAY TRAILER AVAILABLE: Now MOTHER Drama | 126 mins | PG-13 Shuhei leads a tough life. His alcoholic mother Akiko seems only to be able to hook up with bad characters and orders Shuhei to cadge money from his disapproving grandparents. With the exception of raising his younger half-sister, his rock-bottom life seems to have no end. Then one day Akiko orders the now 16-year-old Shuhei to steal from his aging grandparents one last time – with catastrophic consequences. DIRECTOR: Tatsushi Omori CAST: Masami Nagasawa Daiken Okudaira PLAY TRAILER Sadao Abe © 2020 “Mother” Film Partners AVAILABLE: 2Q 2021 TONKATSU DJ AGE-TARO Music, Comedy | 100 mins | PG-13 Agetaro is heir to his family’s tonkatsu restaurant. He spends his days chopping cabbage but does little else. Delivering a bento to a dance club, he meets a girl he has a secret crush on. To win her heart, he decides to become the “Tonkatsu DJ”, a guy who can both cook and dance. But he’s never been allowed to fry pork and has never touched DJ equipment before! DIRECTOR: Ken Ninomiya CAST: Takumi Kitamura Maika Yamamoto PLAY TRAILER Kentaro Ito Brother Tom Yusuke Iseya © 2020 Yipiao,Yujiro Koyama/SHUEISHA,Tonkatsu-DJ Agetaro Film Partners Agetaro Koyama/SHUEISHA,Tonkatsu-DJ © 2020 Yipiao,Yujiro AVAILABLE: 2Q 2021 YOUR EYES TELL Romance | 123 mins | PG-13 Rui is a former kickboxer who has broken away from a job as a mob debt collector. While at work he meets Akari, who is a cheerful girl despite losing her eyesight and parents in an accident. Akari’s visits and carefree brightness begin to bring Rui out of his shell. Their hearts grow closer but little do they know that his bitter past and her loss of sight are intertwined. DIRECTOR: Takahiro Miki CAST: Ryusei Yokohama Yuriko Yoshitaka PLAY TRAILER © 2020 Gaga Corporation/AMUSE Inc./Lawson Entertainment, Inc. Entertainment, Inc./Lawson © 2020 Gaga Corporation/AMUSE AVAILABLE: 3Q 2021 DORAEMON THE MOVIE: NOBITA’S NEW DINOSAUR Animation | 111 mins | G In the museum, Nobita finds a fossilised dinosaur egg. Using his “Time Turban”, he returns the egg to its original form. Soon after, the egg hatches revealing two dinosaurs. Although wanting to take care of the pair, there are people intent on stealing them. And so Nobita uses a time machine to travel 66 million years back to the Cretaceous period where he plans to set them free. DIRECTOR: Kazuaki Imai CAST: Wasabi Mizuta Megumi Ohara PLAY TRAILER Aya Endo Rie Kugimiya ©Fujiko-Pro,Shogakukan,TV-Asahi,Shin-ei,and ADK 2020 ©Fujiko-Pro,Shogakukan,TV-Asahi,Shin-ei,and AVAILABLE: Now PARASITE Drama | 132 mins | PG-13 Ki-taek’s family is close but unemployed. The son Ki-woo is recommended by his friend for a well-paid tutoring job, spawning hopes of regular income. Carrying the expectations of all his family, Ki-woo heads to the Park family home for an interview. Arriving at their residence, he meets Yeon-kyo, the beautiful young lady of the house and from then on an unstoppable string of mishaps lies in wait. DIRECTOR: Bong Joon-ho CAST: Song Kang-ho Lee Sun-kyun Cho Yeo-jeong Choi Woo-shik Park So-dam, PLAY TRAILER Lee Jung-eun Chang Hyae-jin AVAILABLE: 2Q 2021 BEAUTY WATER Animation, Thriller | 85 mins | PG-13 Although looking like a common skincare product, “Beauty Water” allows people to sculpt their skin and change their appearance.
Recommended publications
  • China Perspectives, 55 | September - October 2004 Claire Shen Hsiu-Chen, L’Encre Et L’Ecran
    China Perspectives 55 | september - october 2004 Varia Claire Shen Hsiu-chen, L’Encre et l’Ecran. A la recherche de la stylistique cinématographique chinoise, Hou Hsiao-hsien et Zhang Yimou (Ink and the Screen : In Search of Chinese Film Stylistics, Hou Hsiao- hsien and Zhang Yimou) Taipei, Ricci Institute in Taipei, Variétés sinologiques, New Series 91, 2002, 124 p. Bérénice Reynaud Édition électronique URL : http://journals.openedition.org/chinaperspectives/424 DOI : 10.4000/chinaperspectives.424 ISSN : 1996-4617 Éditeur Centre d'étude français sur la Chine contemporaine Édition imprimée Date de publication : 1 octobre 2004 ISSN : 2070-3449 Référence électronique Bérénice Reynaud, « Claire Shen Hsiu-chen, L’Encre et l’Ecran. A la recherche de la stylistique cinématographique chinoise, Hou Hsiao-hsien et Zhang Yimou (Ink and the Screen : In Search of Chinese Film Stylistics, Hou Hsiao-hsien and Zhang Yimou) », China Perspectives [En ligne], 55 | september - october 2004, mis en ligne le 28 novembre 2006, consulté le 24 septembre 2020. URL : http:// journals.openedition.org/chinaperspectives/424 ; DOI : https://doi.org/10.4000/chinaperspectives. 424 Ce document a été généré automatiquement le 24 septembre 2020. © All rights reserved Claire Shen Hsiu-chen, L’Encre et l’Ecran. A la recherche de la stylistique c... 1 Claire Shen Hsiu-chen, L’Encre et l’Ecran. A la recherche de la stylistique cinématographique chinoise, Hou Hsiao-hsien et Zhang Yimou (Ink and the Screen : In Search of Chinese Film Stylistics, Hou Hsiao-hsien and Zhang Yimou) Taipei, Ricci Institute in Taipei, Variétés sinologiques, New Series 91, 2002, 124 p. Bérénice Reynaud NOTE DE L’ÉDITEUR Translated from the French original by Michael Black 1 Reading Claire Shen Hsiu-chen gave me the impression several times of discovering a kindred spirit, so closely does the first part of her book confirm some of my analyses1.
    [Show full text]
  • 9780367508234 Text.Pdf
    Development of the Global Film Industry The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional produc- tion companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a “big picture” view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated develop- ment of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world. Qiao Li is Associate Professor at Taylor’s University, Selangor, Malaysia, and Visiting Professor at the Université Paris 1 Panthéon- Sorbonne. He has a PhD in Film Studies from the University of Gloucestershire, UK, with expertise in Chinese- language cinema. He is a PhD supervisor, a film festival jury member, and an enthusiast of digital filmmaking with award- winning short films. He is the editor ofMigration and Memory: Arts and Cinemas of the Chinese Diaspora (Maison des Sciences et de l’Homme du Pacifique, 2019).
    [Show full text]
  • Sholay, the Making of a Classic #Anupama Chopra
    Sholay, the Making of a Classic #Anupama Chopra 2000 #Anupama Chopra #014029970X, 9780140299700 #Sholay, the Making of a Classic #Penguin Books India, 2000 #National Award Winner: 'Best Book On Film' Year 2000 Film Journalist Anupama Chopra Tells The Fascinating Story Of How A Four-Line Idea Grew To Become The Greatest Blockbuster Of Indian Cinema. Starting With The Tricky Process Of Casting, Moving On To The Actual Filming Over Two Years In A Barren, Rocky Landscape, And Finally The First Weeks After The Film'S Release When The Audience Stayed Away And The Trade Declared It A Flop, This Is A Story As Dramatic And Entertaining As Sholay Itself. With The Skill Of A Consummate Storyteller, Anupama Chopra Describes Amitabh Bachchan'S Struggle To Convince The Sippys To Choose Him, An Actor With Ten Flops Behind Him, Over The Flamboyant Shatrughan Sinha; The Last-Minute Confusion Over Dates That Led To Danny Dengzongpa'S Exit From The Fim, Handing The Role Of Gabbar Singh To Amjad Khan; And The Budding Romance Between Hema Malini And Dharmendra During The Shooting That Made The Spot Boys Some Extra Money And Almost Killed Amitabh. file download natuv.pdf UOM:39015042150550 #Dinesh Raheja, Jitendra Kothari #The Hundred Luminaries of Hindi Cinema #Motion picture actors and actresses #143 pages #About the Book : - The Hundred Luminaries of Hindi Cinema is a unique compendium if biographical profiles of the film world's most significant actors, filmmakers, music #1996 the Performing Arts #Jvd Akhtar, Nasreen Munni Kabir #Talking Films #Conversations on Hindi Cinema with Javed Akhtar #This book features the well-known screenplay writer, lyricist and poet Javed Akhtar in conversation with Nasreen Kabir on his work in Hindi cinema, his life and his poetry.
    [Show full text]
  • Bullet in the Head
    JOHN WOO’S Bullet in the Head Tony Williams Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © Tony Williams 2009 ISBN 978-962-209-968-5 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Condor Production Ltd., Hong Kong, China Contents Series Preface ix Acknowledgements xiii 1 The Apocalyptic Moment of Bullet in the Head 1 2 Bullet in the Head 23 3 Aftermath 99 Appendix 109 Notes 113 Credits 127 Filmography 129 1 The Apocalyptic Moment of Bullet in the Head Like many Hong Kong films of the 1980s and 90s, John Woo’s Bullet in the Head contains grim forebodings then held by the former colony concerning its return to Mainland China in 1997. Despite the break from Maoism following the fall of the Gang of Four and Deng Xiaoping’s movement towards capitalist modernization, the brutal events of Tiananmen Square caused great concern for a territory facing many changes in the near future. Even before these disturbing events Hong Kong’s imminent return to a motherland with a different dialect and social customs evoked insecurity on the part of a population still remembering the violent events of the Cultural Revolution as well as the Maoist- inspired riots that affected the colony in 1967.
    [Show full text]
  • Adaptive Fuzzy Pid Controller's Application in Constant Pressure Water Supply System
    2010 2nd International Conference on Information Science and Engineering (ICISE 2010) Hangzhou, China 4-6 December 2010 Pages 1-774 IEEE Catalog Number: CFP1076H-PRT ISBN: 978-1-4244-7616-9 1 / 10 TABLE OF CONTENTS ADAPTIVE FUZZY PID CONTROLLER'S APPLICATION IN CONSTANT PRESSURE WATER SUPPLY SYSTEM..............................................................................................................................................................................................................1 Xiao Zhi-Huai, Cao Yu ZengBing APPLICATION OF OPC INTERFACE TECHNOLOGY IN SHEARER REMOTE MONITORING SYSTEM ...............................5 Ke Niu, Zhongbin Wang, Jun Liu, Wenchuan Zhu PASSIVITY-BASED CONTROL STRATEGIES OF DOUBLY FED INDUCTION WIND POWER GENERATOR SYSTEMS.................................................................................................................................................................................9 Qian Ping, Xu Bing EXECUTIVE CONTROL OF MULTI-CHANNEL OPERATION IN SEISMIC DATA PROCESSING SYSTEM..........................14 Li Tao, Hu Guangmin, Zhao Taiyin, Li Lei URBAN VEGETATION COVERAGE INFORMATION EXTRACTION BASED ON IMPROVED LINEAR SPECTRAL MIXTURE MODE.....................................................................................................................................................................18 GUO Zhi-qiang, PENG Dao-li, WU Jian, GUO Zhi-qiang ECOLOGICAL RISKS ASSESSMENTS OF HEAVY METAL CONTAMINATIONS IN THE YANCHENG RED-CROWN CRANE NATIONAL NATURE RESERVE BY SUPPORT
    [Show full text]
  • Inscriptional Records of the Western Zhou
    INSCRIPTIONAL RECORDS OF THE WESTERN ZHOU Robert Eno Fall 2012 Note to Readers The translations in these pages cannot be considered scholarly. They were originally prepared in early 1988, under stringent time pressures, specifically for teaching use that term. Although I modified them sporadically between that time and 2012, my final year of teaching, their purpose as course materials, used in a week-long classroom exercise for undergraduate students in an early China history survey, did not warrant the type of robust academic apparatus that a scholarly edition would have required. Since no broad anthology of translations of bronze inscriptions was generally available, I have, since the late 1990s, made updated versions of this resource available online for use by teachers and students generally. As freely available materials, they may still be of use. However, as specialists have been aware all along, there are many imperfections in these translations, and I want to make sure that readers are aware that there is now a scholarly alternative, published last month: A Source Book of Ancient Chinese Bronze Inscriptions, edited by Constance Cook and Paul Goldin (Berkeley: Society for the Study of Early China, 2016). The “Source Book” includes translations of over one hundred inscriptions, prepared by ten contributors. I have chosen not to revise the materials here in light of this new resource, even in the case of a few items in the “Source Book” that were contributed by me, because a piecemeal revision seemed unhelpful, and I am now too distant from research on Western Zhou bronzes to undertake a more extensive one.
    [Show full text]
  • Download This PDF File
    Humanity 2012 Papers. ~~~~~~ “‘We are all the same, we are all unique’: The paradox of using individual celebrity as metaphor for national (transnational) identity.” Joyleen Christensen University of Newcastle Introduction: This paper will examine the apparently contradictory public persona of a major star in the Hong Kong entertainment industry - an individual who essentially redefined the parameters of an industry, which is, itself, a paradox. In the last decades of the 20th Century, the Hong Kong entertainment industry's attempts to translate American popular culture for a local audience led to an exciting fusion of cultures as the system that was once mocked by English- language media commentators for being equally derivative and ‘alien’, through translation and transmutation, acquired a unique and distinctively local flavour. My use of the now somewhat out-dated notion of East versus West sensibilities will be deliberate as it reflects the tone of contemporary academic and popular scholarly analysis, which perfectly seemed to capture the essence of public sentiment about the territory in the pre-Handover period. It was an explicit dichotomy, with commentators frequently exploiting the notion of a culture at war with its own conception of a national identity. However, the dwindling Western interest in Hong Kong’s fate after 1997 and the social, economic and political opportunities afforded by the reunification with Mainland China meant that the new millennia saw Hong Kong's so- called ‘Culture of Disappearance’ suddenly reconnecting with its true, original self. Humanity 2012 11 Alongside this shift I will track the career trajectory of Andy Lau – one of the industry's leading stars1 who successfully mimicked the territory's movement in focus from Western to local and then regional.
    [Show full text]
  • Donnie Yen's Kung Fu Persona in Hypermedia
    Studies in Media and Communication Vol. 4, No. 2; December 2016 ISSN 2325-8071 E-ISSN 2325-808X Published by Redfame Publishing URL: http://smc.redfame.com Remediating the Star Body: Donnie Yen’s Kung Fu Persona in Hypermedia Dorothy Wai-sim Lau1 113/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong Correspondence: Dorothy Wai-sim Lau, 13/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong. Received: September 18, 2016 Accepted: October 7, 2016 Online Published: October 24, 2016 doi:10.11114/smc.v4i2.1943 URL: http://dx.doi.org/10.11114/smc.v4i2.1943 Abstract Latest decades have witnessed the proliferation of digital media in Hong Kong action-based genre films, elevating the graphical display of screen action to new levels. While digital effects are tools to assist the action performance of non-kung fu actors, Dragon Tiger Gate (2006), a comic-turned movie, becomes a case-in-point that it applies digitality to Yen, a celebrated kung fu star who is famed by his genuine martial dexterity. In the framework of remediation, this essay will explore how the digital media intervene of the star construction of Donnie Yen. As Dragon Tiger Gate reveals, technological effects work to refashion and repurpose Yen’s persona by combining digital effects and the kung fu body. While the narrative of pain and injury reveals the attempt of visual immediacy, the hybridized bodily representation evokes awareness more to the act of representing kung fu than to the kung fu itself.
    [Show full text]
  • Distribution Agreement in Presenting This
    Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: _____________________________ ______________ Tianyi Yao Date Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema By Tianyi Yao Master of Arts Film and Media Studies _________________________________________ Matthew Bernstein Advisor _________________________________________ Tanine Allison Committee Member _________________________________________ Timothy Holland Committee Member _________________________________________ Michele Schreiber Committee Member Accepted: _________________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema By Tianyi Yao B.A., Trinity College, 2015 Advisor: Matthew Bernstein, M.F.A., Ph.D. An abstract of
    [Show full text]
  • January -2021
    www.gradeup.co 1 www.gradeup.co JANUARY -2021 Banking & Financial Awareness 1. IDBI Bank has sold 23% of its stake in IDBI Federal Life Insurance Company Limited (IFLI) to Ageas Insurance International NV for a consideration of Rs 507 crore. Note: IFLI is a three-way joint venture of IDBI Bank, Belgium’s Ageas and Federal Bank.On purchasing the stake, Ageas Insurance International NV will hold 49% stake in IFLI earlier from 26%. While IDBI Bank’s stake in IFLI will be reduced to 25% from 48%.Federal Bank continues to hold 26 per cent stake in IFLI. 2. The RoDTEP scheme has replaced the popular Merchandise Exports from India Scheme from January 1, 2021. Note: As per the finance ministry the benefit of Remission of Duties and Taxes on Exported Products (RoDTEP) scheme will be extended to all export goods from January 1, 2021.Under the scheme, the embedded central, state and local duties or taxes will get refunded and credited in an exporter’s ledger account with customs. 3. The Securities and Exchange Board of India (SEBI) has imposed a fine of rupees Rs 25 crore on Indian company Reliance Industries Ltd. for carrying out manipulative trade. Note: Two more entities, Navi Mumbai SEZ Pvt Ltd and Mumbai SEZ Ltd have been fined Rs 20 crore and Rs 10 crore, respectively. The fine was imposed on Reliance India Limited because the company violated the Prohibition of Fraudulent and Unfair Trade Practices (PFUTP). 4. International card payment service RuPay partnered partnered with RBL Bank to launch an innovative payment solution for Indian merchants “RuPay PoS” in association with PayNearby.
    [Show full text]
  • Alibaba Pictures , Ruyi Films and Enlight Pictures' Once Upon a Time to Be
    IMAX CORPORATION ALIBABA PICTURES , RUYI FILMS AND ENLIGHT PICTURES’ ONCE UPON A TIME TO BE RELEASED IN IMAX® THEATRES ACROSS CHINA SHANGHAI – July 20, 2017 – IMAX Corporation (NYSE:IMAX) and IMAX China Holding Inc. (HKSE: 1970) today announced that Enlight Pictures’, Ruyi Films’ and Alibaba Pictures Group’s much-anticipated fantasy flick, Once Upon a Time, will be digitally re-mastered in the immersive IMAX 3D format and released in approximately 420 IMAX® theatres in China, beginning Aug. 3. Directed by Zhao Xiaoding and Anthony LaMolinara, Once Upon a Time was adapted from the popular fantasy romance novel, illustrating the story of Bai Qian (Liu Yifei) and Ye Hua (Yang Yang). It is produced by well-known filmmaker Zhang Yibai, and stars Liu Yifei, Yang Yang, Luo Jin, Yan Yikuan, Lichun, Gu Xuan and Peng Zisu. Once Upon a Time marks the first Chinese local-language IMAX DMR film in partnership with Alibaba Pictures Group and Ruyi Films, and the second with Enlight Pictures, which released Lost in Hong Kong in 2015. “We are excited to team up with Alibaba Pictures, Ruyi Films and Enlight Pictures, and directors Zhao Xiaoding and Anthony LaMolinara to bring this beloved fantasy novel to life in IMAX,” said Greg Foster, CEO of IMAX Entertainment and Senior Executive Vice President, IMAX Corp. “The film's incredible visual effects showcase The IMAX Experience and create a powerful addition to our summer movie slate.” The IMAX 3D release of Once Upon a Time will be digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology.
    [Show full text]
  • Chinese Zheng and Identity Politics in Taiwan A
    CHINESE ZHENG AND IDENTITY POLITICS IN TAIWAN A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN MUSIC DECEMBER 2018 By Yi-Chieh Lai Dissertation Committee: Frederick Lau, Chairperson Byong Won Lee R. Anderson Sutton Chet-Yeng Loong Cathryn H. Clayton Acknowledgement The completion of this dissertation would not have been possible without the support of many individuals. First of all, I would like to express my deep gratitude to my advisor, Dr. Frederick Lau, for his professional guidelines and mentoring that helped build up my academic skills. I am also indebted to my committee, Dr. Byong Won Lee, Dr. Anderson Sutton, Dr. Chet- Yeng Loong, and Dr. Cathryn Clayton. Thank you for your patience and providing valuable advice. I am also grateful to Emeritus Professor Barbara Smith and Dr. Fred Blake for their intellectual comments and support of my doctoral studies. I would like to thank all of my interviewees from my fieldwork, in particular my zheng teachers—Prof. Wang Ruei-yu, Prof. Chang Li-chiung, Prof. Chen I-yu, Prof. Rao Ningxin, and Prof. Zhou Wang—and Prof. Sun Wenyan, Prof. Fan Wei-tsu, Prof. Li Meng, and Prof. Rao Shuhang. Thank you for your trust and sharing your insights with me. My doctoral study and fieldwork could not have been completed without financial support from several institutions. I would like to first thank the Studying Abroad Scholarship of the Ministry of Education, Taiwan and the East-West Center Graduate Degree Fellowship funded by Gary Lin.
    [Show full text]