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Development of the Global Film Industry The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional produc- tion companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a “big picture” view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated develop- ment of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world. Qiao Li is Associate Professor at Taylor’s University, Selangor, Malaysia, and Visiting Professor at the Université Paris 1 Panthéon- Sorbonne. He has a PhD in Film Studies from the University of Gloucestershire, UK, with expertise in Chinese- language cinema. He is a PhD supervisor, a film festival jury member, and an enthusiast of digital filmmaking with award- winning short films. He is the editor ofMigration and Memory: Arts and Cinemas of the Chinese Diaspora (Maison des Sciences et de l’Homme du Pacifique, 2019). -
Recent Articles from the China Journal of System Engineering Prepared
Recent Articles from the China Journal of System Engineering Prepared by the University of Washington Quantum System Engineering (QSE) Group.1 Bibliography [1] Mu A-Hua, Zhou Shao-Lei, and Yu Xiao-Li. Research on fast self-adaptive genetic algorithm and its simulation. Journal of System Simulation, 16(1):122 – 5, 2004. [2] Guan Ai-Jie, Yu Da-Tai, Wang Yun-Ji, An Yue-Sheng, and Lan Rong-Qin. Simulation of recon-sat reconing process and evaluation of reconing effect. Journal of System Simulation, 16(10):2261 – 3, 2004. [3] Hao Ai-Min, Pang Guo-Feng, and Ji Yu-Chun. Study and implementation for fidelity of air roaming system above the virtual mount qomolangma. Journal of System Simulation, 12(4):356 – 9, 2000. [4] Sui Ai-Na, Wu Wei, and Zhao Qin-Ping. The analysis of the theory and technology on virtual assembly and virtual prototype. Journal of System Simulation, 12(4):386 – 8, 2000. [5] Xu An, Fan Xiu-Min, Hong Xin, Cheng Jian, and Huang Wei-Dong. Research and development on interactive simulation system for astronauts walking in the outer space. Journal of System Simulation, 16(9):1953 – 6, Sept. 2004. [6] Zhang An and Zhang Yao-Zhong. Study on effectiveness top analysis of group air-to-ground aviation weapon system. Journal of System Simulation, 14(9):1225 – 8, Sept. 2002. [7] Zhang An, He Sheng-Qiang, and Lv Ming-Qiang. Modeling simulation of group air-to-ground attack-defense confrontation system. Journal of System Simulation, 16(6):1245 – 8, 2004. [8] Wu An-Bo, Wang Jian-Hua, Geng Ying-San, and Wang Xiao-Feng. -
Wu Ren Qu No Man’S Land
WETTBEWERB WU REN QU NO MAN’S LAND Ning Hao „Das ist eine Geschichte über Tiere“, kündigt der Held des Films an, der Volksrepublik China 2013 aus der Großstadt stammende Rechtsanwalt Pan Xiao. Tatsächlich rü- 117 Min. · DCP · Farbe cken als nächstes zwei stolze Falken ins Bild, die in der Xinjiang-Wüs- te illegal gefangen wurden. Sie sollen eine Menge Bares einbringen, Regie Ning Hao Recht und Gesetz spielen dabei keine Rolle. So wird die Gier nach Geld Buch Ning Hao, Shu Ping, Xing Aina Kamera Du Jie zum Treibmittel für die Story. Und Pan Xiao, der für seinen nächsten Schnitt Cheung Yuan Prozess rund 500 Kilometer durch das felsenreiche Niemandsland der Musik Nathan Wong Wüste reisen muss, zum getriebenen Protagonisten: gepeinigt von Injo Film Foto: Sound Design Wang Gang ebenso grotesken wie hochgefährlichen Zufallsbekanntschaften und Ton Wang Yanwei Geboren 1977 in der Provinz Shanxi, mysteriösen Wegbegleitern, die vor Gewalt nicht zurückschrecken. Re- Production Design Hao Yi China. Studierte zunächst Ausstattung an gisseur Ning Hao, der 2005 im Forum der Berlinale MONGOLIAN PING Art Director Hao Yi der Shanxi Taiyuan Film School, später an PONG zeigte, präsentiert mit NO MAN’S LAND eine bildgewaltige phi- Kostüm Liu Qian der Kunstakademie der Beijing Normal losophische Parabel auf eine aus allen Fugen geratene Gesellschaft, Maske Yang Hong University. 2003 schloss er mit dem Kurzfilm Regieassistenz Kuerbanjiang THURSDAY, WEDNESDAY sein Studium an der in der im Kampf um Reichtum und Macht keine moralischen Skrupel mehr gelten. Inszeniert als Hommage an die Italowestern eines Sergio Casting Lian Zhang Filmakademie Peking im Fach Kamera ab. -
Planet China
1 Talking Point 6 Week in 60 Seconds 7 Banking and Finance Week in China 8 Economy 9 Auto Industry 11 Internet and Tech 13 Energy and Resources 14 Society and Culture 2 October 2015 17 And Finally Issue 298 18 The Back Page www.weekinchina.com Red guest at the White House m o c . n i e t s p e a t i n e b . w w w Xi visits Obama in Washington, but was his US trip overshadowed by the Pope’s? Brought to you by Week in China Talking Point 2 October 2015 Pontiff pips president Xi Jinping plays second fiddle to Pope Francis on American tour China’s president grabs his moment in the spotlight with tech executives in California last week oth hold sway over more than Catholic: “We have the propaganda The Pope’s trip to the US was Ba billion people. And both got department and you have the evan - rare – it was only the tenth Papal the top job after closed-door elec - gelicals. We have the organisation visit. Even rarer was a speech in tions that remain well nigh impos - department and you have the Col - Congress, as well as another on the sible for outsiders to figure out. lege of Cardinals. What’s the differ - White House lawn (delivered in They are, of course, Xi Jinping and ence, then?” English, and ending with the crowd- Pope Francis. Adding to the sense of mystery pleasing line “God Bless America”). Some of the similarities in the or - surrounding the two organisations Inevitably this raises the ques - ganisations that the two men lead was a new one last week. -
Portrayal of Thailand: a Comparative Study of American and Chinese Films
PORTRAYAL OF THAILAND: A COMPARATIVE STUDY OF AMERICAN AND CHINESE FILMS PORTRAYAL OF THAILAND: A COMPARATIVE STUDY OF AMERICAN AND CHINESE FILMS Huang Shang This Independent Study Manuscript Presented to The Graduate School of Bangkok University in Partial Fulfillment of the Requirements for the Degree Master of Communication Arts (Global Communication) 2015 ©2015 Huang Shang All Rights Reserved Huang, S. Master of Communication Arts, December 2015, Graduate School, Bangkok University. Portrayal of Thailand: A Comparative Study of American and Chinese Films (67 pp.) Advisor: Asst. Prof. Ratanasuda Punnahitanond, Ph.D. ABSTRACT This study evolved from the question of how Thailand was portrayed by foreign films. A primary objective of this study is to specifically examine how Thailand was characterized and portrayed in American films as well as a control comparison with Chinese films. To this end, a comparative textual analysis of 8 films- - from the period of 2000 to 2015 was performed. The study identified the stereotypes of Thailand in foreign films, and tabulated the semiotics was used to portray Thailand in different films. The portrayal of Thailand in American films is abundant and complicated. It is not only portrayed as a beautiful country, but also a chaotic place. Thai people have no exception; they are portrayed as poor, smart, friendly. The portrayal of Thailand in Chinese films is relatively small and simple. Thailand is portrayed as a beautiful travel destination. Thai people are portrayed as friendly. Keywords: Portrayal, Thailand, American film, Chinese film, Semiotic, Stereotyping v ACKNOWLEDGEMENT This independent study consumed huge amount of work, research and time. Still, implementation would not have been possible if I did not have a support from Asst. -
Alibaba Pictures , Ruyi Films and Enlight Pictures' Once Upon a Time to Be
IMAX CORPORATION ALIBABA PICTURES , RUYI FILMS AND ENLIGHT PICTURES’ ONCE UPON A TIME TO BE RELEASED IN IMAX® THEATRES ACROSS CHINA SHANGHAI – July 20, 2017 – IMAX Corporation (NYSE:IMAX) and IMAX China Holding Inc. (HKSE: 1970) today announced that Enlight Pictures’, Ruyi Films’ and Alibaba Pictures Group’s much-anticipated fantasy flick, Once Upon a Time, will be digitally re-mastered in the immersive IMAX 3D format and released in approximately 420 IMAX® theatres in China, beginning Aug. 3. Directed by Zhao Xiaoding and Anthony LaMolinara, Once Upon a Time was adapted from the popular fantasy romance novel, illustrating the story of Bai Qian (Liu Yifei) and Ye Hua (Yang Yang). It is produced by well-known filmmaker Zhang Yibai, and stars Liu Yifei, Yang Yang, Luo Jin, Yan Yikuan, Lichun, Gu Xuan and Peng Zisu. Once Upon a Time marks the first Chinese local-language IMAX DMR film in partnership with Alibaba Pictures Group and Ruyi Films, and the second with Enlight Pictures, which released Lost in Hong Kong in 2015. “We are excited to team up with Alibaba Pictures, Ruyi Films and Enlight Pictures, and directors Zhao Xiaoding and Anthony LaMolinara to bring this beloved fantasy novel to life in IMAX,” said Greg Foster, CEO of IMAX Entertainment and Senior Executive Vice President, IMAX Corp. “The film's incredible visual effects showcase The IMAX Experience and create a powerful addition to our summer movie slate.” The IMAX 3D release of Once Upon a Time will be digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology. -
List of Action Films of the 2010S - Wikipedia, the Free Encyclopedia
List of action films of the 2010s - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/List_of_action_films_of_the_2010s List of action films of the 2010s From Wikipedia, the free encyclopedia This is an incomplete list, which may never be able to satisfy particular standards for completeness. You can help by expanding it (//en.wikipedia.org /w/index.php?title=List_of_action_films_of_the_2010s&action=edit) with reliably sourced entries. This is chronological list of action films originally released in the 2010s. Often there may be considerable overlap particularly between action and other genres (including, horror, comedy, and science fiction films); the list should attempt to document films which are more closely related to action, even if it bends genres. Title Director Cast Country Sub-Genre/Notes 2010 13 Assassins Takashi Miike Koji Yakusho, Takayuki Yamada, Yusuke Iseya Martial Arts[1] 14 Blades Daniel Lee Donnie Yen, Vicky Zhao, Wu Chun Martial Arts[2] The A-Team Joe Carnahan Liam Neeson, Bradley Cooper, Quinton Jackson [3] Alien vs Ninja Seiji Chiba Masanori Mimoto, Mika Hijii, Shuji Kashiwabara [4][5] Bad Blood Dennis Law Simon Yam, Bernice Liu, Andy On [6] Sorapong Chatree, Supaksorn Chaimongkol, Kiattisak Bangkok Knockout Panna Rittikrai, Morakot Kaewthanee [7] Udomnak Blades of Blood Lee Joon-ik Cha Seung-won, Hwang Jung-min, Baek Sung-hyun [8] The Book of Eli Albert Hughes, Allen Hughes Denzel Washington, Gary Oldman, Mila Kunis [9] The Bounty Hunter Andy Tennant Jennifer Aniston, Gerard Butler, Giovanni Perez Action comedy[10] The Butcher, the Chef and the Wuershan Masanobu Ando, Kitty Zhang, You Benchang [11] Swordsman Centurion Neil Marshall Michael Fassbender, Olga Kurylenko, Dominic West [12] City Under Siege Benny Chan [13] The Crazies Breck Eisner Timothy Olyphant, Radha Mitchell, Danielle Panabaker Action thriller[14] Date Night Shawn Levy Steve Carell, Tina Fey, Mark Wahlberg Action comedy[15] The Expendables Sylvester Stallone Sylvester Stallone, Jason Statham, Jet Li [16] Faster George Tillman, Jr. -
Bamcinématek Presents Stephen Chow: the King of Comedy, Oct 6—12
BAMcinématek presents Stephen Chow: The King of Comedy, Oct 6—12 “The reigning king of Hong Kong comedy.”—J. Hoberman Co-presented with the Hong Kong Economic and Trade Office in New York. The Wall Street Journal is the title sponsor for BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/Sep 8, 2014—From Monday, October 6 through Sunday, October 12, BAMcinématek presents Stephen Chow: The King of Comedy, an eight-film retrospective of the Hong Kong actor, writer, and director. Chow’s audaciously anarchic comedies combine surreal sight gags, non sequiturs, extensive pop culture quoting, and gravity-defying martial arts to sublimely silly effect. Endlessly inventive, the reigning king of Hong Kong mo lei tau (―nonsense comedy‖) yields unfiltered cinematic pleasure. Initially prominent as a children’s television star, Chow became synonymous with mo lei tau, a style of film comedy in which traditional melodramas and kung fu tales are peppered with rapid- fire, fourth-wall-breaking slapstick bits and corny puns. A bigger box-office draw in his homeland than Jackie Chan or Jet Li, Chow—who cites Spielberg and Kubrick, along with Jim Carrey, as influences—has used his clout in recent years to fashion himself as an auteur, scripting, editing, and directing a series of high-budget, homage-filled blockbusters. Typical of Chow’s earliest hits, Johnnie To’s Justice, My Foot! (1992—Oct 8) casts the actor as a fast-talking lawyer whose mouth gets him into trouble, and whose kung fu-fighting wife gets him out of it—one of many tough, smart heroines Chow uses as foils for his feckless alter egos. -
Lü Cao Di Mongolian Ping Pong Regie: Ning Hao
Lü cao di Mongolian Ping Pong Regie: Ning Hao Land: China 2005. Produktion: Beijing Kunlun Xiongdi Production Co. Ltd., Beijing HOP Culture Co. Ltd. Regie, Schnitt: Ning Hao. Buch: Gao Jianguo, Xing Aina, Ning Hao. Kamera: Du Jie. Musik: Lu Jiajia. Ton: Wang Jianwei. Ausstattung: Zhang Xiaobing, Yang Min. Kostüme: Zhang Gengliang. Schnitt: Jiang Yong. Produzenten: Lu Bin, He Bu. Produktionsleitung: Lan Ruilong, Ning Hao. Darsteller: Hurzbileg (Bilgee), Dawaa (Dawaa), Geliban (Ergotov), Yadamnarbuu (Bilgees Vater), Badmaa (Bilgees Mutter), Jin Lao Wu (Sergelen), Urnaa (Bilgees Schwester), Bukhbileg (Dawaas Vater), Sarangua (Dawaas Mutter), Dugmaa (Bilgees Großmutter), Jurimu (buddhistischer Mönch). Format: 35mm (gedreht auf HD), 1:1.85, Farbe. Länge: 102 Minuten, 25 Bilder/Sek. Sprache: Mongolisch. Uraufführung: 15. Februar 2005, Internationales Forum, Berlin. Weltvertrieb: Bavaria Film International (a division of Bavaria Media GmbH), Thorsten Schau- mann, Bavariafilmplatz 8, 82031 Geiselgasteig, Deutschland. Tel.: (49-89) 6499 2686, Fax: (49-89) 6499 3720, e-mail: [email protected] Inhalt Synopsis Eines Tages findet Bilgee, ein mongolischer Junge, beim Spielen ei- An ordinary white pingpong ball floats down a creek and is nen Tischtennisball. found by Bilgee, a Mongolian boy. Bilgees Großmutter erzählt ihm, dass der kleine Ball eine glühende Bilgee’s grandmother tells him it is a glowing pearl from Perle ist, die vom Himmel gefallen ist. Bilgee glaubt ihr, und gemein- heaven. Believing this, Bilgee spends the whole night out 1 sam mit seinen beiden besten Freunden Ergotov – der zwar nicht on the grassland with his two best friends: Ergotov, who reiten, dafür aber Motorrad fahren kann – und dem kleinen Dawaa cannot ride a horse but can ride a motor bike, and Dawaa, verbringt er die ganze Nacht im Freien. -
3-D Path Planning Using Neural Networks for a Robot Manipulator
2010 International Conference on Intelligent Computation Technology and Automation (ICICTA 2010) Changsha, China 11 – 12 May 2010 Volume 1 Pages 1-582 IEEE Catalog Number: CFP1088E-PRT ISBN: 978-1-4244-7279-6 1/6 2010 International Conference on Intelligent Computation Technology and Automation ICICTA 2010 Table of Contents Volume - 1 Preface - Volume 1.........................................................................................................................................xxiv Organizing Committee - Volume 1........................................................................................................xxv Program Committee - Volume 1.............................................................................................................xxvi Reviewers - Volume 1..................................................................................................................................xxvii 2010 International Conference on Intelligent Computation Technology and Automation—Volume 1 3-D Path Planning Using Neural Networks for a Robot Manipulator .................................................................3 Wang Wei and Wei Shimin 3D Positioning for Mobile Robot Using Omnidirectional Vision .......................................................................7 Ming Li, Kenji Imou, and Katsuhiro Wakabayashi 3D Visual Design for Mobile Search Result on 3G Mobile Phone ...................................................................12 Yan Yan and Lin Kunhui A Chaotic Theory Based on Customized Inertia -
Qt2sn1d3k6.Pdf
UC San Diego UC San Diego Electronic Theses and Dissertations Title The Chronotope of Ecocinema : Bakhtin's notions of environment and horizon as analytic tools for the study of film and the environment Permalink https://escholarship.org/uc/item/2sn1d3k6 Author Pesch, Katrin Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO The Chronotope of Ecocinema Bakhtin’s notions of environment and horizon as analytic tools for the study of film and the environment A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Art History Theory and Criticism Katrin Pesch Committee in charge: Professor John Welchman, Chair Professor Lesley Stern, Co-Chair Professor Norman Bryson Professor Jean-Pierre Gorin Professor Amelia Glaser 2013 The Thesis of Katrin Pesch is approved and it is acceptable in quality and form for publication on microfilm and electronically: Co-Chair Chair University of California, San Diego 2013 iii TABLE OF CONTENTS SignaturePage …………………………………………………………………… iii Table of Contents ………………………………………………………………… iv Acknowledgements ……………………………………………………………… v Abstract …………………………………………………………………………… vi Introduction .………………………………………………………………………. 1 Chapter 1………………………………………………………………………….. 12 Chapter 2 …………………………………………………………………………. 32 References ……………………………………………………………………….. 48 iv ACKNOWLEDGEMENTS I would like to thank Professor Lesley Stern and Professor John Welchman for their support as the co-chairs of my committee. Their guidance in the past three years has been invaluable. I would also like to acknowledge the other members of my committee, Professor Norman Bryson, Professor Jean-Pierre Gorin, and Professor Amelia Glaser for their thoughtful comments on this thesis. Last but not least, I would like to recognize the help I received from the members of my writing group Orianna Caccione, Drew Snyder, and Tara Zepel; my colleague Sabine Horlitz; and Tim Ridlen. -
This Circular Is Important and Requires Your Immediate Attention
THIS CIRCULAR IS IMPORTANT AND REQUIRES YOUR IMMEDIATE ATTENTION If you are in any doubt as to any aspect of this circular or as to the action to be taken, you should consult your licensed securities dealer, bank manager, solicitor, professional accountant or other professional adviser. If you have sold or transferred all your shares in Huanxi Media Group Limited, you should at once hand this circular and the accompanying form of proxy to the purchaser or transferee or to the bank, licensed securities dealer or other agent through whom the sale or transfer was effected for transmission to the purchaser or transferee. Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this circular, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this circular. (Incorporated in Bermuda with limited liability) (Stock Code: 1003) RE-ELECTION OF DIRECTORS GENERAL MANDATES TO ISSUE AND REPURCHASE SHARES AND NOTICE OF ANNUAL GENERAL MEETING A notice convening the annual general meeting of Huanxi Media Group Limited, (the “Company”) to be held at Kennedy Room, Level 7, Conrad Hong Kong, Pacific Place, 88 Queensway, Hong Kong on 2 June 2017, Friday at 11:00 a.m. is set out on pages 13 to 16 of this circular. Whether or not you intend to attend and vote at the meeting, you are requested to complete and return the enclosed form of proxy, in accordance with the instructions printed thereon, as soon as possible and in any event not later than forty- eight (48) hours before the time appointed for holding such meeting or any adjournment thereof to Computershare Hong Kong Investor Services Limited, the branch share registrar of the Company in Hong Kong, at 17M Floor, Hopewell Centre, 183 Queen’s Road East, Wanchai, Hong Kong.