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Polish Cinema 2008
New Polish Films: WITH SENSE AND SENSIBILITY Andrzej Wajda’s School: THE MASTER AND HIS TRAINEES “Peter and the Wolf”: SECOND OSCAR FOR A FILM MADE IN SE-MA-FOR STUDIO Russia, Afghanistan and Belarus: IN POLISH DOCUMENTARIES „PETER AND THE WOLF” Polish Cinema 2008 THE TRAGEDY OF PRISONERS OF WAR, THE MISERY OF THEIR FAMILIES ANDRZEJ WAJDA’S “KATYŃ” Polish Cinema 2008 editorial “Kino” monthly , a journal providing a perceptive and original insight into various aspects of the film industry, has accompanied Polish cinema for over forty years now. In line with this tradition, in this special English language issue, we present a selection of articles published in “Kino” in the last year. They include reviews, interviews, as well as articles concerning the history of Polish cinema and opinion columns. However, we focus on the most interesting Polish feature films (of which 41 have been made there between the beginning of 2007 and May 2008), as well as documentary and animated films of the last year. Some of them could be seen at various international festivals, where they received numerous awards. The most prestigious award, an Oscar, came to the short animated film, “Peter and the Wolf”, which is a British-Polish co-production, directed by Suzie Templeton and made in the Studio Se-Ma-For in Łódź. On the other hand, the most awarded Polish film was “Tricks” by Andrzej Jakimowski, which till April 2008 received 12 awards, including at the festivals in Gdynia, Venice, Tokyo, Mannheim, Sao Paulo and Miami. However, what counts more than awards is the fact that Polish viewers have regained pleasure in watching Polish films. -
Amc Age Policy for Tickets
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P20-21 Layout 1
Established 1961 21 Lifestyle Music & Movies Thursday, June 27, 2019 Sudanese music producer and guitarist Amjad Badr plays the guitar as singer MaMan per- Ahmad Hikmat, content and program manager at Sudanese English-language Capital Radio, is A Sudanese visual artist works at Sudanese English-lan- forms at Sudanese English-language Capital Radio in Khartoum. — AFP photos pictured in Khartoum. guage Capital Radio. uring the day, Gadoora checks his patients at a clin- chanting a peaceful slogan looking for freedom but they ‘Peace and justice’ Dic near Khartoum, but at night he locks himself in were greeted by barbaric militias,” Gadoora sings the For singer MaMan, the sit-in was a replica of a utopian his room rapping songs which echo the sentiments lyrics in a sober voice. “Their foreheads are smeared with society where “democracy” flourished. “What happened in of Sudan’s “revolution”. “The revolution broke the long- blood for eternity”. the sit-in is exactly what we want for our life in the future,” standing wall of fear,” said Gadoora. “Songs have become said the musician, who did not want to give his real name. much more daring now,” added the doctor, who chose to ‘Creative hub’ “It was like a small Khartoum ... We did music in the mid- use his stage name. A surge of freedom has taken over Protesters accuse the feared paramilitary Rapid dle of the sit-in and then people just gathered around.” Sudan’s underground music scene since the army ousted Support Forces, which are part of Sudan’s armed forces, With that he sings his song, “Angora”, in a deep voice longtime ruler Omar al-Bashir in April after months of for the June 3 bloodshed. -
Amc Theatres Movie Tickets Gift Certificate
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Film-Ed 1: Grades K-2 Pre-Visit Viewing Guide
FILM-ED 1: GRADES K-2 PRE-VISIT VIEWING GUIDE Make the most of your visit In advance of your Field Trip to the New York International Children’s Film Festival, please utilize this pre-visit guide which aims to prepare your class for the screening. The screening consists of an hour long program of eleven short films from seven different countries. The films vary in length, story, theme, and style. In the post-screening discussion, facilitated on site, the group will dig deeper into the films to find connections and contrasts. With a focus on media literacy, the buzzwords and discussion questions in this guide will encourage your students to think critically about film and form their own opinions or interpretations. Remind your students that films, just like the stories found in books, have similar narrative components, such as: THEME, SETTINGS, CHARACTERS, and so on. Many of these concepts will be familiar to your students, however, this program aims to have students apply these concepts to film. After your visit, our Post-Visit Discussion Guide will facilitate follow-up conversations with students in the classroom. See the Post-Visit Guide for alignment with NY State Learning Standards. buzz words Literacy Terms Film Terms ANIMATION A movie made from a series of drawings, computer CHARACTER graphics, or photos of objects that seem to be in motion A person, animal, or object who plays a part in the because of small changes in each frame. story’s action and/or has feelings. CONFLICT DIALOGUE The problem the CHARACTERS encounter in a story. -
Screendollars Newsletter 2021-04-26.Pdf
Monday, April 26, 2021 | No. 165 One of the things moviegoers like most about going to theatres is seeing films on the Big Screen, "the way they were meant to be seen." What people don't realize is that when films started in the mid-1890s, there were neither screens nor projectors. The very short films of that era were meant to be seen individually by looking into peep show machines in arcades. Those Kinetoscope devices were one of many inventions from Thomas Edison's factory in West Orange, NJ. Since Edison was monetizing his Kinetoscopes quite well, he had no interest in developing a machine to project film images on walls. Others, however, saw a big future in showing films to groups of people. Peep show owners, in fact, were very vocal in pressing Edison to devise a Film projection to large audiences was much more way to show life size images on arcade walls. This led to the Vitascope profitable than viewing through individual kiosks, since projection system, developed by Washington, DC inventor Thomas Armat, fewer machines were needed in proportion to the but then marketed by Edison's organization as if it were his own invention. number of viewers - Click to Play The first public Vitascope screening took place April 23, 1896 at Koster & Biel's Music Hall, a vaudeville house in New York's Herald Square at 34th Street near Broadway, the site today of Macy's. It would have premiered three days earlier, but it took longer than expected to install the machinery. That first night audience was dazzled by film images projected on a 20 foot canvas screen set within a gilded frame. -
Interim Report
Alibaba Pictures Group Limited 阿里巴巴影業集團有限公司 INTERIM REPORT Stock Code:1060 This Interim Report is printed on environmentally friendly paper 2020/21中期報告 INTERIM REPORT 01 CORPORATE INFORMATION BOARD OF DIRECTORS PRINCIPAL BANKERS Executive Directors China CITIC Bank International Limited Mr. Fan Luyuan (Chairman & Chief Executive Officer) China Merchants Bank Co., Ltd. Mr. Li Jie (President) Bank of Communications Co., Ltd. Mr. Meng Jun (Chief Financial Officer) The Hongkong and Shanghai Banking Corporation Limited Non-Executive Director Citibank (China) Co., Ltd. Mr. Xu Hong East West Bank JPMorgan Chase Bank, N.A. Independent Non-Executive Directors Ms. Song Lixin REGISTERED OFFICE Mr. Tong Xiaomeng Clarendon House, 2 Church Street, Mr. Johnny Chen Hamilton HM 11, Bermuda EXECUTIVE COMMITTEE HEAD OFFICE AND PRINCIPAL PLACE Mr. Fan Luyuan (Committee Chairman) OF BUSINESS IN HONG KONG Mr. Li Jie 26/F Tower One, Times Square, 1 Matheson Street, Mr. Meng Jun Causeway Bay, Hong Kong Telephone : (852) 2215 5428 Facsimile : (852) 2215 5200 REMUNERATION COMMITTEE Mr. Tong Xiaomeng (Committee Chairman) Mr. Fan Luyuan BEIJING OFFICE Block B, Wangjing, Ali Center, Ms. Song Lixin Building 4, Zone 4, Wangjing East Park, Chaoyang District, Beijing, China AUDIT COMMITTEE Postal Code : 100020 Mr. Johnny Chen (Committee Chairman) Telephone : (86) 10 5885 1881 Ms. Song Lixin Facsimile : (86) 10 5697 2838 Mr. Tong Xiaomeng PRINCIPAL SHARE REGISTRAR AND NOMINATION COMMITTEE TRANSFER OFFICE Mr. Fan Luyuan (Committee Chairman) MUFG Fund Services (Bermuda) -
Metroplex Movie Theater
1 / 2 Metroplex Movie Theater The Metropolitan Theatre of Fine Arts, aka The Metroplex Theatre, is a performing arts center located in a restored 1920's theatre located in the heart of Atlanta, .... DISPUTING AGENCIES: Schenectady Metroplex Development Authority and the ... 12-screen movie theater, "Diamond Cinema", in the southwest corner of State .... Sort By Zipcode: No shows running for the Language(s) selected in selected Theatre(s) .... "(Metroplex) would have the ability to borrow more money for more ... Proctors underwent a massive expansion, a first-run movie theater was .... Proctors underwent a massive expansion, a first-run movie theater was built and restaurants and other businesses sprang up around the area.. Movie theater with good food, good beer and good film, all at the same place! SODA Bar. 1325 S Lamar St, Dallas, TX 75215. Retro-industrial hotel roof bar with .... Cinema City Langham Place is a brand new cinema located in the heart of Hong ... Atmos which give you full 360 immersive and excited new movie experience.. February 2, 1985 Pavilion Theatre, Brighton, ENG. February 3 ... November 24, 1987 Metroplex, Atlanta, GA (supported by Opal & Roger Miller). November 27 ... A New Look at Classic Movie Theaters Ross Melnick, Andreas Fuchs ... the concession stand at the Krikorian Metroplex in Vista, California, is clad in wood and .... Website: bashnorthfortworth.com; Address: Dallas-Fort Worth Metroplex, TX 76006 ... Find Nearby: ATMs, Hotels, Night Clubs, Parkings, Movie Theaters .... containing information on theatre mechanics, cinema chains, architects, THS members, vaudeville circuits, among other topics ... Paris Movie/Paris Cinema AR-Paris-Paris Movie/Paris Cinema. -
Ideological, Dystopic, and Antimythopoeic Formations of Masculinity in the Vietnam War Film Elliott Stegall
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 Ideological, Dystopic, and Antimythopoeic Formations of Masculinity in the Vietnam War Film Elliott Stegall Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES IDEOLOGICAL, DYSTOPIC, AND ANTIMYTHOPOEIC FORMATIONS OF MASCULINITY IN THE VIETNAM WAR FILM By ELLIOTT STEGALL A Dissertation submitted to the Program in Interdisciplinary Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2014 Elliott Stegall defended this dissertation on October 21, 2014. The members of the supervisory committee were: John Kelsay Professor Directing Dissertation Karen Bearor University Representative Kathleen Erndl Committee Member Leigh Edwards Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii ACKNOWLEDGEMENTS I am most grateful for my wife, Amanda, whose love and support has made all of this possible; for my mother, a teacher, who has always been there for me and who appreciates a good conversation; to my late father, a professor of humanities and religion who allowed me full access to his library and record collection; and, of course, to the professors who have given me their insight and time. iii TABLE OF CONTENTS List of Figures................................................................................................................................. v Abstract………………………………………………………………………………………...... vi 1. VIETNAM MOVIES, A NEW MYTHOS OF THE MASCULINE......................................... 1 2. DISPELLING FILMIC MYTHS OF THE VIETNAM WAR……………………………... 24 3. IN DEFENSE OF THE GREEN BERETS ………………………………………………..... -
Announcement of Final Results for the Year Ended March 31, 2021
Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this announcement, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this announcement. (Incorporated in Bermuda with limited liability) (Stock Code: 1060) ANNOUNCEMENT OF FINAL RESULTS FOR THE YEAR ENDED MARCH 31, 2021 The board of directors (the “Director(s)”) (the “Board”) of Alibaba Pictures Group Limited (“Alibaba Pictures” or the “Company”) announces that the audited consolidated results of the Company and its subsidiaries (collectively, the “Group”) for the year ended March 31, 2021 together with the comparative figures for the previous year were as follows: FINANCIAL HIGHLIGHTS For the year ended March 31, 2021 2020 Changes RMB’000 RMB’000 % Revenue 2,858,897 2,874,694 (0.5) Loss attributable to owners of the Company (96,311) (1,150,570) (91.6) Adjusted EBITA 118,143 (660,895)# NM Net cash inflow/(outflow) from operating activities 264,952 (776,148) NM NM- Not Meaningful NM- Not meaningful # Adjusted 1 CONSOLIDATED STATEMENT OF PROFIT OR LOSS For the year ended March 31, 2021 2020 Note RMB’000 RMB’000 Revenue 3 2,858,897 2,874,694 Cost of sales and services 6 (1,471,489) (1,307,950) Gross profit 1,387,408 1,566,744 Selling and marketing expenses 6 (438,674) (1,016,680) Administrative expenses 6 (870,013) (1,044,142) Impairment losses on financial assets, -
On the Precipice of Change by Marta Kubacki
On The Precipice Of Change by Marta Kubacki A thesis presented to the University of Waterloo in fulfillment of the thesis requirements for the degree of Master of Architecture Waterloo, Ontario, Canada, 2014 © Marta Kubacki 2014 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis will be made electronically available to the public. iii Abstract Situated centrally, two blocks north of strengthened the identity of the Chinese People’s Square, in Zhabei District of people at a critical point in their history, is Shanghai, China, Sihang Warehouse is a now in disrepair and soon to be assimilated place steeped in time. In 1937, during the into a more modern and gentrified vision Sino-Japanese War, when this building was of the new Zhabei District. still one of Shanghai’s tallest structures, it Sihang warehouse is an integral part briefly slowed down the ruthless onslaught of Shanghai’s collective cultural memory of Japanese troops. As a result, it provided and, arguably, a part of Shanghai’s identity. a moment of hope and pride for the Because Zhabei stands at the precipice demoralized Chinese. of change, the memories of the events Though deeply ingrained in Chinese that shaped Shanghai’s history are under history and culture through its wartime story, threat of voluntary amnesia. With many the structure has received little attention of Shanghai’s historic districts erased from the general public, local government, due to rapid expansion, it is crucial to re- and investors since the war and through the establish this building as a relevant edifice push for rapid development of Shanghai in its changing context. -
Turnaround for Writers - Not Quite, but Close: the Writer's Right to Reacquire Theatrical Literary Material Under the WGA Basic Agreement
Loyola of Los Angeles Entertainment Law Review Volume 18 Number 2 Article 1 1-1-1998 Turnaround for Writers - Not Quite, but Close: The Writer's Right to Reacquire Theatrical Literary Material under the WGA Basic Agreement Michael R. Fuller Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Michael R. Fuller, Turnaround for Writers - Not Quite, but Close: The Writer's Right to Reacquire Theatrical Literary Material under the WGA Basic Agreement, 18 Loy. L.A. Ent. L. Rev. 241 (1998). Available at: https://digitalcommons.lmu.edu/elr/vol18/iss2/1 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. TURNAROUND FOR WRITERS? NOT QUITE, BUT CLOSE: THE WRITER'S RIGHT TO REACQUIRE THEATRICAL LITERARY MATERIAL UNDER THE WGA BASIC AGREEMENT Michael k Fuller* I. INTRODUCTION How many studios does it take to make a motion picture about a 1 bumbling Ninjafrom Beverly Hills? Five, but who's counting? If you were the writer of the screenplay in question, you would be counting. For Mark Feldberg and Mitch Klebanoff, the writers of Beverly Hills Ninja,2 this situation was no joke.3 This screenplay "spent more than 10 years in development, bouncing from studio to studio before it landed in a familiar place: the hands of the original writers." 4 Soon thereafter, Motion Picture Corporation of America ("MPCA")5 produced the film, which was released by Sony Pictures in early 1997.