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About Endgame
IN ASSOCIATION WITH BLINDER FILMS presents in coproduction with UMEDIA in association with FÍS ÉIREANN / SCREEN IRELAND, INEVITABLE PICTURES and EPIC PICTURES GROUP THE HAUNTINGS BEGIN IN THEATERS MARCH, 2020 Written and Directed by MIKE AHERN & ENDA LOUGHMAN Starring Maeve Higgins, Barry Ward, Risteárd Cooper, Jamie Beamish, Terri Chandler With Will Forte And Claudia O’Doherty 93 min. – Ireland / Belgium – MPAA Rating: R WEBSITE: www.CrankedUpFilms.com/ExtraOrdinary / http://rosesdrivingschool.com/ SOCIAL MEDIA: Facebook - Twitter - Instagram HASHTAG: #ExtraOrdinary #ChristianWinterComeback #CosmicWoman #EverydayHauntings STILLS/NOTES: Link TRAILER: https://www.youtube.com/watch?v=x1TvL5ZL6Sc For additional information please contact: New York: Leigh Wolfson: [email protected]: 212.373.6149 Nina Baron: [email protected] – 212.272.6150 Los Angeles: Margaret Gordon: [email protected] – 310.854.4726 Emily Maroon – [email protected] – 310.854.3289 Field: Sara Blue - [email protected] - 303-955-8854 1 LOGLINE Rose, a mostly sweet & mostly lonely Irish small-town driving instructor, must use her supernatural talents to save the daughter of Martin (also mostly sweet & lonely) from a washed-up rock star who is using her in a Satanic pact to reignite his fame. SHORT SYNOPSIS Rose, a sweet, lonely driving instructor in rural Ireland, is gifted with supernatural abilities. Rose has a love/hate relationship with her ‘talents’ & tries to ignore the constant spirit related requests from locals - to exorcise possessed rubbish bins or haunted gravel. But! Christian Winter, a washed up, one-hit-wonder rock star, has made a pact with the devil for a return to greatness! He puts a spell on a local teenager- making her levitate. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
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Narrative Epic and New Media: the Totalizing Spaces of Postmodernity in the Wire, Batman, and the Legend of Zelda
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-17-2015 12:00 AM Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda Luke Arnott The University of Western Ontario Supervisor Nick Dyer-Witheford The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Luke Arnott 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Film and Media Studies Commons Recommended Citation Arnott, Luke, "Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda" (2015). Electronic Thesis and Dissertation Repository. 3000. https://ir.lib.uwo.ca/etd/3000 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. NARRATIVE EPIC AND NEW MEDIA: THE TOTALIZING SPACES OF POSTMODERNITY IN THE WIRE, BATMAN, AND THE LEGEND OF ZELDA (Thesis format: Monograph) by Luke Arnott Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Luke Arnott 2015 Abstract Narrative Epic and New Media investigates why epic narratives have a renewed significance in contemporary culture, showing that new media epics model the postmodern world in the same way that ancient epics once modelled theirs. -
A Recurrent Joker
JokeR: A Recurrent Joker Tom Hartvigsen 1 Sanket Gujar 1 Thanh Tran 1 Abstract compute what makes a joke a joke in order to minimize a Generating jokes is a challenging and understud- loss function. ied task of Natural Language Processing. A For joke generation, writing readable text is only half the computer that intends and succeeds to generate battle. We equate a machine that writes un-funny “jokes” jokes could be deemed artificially intelligent. We that retain some semblance of joke-structure to a three or present a couple of novel approaches to joke gen- four year old who, upon hearing others tell jokes and noting eration, such as using SeqGAN and a language the reactions of their audience, begins to mimic the syntax model. We implement a variety of word-level styles of jokes despite their lack of truly humorous content models to tackle parts of the joke-generation (e.g. Why did the apple eat a spoon? Yellow!). problem, namely text generation and joke clas- sification. Ideally, merging these steps will al- We present jokes generated through an Encoder-Decoder low for a model to write joke candidates, that Recurrent Neural Network that learns a language model are then pruned by a well-trained classifier. We using both standard one-hot encoded word representations train these models from a corpus of 231,657 user- and word2vec (Mikolov et al., 2013) as inputs. Addition- written jokes scraped from reddit.com1. ally, as an attempt to force humor into the model, we imple- ment a human-in-the-loop topic-based joke generation by adding a selected topic to the model’s initial state. -
Kevin Beggs Biography
Kevin Beggs Biography Kevin Beggs is Chairman of the Lionsgate Television Group, overseeing development and production of all scripted and non-scripted programming for broadcast, cable, and digital platforms worldwide. He has spearheaded the strategic expansion of the company’s television production activities, and with Lionsgate’s acquisition of TV Guide Network and its partnership in the premium entertainment channel EPIX, he has become one of the key executives managing Lionsgate’s creative interests in both ventures. Under Beggs’ leadership, the television division has become a leading supplier of programming, with an impressive slate that includes the critically-acclaimed series NASHVILLE, which was recently renewed for a third season and has already generated two hit soundtracks; the multiple Emmy and Golden Globe-winning series MAD MEN, now in its seventh season on AMC; the Charlie Sheen comedy ANGER MANAGEMENT, which earned an unprecedented 90-episode order from FX after its initial 10-episode run; the acclaimed Showtime comedy NURSE JACKIE, which was recently renewed for a seventh season; and WEEDS creator Jenji Kohan’s breakout series ORANGE IS THE NEW BLACK, which Netflix recently picked up for a third season ahead of its second season premiere. Lionsgate’s TV roster also includes the recent NBC miniseries ROSEMARY’S BABY; the History miniseries HOUDINI starring Oscar winner Adrien Brody; the ABC Family series CHASING LIFE, which launches in June; the 10+90 sitcom PARTNERS starring Kelsey Grammer and Martin Lawrence, which premieres on FX in August; the drama series MANHATTAN, which debuts in July on WGN America; the comedy series DEADBEAT, which recently launched on Hulu and has been renewed for a second season; E!’s first original scripted series THE ROYALS; and the Syfy limited series ASCENSION. -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
Schurken Im Batman-Universum Dieser Artikel Beschäftigt Sich Mit Den Gegenspielern Der ComicFigur „Batman“
Schurken im Batman-Universum Dieser Artikel beschäftigt sich mit den Gegenspielern der Comic-Figur ¹Batmanª. Die einzelnen Figuren werden in alphabetischer Reihenfolge vorgestellt. Dieser Artikel konzentriert sich dabei auf die weniger bekannten Charaktere. Die bekannteren Batman-Antagonisten wie z.B. der Joker oder der Riddler, die als Ikonen der Popkultur Verankerung im kollektiven Gedächtnis gefunden haben, werden in jeweils eigenen Artikeln vorgestellt; in diesem Sammelartikel werden sie nur namentlich gelistet, und durch Links wird auf die jeweiligen Einzelartikel verwiesen. 1 Gegner Batmans im Laufe der Jahrzehnte Die Gesamtheit der (wiederkehrenden) Gegenspieler eines Comic-Helden wird im Fachjargon auch als sogenannte ¹Schurken-Galerieª bezeichnet. Batmans Schurkengalerie gilt gemeinhin als die bekannteste Riege von Antagonisten, die das Medium Comic dem Protagonisten einer Reihe entgegengestellt hat. Auffällig ist dabei zunächst die Vielgestaltigkeit von Batmans Gegenspielern. Unter diesen finden sich die berüchtigten ¹geisteskranken Kriminellenª einerseits, die in erster Linie mit der Figur assoziiert werden, darüber hinaus aber auch zahlreiche ¹konventionelleª Widersacher, die sehr realistisch und daher durchaus glaubhaft sind, wie etwa Straûenschläger, Jugendbanden, Drogenschieber oder Mafiosi. Abseits davon gibt es auch eine Reihe äuûerst unwahrscheinlicher Figuren, wie auûerirdische Welteroberer oder extradimensionale Zauberwesen, die mithin aber selten geworden sind. In den frühesten Batman-Geschichten der 1930er und 1940er Jahre bekam es der Held häufig mit verrückten Wissenschaftlern und Gangstern zu tun, die in ihrem Auftreten und Handeln den Flair der Mobster der Prohibitionszeit atmeten. Frühe wiederkehrende Gegenspieler waren Doctor Death, Professor Hugo Strange und der vampiristische Monk. Die Schurken der 1940er Jahre bilden den harten Kern von Batmans Schurkengalerie: die Figuren dieser Zeit waren vor allem durch die Abenteuer von Dick Tracy inspiriert, der es mit grotesk entstellten Bösewichten zu tun hatte. -
Nbcuniversal Officially Opens Its New Mexico Production Facility
6/23/2021 Constant Contact FOR IMMEDIATE RELEASE: June 24, 2021 FOR MEDIA INQUIRIES: Crystal B. Williams, NBCUniversal Jennifer Esquivel, NMFO (505) 469-2915 NBCUniversal Officially Opens its New Mexico Production Facility A Comedy Series for Peacock, The Universal Television Production, MacGruber to film in New Mexico SANTA FE, N.M. – Today, New Mexico Governor Michelle Lujan Grisham, Albuquerque Mayor Tim Keller, NBCUniversal executives, and other civic and industry leaders cut the ribbon on NBCUniversal’s New Mexico production facility. https://app.constantcontact.com/pages/campaigns/email-details/details/activity/0f8952c8-acae-4e58-b7b7-b73413e308b4 1/5 6/23/2021 Constant Contact "I am thrilled to formally open the NBCUniversal’s New Mexico production facility," said Governor Michelle Lujan Grisham. "Despite the pandemic, we've had one of our best and most productive years -- if not our very best year ever - - with the film and television industry. This industry has leapt back to life because they have put safety first -- and they will help our state recovery economically as we put the pandemic behind us. NBCUniversal chose New Mexico because we are good for good business. I couldn't be more excited about our growing partnership and their efforts to provide innovative workforce development and mentorship initiatives to New Mexicans in the industry." “NBCUniversal is thankful for the support of Governor Lujan Grisham, Mayor Keller, the New Mexico Legislature, and the Albuquerque City Council,” said Veronica Sullivan, SVP, Head of Global Production External Affairs, NBCUniversal. “We are proud of what we have accomplished so far through our venture with the Garcia family and look forward to growing our production profile across the state, contributing to the continued development of the talented New Mexico workforce.” “Albuquerque is on solid footing to become one of the largest high-tech and sustainable film production centers in North America,” said Mayor Tim Keller. -
Daniel Craig
PVR MOVIES FIRST VOL. 51 YOUR WINDOW INTO THE WORLD OF CINEMA March 2020 21 LITTLE-KNOWN FACTS AboUt…. DANIEL CRAIG UTE TRIB KIRK DOUGLAS OTHER BLOCKBUSTER MOVIES PLAYING THIS MONTH: BAAGHI 3, ANGREZI MEDIUM, BLOODSHOT, MULAN GREETINGS ear Movie Lovers, 21 amazing facts about Daniel Craig, who celebrates his 52nd birthday this month. Here’s the March issue of Movies First, your exclusive window to the world of cinema. Don’t forget to take a shot at our movie quiz, too. A Quiet Place Part II sees the Abbott family locked in a creepy battle with sound-sensitive forces. Ace action We really hope you enjoy the issue. Wish you a fabulous director Rohit Shetty presents Akshay Kumar in and as month of movie watching. Sooryavanshi. Irrfan makes his much-awaited return as a Regards harried father determined to send his daughter abroad in Angrezi Medium. Join us in paying tribute to the legendary actor Kirk Gautam Dutta Douglas, the last of Hollywood’s golden greats. Learn CEO, PVR Limited USING THE MAGAZINE We hope you’ll find this magazine easy to use, but here’s a handy guide to the icons used throughout anyway. You can tap the page once at any time to access full contents at the top of the page. PLAYPLAY TRAILER BOOKSELECT TICKETS MOVIES PVR MOVIES FIRST PAGE 2 CONTENTS Tap for... Tap for... Movie OF THE MONTH UP CLOSE & PERSONAL Tap for... Tap for... MUST WATCH MASTERS@WORK Tap for... Tap for... RISING Star TRIBUTE TO BOOK TICKETS GO TO PVRCINEMAS.COM OR DOWNLOAD OUR MOBILE APP. -
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Spider-Man: Homecoming’
Audi MediaInfo Culture & Trends Communications Christian Günthner Phone: +49 841 89-48356 E-mail: [email protected] www.audi -mediacenter.com/en Audi A8 in disguise as surprise guest at the world premiere of ‘Spider-Man: Homecoming’ Audi figurehead car in Spider-Man camouflage on the red carpet in Los Angeles Leading actor Tom Holland as a VIP passenger Official presentation of the Audi A8 on July 11 at Audi Summit in Barcelona Los Angeles/Ingolstadt, June 29, 2017 – Wednesday night the new Audi A8* could be seen in Los Angeles alongside many Hollywood stars at the world premiere of ‘Spider-Man: Homecoming.’ Tom Holland, who stars as Peter Parker / Spider-Man, was chauffeured down the red carpet at the TCL Chinese Theatre. Meanwhile, Robert Downey Jr. and Jon Favreau arrived together in a black Audi R8 Spyder*. Normally, Audi’s Technical Development team conceals their secret prototypes with a special adhesive foil with a camouflaged pattern of black and white swirls. However, this time Audi Design developed a new camouflage foil with a Spider-Man design specifically for the appearance on the red carpet at the world premiere of ‘Spider-Man: Homecoming’. The traditional swirl design has been modified to incorporate spider webs on the vehicle doors and within the signature rings. Even before its official world premiere, the first glimpses of the Audi A8’s can be seen on the big screen in ‘Spider-Man: Homecoming’ – viewers can see parts of the front and side designs in the film. In addition, moviegoers also get to see Audi AI Traffic Jam Pilot in action when Happy Hogan drives Peter Parker and momentarily removing his hands from the wheel.