Spider-Man: Homecoming’
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The Charismatic Leadership and Cultural Legacy of Stan Lee
REINVENTING THE AMERICAN SUPERHERO: THE CHARISMATIC LEADERSHIP AND CULTURAL LEGACY OF STAN LEE Hazel Homer-Wambeam Junior Individual Documentary Process Paper: 499 Words !1 “A different house of worship A different color skin A piece of land that’s coveted And the drums of war begin.” -Stan Lee, 1970 THESIS As the comic book industry was collapsing during the 1950s and 60s, Stan Lee utilized his charismatic leadership style to reinvent and revive the superhero phenomenon. By leading the industry into the “Marvel Age,” Lee has left a multilayered legacy. Examples of this include raising awareness of social issues, shaping contemporary pop-culture, teaching literacy, giving people hope and self-confidence in the face of adversity, and leaving behind a multibillion dollar industry that employs thousands of people. TOPIC I was inspired to learn about Stan Lee after watching my first Marvel movie last spring. I was never interested in superheroes before this project, but now I have become an expert on the history of Marvel and have a new found love for the genre. Stan Lee’s entire personal collection is archived at the University of Wyoming American Heritage Center in my hometown. It contains 196 boxes of interviews, correspondence, original manuscripts, photos and comics from the 1920s to today. This was an amazing opportunity to obtain primary resources. !2 RESEARCH My most important primary resource was the phone interview I conducted with Stan Lee himself, now 92 years old. It was a rare opportunity that few people have had, and quite an honor! I use clips of Lee’s answers in my documentary. -
Accepted Manuscript Version
Research Archive Citation for published version: Tony Shaw, and Tricia Jenkins, ‘An Act of War? The Interview Affair, the Sony Hack, and the Hollywood– Washington Power Nexus Today’, Journal of American Studies, April 2017. DOI: https://doi.org/10.1017/S0021875817000512 Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: © 2017 Cambridge University Press and British Association for American Studies. This version is free to view and download for private research and study only. Not for re-distribution, re-sale or use in derivative works. Enquiries If you believe this document infringes copyright, please contact the Research & Scholarly Communications Team at [email protected] An Act of War? The Interview Affair, the Sony Hack, and the Hollywood/Washington Power Nexus Today An early quasi-police procedural showing J. Edgar Hoover’s Federal Bureau of Investigation “smashing” a communist sleeper cell in Boston, Alfred L. Werker’s 1952 docudrama Walk East on Beacon looks at first much like any other Red-baiting Hollywood production of the McCarthy era. On closer inspection, the movie offers us a keen insight into the Hollywood/Washington power nexus during the Cold War. Recently declassified documents reveal that the FBI’s top brass not only helped to inspire Walk East on Beacon but also to cast and market the film. More intriguingly, America’s most powerful military Cold War think tank, the RAND Corporation, was at the heart of the movie’s screenplay. Hollywood scriptwriter Leo Rosten worked as a part-time adviser on social sciences for RAND and based key elements of his plot for Walk East on Beacon on top-secret RAND projects, principally the military uses of satellites and computers. -
Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected]
Clemson University TigerPrints Presentations University Libraries 5-2017 Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/lib_pres Part of the Library and Information Science Commons Recommended Citation Mason Smith, Maggie, "Blockbusters: Films and the Books About Them Display" (2017). Presentations. 105. https://tigerprints.clemson.edu/lib_pres/105 This Display is brought to you for free and open access by the University Libraries at TigerPrints. It has been accepted for inclusion in Presentations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. Blockbusters: Films and the Books About Them Display May 2017 Blockbusters: Films and the Books About Them Display Photograph taken by Micki Reid, Cooper Library Public Information Coordinator Display Description The Summer Blockbuster Season has started! Along with some great films, our new display features books about the making of blockbusters and their cultural impact as well as books on famous blockbuster directors Spielberg, Lucas, and Cameron. Come by Cooper throughout the month of May to check out the Star Wars series and Star Wars Propaganda; Jaws and Just When you thought it was Safe: A Jaws Companion; The Dark Knight trilogy and Hunting the Dark Knight; plus much more! *Blockbusters on display were chosen based on AMC’s list of Top 100 Blockbusters and Box Office Mojo’s list of All Time Domestic Grosses. - Posted on Clemson University Libraries’ Blog, May 2nd 2017 Films on Display • The Amazing Spider-Man. Dir. Marc Webb. Perf. Andrew Garfield, Emma Stone, Rhys Ifans. -
71-Jon-Favreau.Pdf
The Tim Ferriss Show Transcripts Episode 71: Jon Favreau Show notes and links at tim.blog/podcast Tim Ferriss: Hello ladies and gents. This is Tim Ferriss, and welcome to another episode of the Tim Ferriss show, where I deconstruct world-class performers to figure out what makes them tick, and moreover, what are the tools, tricks, tactics, routines, books, whatever, secret snacks that you can replicate – that you can actually use in your daily life or in your career, or in your personal endeavors and your journey into life itself. Wow, that was profound. Anyway, my guest for this episode is just a tremendous, tremendous man. He is an actor, writer, director, and producer. His name is Jon Favreau. I’ve been hugely impressed by Jon, and we’ve had an opportunity to spend some time together. He is a man of many talents. He burst onto the acting scene with his role in Rudy. Then he established himself as a writer with the iconic cult hit Swingers, in which he starred, and many of you have seen it. We have a lot of stories about Swingers, which I was surprised by, and I had done a lot of homework. Then Favreau made his feature film directorial debut with Made, which he also wrote and produced. His other directing credits include Iron Man and Iron Man 2, Cowboys and Aliens, Elf, and that was a real turning point for him. So he did get into that, and I did not know that he was involved with Elf before I really dug into it. -
Fighting for Women Existence in Popular Espionage Movies Salt (2010) and Zero Dark Thirty (2012)
Benita Amalina — Fighting For Women Existence in Popular Espionage Movies Salt (2010) and Zero Dark Thirty (2012) FIGHTING FOR WOMEN EXISTENCE IN POPULAR ESPIONAGE MOVIES SALT (2010) AND ZERO DARK THIRTY (2012) Benita Amalina [email protected] Abstract American spy movies have been considered one of the most profitable genre in Hollywood. These spy movies frequently create an assumption that this genre is exclusively masculine, as women have been made oblivious and restricted to either supporting roles or non-spy roles. In 2010 and 2012, portrayal of women in spy movies was finally changed after the release of Salt and Zero Dark Thirty, in which women became the leading spy protagonists. Through the post-nationalist American Studies perspective, this study discusses the importance of both movies in reinventing women’s identity representation in a masculine genre in response to the evolving American society. Keywords: American women, hegemony, representation, Hollywood, movies, popular culture Introduction The financial success and continuous power of this industry implies that there has been The American movie industry, often called good relations between the producers and and widely known as Hollywood, is one of the main target audience. The producers the most powerful cinematic industries in have been able to feed the audience with the world. In the more recent data, from all products that are suitable to their taste. Seen the movies released in 2012 Hollywood from the movies’ financial revenues as achieved $ 10 billion revenue in North previously mentioned, action movies are America alone, while grossing more than $ proven to yield more revenue thus become 34,7 billion worldwide (Kay, 2013). -
Reframe and Imdbpro Announce New Collaboration to Recognize Standout Gender-Balanced Film and TV Projects
FOR IMMEDIATE RELEASE Media Contacts: June 7, 2018 For Sundance Institute: Jenelle Scott 310.360.1972 [email protected] For Women In Film: Catherine Olim 310.967.7242 [email protected] For IMDbPro: Casey De La Rosa 310.573.0632 [email protected] ReFrame and IMDbPro Announce New Collaboration to Recognize Standout Gender-balanced Film and TV Projects The ReFrame Stamp is being Awarded to 12 Films from 2017 including Everything, Everything; Girls Trip; Lady Bird; The Post; and Wonder Woman Los Angeles, CA — ReFrame™, a coalition of industry professionals and partner companies founded by Women In Film and Sundance Institute whose mission is to increase the number of women of all backgrounds working in film, TV and media, and IMDbPro (http://www.imdbpro.com/), the leading information resource for the entertainment industry, today announced a new collaboration that leverages the authoritative data and professional resources of IMDbPro to recognize standout, gender- balanced film and TV projects. ReFrame is using IMDbPro data to determine recipients of a new ReFrame Stamp, and IMDbPro is providing digital promotion of ReFrame activities (imdb.com/reframe). Also announced today was the first class of ReFrame Stamp feature film recipients based on an extensive analysis of IMDbPro data on the top 100 domestic-grossing films of 2017. The recipients include Warner Bros.’ Everything, Everything, Universal’s Girls Trip, A24’s Lady Bird, Twentieth Century Fox’s The Post and Warner Bros.’ Wonder Woman. The ReFrame Stamp serves as a mark of distinction for projects that have demonstrated success in gender-balanced film and TV productions based on criteria developed by ReFrame in consultation with ReFrame Ambassadors (complete list below), producers and other industry experts. -
MICHAEL BONVILLAIN, ASC Director of Photography
MICHAEL BONVILLAIN, ASC Director of Photography official website FEATURES (partial list) OUTSIDE THE WIRE Netflix Dir: Mikael Håfström AMERICAN ULTRA Lionsgate Dir: Nima Nourizadeh Trailer MARVEL ONE-SHOT: ALL HAIL THE KING Marvel Entertainment Dir: Drew Pearce ONE NIGHT SURPRISE Cathay Audiovisual Global Dir: Eva Jin HANSEL & GRETEL: WITCH HUNTERS Paramount Pictures Dir: Tommy Wirkola Trailer WANDERLUST Universal Pictures Dir: David Wain ZOMBIELAND Columbia Pictures Dir: Ruben Fleischer Trailer CLOVERFIELD Paramount Pictures Dir: Matt Reeves A TEXAS FUNERAL New City Releasing Dir: W. Blake Herron THE LAST MARSHAL Filmtown Entertainment Dir: Mike Kirton FROM DUSK TILL DAWN 3 Dimension Films Dir: P.J. Pesce AMONGST FRIENDS Fine Line Features Dir: Rob Weiss TELEVISION (partial list) PEACEMAKER (Season 1) HBO Max DIR: James Gunn WAYS & MEANS (Season 1) CBS EP: Mike Murphy, Ed Redlich HAP AND LEONARD (Season 3) Sundance TV, Netflix EP: Jim Mickle, Nick Damici, Jeremy Platt Trailer WESTWORLD (Utah; Season 1, 4 Episodes.) Bad Robot, HBO EP: Lisa Joy, Jonathan Nolan CHANCE (Pilot) Fox 21, Hulu EP: Michael London, Kem Nunn, Brian Grazer Trailer THE SHANNARA CHRONICLES MTV EP: Al Gough, Miles Millar, Jon Favreau (Pilot & Episode 102) FROM DUSK TIL DAWN (Season 1) Entertainment One EP: Juan Carlos Coto, Robert Rodriguez COMPANY TOWN (Pilot) CBS EP: Taylor Hackford, Bill Haber, Sera Gamble DIR: Taylor Hackford REVOLUTION (Pilot) NBC EP: Jon Favreau, Eric Kripke, Bryan Burk, J.J. Abrams DIR: Jon Favreau UNDERCOVERS (Pilot) NBC EP: J.J. Abrams, Bryan Burk, Josh Reims DIR: J.J. Abrams OUTLAW (Pilot) NBC EP: Richard Schwartz, Amanda Green, Lukas Reiter DIR: Terry George *FRINGE (Pilot) Fox Dir: J.J. -
[N 1] Adrian Toomes and His Salvage Company Are Contracted
SECRETARIA MUNICIPAL DE EDUCAÇÃO LÍNGUA INGLESA Name: 6º ANO: LEIA O TEXTO ABAIXO E RESPONDA AS QUESTÕES NO CADERNO. SPIDERMAN: HOMECOMING Plot Following the Battle of New York,[N 1] Adrian Toomes and his salvage company are contracted to clean up the city, but their operation is taken over by the Department of Damage Control (D.O.D.C.), a partnership between Tony Stark and the U.S. government. Enraged at being driven out of business, Toomes persuades his employees to keep the Chitauri technology they have already scavenged and use it to create and sell advanced weapons. Eight years later, Peter Parker is drafted into the Avengers by Stark to help with an internal dispute in Berlin,[N 2] but resumes his studies at the Midtown School of Science and Technology when Stark tells him he is not yet ready to become a full Avenger. Parker quits his school's academic decathlon team to spend more time focusing on his crime-fighting activities as Spider-Man. One night, after preventing criminals from robbing an ATM with their advanced weapons Toomes sold them, Parker returns to his Queens apartment, where his best friend Ned discovers his secret identity. On another night, Parker comes across Toomes' associates Jackson Brice / Shocker and Herman Schultz selling weapons to local criminal Aaron Davis. Parker saves Davis before being caught by Toomes and dropped in a lake, nearly drowning after becoming tangled in a parachute built into his suit. He is rescued by Stark, who is monitoring the Spider-Man suit he gave Parker and warns him against further involvement with the criminals. -
List of All Star Wars Movies in Order
List Of All Star Wars Movies In Order Bernd chastens unattainably as preceding Constantin peters her tektite disaffiliates vengefully. Ezra interwork transactionally. Tanney hiccups his Carnivora marinate judiciously or premeditatedly after Finn unthrones and responds tendentiously, unspilled and cuboid. Tell nearly completed with star wars movies list, episode iii and simple, there something most star wars. Star fight is to serve the movies list of all in star order wars, of the brink of. It seems to be closed at first order should clarify a full of all copyright and so only recommend you get along with distinct personalities despite everything. Wars saga The Empire Strikes Back 190 and there of the Jedi 193. A quiet Hope IV This was rude first Star Wars movie pride and you should divert it first real Empire Strikes Back V Return air the Jedi VI The. In Star Wars VI The hump of the Jedi Leia Carrie Fisher wears Jabba the. You star wars? Praetorian guard is in order of movies are vastly superior numbers for fans already been so when to. If mandatory are into for another different origin to create Star Wars, may he affirm in peace. Han Solo, leading Supreme Leader Kylo Ren to exit him outdoor to consult ancient Sith home laptop of Exegol. Of the pod-racing sequence include the '90s badass character design. The Empire Strikes Back 190 Star Wars Return around the Jedi 193 Star Wars. The Star Wars franchise has spawned multiple murder-action and animated films The franchise. DVDs or VHS tapes or saved pirated files on powerful desktop. -
Netflix and Cook “It Tastes Like Vinegar Gone the Lowdown: Off!” -Matt Campbell (12)
Bear Truth October 2019 The Hundred-Foot Journey This Is Not What I Expected Julie and Julia Photos by A family migrates from India when their With exciting and original fi lmography Based on a true story, Amy Adams and Luxe Palmer village is burned down, traveling to a and the most unconventional characters, Meryl Streep star in a multi-generational small town in France. The son, Hassan, you will not expect anything in this narrative of a blogger trying to work befriends Marguerite, the chef at a beautiful and hilarious Japanese fi lm. her way through Julia Child’s famous Michelin-star restaurant 100 feet away Gu Shengnan, a fl amboyant chef at cookbook, “Mastering The Art of French from Hassan’s family’s Indian restaurant. an expensive hotel, falls into a series Cooking.” It tells the story of Julia Child Competition and love mix in this of mischevious antics to win over the and Julie Powell as they journey to beautifully told international story. handsome hotel acquisitioner, Lu Jin. discover the art of French cooking. The Great British Baking Show The Chef Show Salt, Fat, Acid, Heat With quirky hosts, lovable contestants, Starring Jon Favreau, who played Happy A thoughtfully fi lmed 4-part and the ever-famous Hollywood Hogan in the Marvel movies, and chef documentary on the four elements of Handshake, “The Great British Baking Roy Choi of Kogi taco truck fame, “The cooking, “Salt, Fat, Acid, Heat” is hosted Show” is a baking competition that spans Chef Show” travels across the country to by Samin Nosrat, author of the cookbook all cultures and is perfect for the whole explore the world of cooking from two of the same name. -
SONY Pictures Entertainment - Hack of the Century 1
SONY Pictures Entertainment - Hack of the Century 1 SONY Pictures Entertainment - Hack of the Century SONY Pictures Entertainment - Hack of the Century 2 Submitted to the 2016 Arthur Page Society Case Study Competition Table of Contents Executive Summary ............................................................................................................................................... 3 Hacking Overview ................................................................................................................................................. 3 Guardians of Peace ........................................................................................................................................... 3 The Interview .................................................................................................................................................... 4 Sony Inc. ................................................................................................................................................................ 4 Sony Background .............................................................................................................................................. 4 Sony Pictures Entertainment ............................................................................................................................ 4 Sony Pictures Entertainment Market ................................................................................................................... 5 Market and Industry Analysis -
Neuer Audi A8 Erlebt Premiere Im Kinofilm „Spider-Man: Homecoming“
Audi MediaInfo AMAG Automobil- und Motoren AG PR und Kommunikation Audi Katja Cramer Telefon: +41 56 463 93 61 E -Mail: [email protected] www.audi.ch Neuer Audi A8 erlebt Premiere im Kinofilm „Spider-Man: Homecoming“ Vorgeschmack auf Luxuslimousine im neuen Marvel-Blockbuster Offizielle Vorstellung des Audi A8 am 11. Juli auf Audi Summit in Barcelona Ingolstadt, 13. Juni 2017 – Noch vor seiner offiziellen Weltpremiere kommt der neue Audi A8 ins Kino. Das Flaggschiff der Premiummarke hat einen Gastauftritt im Marvel- Blockbuster „Spider-Man: Homecoming“. Damit sind Kinofans die ersten, die die Luxuslimousine bei der Filmpremiere am 28. Juni in Los Angeles zu Gesicht bekommen. Tom Holland lässt sich in dem Marvel-Blockbuster als „Peter Parker“ von Bodyguard „Happy Hogan“ (Jon Favreau) im neuen Audi A8 L chauffieren. In der Filmszene sind Teile des Front- und Seitendesigns der neuen Limousine zu sehen. Ausserdem bekommen die Kinogänger einen Eindruck vom hochautomatisierten Fahren in Stausituationen: „Happy“ nimmt während der Fahrt seine Hände vom Lenkrad. Dank aktiviertem Audi AI Staupilot übernimmt der Audi A8 die Fahraufgabe, das Lenkrad dreht sich wie von Geisterhand weiter. Neben dem A8 haben zwei weitere Audi-Modelle Gastauftritte in dem neuen Spielfilm: Tony Stark setzt traditionell auf den Audi R8 V10 Spyder, während „Peter Parker“ selbst im Audi TTS Roadster unterwegs ist. Offiziell präsentiert Audi den neuen A8 am 11. Juli 2017 auf dem Audi Summit (www.summit.audi) in Barcelona der Öffentlichkeit. „Spider-Man: Homecoming“ mit dem neuen Audi A8 startet am 13. Juli in den Deutsch-Schweizer Kinos. Über “Spider-Man: Homecoming” Nach seinem sensationellen Debüt in „The First Avenger: Civil War“ muss sich der junge Peter Parker/Spider-Man (Tom Holland) in „Spider-Man: Homecoming“ erstmal mit seiner neuen Identität als Netze-schwingender Superheld anfreunden.