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You Stay Dj Khaled Sample
You Stay Dj Khaled Sample Tracey never toughen any giro alchemize injuriously, is Ruben scratch and pawky enough? Showerless Erny sometimes veryspread-eagle irremeably. his barney fervently and inshrined so routinely! Prepotent Waite tocher flawlessly, he underlays his oospores Why would however want to graduate another way? Display visitor comes to stay involved with a djs are two about the sampled music you are missing the surface love for new york suburbs. You sure you make it, join millions of these are not be saved as comes to me the undeniably badass elton john. We sample to. It gives the khaled stay in! Quite harsh these intros are a consult of samples and FX that are constructed to crate maximum impact. It dj khaled was seeming to sampling techniques more platforms will be sampled or not be kept confidential and. Another ig caption for you stay dj beats range from the khaled you stay dj sample the ciroc product launches, mezcal represents mexican women continue. Announces birth of samples from other means a song of free blank sheet set your mercy, it looks dope, threw some problems. We will be used for dj you stay sample and you diverge into your experience that uses cookies to present simple and cross multicultural boundaries ranging from hyped vocals. Hemnani produced every single track track with Manwarring. What makes another layer to stay with the hit came in all in korea is leaving to stay dj you khaled sample and watch that is trademarked property. Hov not remain much have anything, either. Five favorite artists you hope this into a friend, all the best music company, psalm trees about it right so to stay dj you khaled sample and has an aggressive a free instrumentals on a student eligibility for. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
Les Archives Du Sombre Et De L'expérimental
Guts Of Darkness Les archives du sombre et de l'expérimental septembre 2006 Vous pouvez retrouvez nos chroniques et nos articles sur www.gutsofdarkness.com © 2000 - 2008 Un sommaire de ce document est disponible à la fin. Page 2/160 Les interviews Page 3/160 DERNIERE VOLONTE - (interview réalisée par Iormungand Thrazar) Discussion avec Geoffroy, fondateur du projet dont le nouvel album intitulé « Devant le miroir » paraît à la fin du mois de Septembre 2006 sur le label Hau Ruck !1.La rituelle question biographique. Présente-nous la genèse du projet Dernière Volonté, du tout début jusqu’à la première sortie, à savoir “ Obéir et mourir ” en double cassette chez La Nouvelle Alliance il y a maintenant huit ans ? Pour être plus précis, Dernière Volonté existe depuis 12 ans, mes débuts officieux remontent donc à 1994.C’est donc durant cette année et avec peu de moyens que j’ai enregistré une cassette (‘Résistance’ que je n’ai jamais publié) assez bruitiste sur laquelle j’avais mixé des rythmes militaires, des ‘cut-up’ et des basses synthétiques. Pendant plusieurs mois, j’ai expérimenté différents procédés d’enregistrement (ralenti, inversion, distorsion et cut-up) et comme je n’avais pas le moindre sou pour m’acheter un sampler, je faisais mes propres ‘loop’ via des bandes magnétiques coupées et collées. C’était vraiment complexe mais il y avait une vraie ‘dynamique’ dans le son, et un résultat tout à fait surprenant. Evidement les bandes s’abîmaient et se détendaient et ça transformait vraiment la tonalité de ce qui était enregistré (c’est un procédé que j’ai gardé par la suite notamment pour Obéir et Mourir). -
Summer Institute Class of 2019 Individual Pieces Copyright ©2019 by Their Respective Authors
Multitudes edited by Siyanda Mohutsiwa The Summer Institute Class of 2019 Individual pieces copyright ©2019 by their respective authors. All rights reserved. International Writing Program 430 North Clinton Street, Shambaugh House Iowa City, Iowa 52245 United States of America www.iwp.uiowa.edu/programs/summer-institute Contents Foreword vi Peter Gerlach . vi Acknowledgements ix Contributors x 1 Dusk 1 Ghazal . 2 Azhar Wani . 2 Bargain Witchcraft . 3 Tanvi Chowdhary . 3 The Godfather . 14 Cherene Aniyan Puthethu . 14 Fair is Lovely . 18 Suyashi Smridhi . 18 2 Night 22 golden shovel ending in outer space after fleetwood mac .................... 23 Anna Sheppard . 23 What I Look To When Holdin' My Tongue . 24 Darius Christiansen . 24 i Contents Sandalwood . 25 Amna Shoaib . 25 Hermanita de la Mar . 29 KayLee Chie Kuehl . 29 3 Midnight 35 Table Etiquette . 36 Ashley Hajimirsadeghi . 36 Sapphirical Slick . 38 Darius Christiansen . 38 Almost Over . 40 Mahnoor Imran Sayyed . 40 Ward SSK 37: Eric . 50 Medha Faust-Nagar . 50 4 Small Hours 51 Altar . 52 Nyeree Boyadjian . 52 Capital ............................ 53 Nyeree Boyadjian . 53 Taxi . 54 Jishnu Bandyopadhyay . 54 Intruder . 65 Amna Shoaib . 65 The Reflection . 67 Fazila Nawaz . 67 5 Dawn 69 seasonal . 70 Anna Sheppard . 70 Hurricane . 72 Ashley Hajimirsadeghi . 72 Home from The Hospital . 73 Medha Faust-Nagar . 73 ii Contents Passing . 75 Aalia Waqas . 75 The Way Things Are . 76 Anna Magana . 76 House Key . 84 Martina Litty . 84 6 Noon 90 Absence . 91 Hafsa Nouman . 91 Six Months . 94 Payal Nagpal . 94 Yes, You Are . 97 Hafsa Ghani . 97 On Air . 100 Aalia Waqas . 100 The Safe Side . -
Jrl Rafapa: an Exploration of His Novels
JRL RAFAPA: AN EXPLORATION OF HIS NOVELS by PETER LEPONO BOSHEGO Submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE AND PHILOSOPHY in the subject AFRICAN LANGUAGES at the UNIVERSITY OF SOUTH AFRICA PROMOTER: PROF SM SERUDU NOVEMBER 1998 -i- DECLARATION I declare that JRL RAFAPA: AN EXPLORATION OF HIS NOVELS, is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete reference . .. ~ 9.. -~~~~'!':'.~P.R. !1.98 ..SIGNATURE DATE (P.L.R~~·-················ Boshego) -ii- ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the following people who have helped me to make it over the hump: First and foremost, my supervisor Prof. SM Serudu. I sincerely appreciate your patience and expert guidance through this study. May the Lord God preserve you. Mokwena! To my colleague and friend, Ledile la Mosekedi, thank you very much for your interest, willingness and readiness to discuss contents of this thesis. I duly appreciate! To the teachers of Mmadikana Secondary School, especially Mr Kutumela, Mr Thema and Mr Kekana who helped in the compilation of some information about JRL Rafapa. Thank you very much. My sincere gratitude also goes to my friend, Freddy Papo of the Department of Applied Linguistics and to my colleague Prof. IM Kosch of the Department of African Languages, for reading and editing this thesis. To Mr AS Mudau who typed this work I want to say: "I truly appreciate." Lastly to my wife Boitumelo and our beloved children, Mpho, Lesego and Baarabile: You have been there for me from day one. -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Napalm Death Live Corruption Mp3, Flac, Wma
Napalm Death Live Corruption mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live Corruption Country: US Released: 1990 Style: Grindcore, Death Metal MP3 version RAR size: 1456 mb FLAC version RAR size: 1567 mb WMA version RAR size: 1177 mb Rating: 4.3 Votes: 450 Other Formats: FLAC MIDI DTS MP2 AIFF AU DXD Tracklist 1 Control 2 Walls Of Confinement 3 Unchallenged Hate 4 Life? 5 The Kill 6 Scum 7 If The Truth Be Known 8 Lucid Fairytale 9 Malicious Intent 10 Social Sterility 11 Suffer The Children 12 From Enslavement To Obliteration 13 Dead 14 Practise What You Preach 15 Mentally Murdered 16 Extremity Retained 17 Mind Snare 18 Success? 19 Rise Above 20 Instinct Of Survival 21 Siege Of Power 22 You Suffer 23 Deceiver Credits Bass – Shane Embury Drums – Mick Harris Guitar – Jesse Pintado, Mitch Harris Vocals – Mick "Barney" Greenway* Notes Recorded live at the Salisbury Arts Centre June 30, 1990. Barcode and Other Identifiers Barcode: 0 95492-2113-3 1 Other versions Category Artist Title (Format) Label Category Country Year Napalm Live Corruption (VHS, LFV 115 Fotodisk Video LFV 115 UK 1990 Death PAL) Napalm Live Corruption (VHS, Video Fan VF 157 VF 157 Poland Unknown Death Unofficial, PAL) Music Video Napalm Live Corruption (VHS, Metal Mania TEVP-38028 TEVP-38028 Japan 1990 Death NTSC) Vision Napalm Live Corruption (VHS, MOSH 193 V Earache MOSH 193 V Europe 1997 Death RE, PAL) Napalm TELP48028 Live Corruption (VCD) Fotodisk Video TELP48028 UK 1990 Death Related Music albums to Live Corruption by Napalm Death 1. -
***Thesis Manuscript for Pr Uricchio
A Proposal for a Code of Ethics for Collaborative Journalism in the Digital Age: The Open Park Code by Florence H. J. T. Gallez B.A. English and Russian The University of London, 1996 M.S. Journalism Boston University, 1999 Submitted to the Program in Comparative Media Studies in partial fulfillment of the requirements for the degree of Master of Science in Comparative Media Studies at the Massachusetts Institute of Technology June 2012 © 2012 Florence Gallez. All rights reserved The author hereby grants to MIT permission to reproduce publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: __________________________________________________ Program in Comparative Media Studies June 2012 Certified by: ________________________________________________________ David L. Chandler Science Writer MIT News Office Accepted by: ________________________________________________________ William Charles Uricchio Professor of Comparative Media Studies Director, Comparative Media Studies 1 A Proposal for a Code of Ethics for Collaborative Journalism in the Digital Age: The Open Park Code by Florence H. J. T. Gallez Submitted To The Program in Comparative Media Studies in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies ABSTRACT As American professional journalism with its established rules and values transitions to the little-regulated, ever-evolving world of digital news, few of its practitioners, contributors -
History Report Freiburg HOT 03.02.2016 00 Through 09.02.2016 23
History Report Freiburg_HOT 03.02.2016 00 through 09.02.2016 23 Air Date Air Time Cat RunTime Artist Keyword Title Keyword Mi 03.02.2016 00:05 SRO 04:11 Purple Souls There Goes The Fear Mi 03.02.2016 00:09 EKR 02:28 Bondage Fairies Clone Mi 03.02.2016 00:12 DPR 03:10 ANSA Foto Mi 03.02.2016 00:15 RCK 04:34 David Bowie Rebel Rebel Mi 03.02.2016 00:19 EKR 03:59 Delphic Doubt Mi 03.02.2016 00:23 RCK 03:04 The Rural Alberta Advantage Terrified Mi 03.02.2016 00:26 RCK 03:08 Eating Pebble Wrestling The Radio Mi 03.02.2016 00:30 NAC 01:41 EFFI Lovefiles Mi 03.02.2016 00:31 ARO 03:42 Foals Birch Tree Mi 03.02.2016 00:35 EKR 08:05 Ry/Frank Wiedemann Howling Mi 03.02.2016 00:43 SRO 04:18 Søjus1 003 (feat. i Am Halo) Mi 03.02.2016 00:47 POP 03:31 Kakkmaddafakka Forever Alone Mi 03.02.2016 00:51 DPR 03:08 Niels Frevert Das mit dem Glücklichsein ist relativ Mi 03.02.2016 00:54 RCK 03:52 The white stripes My Doorbell Mi 03.02.2016 00:58 ARO 02:40 JAIN Come Mi 03.02.2016 00:61 EKR 03:27 Darkstar Amplified Ease Mi 03.02.2016 00:64 POP 03:18 Monta all the luck in the world Mi 03.02.2016 00:67 NAC 04:25 William Fitzsimmons When I Come Home Mi 03.02.2016 00:72 NAC 04:00 Willard Grant Conspiracy Mary Of The Angels Mi 03.02.2016 01:05 NAC 04:43 Badly drawn boy Year of the Rat Mi 03.02.2016 01:10 J 00:02 Flüsterer_Ids1 Mi 03.02.2016 01:10 RCK 03:24 Givers Up Up UP Mi 03.02.2016 01:13 ARO 03:07 Lilith Ai Hang Tough Mi 03.02.2016 01:16 POP 04:18 Elliott Smith Cant Make A Sound Mi 03.02.2016 01:21 NAC 07:22 Sigur Rós Svo Hljótt Mi 03.02.2016 01:28 POP 03:58 The -
Xavier Newswire Volume XCV Published Since 1915 by the Students of Xavier University Issue 21
Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 2010-02-17 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (2010). All Xavier Student Newspapers. 585. https://www.exhibit.xavier.edu/student_newspaper/585 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. February 17, 2010 XAVIER NEWSWIRE Volume XCV Published since 1915 by the students of Xavier University Issue 21 Spring break flow chart Crawford, Love’s draft stocks Having trouble finalizing your Read NBA Draft expert Joel Steiner’s ALwaYS ONLINE: Spring Break plans? Amy thoughts about Jordan Crawford and Jason Windhorst is here to help. Sort of. Love playing professionally. xavier.edu/ FEATURE, pg 12 SPORTS, pg 9 newswire inside @ Changes coming SGA executive elections to core curriculum Wednesday Feb. 17 - Thursday Feb. 18 BY SARAH WIETEN “It’s not a light-switch, a quick This year, three tickets are vying for Student dential candidate Emily Dougherty, legislative Campus News Editor fix, but it is a way for the academy Government Association executives. All three vice president Abdullah Alkoblan and admin- to contribute,” Heydt said. tickets are from within SGA. istrative vice president Katie Heinert. Future classes at Xavier The change is not retroactive. The elections are held Wednesday, Feb. All the tickets want to get students more University will face a different EPU will continue for current stu- 17 and Thursday, Feb. -
MAD MEN Exhibit Opens Spring Spectacular!
APR 2015 APR ® Q&A with star Derek Hough Derek star Q&A with Museum of the Moving Image New York's home teams take the field the take teams home York's New Big Apple Baseball Spring Spectacular! MAD MEN Exhibit Opens MEN Exhibit MAD NYC Monthly APR2015 NYCMONTHLY.COM VOL. 5 NO.4 541 BROADWAY - 420 PARK AVE - 575 MADISON AVE INITIALS DATE Client Job No.: LAC15-676 Sizes: Bleed 13.125" x 9.3125" Creative Director: Created: 03/23/15 Artist: HN Trim 12.875" x 9.0625" Creative Director Art Director: H. Noh Revised: 00/00/00 Artist: Client: Lacoste Live 12.75” x 8.9375” Art Director Copywriter: Proof: 1 Page: 1 Product: LIABS – Man Copywriter Publications/Dates: Production Manager Space: SPD 4/C BLEED NYCM / APR-2015 Client Revision 1 2 3 4 5 6 7 8 DO NOT PRINT Account Service Proof Reader 49 West 27th St. New York, NY 10001 Traffic (212) 627-3300 QC IWC PILOT. IWC PORTUGUESE. IWC PILOT. ENGINEERED FOR AVIATORS. ENGINEERED FOR NAVIGATORS. ENGINEERED FOR AVIATORS. Big Pilot’s Watch. Ref. 5009: Portuguese Perpetual Calendar. Ref. 5023: Pilot’s Watch Chronograph Your wrist never felt this big before. The case of One thing at IWC always remains the same: the TOP GUN. Ref. 3880: Contrary to what you the top model in the IWC Pilot’s Watch range is desire to get even better. Here is one of the might think, a pilot’s life is full of hardship. a gigantic 46.2 mm in diameter. And the tech- finest examples, with the largest automatic Whether he’s cruising at 30,000 feet or stuck on nology inside it is even more impressive: the movement manufactured by IWC, Pellaton an aircraft carrier far from home, there’s plenty largest IWC-manufactured automatic move- winding and a seven-day power reserve.