DOCSLIB.ORG

Robert Wise Papers 2295

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Robert Wise Papers 2295 http://oac.cdlib.org/findaid/ark:/13030/c8154pp9 No online items Finding aid for the Robert Wise papers 2295 Sarah Cassone USC Libraries Cinematic Arts Library 2018 October Doheny Memorial Library G4 3550 Trousdale Parkway Los Angeles, California 90089-0185 [email protected] URL: http://libraries.usc.edu/locations/cinematic-arts-library Finding aid for the Robert Wise 2295616 1 papers 2295 Language of Material: English Contributing Institution: USC Libraries Cinematic Arts Library Title: Robert Wise papers creator: Wise, Robert, 1914-2005 Identifier/Call Number: 2295 Identifier/Call Number: 616 Physical Description: 58.5 Linear Feet54 boxes Date (inclusive): 1904-2001 Date (bulk): 1954-1979 Abstract: Robert Wise was an American movie director and producer, best known for "West Side Story" and "The Sound of Music", as well as his early career at RKO Pictures, wherein he infamously re-edited and directed a scene in Orson Welles' "The Magnificent Ambersons". This collection comprises primarly film files of twenty-six completed as well as proposed projects including "The Sound of Music", "West Side Story", and "The Haunting". It also contains awards and ephemera, correspondence, personal papers and publications, and leather-bound scripts of thirty titles. Biographical Note Robert Wise, born September 10, 1914, was an American movie director and producer, best known for such works as "West Side Story", "The Sound of Music", and "The Haunting". Wise grew up in Connersville, Indiana and went to school at Franklin College for journalism. After the Great Depression impacted his education, Wise left for Hollywood in 1933, where he began working at RKO Pictures in the film-shipping room. Wise moved up in rank, working as an assistant editor in the fields of sound, music, and special effects. By 1939, Wise had earned the title of editor on such films as "The Hunchback of Notre Dame" and "My Favorite Wife", and gained an Academy Award nomination for his work on "Citizen Kane". Wise also re-edited and directed a scene in the 1942 film "The Magnificent Ambersons" after RKO took over creative control from Orson Welles. Wise's official directing debut came in 1944 as a replacement director on "The Curse of the Cat People". Wise's last film for RKO was 1949's "The Set-Up". During the 1950s, Wise branched out to more genres, including science fiction, melodrama, and westerns. Beginning in 1959, Wise served as the executive producer on a large portion of his films. In the 1960s, Wise added yet another genre to his directing resume, proving competence amongst Broadway musicals with his film adaptions of "West Side Story", "Two for the Seesaw", and "The Sound of Music." He also directed "The Haunting" in 1963, an adaption of Shirley Jackson's The Haunting of Hill House. In the 1970s, Wise directed such films as "The Andromeda Strain", "Audrey Rose", and "Star Trek: The Motion Picture". After "Star Trek", Wise would go on to direct only two more films. Instead, he focused on other aspects of the film industry, serving as the president of the Acadmey of Motion Picture Arts and Sciences from 1984 to 1987 and sitting on the Board of Trustees of the American Film Institute. Wise was a four-time Oscar-winner (1961, "West Side Story" and 1965, "The Sound of Music"), as well as the winner of such accolades as the Director's Guild of America for outstanding lifetime achivement (1988), the Irving G. Thlaberg Memorial Award (1966), and the AFI's Lifetime Achievement Award (1998). Wise was married to actress Patricia Doyle until her death in 1975. In 1977 he married Millicent Franklin. He has one son. Wise died of heart failure on September 14, 2005, at age 91. Scope and Contents The Robert Wise papers, 1904-2001 (bulk 1954-1979), consist of film files, awards and ephemera, correspondence, personal papers and publications, and bound scripts created and collected by Wise during his life and career as a motion picture producer and director. The majority of the collection comprises film files of twenty-six projects (both completed as well as proposed) featuring numerous drafts, treatments, and sections of scripts, as well as production information, budgets, correspondence and memos, call sheets, casting information, clippings, publicity, photographs, sheet music, and original storyboards. Featured film titles include "The Sound of Music", "West Side Story", "Star!", "The Haunting", "Star Trek: The Motion Picture", and voluminous material on the never-produced "Battle! The Lives and Wars of Robert Capa". The remainder of the collection consists of awards and ephemera (including Wise's Golden Globe in 1961 for West Side Story), correspondence, and personal papers and publications in the form of photographs, film magazines, novels, event programs, and trip iteraries. The collection also includes leather-bound final drafts and annotated shooting scripts for thirty Wise-related projects, including "The Magnificent Ambersons", "West Side Story", "The Set-Up", "The Andromedia Strain", "The Curse of the Cat People", and "The Day the Earth Stood Still". Organization Finding aid for the Robert Wise 2295616 2 papers 2295 The collection is organized into the following series: 1. Film files; 2. Awards and ephemera; 3. Correspondence; 4. Personal papers and publiciations; 5. Bound scripts. Film files have been broken down further into subseries, alphabetically by film title. Film files and bound scripts are arranged alphabetically. Awards and ephemera, correspondence, and personal papers and publications are arranged chronologically. Conditions Governing Access COLLECTION STORED OFF-SITE. Advance notice required for access. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the Cinematic Arts Librarian. Permission for publication is given on behalf of the Cinematic Arts Library as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained. Immediate Source of Acquisition Gift of Robert Wise, received in installments between 1969-1977. Additional box of items received on June 9, 1988, care of Wise's assistant Julie Hirsh. Preferred Citation [Box/Folder# or Item name], Robert Wise papers, Collection no. 2295, Cinematic Arts Library, USC Libraries, University of Southern California. Subjects and Indexing Terms Motion picture authorship -- California -- Los Angeles -- Archival resources Motion picture plays -- Archival resources Motion picture producers and directors -- California -- Los Angeles -- Archival resources Motion pictures--Production and direction -- California -- Los Angeles -- Archival resources Motion pictures -- Archival resources Motion pictures -- Reviews -- Archival resources Awards Clippings (information artifacts) Correspondence Drafts (documents) Ephemera Film stills Memorandums Screenplays Scripts (documents) Sheet music Storyboards Treatments (documents) Wise, Robert, 1914-2005 -- Archives Andrews, Julie -- Archives Capa, Robert, 1913-1954 -- Archives Chaplin, Saul, 1912-1997 -- Archives Gidding, Nelson -- Archives Kaplan, Mike, 1918- -- Archives Lawrence, Gertrude -- Archives Robbins, Jerome -- Archives Roddenberry, Gene -- Archives Film files The Andromeda Strain Finding aid for the Robert Wise 2295616 3 papers 2295 Film files The Andromeda Strain Box 1, Folder 1 [Adaptation notes] 1969-03-03 Box 3, Folder 6 Boris Leven 1969-04-25-1970-10-16 Box 3, Folder 1 Budget 1970-02-05-1970-05-11 Box 3, Folder 2 Budget estimates (outside) 1969-09-08-1970-01-23 Box 3, Folder 3 Budget material 1969 Box 3, Folder 4 Budget on est. script 1969-1970 Box 3, Folder 5 Budget on est. script (revised) 1969-1970 Box 1, Folder 2 Casting 1969-04-13-1970-02-18 Box 1, Folder 3 Casting office 1969-09-16-1970-01-28 Box 3, Folder 7 [Clippings and production material] 1965-1969 Box 1, Folder 4 Combined continuity 1971-02-28 Box 3, Folder 8 Contract memos 1969-1970 Box 3, Folder 18 Cost reports 1970-02-05-1970-06-04 Box 3, Folder 9 [Correspondence] 1969-1972 Box 3, Folder 10 Correspondence (general) 1969-1970 Box 3, Folder 11 [Correspondence] Kelley, Pat 1969-06-10-1969-11-06 Box 3, Folder 12 [Correspondence] Lang, Jennings 1969-03-12-1970-02-03 Box 3, Folder 13 [Correspondence] Schreiber, Taft 1969, 1971 Box 3, Folder 14 [Correspondence] Showsphere, Trumbull, Novros 1969-10-14-1970-11-16 Box 3, Folder 15 [Correspondence] Strauss, Helen 1969-04-16-1971-02-08 Box 3, Folder 16 [Correspondence] Wasserman, Lew 1969-1971 Box 3, Folder 17 [Correspondence] Wehmeyer, Ernie 1969-1971 Box 3, Folder 19 Credit requirements 1970-03-10-1970-04-03 Box 3, Folder 20 Distribution lists 1969-03-26-1970-02-21 Box 2, Folder 1 Equipment lists and photos 1969 Box 3, Folder 21 Expense accounts 1969-10-31-1970-02-12 Box 3, Folder 22 Fan mail 1971-02-14-1971-12-27 Box 2, Folder 2 Job applications 1969-1970 Box 2, Folder 3 Job applications: production professional undated Box 3, Folder 23 Locations 1970-03-19 Box 3, Folder 24 Logo treatments undated Box 3, Folder 25 Looping 1970 Box 3, Folder 26 Main title credits 1970-1971 Box 3, Folder 27 Memos (miscellaneous) 1969-05-27-1971-03-02 Box 3, Folder 28 Michael Crichton 1969-1970 Box 3, Folder 29 Mike Kaplan 1969-05-28-1971-07-06 Box 3, Folder 30 Music 1969-12-29-1970-11-13 Box 2, Folder 14 Nagene Searle's script timing 1969-07-02 Box 1, Folder 5 NASA material 1969-11-19-1969-12-05 Box 3, Folder 31 New York office 1969-1970 Box 3, Folder 32 Notes on miscellaneous meetings undated Box 3, Folder 33 Photographs undated
Load more

Recommended publications
  • BGSU Football Program October 07, 1950
    Bowling Green State University ScholarWorks@BGSU Football Programs BGSU Athletics Programs 10-7-1950 BGSU Football Program October 07, 1950 Bowling Green State University. Department of Athletics Follow this and additional works at: https://scholarworks.bgsu.edu/football_programs Recommended Citation Bowling Green State University. Department of Athletics, "BGSU Football Program October 07, 1950" (1950). Football Programs. 55. https://scholarworks.bgsu.edu/football_programs/55 This Book is brought to you for free and open access by the BGSU Athletics Programs at ScholarWorks@BGSU. It has been accepted for inclusion in Football Programs by an authorized administrator of ScholarWorks@BGSU. STAD1UM - OCTOBER^ UNIVERSITY G CROflB OFFICIAL PROGRAM - TWENTY-FIVE CENTS BeH^rty- 60 U^ Enjoy your cigarette! Enjoy truly -fine tobacco inat combines both perfect mildness and rich taste in one great cigarette - Lucky Strike! Perfect mildness? You bet. Scientific tests, confirmed by three independent consulting laboratories, prove that Lucky Strike is milder than any other principal brand. Rich taste? Yes, the full, rich taste of truly fine tobacco. Only fine tobacco gives you both real mildness and rich taste. And Lucky Strike means fine tobacco. So enjoy the happy blending that com- bines perfect mildness with a rich, true tobacco taste. Be Happy—Go Lucky! X «>r*e *taWn **' LS/MFT- b/dy Strike Means Fine lobacco COPR., THE AMERICAN TOBACCO COMPANY G&M DRUGS THE LORRAINE OIL CO. Fleetwing Products 'The Friendly Store With BOWLING GREEN. OHIO The Open Door" STUDEBAKER CARS Phone 6071 109 N. Main AND TRUCKS THE FALCONIAN Represented for National Advertising by DON SPENCER COMPANY, INC., 271 Madison Ave., New York City.
    [Show full text]
  • Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected]
    Clemson University TigerPrints Presentations University Libraries 5-2017 Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/lib_pres Part of the Library and Information Science Commons Recommended Citation Mason Smith, Maggie, "Blockbusters: Films and the Books About Them Display" (2017). Presentations. 105. https://tigerprints.clemson.edu/lib_pres/105 This Display is brought to you for free and open access by the University Libraries at TigerPrints. It has been accepted for inclusion in Presentations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. Blockbusters: Films and the Books About Them Display May 2017 Blockbusters: Films and the Books About Them Display Photograph taken by Micki Reid, Cooper Library Public Information Coordinator Display Description The Summer Blockbuster Season has started! Along with some great films, our new display features books about the making of blockbusters and their cultural impact as well as books on famous blockbuster directors Spielberg, Lucas, and Cameron. Come by Cooper throughout the month of May to check out the Star Wars series and Star Wars Propaganda; Jaws and Just When you thought it was Safe: A Jaws Companion; The Dark Knight trilogy and Hunting the Dark Knight; plus much more! *Blockbusters on display were chosen based on AMC’s list of Top 100 Blockbusters and Box Office Mojo’s list of All Time Domestic Grosses. - Posted on Clemson University Libraries’ Blog, May 2nd 2017 Films on Display • The Amazing Spider-Man. Dir. Marc Webb. Perf. Andrew Garfield, Emma Stone, Rhys Ifans.
    [Show full text]
  • The Glitterball (Dir
    The Glitterball (dir. Harley Cokeliss, 1977) Lesson by Michael Aitchison, Teach First English, Key Stage 3 In this lesson, students study the character of the ‘glitterball’, and how it reacts to the life on our planet. This discussion leads to an investigation into how we might start to understand the unknown, and how we can try to recognise danger. Students will then construct a creative piece of writing based on the learning of the lesson, contextualising the events of the film to show a critical reading of the text. Students are given the opportunity to consider how we interact with unknown ideas and concepts, and how to recognise the difference between safety and danger. Lesson Objective You will need… • To identify key moments of the film The Glitterball which inform the alien's ability to The Glitterball DVD survive and adapt to its new surroundings, and make inferences about the character's Post-it notes personality. Optional: access to Curriculum Links I.T. suite (for production of • Read critically through studying setting, plot, survival guides) and characterisation, and the effects of these. • Knowing the purpose, audience for and context of the writing and drawing on this knowledge to support comprehension. 1 Activities TRAILER: What is the glitterball? After viewing the film (or extracts from the opening 30 minutes), students complete a think-pair-share activity on the following questions: 1. Is the glitterball good or bad? 2. How can you tell? Students are encouraged to provide evidence from the film to back up their opinions. • Think - students spend thirty seconds silently reflecting on the events of the film and their own interpretations of events.
    [Show full text]
  • The Coast Advertiser
    ^ e l a u r P u b . L i b r a r y 1 0 th ^ ve. *Belm ar,l!j'..j. ^iiifmciiimKiimciiitiiitimtnfimrmmtsniiiiiiuir: ;'niHiiiiiiiiiumiiiiiimc3iiimnminmniiimiumf'- JOIN THE BUY BETTER RED CROSS IN BELMAR The Coast Advertiser niiiiniiniiiiiiiiumiiiiiiiiicsiimimtiiumiiiiiiuiDH: Siiiiiiimioiiiiiiiimtimiiiiiiiiicjiimiiinirawiii," Official Newspaper for Belmar, South Belmar and Wall Township Fifty-Eighth Year, No. 47 BELMAR, NEW JERSEY, MARCH 23, 195 Single Copy Five Cents Drawings Held For SO. BELMAR SCHOOL Borough Election Easter Egg Hunt Sunrise Service BOARD NAMES ASAY Warren H. Asay of 748 19th avenue, Expected to Draw On Beach A t 5:30 Ballot Positions South Belmar, was appointed to the Candidates Delay South Belmar Board Of Education Monday night. He replaced Mrs. Filing Petitions 209 In So. Belmar Easter Program at 13th ONE OF THE VOLUNTEERS in the Walling, Keynton Win Top Jules Chambers, who had been a mem­ ber of the board four years. The ap­ Avenue, In Charge of Red Cross drive in Belmar is not only Spot in South Belmar, a hustler in getting contributions, but pointment was made by the board. Hold Off Announcements Five Age Classes in Event- Young People she also put the campaign of the Reinhardt in Wall Mrs. Chambers resigned when she local branch over on television the moved to Belmar, Mrs. William Speak- As March 29 Dead­ Sponsored by Borough Councilman LeRoy F. Walling and Belmar’s Easter sunrise service will other day and won herself a couple of man, clerk of the board, announced. line Approaches and Merchants be held Sunday morning at 5:30 at the prizes.
    [Show full text]
  • Na Destr T Visit
    Ces 4a.| As Electio Day Nears DEMOCRA CONCEN .| NEWES RESIDENT With less than two weeks to Election Day, Nov 5, the contest for eleven township positions appears to be attracting only passing interest compared with the excite — ment of the Presidential campaign of last year. The Republican candidates pointed out today that the disorganized Democratic campaign has "faile to raise 4 single Vol. 10No. 40- Hicksville, N. ¥.-October 24,1957 5¢ substantial issue&quot Meetings before civic groups tomers opposing emits 72 Entered as Second Class Matter at te Post Office attracted only small audiences. 1s His pee The absence of campaign effort is particularly mnoticable.on the part of Democrats in Hicksville, t Visit Juni Hi onFu Ti Farmingdale, OysterBay and other Na Destr major populationcentres. The-op- position appeared to be struggling HICKSVILLE -- The Junior High School on Jerusa- for a following on the newest home This . lem Ave will go on full sessions next Monday morn— developments of Plainview, Syos- Oyst Ba Weeken ing, Oct 28, it was disclosed today by Dr Wallace E of - This marks the OYSTER BAY Sunday Oct, 27, beginning i: t oes Lamb, superintendent of schools. The new addition are going forward with Theodore Roosevelt Centennial Year ‘celebrati with effort including taiksto commuters ceremonies conducted at the of the late President at Oyste B to the former community high school has bee in use grave at the RR stations, visits to homes, the Fleet Reserve Assoc, assisted by the Third Nava District since the start of the term on double A and all invitations to Br is the of President Theordore Roosevelt, The sessions, accepting birthday , share speaking platforms with their erationSun at In the afternoon the Associa- major portion of the original building, which is being begin 11:30AM.
    [Show full text]
  • Robert Wise's the Day the Earth Stood Still Part I
    Robert Wise’s The Day the Earth Stood Still Part I: A Religious Film? By Anton Karl Kozlovic Fall 2013 Issue of KINEMA ROBERT WISE’S THE DAY THE EARTH STOOD STILL Part I: A RELIGIOUS FILM? Abstract Science fiction (SF) films have frequently been the home for subtextual biblical characters, particularly Christ-figures. Crafting these sacred subtexts can make the difference between an ordinary filmandan exceptional one. This investigation intends to explore the religious and other dimensions of the 1951 SF cult classic The Day the Earth Stood Still directed by Robert Wise. In Part 1 of this analytical triptych, the film’s reception as a UFO film with political, artificial intelligence (AI), police and philosophical dimensions was canvassed. It was argued that Wise’s film contains all of the above genre dimensions; however, it can bemore fully appreciated as a profoundly religious film wrapped in contemporary scientific garb. The forthcoming parts will explore the factual elements of this proposition in far greater analytical detail. Introduction: SF and Sacred Storytelling Historically speaking, science fiction (SF) films(1) have harboured numerous hidden biblical characters in typically covert forms. For example, Barry McMillan described many an SF alien as ”a ’transcendent’ being - a benign entity who brings wisdom and knowledge, the imparting of which brings resolution, insight and the beginnings of personal or political harmony” (360). Whilst Bonnie Brain argued that: ”The ascendancy of the aliens derives strongly from their aura of religious authority. Teachers, mystics, priests, or prophets, capable of ”miracles” and, in some cases, ”resurrection,” these aliens flirt with divinity” (226).
    [Show full text]
  • Abel Ferrara
    2 / PROGRAMAZIOA PROGRAMACIÓN PROGRAMME Zinemaldiaren egunkaria • Asteartea, 2005eko irailaren 20a GAURHOYTODAY20 SECCIÓN OFICIAL …ZABALTEGI …ZABALTEGI …HOR. LATINOS …ROBERT WISE …ABEL FERRARA 9:00 KURSAAL, 1 …PERLAS DE OTROS FESTIVALES …NUEVOS DIRECTORES …SELECCIÓN HORIZONTES 20:00 PRINCIPE, 2 22:45 PRINCIPE, 10 ILUMINADOS POR EL FUEGO RUN SILENT RUN DEEP ’R XMAS TRISTÁN BAUER • ARGENTINA • 100 M. • 16:30 KURSAAL, 2 19:00 KURSAAL, 2 17:30 WARNER, 10 TORPEDO UN CUENTO DE NAVIDAD 12:00 KURSAAL, 1 L’ENFER AGUA CON SAL CINEMA, ASPIRINAS E URUBUS ROBERT WISE • EE.UU. • 93 M. ABEL FERRARA • EE.UU. - FRANCIA • 85 M. PEDRO PÉREZ ROSADO • ESPAÑA - PUERTO RICO • 94 M. STESTI (SOMETHING LIKE EL INFIERNO CINE, ASPIRINAS Y BUITRES 22:30 WARNER, 9 VELÓDROMO HAPPINESS) DANIS TANOVIC • FRANCIA - ITALIA - BÉLGICA - JAPÓN • 98 M. 19:30 WARNER, 5 MARCELO GOMES • BRASIL • V.O. SUBTÍTULOS ELECTRÓNI- UNTIL THEY SAIL COS EN CASTELLANO • 99 M. BOHDAN SLÁMA • REP. CHECA - ALEMANIA • (NUEVOS 20:30 PRINCIPE, 7 DIE HOEHLE DES GELBEN MUJERES CULPABLES 10:00 VELÓDROMO DIRECTORES) • V.O. SUBTÍTULOS EN CASTELLANO Y EL. EN BEFORE IT HAD A NAME HUNDES (THE CAVE OF THE 18:45 PRINCIPE, 10 ROBERT WISE • EE.UU. • 95 M. INGLÉS • 100 M. GIADA COLAGRANDE • EE.UU. • 99 M. YELLOW DOG) SPY KIDS 3D. GAME OVER BYAMBASUREN DAVAA • ALEMANIA • 93 M. TORO NEGRO 22:30 PRINCIPE, 2 SPY KIDS 3D 23:00 PRINCIPE, 7 PEDRO GONZÁLEZ-RUBIO, CARLOS ARMELLA • MÉXICO • V.O. I WANT TO LIVE! ROBERT RODRIGUEZ • EE.UU. • (ORGANIZADO A TRAVÉS DE 16:00 WARNER, 6 HOLY LOLA 21:30 KURSAAL, 2 SUBTÍTULOS EN INGLÉS • PROYECCIÓN EN VÍDEO • 87 M.
    [Show full text]
  • P E R F O R M I N G
    PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales).
    [Show full text]
  • The Recordings
    Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr.
    [Show full text]
  • Ruth Prawer Jhabvala's Adapted Screenplays
    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • NARRATIVE Directions in Econarratology
    ENVIRONMENT New NARRATIVE Directions in Econarratology edited by ERIN JAMES AND ERIC MOREL ENVIRONMENT AND NARRATIVE THEORY AND INTERPRETATION OF NARRATIVE James Phelan and Katra Byram, Series Editors ENVIRONMENT AND NARRATIVE NEW DIRECTIONS IN ECONARRATOLOGY EDITED BY Erin James AND Eric Morel THE OHIO STATE UNIVERSITY PRESS COLUMBUS Copyright © 2020 by The Ohio State University. This edition licensed under a Creative Commons Attribution-NonCommercial-NoDerivs License. Library of Congress Cataloging-in-Publication Data Names: James, Erin, editor. | Morel, Eric, editor. Title: Environment and narrative : new directions in econarratology / edited by Erin James and Eric Morel. Other titles: Theory and interpretation of narrative series. Description: Columbus : The Ohio State University Press, [2020] | Series: Theory and interpretation of narrative | Includes bibliographical references and index. | Summary: “Collection of essays connecting ecocriticism and narrative theory to encourage constructive discourse on narrative’s influence of real-world environmental perspectives and the challenges that necessitate revision to current narrative models”—Provided by publisher. Identifiers: LCCN 2019034865 | ISBN 9780814214206 (cloth) | ISBN 0814214207 (cloth) | ISBN 9780814277546 (ebook) | ISBN 0814277543 (ebook) Subjects: LCSH: Ecocriticism. | Environmental literature. | Narration (Rhetoric) Classification: LCC PN98.E36 E55 2020 | DDC 809/.93355—dc23 LC record available at https://lccn.loc.gov/2019034865 Cover design by Andrew Brozyna Text design by Juliet Williams Type set in Adobe Minion Pro for Ben and Freddie, my favorites From Erin for Grandmaman, an avid reader and early recommender of books From Eric CONTENTS Acknowledgments ix INTRODUCTION Notes Toward New Econarratologies ERIN JAMES AND ERIC MOREL 1 I. NARRATOLOGY AND THE NONHUMAN CHAPTER 1 Unnatural Narratology and Weird Realism in Jeff VanderMeer’s Annihilation JON HEGGLUND 27 CHAPTER 2 Object-Oriented Plotting and Nonhuman Realities in DeLillo’s Underworld and Iñárritu’s Babel MARCO CARACCIOLO 45 II.
    [Show full text]