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BGSU Football Program October 07, 1950
Bowling Green State University ScholarWorks@BGSU Football Programs BGSU Athletics Programs 10-7-1950 BGSU Football Program October 07, 1950 Bowling Green State University. Department of Athletics Follow this and additional works at: https://scholarworks.bgsu.edu/football_programs Recommended Citation Bowling Green State University. Department of Athletics, "BGSU Football Program October 07, 1950" (1950). Football Programs. 55. https://scholarworks.bgsu.edu/football_programs/55 This Book is brought to you for free and open access by the BGSU Athletics Programs at ScholarWorks@BGSU. It has been accepted for inclusion in Football Programs by an authorized administrator of ScholarWorks@BGSU. STAD1UM - OCTOBER^ UNIVERSITY G CROflB OFFICIAL PROGRAM - TWENTY-FIVE CENTS BeH^rty- 60 U^ Enjoy your cigarette! Enjoy truly -fine tobacco inat combines both perfect mildness and rich taste in one great cigarette - Lucky Strike! Perfect mildness? You bet. Scientific tests, confirmed by three independent consulting laboratories, prove that Lucky Strike is milder than any other principal brand. Rich taste? Yes, the full, rich taste of truly fine tobacco. Only fine tobacco gives you both real mildness and rich taste. And Lucky Strike means fine tobacco. So enjoy the happy blending that com- bines perfect mildness with a rich, true tobacco taste. Be Happy—Go Lucky! X «>r*e *taWn **' LS/MFT- b/dy Strike Means Fine lobacco COPR., THE AMERICAN TOBACCO COMPANY G&M DRUGS THE LORRAINE OIL CO. Fleetwing Products 'The Friendly Store With BOWLING GREEN. OHIO The Open Door" STUDEBAKER CARS Phone 6071 109 N. Main AND TRUCKS THE FALCONIAN Represented for National Advertising by DON SPENCER COMPANY, INC., 271 Madison Ave., New York City. -
Archeological Findings of the Battle of Apache Pass, Fort Bowie National Historic Site Non-Sensitive Version
National Park Service U.S. Department of the Interior Resource Stewardship and Science Archeological Findings of the Battle of Apache Pass, Fort Bowie National Historic Site Non-Sensitive Version Natural Resource Report NPS/FOBO/NRR—2016/1361 ON THIS PAGE Photograph (looking southeast) of Section K, Southeast First Fort Hill, where many cannonball fragments were recorded. Photograph courtesy National Park Service. ON THE COVER Top photograph, taken by William Bell, shows Apache Pass and the battle site in 1867 (courtesy of William A. Bell Photographs Collection, #10027488, History Colorado). Center photograph shows the breastworks as digitized from close range photogrammatic orthophoto (courtesy NPS SOAR Office). Lower photograph shows intact cannonball found in Section A. Photograph courtesy National Park Service. Archeological Findings of the Battle of Apache Pass, Fort Bowie National Historic Site Non-sensitive Version Natural Resource Report NPS/FOBO/NRR—2016/1361 Larry Ludwig National Park Service Fort Bowie National Historic Site 3327 Old Fort Bowie Road Bowie, AZ 85605 December 2016 U.S. Department of the Interior National Park Service Natural Resource Stewardship and Science Fort Collins, Colorado The National Park Service, Natural Resource Stewardship and Science office in Fort Collins, Colorado, publishes a range of reports that address natural resource topics. These reports are of interest and applicability to a broad audience in the National Park Service and others in natural resource management, including scientists, conservation and environmental constituencies, and the public. The Natural Resource Report Series is used to disseminate comprehensive information and analysis about natural resources and related topics concerning lands managed by the National Park Service. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
THU~SDAY NEW DATE Fur ORBITAL FLIGHT ~Y Jo~~ C
--------j riGh 7bDE I, 3c 3 7 A~ aw2 1/30 3 2 AT 23J) :lite HOURGLASS VOL j No H9-- , KWA~AlEiN, MARSHALL iSLANDS HEADLINES & DEADLINES THU~SDAY NEW DATE FuR ORBITAL FLIGHT ~Y Jo~~ c. CO~EMAN JO~CE RA~~ES ~AS RETIRED fROM THE CAPE CANAVERA~, JAN 28 (UPI)-THE SPACE A~M ~"STRATtCN GAVE A GO-A~EAD -Ck GATT~E OF TPE HEADLINE AND DEADLI~E, THURSDAy TODAY "JR JOHN H GLENN'S ORBiTAL .~ GH~ '~US COMPLETING TWO AND ONE HALF YEARS CONFIRMING THE D[CjSION TO TR) FOR A LAUNC~ AS EARLY AS THURSDA' MOR~'~~, OF rAIT~FJL S:RVICE AS EOJlOR OF -HE THE SPACE AGE\CV SA 0 IN AN ANNOUNCEMENT IhA7 LAU~Ch CREWS ALREADv ~AD BEG~N HOll~G~ASS. WURK 01\\ BOil-' TI-JE ATLAS ROCKEi BOOSTER AND iHE 1~-10t~ IVICRC.JRY CAesuU: THA"- r S JO~CE, A NA~IVE OF S~ELBY, NORT~ SCHE~ULED TO TAKE GLE~N ON ONE, TWO OR T~REE ORB 1S CAROL!~A, ATTENED ANDERSON COLLEGE BOTI-' THE VEH!CLE: AND THE "FRIENDSHIO-T' .:>PAC: C~j)F'" "'s::~( CI1E'!<;l';C. C ... T VERY IN ANDERSON} SOUTH CAROLINA HER WELL, -~t STAIEMEN' SAID. NEWSPAPER EXPER,E~CE INCLUDES WORK!N~ A SIX-HOUR SIMULATION OF LAUNCH-DAY OPERAT O~S WAS CARRIED FOc SHELOY DAilY S1AR, CLEvELAND TIMES ~IVE HOURS OF LIFf OFF CHECKS. (SHELBY,) N.C., CrlARLOTTE NEWS AND GLENN, CLAD IN H!S SPACE SUIT AND DESC~ DE:> AS "qC;:ST£'C> Ai'lD CAL'l' "lU,f::L' t\;~;:) ~hE fAYETTEViLLE OBSERVER (FAYETTE THE: SPACECRArT AT "I P M. -
Battalion Editorials the Battalion
Jets Proven BLOOD RELATIVES From the City Desk . Battalion Editorials Superior In Innovations Bring Page 2 MONDAY, OCTOBER 16, 1950 Korean War New Expenditure By JAMES J. STREBIG AP Aviation Reporter . By Joel Austin Thanks for Better Student Government . Washington, Oct. 16—6P)—Gen. Hoyt S. Vandenberg believes the The Class of ’51 is to be commended and Besides active senators, each of the three South Korea campaign clinched the Very seldom can you find an innovation of any system congratulated for setting a great new tra underclasses has three elected representa case for a jet air force. that doesn’t bring about added expenditures. Such is the Vandenberg, Air Force Chief of case with College Station’s newly proposed electricity supply. dition—fairer distribution of representation tives to the Senate. These representatives Staff, said in an interview that in student government. This year, eight of have no voting right, but at the request of combat experience shows jet fight To predict the actions of the city council 24 hours before ers will take more punishment from the corps representatives on the Student other senators, they may speak before the it meets we would say that in addition to the new rates estab either air or ground fire than pis lished in a meeting Friday night, power will also be offered Senate are juniors. Last Wednesday night, Senate on matters in which their class has in ton engine fighters. This contrasts with previous fears that the deli residents of the College Hills area at the same price as the these eight juniors were given ten important terests. -
Robert Wise Papers 2295
http://oac.cdlib.org/findaid/ark:/13030/c8154pp9 No online items Finding aid for the Robert Wise papers 2295 Sarah Cassone USC Libraries Cinematic Arts Library 2018 October Doheny Memorial Library G4 3550 Trousdale Parkway Los Angeles, California 90089-0185 [email protected] URL: http://libraries.usc.edu/locations/cinematic-arts-library Finding aid for the Robert Wise 2295616 1 papers 2295 Language of Material: English Contributing Institution: USC Libraries Cinematic Arts Library Title: Robert Wise papers creator: Wise, Robert, 1914-2005 Identifier/Call Number: 2295 Identifier/Call Number: 616 Physical Description: 58.5 Linear Feet54 boxes Date (inclusive): 1904-2001 Date (bulk): 1954-1979 Abstract: Robert Wise was an American movie director and producer, best known for "West Side Story" and "The Sound of Music", as well as his early career at RKO Pictures, wherein he infamously re-edited and directed a scene in Orson Welles' "The Magnificent Ambersons". This collection comprises primarly film files of twenty-six completed as well as proposed projects including "The Sound of Music", "West Side Story", and "The Haunting". It also contains awards and ephemera, correspondence, personal papers and publications, and leather-bound scripts of thirty titles. Biographical Note Robert Wise, born September 10, 1914, was an American movie director and producer, best known for such works as "West Side Story", "The Sound of Music", and "The Haunting". Wise grew up in Connersville, Indiana and went to school at Franklin College for journalism. After the Great Depression impacted his education, Wise left for Hollywood in 1933, where he began working at RKO Pictures in the film-shipping room. -
April 2017 Mescalero Apache Tribe Volume II.17, Issue 04
April 2017 Mescalero Apache Tribe Volume II.17, Issue 04 Apache Scout Program Information Mescalero Head Start Program Our program has two to 5 years old develop sites; the Mescalero to their fullest poten- Site which serves the tial. We operate five western side of the days-a-week with full reservation, and the sessions from 8:00 Inside this issue: Carrizo site which a.m. to 2:30 p.m., ex- serves the Eastern cept on Wednesdays, Mescalero Dental 5 side of the reserva- which are 1/2 days. cable), Income Verifi- Clinic tion. We are a feder- Enrollment packets cation (W-2, or the ally funded program can be picked up for two most recent Youth Development 6 that provides compre- either of our sites. check stubs), Social Conservation hensive services for Along with your Security Card, Medi- 9 Department families living in Mes- child’s enrollment caid Card, and Cus- calero. We hope to packet, the following tody Papers (if appli- Elderly Center 11 strengthen the overall documents will also cable). Please call if quality of the family be needed: Birth Cer- you have any ques- and to help children tificate, Certificate of tions. (575) 464-9183 Boys & Girls Club 16 between the ages of 3 Indian Blood (if appli- or (575) 464-3492. Religion 20 Thankful for All Our volunteers Mescalero Head Start Program Whenever our pro- ids, Michigan helped would just like to ac- gram is asked if we assist our custodian knowledge them and need free assistance with laying down the say thank you. -
Reel Wars: Cold War, Civil Rights and Hollywood's
REEL WARS: COLD WAR, CIVIL RIGHTS AND HOLLYWOOD'S CHANGING INTERPRETATION OF THE AMERICAN CIVIL WAR 1945-75 J. Roy Collins M. Phil. 2006 . HESISfc tc o:> COL g REEL WARS: COLD WAR, CIVIL RIGHTS AND HOLLYWOOD'S CHANGING INTERPRETATION OF THE AMERICAN CIVIL WAR 1945-75 J. Roy Collins A thesis submitted in partial fulfilment of the requirements of the University of Greenwich for the degree of Master of Philosophy March 2006 ACKNOWLEDGEMENTS I would like to thank my supervisors, Andrew Dawson, for his patient encouragement and for gently keeping me focused, and Michael Zell, for his very pertinent comments, also the library staff at Greenwich who have always been most helpful. My thanks, too, to my son Dan and my friends May Clarke and Jim Murray for struggling through a rather large first draft and Alan Rose for his help in obtaining many of the films on video. Also, my sister Tessa, for her proof reading, and Jacob Veale for his computer expertise. Finally, my partner Sarah for her continual encouragement and support and my daughters Hannah and Esther, who accepted that 'Dad was doing his thing.' in ABSTRACT This study is an examination of America's evolving sense of racial and national identity in the period from 1945 to the mid 1970s as refracted through Hollywood's representation of the American Civil War - a powerful event in American memory which still resonates today. Civil War films have been the subject of study by film studies specialists and historians but they have concentrated on the early years highlighting the iconic films The Birth of a Nation (1915) and Gone with the Wind (1939). -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 10-14-1950 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1950). The George-Anne. 2373. https://digitalcommons.georgiasouthern.edu/george-anne/2373 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. SIGN THE WANTED: FREEDOM G. T. C. SCROLL THE GEORGE-ANNE STUDENT PUBLICATION OF GEORGIA TEACHERS COLLEGE SCHOOL SPIRIT VOLUME 23 Georgia Teachers College, Collegeboro, Ga., Saturday, October 14, 1950 NUMBER 3 Everyone Requested To Special Contest Dramatic Club Produces Do you have a collection of folk- lore—what people do, say, sing, Sign The Freedom Scroll and pass on to following genera- Have you seen, the table under the oak trees in front of the dining tions? Do you like to collect and Melodrama...'East Lynne’ hall? We thought you had. Maybe you know what it’s for? Well, analyze American legends, super- “East Lynne,” the melodrama the Masquers are presenting on the those of you who don’t know, who havent been noticing those posters stitions, and folk songs? night of October 30, is under the direction of Miss Dorothy Stewart If so, you have a good chance and these articles in the George-Anne, or didn’t listen in chapel, shame to $50, $75, or $125 in prizes being who announces here the complete cast and characters they portray on you. -
TERRITORIAL NEW MEXICO GENERAL STEPHEN H. KEARNY at the Outbreak of the Mexican War General Stephen H
TERRITORIAL NEW MEXICO GENERAL STEPHEN H. KEARNY At the outbreak of the Mexican War General Stephen H. Kearny was made commander of the Army of the West by President Polk and ordered to lead a 1700 man expeditionary force from Fort Leavenworth, Kansas to occupy New Mexico and California. He quickly accomplished the bloodless conquest of New Mexico on 19 August 1846, ending the brief period of Mexican control over the territory. After spending a little more than a month in Santa Fe as military governor with headquarters in Santa Fe, Kearny decided to continue on to California after ensuring that a civilian government was in place. Early the following year in Kearny's absence New Mexicans mounted their only challenge to American control. In January, 1847, Kearny's appointed Governor, Thomas H. Benton and six others were murdered in Taos. Colonel Sterling Price moved immediately to quash the insurrection. Price led a modest force of 353 men along with four howitzers out of Albuquerque, adding to the size of his force as he marched north up the Rio Grande by absorbing smaller American units into his command. After a series of small engagements, reaching Taos Pueblo on 3 February Price found the insurgents dug in. Over the next two days Price's force shelled the town and surrounded it in an attempt to force surrender. When American artillery finally breached the walls of the, the battle quickly turned into a running fight with American forces chasing down their opponents who attempted to find shelter in the mountains. In all, perhaps as many as one hundred guerillas were killed, while Price suffered the loss of seven men killed and forty-five wounded. -
September 15, 2015 (XXXI:3) Orson Welles, CITIZEN KANE (1941, 119 Min)
September 15, 2015 (XXXI:3) Orson Welles, CITIZEN KANE (1941, 119 min) (The version of this handout on the website has color images and hot urls.) Winner of one Academy Award in 1942 for Best Writing, Original Screenplay for Herman J. Mankiewicz and Orson Welles. Citizen Kane also received seven 1942 Academy Award nominations for Best Picture, Best Actor in a Leading Role (Orson Welles), Best Director (Orson Welles), Best Cinematography, Black-and-While (Gregg Toland), Best Art Direction-Interior Decoration, Black- and-White (Perry Ferguson, Van Nest Polglase, A. Roland Fields, Darrell Silvera), Best Sound, Recording (John Aalberg, RKO Radio SSD) and Best Film Editing (Robert Wise). In 1941 the film won both National Board of Review for Best Film and New York Film Critics Circle Awards for Best Film. National Film Registry—1989 Directed by Orson Welles Written by Herman J. Mankiewicz & Orson Welles ... (original screen play), John Houseman (contributing writer) (uncredited) 1984 he won the Lifetime Achievement Award from Directors Produced by Orson Welles Guild of America. Welles directed 47 films and TV shows Music by Bernard Herrmann including, 1955-2000 Around the World with Orson Welles (TV Cinematography by Gregg Toland Series documentary, 7 episodes), 1993 It's All True Film Editing by Robert Wise (Documentary), 1992 Don Quixote (original footage), 1981 Filming 'The Trial' (Documentary), 1978 Filming 'Othello' Cast (Documentary), 1973 F for Fake (Documentary), 1970 The Deep, Orson Welles … Kane 1965 Chimes at Midnight, 1962 The Trial, 1958 Touch of Evil, Joseph Cotten ... Jedediah Leland 1955 Confidential Report, 1952 Othello, 1948 Macbeth, 1947 The Dorothy Comingore .. -
Playing with Fire: a Counter-Factual History of Fallen Angel
Playing with Fire: A Counter-Factual History of Fallen Angel Sam Roggen In his film noir Fallen Angel (1945), Otto Preminger depicts a passionate love triangle. Eric Stanton (Dana Andrews) is a stone-broke New York drifter and self-proclaimed press agent who reaches Walton, a small California beach town. There he hooks up with two local women: June Mills (Alice Faye) is an upright girl, who shares a house with her older sister, the dominant spinster Clara (Anne Revere); whereas Stella (Linda Darnell) is a part-time waitress and full-time femme fatale, firmly searching for a ticket out of Walton. On their first night out, Eric and Stella end up in a shady taproom, where he tries to seduce her by reading her palm lines. Eric: “You’ve got style. Beautiful style. You inherited that.” A cut to a reverse shot reveals Stella’s disparaging look. Eric: “Your father was a leading citizen. Rich.” She sniggers, as Eric continues. Eric: “He trusted people too much.” Stella: “And?” A cut to Eric. Eric: “Your mother … well, her line seems to run out.” Another reverse shot allows Stella to react. Stella: “Don’t scare me! She runs a boarding house in San Diego, and my old man came from a long line of drunks!” As she pronounces these last lines, Stella retains the scornful look that, over the years, would become one of Linda Darnell’s trademarks. This characteristic look always appeared intensely contemptuous, in line with the femme fatales she would inimitably portray throughout her career. As Jeanine Basinger explains, once Twentieth Century Fox had discovered the role that fitted her, Darnell would incessantly embody the “low-class, down-and-out babe who knew that her looks were her only bargaining chip.”[1] In this particular shot, however, her facial expression intrigues me more than usual.