| Freshman Class Organization Under

Total Page:16

File Type:pdf, Size:1020Kb

| Freshman Class Organization Under TUESDAY, SEPTEMBER 11, 1979 # ST Fn fforts. Barnes 4 jith 24 tackles part of the | Freshman 7 class organization under way a problem at ecause junior By ANNE MAGNER Public relations, activities and hart may not committee network, so they can find tentative, Hunter said. and will be If they approve it, it will be put The idea to revert to staff Writer finance committees were set up in out what each committee wants and subject to approval by the rest of the traditional class structure He > to an injury case a class event needed to be before the 70 “interested” freshmen - This year’s freshmen have class — get organized,” Hunter said. freshman at subsequent meetings. who attended the Labor Day actually formulated about a year ice. Freshmen planned before the final formal or, rather, the first organized class A meeting of the Organization Only 13 of the Organization meeting. ; ‘'om Eaton are structure was ready, Hunter said. 2 Bottie Phillips, student activities rior Raymond structure at TCU in years. Council last Thursday yielded a Committees’ 21 members showed After they approve the The Organization Council was also coordinator, drew up the formal em. The structural organization of the tentative plan for the formation of up for Thursday's constitution constitution, it will have to be set up to write a class constitution, proposition for a freshman class, s secondary group began at a Labor Day an executive board. writing meeting. Three articles of approved by the entire class, Hunter meeting attended by about 70 and will be abolished after that the document were actually written which was approved last spring. nd more ex- The group has initially selected said. “We hope to build in more school freshmen. Under the advisement of constitution is approved. al defensive the traditional class hierarchy with and Hunter said the committee She stressed that approval of the lovalty and pride,” Phillips said. sponsors - Don Mills, director of Hunter emphasized the tran- hoped to finish the whole thing at a gs has to be a president. vice president, secretary entire class is really what the “You start talking about fresh- Housing, and Bonnie Hunter, sitionali nature of the class’ meeting Monday night. m knows it. and treasurer, Hunter said. The committees are seeking. The men and realize thev're all alone student ' development coordinator, structure, adding that no deadline , the team has board also will include the Getting approval of the con- freshmen already involved want the freshmen organized themselves had been set by the students to have until they get here. Having a e.”” He said, chairpersons from the three stan- stitution will be a 3-step process, everyone to participate, she said, into standing committees of about the final structure organized. freshman class to belong to gives we're ready to ding committees. Hunter said. The document will be emphasizing that all class meetings 16 members each. “Their purpose for now is to be a them an immediate group af- The group's decisions are only offered to the executive board first. are open to any freshmen interested. filiation.” she explained. > e, the offensive City-wide expansion forces ECO ng, lay to cut back on campus services every two months, the group is only in Tom Brown, ie against the By MONICA ANNE KRAUSSE Jarvis, mid-October, will be their biggest reconsidering its priorities. when Majid Editor Brachman and a few offices, Austin project this semester, Austin saa. Originally, ECO collected said. umphries both A handful of students decided to recyclable materials from most of Specific ways of spending that st two minutes start recycling at TCU three years the dorms and office buildings on Most of the group's effort is spent money are decided at the group's ogs ended the ago because they wanted to make campus, on the “ECO hut” which. with monthly meetings, Austin said. The earning an average of $20 ado College 1- conservation as easy as possible for per load of papers and beverage TCU’s permission. members built next meeting will be this Sunday at ug Johnston on-campus students. cans each week. last year on a corner of the Daniel 6 pm. in the home of Dr. Jim The Environmental Conservation Mever Coliseum parking lot. Fort Rurak, the group's faculty adviser. t of the vear. Today the group earns at least Organization, currently 30 Worth residents drop off bundles of four times that amount, ECO Austin said ECO eventually wants members strong, runs the only president paper there regularly. ield is located Diane Austin said Sunday. to train some of its non-TCU ttishman Lard continuous recycling operation for ost of it comes from material ECO still tries to promote recyclers to begin a seperate Fort t to the in- Fort Worth residents. Now, with firmed in by non-TCU people. awareness on campus. Energy Worth program in order to free 100,000 pounds of paper to handle As a result, ECO is now recycling Conservation Week. scheduled for ECO for more on-campus work. Congress says no relief in sight for Texas coast oil spill victims CORPUS CHRISTI, Texas (AP) — began threatening ‘lexas beaches. Marine and Fisheries Committee. Texas Attorney General Mark _ Texans suffering financial losses By mid-August. heavy deposits of Even if the “superfund” bill White savs a suit against Mexico rom a Mexican oil spill can expect thick brown muck soiled hundreds passes this vear, Breaux said he did remains a “last resort” for little immediate monetary help of miles of shoreline. not know if it could be made recovering losses and cleaning up from Washington, despite two days The clean-up has cost $85,000 retroactive to cover losses from the the spill. Both White and jegal of congressional hearings on the daily. It is being paid by federal world’s largest oil spill. scholars told the committees in- subject. funds. However, private business Many coastal businessmen are dividual American citizens could “The idea that the federal and individual losses are not dissatisfied with the Small Business sue either the Mexican government government is just going to open the covered bv any federal’ grant ind Administration program that has or PEMEX. Treasury to guarantee a profit to program. made maximum $100,000 loans But Breaux said. I just can’t see anyone is not going to happen, I An oil spill relief fund of $200 available for relief from oil-spill that individuals could have hopes to hope,” Rep. Ray Roberts, D-Texas, million has been approved by the related losses. recover any damages within their Jesign said after hearing pleas for help U.S. House several times. but has lifetime.” from coastal residents and stalled repeatedly in the Senate. That program appears the onh During the two-day hearing. the businesses. “1 feel the oil spill liability fund is assistance available in the committees heard near from state and -5103 “The only place we get money is clearly aimed at exactly the tvpe future, several congressmen said. federal officials. environmental from your pocket,” he told one situation we have in Texas,” said Breaux cautioned against being groups, coastal residents and witness Sunday. Rep. John Breaux, D-La., chairman overly optimistic about suing representatives of SEDCO. the HEART TO HEART — Julie Haworth, who works in the Child Develop- Tourism has dropped an average of the House Water Resources Mexico or PEMEX, the Mexican Dallas-based company that leased ment of Lab School of the Department of Home Economics, chats with her 50 percent since raw crude oil Subcommittee, which held joint national oil company that owns the PEMEX an offshore rig used at the voung charge. The school has a waiting list through 1982. from a blown-out Mexican well hearings with the House Merchant runaway oil. runaway well. Funt brings own brand of ‘people watching’ to TCU Candid Camera,” to Ed Landreth By CINDY NORMAN Funt said the show's “victims” refuse are “those in the wrong place He said the Cornell University complicated to very simple. “We News Editor auditorium Thursday night as part are asked permission to use films at the wrong time with the wrong psychology department uses his have an entire film on the way TCU’s Howdy Week. made of them as soon as they are ple.” films to illustrate aspects of human people lick postage stamps.” he Anyone who has ever wondered “The joy of Candid Camera is notified of their unwitting stardom. P Ford also showed clips of his 1968 nature. and that “Candid Camera” said. how the typical American would people-watching,”” Funt told They are paid 850 if a film clip is film, “What Do You Sav to a Naked clips also are used for laugh the rapy Funt said that there are no real react to a talking mailbox, a car students, guests and faculty used, $15 if it is not. in Lady?” in which a nude woman hospitals that treat the “typical” Candid Camera people. that splits in hail or to an armchair members. “They never do what you Funt said that the most receptive appears in various ‘ordinary’ chronically ill. with human arms, should talk to expect.” area of the country te “Candid The facial expressions picked up by situations. The show pavs $50 for everv Allen Funt. He's been “catching Between film clips, Funt an- Camera’ is the South. He cited “The the camera are the key to ‘Candid basic idea behind the film,” submitted idea that thev use, Funt people being themselves” in strange swered questions from the audience. Southern women in particular, Funt said, “was the new sexual said.
Recommended publications
  • To Teach and to Please: Reality TV As an Agent of Societal Change
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by eScholarship@BC To Teach and to Please: Reality TV as an Agent of Societal Change Author: Robert J. Vogel Persistent link: http://hdl.handle.net/2345/2653 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2012 Copyright is held by the author, with all rights reserved, unless otherwise noted. To Teach and to Please: Reality TV as an Agent of Societal Change Robert Vogel Undergraduate Honors Thesis William E. Stanwood, Thesis Advisor Boston College December 2011 i Acknowledgements Many people have contributed to the completion of this senior thesis. First and foremost, I would like to recognize my family for encouraging me to attempt new things, and to always pursue a challenging course of study. My mother and father have shown nothing but the utmost love and support for me in every venture (and adventure) that I have undertaken, and I am eternally thankful to them. Further, I want to recognize my peers. First, my roommates: Drew Galloway, Jay Farmer, Dan Campbell, Fin O’Neill, and (at one time) Jonah Tomsick. Second, my a capella group, the BC Acoustics. Third, my friends, both from Boston College and from home (you know who you are). And fourth, my wonderful girlfriend, Sarah Tolman. Having no siblings, I embrace my close friends as my family. Each one of you gave me inspiration, determination, love, laughter, and support during the conducting of this research, and I sincerely thank you for this.
    [Show full text]
  • Chapter 11: Reflections on the Stanford Prison Experiment: Genesis, Transformations, Consequences
    CHAPTER 11: REFLECTIONS ON THE STANFORD PRISON EXPERIMENT: GENESIS, TRANSFORMATIONS, CONSEQUENCES Philip G. Zimbardo Stanford University Christina Maslach University of California, Berkeley Craig Haney University of California, Santa Cruz PROLOGUE Philip G. Zimbardo In a sense, this chapter does not fit well in the frame of this book on Milgram's paradigmatic research on obedience to authority. It is less about extreme forms of inter personal compliance to the demands of unjust authority than it is about emerging conformity pressures in "total situations" in which the processes of deindividuation and dehumanization are institutionalized. However, in another sense, it is the natural complementary bookend to chapters tied to Milgram's obedience paradigm, which between them hold up the lessons of the power of social situations to overwhelm individual dispositions and even to degrade the quality of human nature. Whereas a central contribution of Milgram's paradigm was to quantify aggression and thus the extent of obedience using a simple but impressive technology, the value of the Stanford Prison Experiment (SPE) resides in demonstrating the evil that good people can be readily induced into doing to other good people within the context of socially approved roles, rules, and norms, a legitimizing ideology, and institutional support that transcends individual agency. In addition, although the obedient participants in Milgram's many replications typically experienced distress for their "shocking" behavior, their participation lasted for only about one half hour, after which they learned that no one was really harmed. By contrast, participants in the SPE endured 6 days and nights of intense, often hostile, interactions that escalated daily in the level of interpersonal aggression of guards against prisoners.
    [Show full text]
  • America Radio Archive Broadcasting Books
    ARA Broadcasting Books EXHIBIT A-1 COLLECTION LISTING CALL # AUTHOR TITLE Description Local Note MBookT TYPELocation Second copy location 001.901 K91b [Broadcasting Collection] Krauss, Lawrence Beyond Star Trek : physics from alien xii, 190 p.; 22 cm. Book Reading Room Maxwell. invasions to the end of time / Lawrence M. Krauss. 011.502 M976c [Broadcasting Collection] Murgio, Matthew P. Communications graphics Matthew P. 240 p. : ill. (part Book Reading Room Murgio. col.) ; 29 cm. 016.38454 P976g [Broadcasting Collection] Public Archives of Guide to CBC sources at the Public viii, 125, 141, viii p. Book Reading Room Canada. Archives / Ernest J. Dick. ; 28 cm. 016.7817296073 S628b [Broadcasting Skowronski, JoAnn. Black music in America : a ix, 723 p. ; 23 cm. Book Reading Room Collection] bibliography / by JoAnn Skowronski. 016.791 M498m [Broadcasting Collection] Mehr, Linda Harris. Motion pictures, television and radio : a xxvii, 201 p. ; 25 Book Reading Room union catalogue of manuscript and cm. special collections in the Western United States / compiled and edited by Linda Harris Mehr ; sponsored by the Film and Television Study Center, inc. 016.7914 R797r [Broadcasting Collection] Rose, Oscar. Radio broadcasting and television, an 120 p. 24 cm. Book Reading Room annotated bibliography / edited by Oscar Rose ... 016.79145 J17t [Broadcasting Collection] Television research : a directory of vi, 138 p. ; 23 cm. Book Reading Room conceptual categories, topic suggestions, and selected sources / compiled by Ronald L. Jacobson. 051 [Broadcasting Collection] TV guide index. 3 copies Book Archive Bldg 070.1 B583n [Broadcasting Collection] Bickel, Karl A. (Karl New empires : the newspaper and the 112 p.
    [Show full text]
  • Israel Dissociates Itself From
    C: C t~ en < .J < t.> -D 0 a: 0- 0 N I- 0 en :i: Controversy Widens On Defection Question JERUSALEM - The depar­ lies confided to him that they ture from Israel in the last si, planned to leave · the country and months of I 5 families and two in­ that he took care of them. dividuals - 51 persons in a ll - Peled told the Knesset that over E ONLY ENGLISH-JEW/SH WEEKLY IN R. I. AND SOUTHEA ST MASS who had been living in the immi­ the past two years 627 families grant development town of Car­ from the Soviet Union had been miel, in Upper Ga lilee, raised a successfully absorbed in Carmiel . ~~~· ··-' LVII, N UMBER 23, F RIDAY, AUGUST 3, 1973 20f PER COl>Y 12 PAGES storm in the Knesset. Absorption and that it was not abnormal that Minister Nata n Peled said the rate 15 of them should have left. But I of defections was not above nor­ five motions were placed on the I Israel Dissociates Itself From m al and claimed that reports that agenda criticizing the government C hristi a n missionaries were ex­ for the way it handles new immi­ horting the immigrants to leave grants. Eliezcr Shostak of the 7 were grossly exaggerated. Free Center faction claimed that I Film 'Jesus Christ Superstar' I JERUSALEM - The lsrael1 their c1t1es. Jewish groups, including the An investigation in Carmiel re­ absorption centers did not provide I Government moved toc»y to Produced . a nd directed by National Jewis h C o mmunity ve aled that at least one missionary for immigrants' needs.
    [Show full text]
  • WNET Licensing (A's)
    The “A’s” (Source: NET microfiche, unless listed) Aaron Copland Meets the Soviet Composers (1959) Initial Broadcast: N/A Number of programs: 1 Origin Format: Undetermined Running time: 30 minutes AARON COPLAND MEETS THE SOVIET COMPOSERS is a half-hour studio production kinescope of an interview between Copland and six Soviet musicians, musicologists and/or composers who were travelling in the US. My impression is that this was a visit in return for one made to the USSR by an American group earlier that included Menned (?), Sessions, Harris and Kay (?). The setting for the interview is a recreated concert hall stage with the guests sitting in players’ chairs and Copland and his translator located where a solo instrumentalist would be seated. The questions appear to have been scripted in advance – and scripts placed on the music stands. The responses from the Soviets appear to have been ad lib. Copland’s questions were translated into Russian by an American (?) of Russian origins, Nicholas Slonimsky, himself a musician. The Soviets spoke in Russian and were heard through simultaneous translation. The translator was unseen and uncredited. The Soviet guests include (in order of answering questions): Dmitri Kabalevsky, Boris Yarustovsky, Tikhon Khrennikov, Dmitri Shostakovich, Konstantin Dankevich and Fikret Amirov. Kabalevsky was asked about the knowledge of American music in the USSR; Yarustovsky on the influence of American music on Russian music; Khrennikov on the reactions of Soviet musicians to the visit of four American musicians earlier (in the exchange program?); Shostakovich on American jaZZ and its influence; Dankevich on younger Soviet composers and Amirov on the adaption of native musical types to series music.
    [Show full text]
  • Reel Pleasures: Exploring the Historical Roots of Media Voyeurism and Exhibitionism1
    REEL PLEASURES: EXPLORING THE HISTORICAL ROOTS OF MEDIA VOYEURISM AND EXHIBITIONISM1 Bilge Yesil New York University Counterblast: The e-Journal of Culture and Communication, v.1, n.1 (November 2001) Copyright © 2000, Bilge Yesil, all rights reserved Introduction There has been a remarkable increase in both the academic and popular literature that problematize privacy and observation. Recently, reality TV shows and webcam sites have opened the floodgates to popular discussions of privacy. However, the interplay of social and cultural forces behind seeing, watching, and observing has not been traced historically—either in scholarly works or in mainstream media. The motives of persons who exhibit or make public their private affairs on TV and the Internet have not been fully explored. Moreover, questions about technologized or mediatized observation have not been put into a social, cultural, and historical context. This paper attempts such a contextualization. It consists of two major parts: The first part traces the historical roots of mediatized observation and exhibitionism. I refer to two TV shows—Candid Camera and An American Family—as past examples of media observation. Building on this historical account and supplemented with an exploration of social, cultural, and psychological elements, the second part argues that the current cultural landscape, deluged with reality TV shows or exhibitionist web cam sites, is not necessarily a novelty or the end result of new technologies. Questions I try to answer include: How have the mundane
    [Show full text]
  • Television Studies the Basics
    TELEVISION STUDIES THE BASICS Television Studies: The Basics provides a thorough overview of central debates in the field of television studies, and draws from a range of examples across the world. Elana Levine, University of Wisconsin- Milwaukee, USA Miller has pulled off the trick of writing something for both the student and the connoisseur, for combining an informed review of the field with bursts of genuine originality. In the termin­ ology of his subject, this is a must­ read TV guide. Justin Lewis, University of Cardiff, UK Television Studies: The Basics is a lively introduction to the study of a powerful medium. It examines the major theories and debates sur­ rounding production and reception over the years and considers both the role and future of television. Topics covered include: • broadcasting history and technology • institutions and ownership genre and content • • audiences. Complete with global case studies, questions for discussion, and suggestions for further reading, this is an invaluable and engaging resource for those interested in how to study television. Toby Miller is Professor of Media & Cultural Studies at the Uni­ versity of California, Riverside. The Basics ANTHROPOLOGY LANGUAGE (SECOND EDITION) PETER METCALF R.L. TRASK ARCHAEOLOGY (SECOND EDITION) LITERARY THEORY (SECOND EDITION) CLIVE GAMBLE HANS BERTENS ART HISTORY MANAGEMENT GRANT POOKE AND DIANA NEWALL MORGEN WITZEL THE BIBLE MARKETING JOHN BARTON KARL MOORE AND NIKETH PAREEK BLUES OPERA DICK WEISSMAN DENISE GALLO BUDDHISM PHILOSOPHY (FOURTH EDITION) CATHY
    [Show full text]
  • August IQ Do You Know All About August? Take Our August IQ Quiz to Find Out
    August IQ Do you know all about August? Take our August IQ quiz to find out. 1. Août (pronounced oot) is the word for August in what language? ________________________________________________________ 2. Which of these festivals does NOT occur in August? A. New York Marathon in New York City, USA B. Salzburg Festival in Salzburg, Austria C. Lollapalooza in Chicago, USA D. Edinburgh Fringe Festival in Scotland, UK 3. Born on August 6, 1911, what red-haired actress and comedian co-starred on a show with her husband in the 1950s? ________________________________________________________ 4. True or False? August used to be called Sextillus. ________________________________________________________ 5. A field of August birth flowers helped inspire Lieutenant Colonel John McCrae to write the famous poem “In Flanders Fields.” What is the name of that flower? A. Gardenia B. Poppy C. Gladiolus D. Peony 6. Which of the following celebrities was NOT born in August? A. Gene Kelly B. Debbie Reynolds C. Davy Crockett D. Esther Williams 7. Every August, a weeklong celebration at Graceland in Memphis, Tennessee, honors what famous musician? _________________________________________________________ 8. Which of these gems is an August birthstone that has been mistaken for emerald in the past? A. Spinel B. Sardonyx C. Ruby D. Peridot ©ActivityConnection.com – August IQ – Page !1 of 3 9. Which of these August events did NOT occur in the 1900s? A. The U.S. Social Security Act was signed by the president B. Firestone Tire & Rubber Company was founded C. The first U.S. federal income tax law was signed by the president D. Louis Armstrong was born 10.
    [Show full text]
  • Smile! “Candid Camera” Is Back! Tv Land to Launch New
    SMILE! “CANDID CAMERA” IS BACK! TV LAND TO LAUNCH NEW VERSION OF THE ICONIC HIT SERIES “CANDID CAMERA” THIS SUMMER New York, NY – April 9, 2014 – TV Land is set to reboot the hidden camera reality television series “Candid Camera,” with Ben Silverman's multimedia studio Electus and Peter Funt's Candid Camera, Inc. co-producing, it was announced today by Larry W. Jones, President of TV Land. TV Land is ordering 10 episodes to air this summer. "A remake of Candid Camera is the perfect addition to our portfolio of original series," said Jones. "The show is full of joyful laughter that catches you off guard and leaves you in high spirits – exactly the outlook that our brand embodies." “Candid Camera” introduced the hidden camera concept to television in 1948, and the series continued in several iterations over the course of more than 50 years. The landmark series concealed cameras to capture the reactions of ordinary people being confronted with unusual and often challenging situations. The payoff, when unsuspecting people are told, “Smile, you’re on ‘Candid Camera!’” is one of TV’s most memorable taglines. In addition to Ben Silverman, the new show will be executive produced and co-hosted by former “Candid Camera” host Peter Funt, son of the show’s original creator and host, Allen Funt. "We'll be daring but respectful, funny yet insightful," explained Peter Funt. "I can't think of better partners to help pull this off than Electus and the team at TV Land." "Candid Camera is one of the most innovative shows in television history and we can’t wait to bring its unique and distinct style to today’s audience," said Silverman.
    [Show full text]
  • Immtírlartmt Voi 44, No
    Montclair State University Montclair State University Digital Commons The onM tclarion Student Newspapers 2-24-1970 The onM tclarion, February 25, 1970 The onM tclarion Follow this and additional works at: https://digitalcommons.montclair.edu/montclarion Recommended Citation The onM tclarion, "The onM tclarion, February 25, 1970" (1970). The Montclarion. 129. https://digitalcommons.montclair.edu/montclarion/129 This Book is brought to you for free and open access by the Student Newspapers at Montclair State University Digital Commons. It has been accepted for inclusion in The onM tclarion by an authorized administrator of Montclair State University Digital Commons. For more information, please contact [email protected]. iMmtírlartmt Voi 44, No. 24. Montclair State College, Montclair, N.J. 07043. Wed., Feb. 25, 1970. ---------------------------------------------------------------------- \ WHAT’S Trenton Talks Resume HAPPENING As Prof Strike Looms [ A roundup of national collegiate news compiled and edited by the MONTCLARION. State Gropes for 'Common Ground’ V __________________________________ J By Helene Zuckerbrod ECC WILL LIMIT City Editor OPEN ADMISSIONS TRENTON - Faculty and NEW ARK (Special) — Essex County College, scene state representatives gathered of the recent student strike, will limit their here again today for another September 1970 admissions to 1500 students. round of closed door wage According to Edison 0 . Jackson, acting dean of negotiations. student affairs, the cancellation of the opening of "No one can say how long the Verona ECC annex will limit the number of the negotiations will last," incoming freshman. said Joseph P. O'Neill, "I think most of students accept this, since we administrative assistant to were not able to move to Verona," said Jackson.
    [Show full text]
  • "Candid Microphone" ABC's New Tape Recorded
    PUBLISHED BY AUDIO DEVICES, INC. Vol. 3, No. 10 444 Madison Avenue, N. Y. C. November, 1947 .y4 Radio Workshop Project 1 By Jessie M. Troupe HAGGERSTOWN HIGH SCHOOL f. Haggerstown, Maryland 1 Because children begin to listen to radio before they are able to read and continue to listen through their high school careers, the schools must assume the same respon- sibility for building radio taste as they have for the development of better appreciation for motion pictures and reading. Radio workshops for training students in studio and radio techniques can he set up in any school - from the largest urban senior high school with expensive equipment to the one - room rural "studio" using a tin can as a microphone. An alert Workshop has just completed \ry its second year in the Haggerstown High School, Haggerstown, Maryland, under the capable direction of Mrs. Marjorie Hoach- laudcr. Haggerstown High School has a student body of approximately 1200 mem- bers. The town, with a population of 40,000 boasts two radio stations: WJEJ affiliated with Mutual, and WARK with ABC. Pictured above Allen Funt (seated), "the man with the hidden mike," and his staff of "Candid Microphone" Left to right: Heberer, Phil Pollard, Sonny Fox, Herb Exner, and Al In 1945 when this Workshop was organ- assistants. Nina Slep. Inset: Left - Funt conducts another "CM" interview (note mike on shirt front). Right - ized, the enrollment was limited to 25 stu- Funt baits a microphone trap for his next victim. dents because the work was to be only ex- perimental in nature.
    [Show full text]
  • Reality Tv As Popular Science: the Making of a Genre
    REALITY TV AS POPULAR SCIENCE: THE MAKING OF A GENRE by PAUL MYRON HILLIER (Under the Direction of James F. Hamilton) ABSTRACT This study addresses reality TV as popular science. Proposing that we might better understand this popular media form by locating it within a wider context, the project locates key traditions and practices that were drawn upon to help formulate reality TV in the United States in the history of social experiments. During the emergence of commercial forms of popular science in the nineteenth century, P.T. Barnum was an influential creator of a form of entertainment in which the object was to discern what was real in a manufactured amusement. By the 1950s and 1960s, both Candid Camera creator Allen Funt and behavioral psychologist Stanley Milgram formulated their projects as social experiments that placed unsuspecting people into carefully designed situations. Psychologist Phillip Zimbardo reconfigured social experiments in his Stanford prison experiment, paralleling similar uses in the public- television series An American Family, by studying social roles and types. All of these previous practices offered methods and rationales for what is known currently as reality TV, a genre that Mark Burnett helped develop by claiming to test and examine types of human behavior, and inform the ongoing making of a genre well-suited for the post- network era. Adding to more recent work of critical genre analysis, one of the contributions of this study is to explore social experiments as a genre. This study also documents the many characteristics shared by the scientific and commercial versions of social experiments, arguing that they have informed each other and have been responses to and products of the same social imperatives.
    [Show full text]