From Exile to Diaspora and from National to Transnational Binds
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Outlaw: Wilderness and Exile in Old and Middle
THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sarah Michelle Haughey August 2011 © 2011 Sarah Michelle Haughey THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE Sarah Michelle Haughey, Ph. D. Cornell University 2011 This dissertation, The ‘Bestli’ Outlaw: Wilderness and Exile in Old and Middle English Literature explores the reasons for the survival of the beast-like outlaw, a transgressive figure who highlights tensions in normative definitions of human and natural, which came to represent both the fears and the desires of a people in a state of constant negotiation with the land they inhabited. Although the outlaw’s shelter in the wilderness changed dramatically from the dense and menacing forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, the outlaw remained strongly animalistic, other, and liminal, in strong contrast to premodern notions of what it meant to be human and civilized. I argue that outlaw narratives become particularly popular and poignant at moments of national political and ecological crisis—as they did during the Viking attacks of the Anglo-Saxon period, the epoch of intense natural change following the Norman Conquest, and the beginning of the market revolution at the end of the Middle Ages. Figures like the Anglo-Saxon resistance fighter Hereward, the exiled Marcher lord Fulk Fitz Waryn, and the brutal yet courtly Gamelyn and Robin Hood, represent a lost England imagined as pristine and forested. -
11. Nationalism, Nation Making, & the Postcolonial States of Asia, Africa
After Independence: Making and Protecting the Nation in Postcolonial and Postcommunist States Lowell W. Barrington, Editor http://www.press.umich.edu/titleDetailDesc.do?id=126246 The University of Michigan Press 11. Nationalism, Nation Making, & the Postcolonial States of Asia, Africa, & Eurasia RONALD GRIGOR SUNY I have benefited enormously from Lowell Barrington’s clarifying essays on ethnicity and nationalism. His distinction insisting on territorial- ity for the nation but not for ethnicity is very useful. At the same time, in our many discussions, I have argued that his de‹nition of the nation remains, for my money, too objectivist. So I have amended the de‹nitions he offers in his introductory chapter as a prelude to my own discussion of nationalism after independence. My additions are in brackets. “What makes nations different from other groups,” writes Barrington, “is that they are collectives [who feel they are] united by shared cultural features (such as language, myths, and values) and the belief in the right to territorial self-determination. Put another way, they are groups of people [who believe they are] linked by unifying cultural characteristics and the desire to con- trol a territory that is thought of as the group’s rightful homeland.” My amendments here are meant to emphasize the unease I have about too concrete a notion of “cultural features” or “cultural characteristics.” Having heard all my life about the importance of preserving ethnic culture and remaining unsure about what that entailed, I subscribe to a notion -
Masculinity and Transnational Hindu Identity
Nidān, Volume 3, No. 2, December 2018, pp. 18-39 ISSN 2414-8636 Muscular Mahabharatas: Masculinity and Transnational Hindu Identity Sucheta Kanjilal University of Tampa [email protected] "Hence it is called Bharata. And because of its grave import, as also of the Bharatas being its topic, it is called Mahabharata. He who is versed in interpretations of this great treatise, becomes cleansed of every sin. Such a man lives in righteousness, wealth, and pleasure, and attains to Emancipation.” - Mahābhārata (18.5) translation by K. M. Ganguli Abstract The climax of the Sanskrit Mahābhārata is undeniably muscular, since it involves a kṣatriya family fighting a brutal but righteous war. Many 21st century Mahabharata adaptations not only emphasize the muscularity of the epic, but also flex these muscles in an arena beyond the Kurukṣetra battlefield: the world. Through an analysis of texts such as Chindu Sreedharan’s Epic Retold (2015) and Prem Panicker’s Bhimsen (2009), I suggest that the increased visibility of epic warrior narratives across global platforms indicates a desire to re-fashion a hypermasculine identity for Hindus in the transnational religio-political sphere. I see this as an attempt to distance Hinduism from Gandhi’s ‘passive resistance’ and colonial conceptions of the ‘effeminate native’. Instead, it aligns with the nationalist and global aims of Prime Minister Narendra Modi, who emphasizes the importance of Hindu traditions and physical fitness for collective prosperity. While these new epic adaptations certainly broaden the reach of Hindu culture beyond national boundaries, I suggest exhuming only warrior narratives from the epic texts oversimplifies Hindu values and threatens a range of gender identities and religious affiliations. -
Collective Identity in Germany: an Assessment of National Theories
James Madison Undergraduate Research Journal Volume 7 | Issue 1 2019-2020 Collective Identity in Germany: An Assessment of National Theories Sean Starkweather James Madison University Follow this and other works at: http://commons.lib.jmu.edu/jmurj Recommended APA 7 Citation Starkweather, S. (2020). Collective identity in Germany: An assessment of national theories. James Madison Undergraduate Research Journal, 7(1), 36-48. http://commons.lib.jmu.edu/jmurj/vol7/iss1/4 This full issue is brought to you for free and open access by JMU Scholarly Commons. It has been accepted for inclusion in James Madison Undergraduate Research Journal by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Collective Identity in Germany An Assessment of National Theories Sean Starkweather “Köln stellt sich quer - Tanz die AfD” by Elke Witzig is licensed under CC BY-SA-4.0 Beginning in the 18th century, the question of what makes a nation has occupied a prominent place in German politics. From the national theories of the 18th-century German Romantics, who identified cultural and ethnic factors as being the key determinants, to modern civic nationalists and postnationalists, who point to liberal civic values and institutions, the importance of collective identity and how it is oriented has remained an important topic for German scholars and policymakers. Using survey research, I assess the accuracy and relevance of these theories in contemporary German society. I find that, contrary to the optimism of modern thinkers, German collective identity remains aligned with the national theories of the Romantics, resulting in ethnic discrimination and heightened fears over the loss of culture through external ideological and ethnic sources. -
Re-Branding a Nation Online: Discourses on Polish Nationalism and Patriotism
Re-Branding a Nation Online Re-Branding a Nation Online Discourses on Polish Nationalism and Patriotism Magdalena Kania-Lundholm Dissertation presented at Uppsala University to be publicly examined in Sal IX, Universitets- huset, Uppsala, Friday, October 26, 2012 at 10:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Abstract Kania-Lundholm, M. 2012. Re-Branding A Nation Online: Discourses on Polish Nationalism and Patriotism. Sociologiska institutionen. 258 pp. Uppsala. ISBN 978-91-506-2302-4. The aim of this dissertation is two-fold. First, the discussion seeks to understand the concepts of nationalism and patriotism and how they relate to one another. In respect to the more criti- cal literature concerning nationalism, it asks whether these two concepts are as different as is sometimes assumed. Furthermore, by problematizing nation-branding as an “updated” form of nationalism, it seeks to understand whether we are facing the possible emergence of a new type of nationalism. Second, the study endeavors to discursively analyze the ”bottom-up” processes of national reproduction and re-definition in an online, post-socialist context through an empirical examination of the online debate and polemic about the new Polish patriotism. The dissertation argues that approaching nationalism as a broad phenomenon and ideology which operates discursively is helpful for understanding patriotism as an element of the na- tionalist rhetoric that can be employed to study national unity, sameness, and difference. Emphasizing patriotism within the Central European context as neither an alternative to nor as a type of nationalism may make it possible to explain the popularity and continuous endur- ance of nationalism and of practices of national identification in different and changing con- texts. -
Newcastle University Eprints
Newcastle University ePrints Mason R. National Museums, Globalization, and Postnationalism: Imagining a Cosmopolitan Museology. Museum Worlds: Advances in Research 2013, 1(1), 40-64. Copyright: This is a post-peer-review, pre-copyedited version of an article published in Museum Worlds: Advances in Research. The definitive publisher-authenticated version: Mason R. National Museums, Globalization, and Postnationalism: Imagining a Cosmopolitan Museology. Museum Worlds: Advances in Research 2013, 1(1), 40-64 is available online at: http://dx.doi.org/10.3167/armw.2013.010104 Always use the definitive version when citing. Further information on publisher website: http://journals.berghahnbooks.com/ Date deposited: 1st December 2014 Version of article: Accepted This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License ePrints – Newcastle University ePrints http://eprint.ncl.ac.uk National Museums, Globalization, and Postnationalism: Imagining a Cosmopolitan Museology Rhiannon Mason Abstract In recent years it has been asked whether it is time to move ‘beyond the national museum’. This article takes issue with this assertion on the grounds that it misunderstands not only museums as cultural phenomenon but also the ways in which globalization, nationalism, and localism are always enmeshed and co-constitutive. The article begins by considering theories of globalization, postnationalism, and cosmopolitanism and their relevance for national museums in the European context. Specific theories of cosmopolitanism are subsequently further explored in relation to two museum examples drawn from the National Museum of Scotland in Edinburgh and the Museum of European Cultures in Berlin. In different ways both examples demonstrate the potential for museums to engage visitors with ideas of cosmopolitanism, globalization, and postnationalism by revisiting, reframing, and reinterpreting existing national collections and displays. -
Non-State Nationalism Within the European Union
Non-State Nationalism within the European Union - a case study of nationalism in Catalonia and Scotland, and its relation to the debate on the future of nationalism within the European Union Peter Olesen, CCG Aalborg University June 2008 Non-State Nationalism within the European Union a case study of nationalism in Catalonia and Scotland, and its relation to the debate on the future of nationalism within the European Union 174,744 characters 72.8 pages Supervisor: Henrik Halkier Contents Abstract...................................................................................................................................4 1. Introduction.........................................................................................................................6 2. Literature review...............................................................................................................11 3. Theory...............................................................................................................................21 3.1 Nations and states.......................................................................................................21 3.2 Nationalism.................................................................................................................24 3.3 Ethnic and civic nationalism......................................................................................25 4. Analysis.............................................................................................................................29 -
Iran – Researched and Compiled by the Refugee Documentation Centre of Ireland on 11 September 2012
Iran – Researched and compiled by the Refugee Documentation Centre of Ireland on 11 September 2012 Information on the penalty under Iranian law for fornication between a single man and a married woman? Is this law widely implemented? Are there any reported convictions? The 1991 Islamic Penal Code of Iran, in “Chapter 3: Types of Punishments for Adultery” (Article 82), states: “The penalty for adultery in the following cases shall be death, regardless of the age or marital status of the culprit: (1) Adultery with one’s consanguineous relatives (close blood relatives forbidden to each other by religious law); (2) Adultery with one’s stepmother in which the adulterer’s punishment shall be death; (3) Adultery between a non-Muslim man and a Muslim woman, in which case the adulterer (non-Muslim man) shall receive the death penalty; (4) Forcible rape, in which case the rapist shall receive the death penalty.” (Islamic Republic of Iran (28 November 1991) Islamic Penal Code of Iran) A US Congressional Research Service document, in a paragraph headed “Stonings”, states: “In 2002, the head of Iran’s judiciary issued a ban on stoning. However, Iranian officials later called that directive ‘advisory’ and could be ignored by individual judges. On December 2, 2008, Iran confirmed the stoning deaths of two men in Mashhad who were convicted of adultery. A sentence of stoning against a 45-year-old woman (Sakineh Ashtiani) convicted of adultery and assisting in the murder of her husband was set aside for further review in July 2010. An Iranian parliamentarian said on January 17, 2011, the stoning sentence was dropped but she would serve 10 years in prison.” (US Congressional Research Service (23 March 2012) Iran: U.S. -
Modern Literary Exile: the Ones Who Stay and the Ones Who Leave
MODERN LITERARY EXILE: THE ONES WHO STAY AND THE ONES WHO LEAVE by KLEITIA VASO (Under the Direction of Katarzyna Jerzak) ABSTRACT Before the nineteenth century, exile denoted forceful banishment from one’s home city or country. In the mid-nineteenth century, Charles Baudelaire redefined the meaning of exile by including internal exile as a manifestation of the condition. This displacement excludes a physical uprooting and is strictly internal. In addition to this acquired layer of meaning, the question of exile is complicated further by the modern author’s assumed distance from the rest of the community. In order to explore the symptoms and consequences of physical, geographical exile, this thesis offers a comparison between Fernando Pessoa and Orhan Pamuk, two authors who are physically and creatively rooted in their native cities, and Vladimir Nabokov, Joseph Brodsky, and André Aciman, three exiled authors whose work is fueled by their exilic condition. INDEX WORDS: redefinition of exile, internal exile, geographical exile, native city, nostalgia, modernity, alienation, displacement, Baudelaire, Pessoa, Pamuk, Nabokov, Brodsky, and Aciman. MODERN LITERARY EXILE: THE ONES WHO STAY AND THE ONES WHO LEAVE by KLEITIA VASO B.A., The University of Georgia, 2004 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2009 © 2009 Kleitia Vaso All Rights Reserved MODERN LITERARY EXILE: THE ONES WHO STAY AND THE ONES WHO LEAVE by KLEITIA VASO Major Professor: Katarzyna Jerzak Committee: Ronald Bogue Thomas Cerbu Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2009 ACKNOWLEDGEMENTS I would like to thank my family for their love and support, and my committee for their direction and the general enrichment of my college education. -
Beyond the Existing Readings of Marc Chagall's Crucifixion Paintings
Resistance, Resurrection, Liberation: Beyond the Existing Readings of Marc Chagall’s Crucifixion Paintings A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Art in Art History in the Department of the School of Art of the College of Design, Architecture, Art, and Planning (DAAP) by Jennifer Horvath March 10, 2015 B.S. University of Virginia May, 1993 Committee Chair: Kimberly Paice, Ph.D. Abstract This study deals with a small body of crucifixion scenes that were rendered by the well- known Russian and Jewish Expressionist artist Marc Chagall (1887-1985). It closely reads these works, made between 1937 and 1952 when Chagall lived in exile in France and the United States. Extensive scholarship and The Jewish Museum’s exhibition Chagall: Love, War, and Exile (2013-14), have emphasized ways that these paintings speak to the then-current tragedies and suffering of Jews associated with the Holocaust. This study builds on this established research. Yet, it offers a nuanced reading of the iconographical and compositional strategies that Chagall uses. Here, the lyrical-expressionist style and dream-like spatial qualities of his early modernist works infuses his painted crucifixions with the condition of exile. By emphasizing the circulation of the affects of love and hate through a network of signs, Chagall ties the theme of the crucifixion to a life of perpetual exile and to the sense of not belonging that goes with such a life. As explained in the study, Chagall’s crucifixion scenes relate as much to the suffering of humanity and Jews in the Holocaust as to the hoped-for liberation and subsequent failed promises of the Russian Revolution, to Chagall’s childhood in the Pale of Settlement, and to his lifelong experience of exile and desire to find a place in the world. -
Globalization and the Ideologies of Postnationalism and Hybridity
It's All Within Your Reach: Globalization and the Ideologies of Postnationalism and Hybridity Kanishka Chowdhury ". there was an extra festival on the calendar, a new myth to celebrate, because a nation which had never previously existed was about to win its freedom, catapulting us into a world which, although it had five thousand years of history, although it had invented the game of chess and traded with Middle Kingdom Egypt, was nevertheless quite imaginary; into a mythical land, a country which would never exist except by the efforts of a phenomenal collective will--except in a dream we all agreed to dream . a collective fiction in which anything was possible, a fable rivaled only by the two other mighty fantasies: money and God." (Salman Rushdie, Midnight's Children, 129-130) "What is this thing--a nation--that is so powerful it can make songs, attract sacrifice and so exclusive it drives into hiding the complex and skeptical ideas which would serve it best." (Eavan Boland, Object Lessons, 69) As an oil company, we can't always pick and choose the places where we go to find this often elusive energy source. In search of this fossil fuel, we have to go where the dinosaurs died. That sometimes means jungle heat, arctic cold or stormy seas. The good news is, if we're successful, many developing nations find themselves better off than if we just stayed at home." (Mobil A15) Copyright © 2002 by Kanishka Chowdhury and Cultural Logic, ISSN 1097-3087 Chowdhury 2 Welcome to the Brave New Globalized World! Let me offer a couple of scenarios.1 The first is of Planet Reebok, a planet with no rules; a planet where the "roam" button on your cellular phone allows infinite access--but not really. -
Bosnian Rape Camps, Turkish Impalement, and Serb Cultural Memory
Dartmouth College Dartmouth Digital Commons Open Dartmouth: Published works by Dartmouth faculty Faculty Work 2002 Crossing the River Drina: Bosnian Rape Camps, Turkish Impalement, and Serb Cultural Memory Lynda E. Boose Dartmouth College Follow this and additional works at: https://digitalcommons.dartmouth.edu/facoa Part of the Women's Studies Commons Dartmouth Digital Commons Citation Boose, Lynda E., "Crossing the River Drina: Bosnian Rape Camps, Turkish Impalement, and Serb Cultural Memory" (2002). Open Dartmouth: Published works by Dartmouth faculty. 2051. https://digitalcommons.dartmouth.edu/facoa/2051 This Article is brought to you for free and open access by the Faculty Work at Dartmouth Digital Commons. It has been accepted for inclusion in Open Dartmouth: Published works by Dartmouth faculty by an authorized administrator of Dartmouth Digital Commons. For more information, please contact [email protected]. Crossing the River Drina: Bosnian Rape Camps, Turkish Impalement, and Serb Cultural Memory Author(s): Lynda E. Boose Source: Signs, Vol. 28, No. 1, Gender and Cultural Memory (Autumn, 2002), pp. 71-96 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/3175701 Accessed: 14/05/2009 20:34 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use.