Nov. 24, 2020 THERE's NO HARM in ONE

Total Page:16

File Type:pdf, Size:1020Kb

Nov. 24, 2020 THERE's NO HARM in ONE Nov. 24, 2020 THERE’S NO HARM IN ONE DANCE ON AN ALL-NEW EPISODE OF ‘BIG SKY,’ TUESDAY, DEC. 8 “Unfinished Business” – Unsatisfied with the investigation now that the girls’ disappearance has made headlines, Cassie and Jenny take things into their own hands, tapping into their individual strengths to make headway in the case. Meanwhile, Legarski attempts to keep cool, but Ronald takes a different approach to protecting himself. Still captive, Danielle and Jerrie tend to Grace, who makes a painful decision in an attempt to save them all, on an all-new “Big Sky,” TUESDAY, DEC 8 (10:00- 11:01 p.m. EST), on ABC. (TV-14, DLV) Episodes can also be viewed the next day on demand and on Hulu. “Big Sky” stars Katheryn Winnick as Jenny Hoyt, Kylie Bunbury as Cassie Dewell, Brian Geraghty as Ronald Pergman, Dedee Pfeiffer as Denise Brisbane, Natalie Alyn Lind as Danielle Sullivan, Jade Pettyjohn as Grace Sullivan, Jesse James Keitel as Jerrie Kennedy, with John Carroll Lynch as Rick Legarski and Ryan Phillippe as Cody Hoyt. Guest starring in “Unfinished Business” is Brooke Smith as Merrilee, Gage Marsh as Justin Hoyt and Gabriel Jacob-Cross as Kai Dewell. “Unfinished Business” was written by Annakate Chappell & Matthew Tinker and directed by Gwyneth Horder-Payton. Based on the series of books by C.J. Box, “Big Sky” is executive produced by David E. Kelley, Ross Fineman, Matthew Gross, Paul McGuigan, C.J. Box and Gwyneth Horder-Payton, and is produced by 20th Television in association with A+E Studios. 20th Television is a part of Disney Television Studios, alongside ABC Signature and Touchstone Television. ABC Media Relations Michaela Zukowski [email protected] Lauren Katz [email protected] Photography and video available at www.wdtvpress.com. For more information on “Big Sky,” visit abc.com. Follow ABC Publicity on Twitter and Instagram. Follow “Big Sky” (#BigSky) on Instagram, Twitter and Facebook. -- ABC -- .
Recommended publications
  • What's New on Star on Disney+ Parental Controls
    March NEWSLETTER Disney+ is the dedicated streaming home for TV series and movies from Disney, Pixar, Marvel, Star Wars, National Geographic and new general entertainment brand Star, including exclusive Disney+ and Star Originals. This newsletter provides regular updates on upcoming Disney+ and Star Originals, brand-new episodes, and the latest blockbuster movies joining the service in the UK. Please note, movie & series availability can vary by country and is subject to change. The below is correct at time of issuing. For general media inquiries, please contact Disney+ UK Press Office Did you know... Robust parental controls will be introduced from 23rd February to ensure that Disney+ remains a suitable viewing experience for everyone in the family. Celebrating one year of Disney+ in Europe - the 24th of March marks one year since we launched in the UK and Ireland! The fifth anniversary of Zootropolis: Revisit this Oscar-winning animation on Disney+ as it turns five this year! Parental Controls: protection + peace of mind Disney+ will remain suitable for audiences of all ages, thanks to the new robust parental controls. From the 23rd February, the app will include easy-to-use parental controls enabling the family-friendly experience to continue. You will be able to set content ratings for individual profiles to restrict access for your younger viewers at home, and set a Profile PIN to keep the kids protected and give parents peace of mind. What’s new on Star on Disney+ Star is the sixth brand to launch on Disney+, joining entertainment favourites Disney, Pixar, Marvel, Star Wars and National Geographic from 23rd February 2021.
    [Show full text]
  • The US Film Industry
    Jono Polansky, Onbeyond LLC August 2020 _____________________________________________________________________________________________ This SFM guide to who owns what in the US screen entertainment industry — movies, broadcast, cable and streaming — has been updated to reflect developments in tobacco content and changes in corporate ownership. We put this map together so public health experts, parents, young people and policy makers can identify who decides if smoking shows up in entertainment accessible to kids. The US film industry MAJOR STUDIOS | The US feature film industry is dominated by five “major studio” distributors. In 2019, their top-grossing films accounted for 81 percent of all youth-rated tobacco impressions delivered to domestic theater audiences. The studios develop, finance, and market film projects domestically and worldwide. Almost all films with production budgets greater than $50 million are major studio films. Studios may not break even on theatrical showings of a film, but a film’s box office, split roughly 50-50 with the theaters, strongly predicts the revenue the studio keeps to itself when the film is later released on DVD and licensed to on-demand, cable, and broadcast services. Most studio revenue comes from those “long tail” after-markets. In addition, 70 percent of US studios’ theatrical revenue now comes from outside the United States, which helps explain why easy-to-sell “franchise” films are prized by major studios. The major studios are represented by a trade group, the Motion Picture Association (MPA), dominate its board of directors. The MPA owns and administers the movie ratings (G/PG/PG-13/R,NC-17), with a nod to the National Association of Theatre Owners (NATO), which plays a role in enforcing age restrictions.
    [Show full text]
  • How Bias Is Your News Source? Source/: Just a Few of Rupert  Murdoch's News Corporation Brands
    23 views 0 0 RELATED TITLES How Bias is Your News Source? source/: Just a few of Rupert Murdoch's News Corporation Brands Original Title: How Bias is Your News Source? BENSON Unleaded Hidden Costs of Loudest Climate Mapping Field Gasoline Prices Pump Prices Change Skeptic Uploaded by Kenneth Burridge 100s if not 1000s of incorrect and slanted news reports relating to: climate change, alternative energy, and electric cars appear to be coming from the same source! Full description Save Embed Share Print How Bias is Your News Source? http://theev.biz/ev-info/how-bias-is-your-news- source/ 23 views 0 0 RELATED TITLES How Bias is Your News Source? source/: Just a few of Rupert Murdoch's News Corporation Brands Original Title: How Bias is Your News Source? BENSON Unleaded Hidden Costs of Loudest Climate Mapping Field Gasoline Prices Pump Prices Change Skeptic Uploaded by Kenneth Burridge 100s if not 1000s of incorrect and slanted news reports relating to: climate change, alternative energy, and electric cars appear to be coming from the same source! Full description Save Embed Share Print Each in their own right taking part in a chorus that repeats the same very right-wing conservative agenda. The big picture view is that the news they report on clearly supports and favors keeping and preserving the status quo and thus the wealth and power of the largest companies and industries on the planet…not the common man. The TV networks, websites, newspapers, magazines owned by Rupert Murdoch have been at best been reluctant to publish or report on anything that doesn’t support the various big businesses that continue to fund their media empire with advertising dollars.
    [Show full text]
  • The Walt Disney Company Uk & Ireland
    THE WALT DISNEY COMPANY UK & IRELAND Disney has operated in the UK and Ireland for more than 80 years There are nine Disney office locations across the UK and one in Ireland The UK has approximately 30m Disney fans (kids who really like one of our brands and teens/adults who report they strongly or very strongly relate to one of our brands - Disney, Marvel, Star Wars, Nat Geo or Pixar). Source: BES/Kids Tracker/CSR Across the five major European countries (UK, France, Germany, Italy, Spain), there are more than 180m Disney fans. Source: BES/Kids Tracker/CSR Studios In 2019, Disney’s UK box office (£473M, 35% Market Share) was the highest grossing year for a Motion Picture Association studio ever, exceeding 2018. Disney UK had seven of the top ten releases from the year: o #1 Avengers: Endgame (£88.7m) o #2 The Lion King (£76.0m) o #3 Toy Story 4 (£66.2m) o #5 Frozen 2 (£48.5m) o #6 Star Wars: The Rise of Skywalker (£46.9m) o #7 Captain Marvel (£39.5m) o #8 Aladdin (£37.2m) Seven of the top ten biggest films of all time at the UK box office are from Walt Disney Studios titles: o #1 Star Wars: The Force Awakens (£123.2m) o #4 Avatar (£94.0m) o #5 Avengers: Endgame (£88.7m) o #6 Star Wars: The Last Jedi (£82.6m) o #7 Titanic (£80.2m) o #8 The Lion King (£76.0m) o #9 Toy Story 3 (£74.0m) Disney+ Disney+ launched in the UK on March 24th, 2020, on the same day as Ireland, Germany, Spain, Italy, Austria and Switzerland.
    [Show full text]
  • News Corporation 1 News Corporation
    News Corporation 1 News Corporation News Corporation Type Public [1] [2] [3] [4] Traded as ASX: NWS ASX: NWSLV NASDAQ: NWS NASDAQ: NWSA Industry Media conglomerate [5] [6] Founded Adelaide, Australia (1979) Founder(s) Rupert Murdoch Headquarters 1211 Avenue of the Americas New York City, New York 10036 U.S Area served Worldwide Key people Rupert Murdoch (Chairman & CEO) Chase Carey (President & COO) Products Films, Television, Cable Programming, Satellite Television, Magazines, Newspapers, Books, Sporting Events, Websites [7] Revenue US$ 32.778 billion (2010) [7] Operating income US$ 3.703 billion (2010) [7] Net income US$ 2.539 billion (2010) [7] Total assets US$ 54.384 billion (2010) [7] Total equity US$ 25.113 billion (2010) [8] Employees 51,000 (2010) Subsidiaries List of acquisitions [9] Website www.newscorp.com News Corporation 2 News Corporation (NASDAQ: NWS [3], NASDAQ: NWSA [4], ASX: NWS [1], ASX: NWSLV [2]), often abbreviated to News Corp., is the world's third-largest media conglomerate (behind The Walt Disney Company and Time Warner) as of 2008, and the world's third largest in entertainment as of 2009.[10] [11] [12] [13] The company's Chairman & Chief Executive Officer is Rupert Murdoch. News Corporation is a publicly traded company listed on the NASDAQ, with secondary listings on the Australian Securities Exchange. Formerly incorporated in South Australia, the company was re-incorporated under Delaware General Corporation Law after a majority of shareholders approved the move on November 12, 2004. At present, News Corporation is headquartered at 1211 Avenue of the Americas (Sixth Ave.), in New York City, in the newer 1960s-1970s corridor of the Rockefeller Center complex.
    [Show full text]
  • Emmy Nominations
    2021 Emmy® Awards 73rd Emmy Awards Complete Nominations List Outstanding Animated Program Big Mouth • The New Me • Netflix • Netflix Bob's Burgers • Worms Of In-Rear-Ment • FOX • 20th Century Fox Television / Bento Box Animation Genndy Tartakovsky's Primal • Plague Of Madness • Adult Swim • Cartoon Network Studios The Simpsons • The Dad-Feelings Limited • FOX • A Gracie Films Production in association with 20th Television Animation South Park: The Pandemic Special • Comedy Central • Central Productions, LLC Outstanding Short Form Animated Program Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix Maggie Simpson In: The Force Awakens From Its Nap • Disney+ • A Gracie Films Production in association with 20th Television Animation Once Upon A Snowman • Disney+ • Walt Disney Animation Studios Robot Chicken • Endgame • Adult Swim • A Stoopid Buddy Stoodios production with Williams Street and Sony Pictures Television Outstanding Production Design For A Narrative Contemporary Program (One Hour Or More) The Flight Attendant • After Dark • HBO Max • HBO Max in association with Berlanti Productions, Yes, Norman Productions, and Warner Bros. Television Sara K. White, Production Designer Christine Foley, Art Director Jessica Petruccelli, Set Decorator The Handmaid's Tale • Chicago • Hulu • Hulu, MGM, Daniel Wilson Productions, The Littlefield Company, White Oak Pictures Elisabeth Williams, Production Designer Martha Sparrow, Art Director Larry Spittle, Art Director Rob Hepburn, Set Decorator Mare Of Easttown • HBO • HBO in association with wiip Studios, TPhaeg eL o1w Dweller Productions, Juggle Productions, Mayhem Mare Of Easttown • HBO • HBO in association with wiip Studios, The Low Dweller Productions, Juggle Productions, Mayhem and Zobot Projects Keith P. Cunningham, Production Designer James F. Truesdale, Art Director Edward McLoughlin, Set Decorator The Undoing • HBO • HBO in association with Made Up Stories, Blossom Films, David E.
    [Show full text]
  • Walt Disney Annual Report 2020
    Walt Disney Co (The) Annual Report 2020 Form 10-K (NYSE:DIS) Published: November 25th, 2020 PDF generated by stocklight.com UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended October 3, 2020 or TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF ☐ 1934 For the transition period from __________ to __________. Commission File Number 001-38842 dis-20201003_g1.jpg Delaware 83-0940635 State or Other Jurisdiction of I.R.S. Employer Identification Incorporation or Organization 500 South Buena Vista Street Burbank, California 91521 Address of Principal Executive Offices and Zip Code (818) 560-1000 Registrant’s Telephone Number, Including Area Code Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol(s) Name of each exchange on which registered Common Stock, $0.01 par value DIS New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None. Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes x No o Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes ☐ No x Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • Analysis of Changes in Basic Cable TV Programming Costs
    Analysis of Changes in Basic Cable TV Programming Costs Prepared by: Robert Gessner President Massillon Cable TV, Inc. Massillon, OH Phone: 330-833-5509 Email: [email protected] November 5, 2013 1 Analysis of Changes in Basic Cable TV Programming Costs It is important to note that all of this information is specific to MCTV. Our costs are unique to the extent that we offer our customers a set of networks and channels that differs from others. We also may have different costs for program content due to different outcomes of negotiations. However, I am confident you will find that the facts presented are an accurate representation of the current costs of Basic Cable TV programming, the increase in costs expected in 2014 and the rest of this decade for any independent cable TV company in the US. I believe any other cable TV company will report similar increases in cost, contract terms and conditions, and expectations for the future. 2 Analysis of Changes in Basic Cable TV Programming Costs Contents Executive Summary ........................................................................................................ 4 Expect Large Increases ............................................................................................... 4 There Are No “Local” TV Stations in NE Ohio ............................................................. 4 Seven Major Media Companies Control US TV ........................................................... 4 Contracts Are Becoming More Restrictive ..................................................................
    [Show full text]
  • Complete Nominations List
    2021 Emmy® Awards 73rd Emmy Awards Complete Nominations List Outstanding Animated Program Big Mouth • The New Me • Netflix • Netflix Nick Kroll, Executive Producer Andrew Goldberg, Executive Producer/Teleplay by/Story by Mark Levin, Executive Producer Jennifer Flackett, Executive Producer Joe Wengert, Co-Executive Producer Kelly Galuska, Co-Executive Producer Gil Ozeri, Co-Executive Producer Emily Altman, Supervising Producer Ben Kalina, Supervising Producer Chris Prynoski, Supervising Producer Shannon Prynoski, Supervising Producer Anthony Lioi, Supervising Producer Victor Quinaz, Producer Abe Forman-Greenwald, Producer Nate Funaro, Produced by Patti Harrison, Story by Andres Salaff, Directed by Chris Ybarra, Assistant Director Bob's Burgers • Worms Of In-Rear-Ment • FOX • 20th Television Animation and Bento Box Animation Loren Bouchard, Executive Producer Jim Dauterive, Executive Producer Dan Fybel, Executive Producer Rich Rinaldi, Executive Producer Jon Schroeder, Executive Producer Nora Smith, Executive Producer/Written by Greg Thompson, Executive Producer Steven Davis, Co-Executive Producer Scott Jacobson, Co-Executive Producer Holly Schlesinger, Co-Executive Producer Lizzie Molyneux-Logelin, Co-Executive Producer Wendy Molyneux, Co-Executive Producer Kelvin Yu, Co-Executive Producer Janelle Momary-Neely, Supervising Producer Scott Greenberg, Animation Executive Producer Joel Kuwahara, Animation Executive Producer Michael Penketh, Animation Producer Chris Song, Directed by Bernard Derriman, Supervising Director Tony Gennaro, Supervising
    [Show full text]
  • Fox's Dana Walden and Gary Newman Honored As National Champions for Children at Alliance for Children's Rights' 24 Annual
    Contact: Constance Farrell, Communications Director [email protected] 213.368.6010 ex. 151 209.765.7855 FOR IMMEDIATE RELEASE Fox’s Dana Walden and Gary Newman Honored as National Champions for Children at Alliance for Children’s Rights’ 24th Annual Dinner Event Set for March 10, 2016 at the Beverly Hilton in Los Angeles LOS ANGELES, CA (October 20, 2015) – The Alliance for Children’s Rights, Los Angeles’ preeminent free legal services organization dedicated to protecting the rights of abused and neglected children and foster youth, will present Fox Television Group Chairmen and CEOs Gary Newman and Dana Walden with the National Champion for Children Award at its 24th Annual Dinner on Thursday, March 10, 2016 at the Beverly Hilton. Walden and Newman are a powerful entertainment duo who uses their influence to improve the lives of at-risk children, fight poverty and strengthen access to healthcare. Together, Walden and Newman oversee Fox Television Group, a division of 21st Century Fox, which includes groundbreaking broadcast network Fox Broadcasting Company (FOX); prolific and award- winning studio 20th Century Fox Television (TCFTV); the industry’s largest provider of content for cable, Fox 21 Television Studios; innovative licensing division Fox Consumer Products; and the leading syndication supplier of off-network and first-run programming, 20th Television. Their passion for innovative programming is apparent in their long list of hit series, including “Modern Family,” “Gotham,” “24,” “Homeland,” “The X-Files,” “The Last Man on Earth,” “Glee,” “American Horror Story” and “Empire,” which broke ratings records last season, and continues to reign as the No.
    [Show full text]
  • The 2020 Investor Day Programming Fact Sheet
    THE 2020 INVESTOR DAY PROGRAMMING FACT SHEET ©Disney Today at The Walt Disney Company’s Investor Day event, Lucasfilm President Kathleen Kennedy announced an impressive number of exciting Disney+ series and new feature films destined to expand theStar Wars galaxy like never before. Introducing the Disney+ slate, Kennedy said, “We have a vast and expansive timeline in the Star Wars mythology spanning over 25,000 years of history in the galaxy—with each era being a rich resource for storytelling. Now with Disney+, we can explore limitless story possibilities like never before and fulfill the promise that there is truly a Star Wars story for everyone.” Among the 10 projects announced for Disney+ is “Obi-Wan Kenobi,” starring Ewan McGregor, with Hayden Christensen returning as Darth Vader, in what Kennedy called, “the rematch of the century.” Also announced are two new series from Jon Favreau and Dave Filoni, off-shoots of the multiple Emmy®-winning “The Mandalorian.” “Rangers of the New Republic” and “Ahsoka,” a series featuring the fan-favorite character Ahsoka Tano, will take place in “The Mandalorian” timeline. Kennedy announced that the next Star Wars feature film, releasing in December 2023, will be “Rogue Squadron,” which will be directed by Patty Jenkins of the “Wonder Woman” franchise. In July 2022, the next installment of the “Indiana Jones” franchise premieres, starring Harrison Ford, who reprises his iconic role. The film is directed by James Mangold. Following are the announced projects, listed in announcement order under the Disney+ and feature film headers: DISNEY+ Ahsoka After making her long-awaited, live-action debut in “The Mandalorian,” Ahsoka Tano’s story, written by Dave Filoni, will continue in a limited series, Ahsoka, starring Rosario Dawson and executive produced by Dave Filoni and Jon Favreau.
    [Show full text]
  • Vertical Integration of the Film Industry
    Hollywood Why is Hollywood such a successful film industry? Hollywood Vertical integration of the Hollywood film industry Vertical integration was a key feature of the Hollywood studio system up to 1948. The ‘Big Five’ studios were: "The Big Five," major studios realized they could maximize their profits by controlling each stage of a film's life: • production (making the film), • distribution (getting the film out to people), • exhibition (owning first-run cinemas in major cities). • "The Little Three" studios also made pictures, but each lacked one of the crucial elements of vertical integration. • Together these eight companies essentially controlled the entire market. They also controlled the terms under which you could see their films. Prestige or “A-Movies” used studio stars and lavish production values, and then could only be seen initially in studio-owned, first-run cinemas. When the studios released these films to cinemas they didn't own, they forced those owners to buy A-pictures in combination with a number of, often mediocre, B- pictures (no stars, bargain-basement genre pictures) and shorts, a practice called "block booking." Moreover, the studios often made the exhibitors buy the films blind, not allowing them to see what they were getting before they got it. The end of Hollywood's Golden Age In 1948 the studios were ordered to give up their cinemas, opening the market to smaller producers. This, coupled with the advent of television in the 1950s, seriously compromised the studio system's power and profits. Hence, 1930 and 1948 are generally considered bookends to Hollywood's Golden Age, the period when these eight companies secured 95 percent of all film rentals and close to 70 percent of all box-office receipts.
    [Show full text]