FTA 80 Cm Dish, 0.3 Db LNB, Non DVB-S2) Equipment and Appropriate Decryption Card
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
U.S. Department of Justice FARA
:U.S. Department of Justice National Securify Division Coun1,rinl1lligt"" om E.xpQrt Control & cliO/'I WasM~on, DC 2QSJO August 17, 2017 BY FEDEX Mikhail Solodovnikov General Manager T &R Productions 1325 G Stre~t, NW, Suite 250 Washington, DC. 20005 Re: Obligation ofT&R Productions, LLC, lo Register Under the Foreign Agents Registration Act Dear Mr. Solodovnikov: Based upon infonnation known to this Qffice, we have determined that T &R Productions, LLC ("T&R"), has an obligation to register pursuant to the Foreign Agents Registration Act of 1938, as amended, 22 ·u.s.C. §§ 611-621 (1995) ("FARA" or the "Act''). T&R' s obligalion to register arises from its political activities in the United States on behalf of RT and TV-Novosti, both foreign principals under the Act and proxies o f the Russian Government, and its related work within the United States as a publicity agent and infonnation-service employee of TV Novosti. FARA The purpose of FARA is to inform the American public of the activities of agents working for foreign principals to influence U.S. Government officials and/or the American public with reference to the domestic or foreign policies of the United States, or with reference to the political or public interests, policies, or relations of a foreign country or foreign political party. The term "foreign principal" includes "a government of a foreign country" and "a partnership, association, corporation, organization, or other comhination of persons organized under the Jaws of or having its principal place of business in a foreign country." 22 U.S.C. -
(Stop a Douchebag) Vigilantes in Russia
© Laboratorium: Russian Review of Social Research. 2019. 11(3):16–45 16 DOI: 10.25285/2078-1938-2019-11-3-16-45 EROES OR HOOLIGANS? HMEDIA PORTRAYAL OF STOPXAM (STOP A DOUCHEBAG) VIGILANTES IN RUSSIA Rashid Gabdulhakov Rashid Gabdulhakov, Department of Media and Communication, Erasmus University Rotterdam. Address for correspondence: Erasmus University Rotterdam, Postbus 1738, 3000 DR Rotterdam, Netherlands. [email protected]. The author expresses sincere gratitude to the informants for their contributions, as well as to peer reviewers and editors of this special issue for their valuable feed- back. This work was supported by the Dutch Research Council (NWO) project num- ber 276-45-004. Several state-supported digital vigilante groups emerged in Russia at the downturn of the pro-Kremlin youth group Nashi (Ours), when its former commissars formed issue- specific movements to counter perceived legal and moral offences through exposure of targets on social media. One of such groups is StopXam (Stop a Douchebag), specializ- ing in road-traffic and parking violations. StopXam participants confront the drivers and retaliate by placing stickers that read “I spit on everyone I drive where I want” on the targets’ windshields. The retaliation is often accompanied by verbal and physical fighting; the process is filmed, edited, and shared on YouTube, receiving millions of views. While digital media made such practices possible, traditional broadcasters maintain significance in rendering meaning to the phenomenon of vigilantism and in framing vigilantes, their targets, police, and other actors. As the existing literature on digital vigilantism is predominantly focused on digital media affordances, this article aims to address this gap through a qualitative analysis of traditional media coverage of StopXam. -
Newsgerrige Børn?
NEWSGERRIGE BØRN? DR Ultra Nyt i børnekulturelt perspektiv Master i børne- og ungdomskultur – medier og æstetiske læreprocesser Child and Youth Cultures, Aesthetic Learning, Processes and Multimedia §9 Masterafhandling Master’s Thesis Maria Bruun Eksamensnummer: 311812 Antal typeenheder: 73.637 Vejleder: Herdis Toft Må gerne offentliggøres Indhold 1. Abstract 1 1.1 Indledning 2 Problemformulering 2 1.2 Baggrund 3 1.3 Form og opbygning 4 2. Metode 5 Valget af informanter 6 Mindmaps 8 Fravalg 8 2.1 Teoretisk grundlag 10 Det komplekse kulturbegreb 12 Legeteoretisk afsæt 13 Karnevalisme teori 14 Medialisering 15 3. Definition af Ultra Nyt 17 Hvad er nyheder? 17 Hvor er nyheder? 17 Hvorfor skal børn have ’nyheder for børn’? 18 Kanaldeling 19 Ultranyt.dk 20 Bekymring og interesse – om Børnerådet og Børnekonventionen 21 Opsamling 23 4. Analyse del 1: Interviews 24 Interview 1 – ”før Ultra Nyt” 24 Om nyheder generelt 24 Om nyheder for børn 25 Om formatet på børnenyheder 27 Om dem selv 28 Tanker om skolen 29 Tanker om leg 29 Opsamling 30 Analyse interview 2 – ”med Ultra Nyt” 30 Identifikation i mobbehistorierne 31 Sydfyn Style 31 Projekt 33 Dyr er kedelige 34 Karnevalistisk træk 34 Opsamling 34 4.1 Analyse, del 2: Karneval og demokrati 36 Delkonklusion 42 5. Konklusion 45 5.1 Perspektiv 48 Litteratur 50 Bilagsmateriale Forældre/barn tilladelse Grundspørgsmål Mindmaps Transskription af interviews Screendumps fra Ultranyt.dk Projektmodningsbrev samt uddrag af mailkorrespondance 1. Abstract This master’s thesis examines Ultra Nyt (Ultra News), a news program for children on the TV channel DR Ultra. Ultra Nyt was first broadcast on 4th March, 2013. -
PSB 3.0 TV and the Digital and Global Challenge
PSB 3.0 TV and the Digital and Global Challenge Ib Bondebjerg Public funding for culture, film and media in general has been a strong element in what we understand to be at the core of the Scandinavian welfare state. It became a crucial part of Scandinavian cultural policy in the 1960s, and in the political philosophy of the Social Democrats and their political allies, the cultural arm of policy became impor- tant as a means to secure a diverse and inclusive public sphere. The birth of modern, visual media like film, radio and television became instruments in a political, social and cultural dialogue across social and cultural differences and barriers. They became a central part of what constitutes an “imagined community” (Anderson 1983) as carri- ers of those stories, narratives and communicative forms that constitute our everyday lives and feeling of belonging. Social and political issues, conflict and debate are central to modern mediated societies and public spheres, but so are deeper social and cultural stories of our present and past. News and documentaries are vital for our understanding of being national citizens as well as citizens of a global world, but TV drama and other forms of fiction are just as important for our ability to understand the contemporary and historical dimensions of society and culture. Fiction can speak to our deeper emotions and collective social feeling of being connected. In this sense, fiction, documentaries and other factual programmes are all part of a well functioning public sphere. For those many European countries that created the modern forms of public support for culture, PSB media were crucial for the diversity of culture and debate in the public sphere. -
Levi TV Kanalid
levikom.ee 1213 Paksenduse (bold) ja punase teksti tähistusega telekanaleid on võimalik järelvaadata 7 päeva täies mahus (järelvaatamise teenus on eraldi kuutasu eest)! Telekanalite Levi TV Paras Levi TV Priima Levi TV Ekstra sisaldumine pakettides: - Põhikanaleid 33 kanalit 63 kanalit 69 kanalit - Muid kanaleid 5 kanalit 5 kanalit 10 kanalit KÕIK KOKKU: 38 telekanalit 68 telekanalit 79 telekanalit Eesti telekanalid: ETV ✓ ✓ ✓ ETV2 ✓ ✓ ✓ Kanal 2 ✓ ✓ ✓ TV3 ✓ ✓ ✓ TV6 ✓ ✓ ✓ Kanal 11 ✓ ✓ ✓ Kanal 12 ✓ ✓ ✓ Alo TV ✓ ✓ ✓ Taevas TV7 ✓ ✓ ✓ Eesti Kanal ✓ ✓ ✓ Eesti Kanal Pluss ✓ ✓ ✓ (11 kanalit) (11 kanalit) (11 kanalit) Eesti kanalid HD formaadis (duplikaadina): ETV HD ✓ ✓ ✓ ETV2 HD ✓ ✓ ✓ Kanal 2 HD ✓ ✓ ✓ Kanal 11 HD ✓ ✓ ✓ Kanal 12 HD ✓ ✓ ✓ TV3 HD ✓ TV6 HD ✓ (5 kanalit) (5 kanalit) (5 kanalit) Laste ja noorte telekanalid: Kidzone ✓ ✓ ✓ Kidzone+ HD ✓ ✓ Smartzone HD ✓ ✓ KiKa HD ✓ ✓ Nick JR ✓ ✓ Nickelodeon ✓ ✓ TEL 1213 TEL +372 684 0678 Levikom Eesti OÜ Pärnu mnt 139C, 11317 Tallinn [email protected] | levikom.ee Pingviniukas ✓ ✓ ✓ Multimania ✓ ✓ ✓ Mamontjonok ✓ ✓ ✓ (4 kanalit) (9 kanalit) (9 kanalit) Filmide ja sarjade telekanalid: Epic Drama HD ✓ ✓ ✓ TLC ✓ ✓ ✓ Sony Channel HD ✓ ✓ Sony Turbo HD ✓ ✓ FOX ✓ ✓ FOX Life ✓ ✓ Filmzone ✓ ✓ Filmzone+ HD ✓ ✓ Kino 24 ✓ ✓ ✓ Pro100TV ✓ ✓ ✓ Dom Kino ✓ ✓ ✓ (5 kanalit) (9 kanalit) (11 kanalit) Sporditeemalised telekanalid: Eurosport 1 HD ✓ ✓ ✓ Eurosport 2 HD ✓ ✓ ✓ Setanta Sports HD ✓ ✓ ✓ Fuel TV HD ✓ ✓ Nautical Channel ✓ ✓ (3 kanalit) (5 kanalit) (5 kanalit) Teaduse, looduse ja tõsielu teemalised telekanalid: Discovery -
Drama Directory
2015 UPDATE CONTENTS Acknowlegements ..................................................... 2 Latvia ......................................................................... 124 Introduction ................................................................. 3 Lithuania ................................................................... 127 Luxembourg ............................................................ 133 Austria .......................................................................... 4 Malta .......................................................................... 135 Belgium ...................................................................... 10 Netherlands ............................................................. 137 Bulgaria ....................................................................... 21 Norway ..................................................................... 147 Cyprus ......................................................................... 26 Poland ........................................................................ 153 Czech Republic ......................................................... 31 Portugal ................................................................... 159 Denmark .................................................................... 36 Romania ................................................................... 165 Estonia ........................................................................ 42 Slovakia .................................................................... 174 -
Levira DTT Programmid 09.08.21.Xlsx
Digilevi programmid seisuga 7.september 2021 Multipleks 1 / 2 LCN SID PMT TV Programm Operaator Video Audio Subtiitrid EPG HbbTV DVB [161] - eesti [730] - eesti (Stereo 192 Kbps) 1 1 290 ETV Levira [550] - AVC (720x576i) DVB [162] - vene Jah Jah [731] - *hollandi (Stereo 128 Kbps) DVB [163] - *hollandi DVB [171] - eesti [806] - eesti (Stereo 192 Kbps) 2 2 307 ETV2 Levira [561] - AVC (720x576i) DVB [172] - vene Jah Jah [807] - *hollandi (Stereo 128 Kbps) Multipleks 1 DVB [173] - *hollandi 6 3 206 Digilevi info Levira [506] - AVC (720x576i) [603] - eesti (Stereo 112 Kbps) - - Jah DVB [181] - eesti [714] - vene (Stereo 192 Kbps) DVB [182] - vene 7 34 209 ETV+ Levira [401] - AVC (720x576i) [715] - eesti (Stereo 128 Kbps) Jah Jah DVB [183] -* hollandi [716] - *hollandi (Stereo 128 Kbps) DVB [184] - eesti 12 38 202 Duo 5 Elisa Klassik [502] - AVC (720x576i) [605] - eesti (Stereo 192 Kbps) - Jah 13 18 273 TV6 Elisa Klassik [529] - AVC (720x576i) [678] - eesti (Stereo 192 Kbps) - Jah [654] - inglise (Stereo 192 Kbps) 20 12 267 Duo 3 Elisa Klassik [523] - AVC (720x576i) Videos Jah [655] - vene (Stereo 128 Kbps) [618] - inglise (Stereo 192 Kbps) 22 23 258 Duo 6 Elisa Klassik [514] - AVC (720x576i) Videos Jah [619] - vene (Stereo 128 Kbps) [646] - inglise (Stereo 128 Kbps) 26 10 265 Discovery Elisa Klassik [521] - AVC (720x576i) Videos Jah [647] - vene (Stereo 128 Kbps) [662] - inglise (Stereo 128 Kbps) 28 14 269 Animal Planet Elisa Klassik [525] - AVC (720x576i) - Jah Multipleks 2 [663] - vene (Stereo 128 Kbps) [658] - inglise (Stereo 128 Kbps) -
TV Kanal Liste
Kanal nr Frekvens Kanalnavn Kanal nr Frekvens Kanalnavn Kanal nr Frekvens Kanalnavn 0 674MHz Disp 47 562MHz dk4 - 20 99 450MHz Infokanal 0 690MHz Disp 48 682MHz TV2 Fri 101 250MHz Al Jazeera English 0 698MHz Disp 50 834MHz Cartoon Network 102 242MHz Al Jazeera Channel 0 858MHz Disp 51 538MHz DR Ramasjang 103 266MHz Al Arabia 0 858MHz Disp 52 538MHz DR Ultra 105 266MHz Dubai Sports 3 1 530MHz DR1 53 794MHz Disney Channel 106 250MHz ESC 2 522MHz TV 2 54 834MHz Disney XD 107 250MHz Al Aoula Inter 3 562MHz TV3 55 802MHz Disney Junior 108 266MHz IQRAA 4 674MHz Kanal 4 56 546MHz Nickelodeon - 20 109 250MHz Dubai TV 5 546MHz Kanal 5 - 20 57 842MHz Nick jr. 110 242MHz 2M Monde 6 794MHz 6'eren 58 810MHz Boomerang 111 250MHz AD Aloula 7 690MHz TV3 Puls 59 674MHz Paramount Networks 112 266MHz France 24 (in Arabic) 8 690MHz TV3+ 60 858MHz MTV Danmark 150 234MHz RTK-1 9 794MHz Canal 9 61 818MHz VH1 152 234MHz RTV Montenegro 10 530MHz DR2 65 314MHz C More First HD 153 226MHz DM-SAT 11 530MHz DR3 66 314MHz C More Hits HD 154 234MHz HRT-TV1 12 530MHz DR K 67 314MHz C More Series HD 155 226MHz Pink Plus 13 698MHz TV2 Charlie 68 314MHz C More Stars HD 156 226MHz Pink Extra 14 682MHz TV2 Zulu 70 322MHz Viasat Film Premiere 157 226MHz Pink 3 / Kids 15 698MHz TV2 News 71 322MHz Viasat Film Series 158 226MHz Pink Film 16 538MHz Folketinget 72 322MHz Viasat Film Family 159 226MHz Pink Music 17 858MHz CNN 73 322MHz Viasat Film Hits 160 242MHz Rai 1 18 826MHz BBC World News 74 322MHz Viasat Film Action 161 242MHz Rai 2 19 506MHz France 24 Engelsk 80 514MHz SVT1 164 234MHz TVE Int. -
Russian Media in Teleological Perspective As a Methodological Challenge: Reconstructing Goals for Understanding Effects
RUSSIAN MEDIA IN TELEOLOGICAL PERSPECTIVE AS A METHODOLOGICAL CHALLENGE: RECONSTRUCTING GOALS FOR UNDERSTANDING EFFECTS РОССИЙСКИЕ СМИ В ТЕЛЕОЛОГИЧЕСКОЙ ПЕРСПЕКТИВЕ КАК МЕТОДОЛОГИЧЕСКИЙ ВЫЗОВ: РЕКОНСТРУКЦИЯ ЦЕЛЕЙ ДЛЯ ПОНИМАНИЯ ЭФФЕКТОВ Viktor M. Khroul, PhD in Philology, Associate Professor, Chair of Sociology of Mass Communications, Faculty of Journalism, Lomonosov Moscow State University, Moscow, Russia [email protected] Виктор Михайлович Хруль, кандидат филологических наук, доцент, кафедра социологии массовых коммуникаций, факультет журналистики, Московский государственный университет имени М. В. Ломоносова, Москва, Россия [email protected] The media effects studies are more precise in a teleological perspective implying that the effects are analyzed in terms of goals. The teleological approach to journalism must be based on an analysis of the transparency and regularity of the goal formation process, the level of consistency and hierarchicality of goals and their compliance with the social mission of the media. The author considers it useful to engage in an interdisciplinary cooperation in the area of teleological studies of journalism and mass media with sociologists, linguists and psychologists. 191 Key words: journalism, goals, teleological model, social mission, intent analysis. Изучение эффектов деятельности СМИ корректно про- водить с учетом поставленных целей, то есть в телеологи- ческой перспективе. Телеологический подход к журналисти- ке подразумевает анализ степени прозрачности и систем- ности процесса целеполагания, уровня согласованности и иерархичности целей, а также их соответствие социальной миссии СМИ. Автор полагает, что плодотворность тако- го подхода во многом зависит от состояния междисципли- нарного сотрудничества в области исследований эффектов СМИ, взаимодействия исследователей медиа с социолога- ми, лингвистами и психологами, в частности, при развитии метода интент-анализа. Ключевые слова: журналистика, цели, телеологический подход, социальная миссия, интент-анализ. -
Velkommen Til DR I Aarhus
Velkommen til DR i Aarhus DR i Aarhus er hovedkvarter for DR’s største programproducerende afdeling, som hedder DR Danmark. Udover redaktionerne i Aarhus består DR Danmark af 8 regionale mediehuse, som ligger spredt ud over hele landet fra Aalborg i nord til Aaben- raa i syd, Holstebro i vest til Rønne i øst. I DR’s 28.000 kvadratmeter store hus i Aarhus og de 8 regioner er al DR’s pro- gramproduktion udenfor DR Byen samlet, med det formål at afspejle mere af hele Danmark i DR’s samlede tilbud af programmer til danskerne. Hvert år laver medarbejderne i DR Aarhus ca. 18.000 timers radio og 500 timers tv samt en lang række hjemmesider. DR Aarhus laver indslag og programmer til næsten alle DRs kanaler. F. eks. DR1: P1: Hammerslag, Kender du typen?, Apropos, Gintberg på kanten, Den Store Bage- Netværket dyst ,MGP, Bonderøven, Religionsrapport Søren Ryge, Dokumentar, Eksistens Vejen til MGP P4: DR2: Hver dag: Indefra med Anders Agger 11 nyhedsudsendelser Nak og æd morgen- og eftermiddagsflade. For- DRK: middag på 4’eren DR Kirken, Før søndagen Danmarksmester 5 skarpe Danmark Direkte DR Ramasjang: P5: Godmorgen Ramasjang Nis på P5, Dansktoppen Ramasjang Mysteriet Web: Ramasjang Rally, /bonderoeven, /bagedyst, MGP 2013 – mød finalisterne /gintberg, /tro, /mad, DR Ultra: /oline, /ramasjang Ultra Nyt, Store Nørd I garagen er der 26 tv-produktionsvogne, 3 OB-vogne til store flerkamera-pro- duktioner, 3 live-tv vogne, 2 live-radio vogne, Ramasjang-bussen, og en lang række mindre vogne. DR Aarhus har 3 tv-studier, 8 radio-studier og 26 tv-redigeringsrum DR i Aarhus huser ca. -
TV News Channels in Europe: Offer, Establishment and Ownership European Audiovisual Observatory (Council of Europe), Strasbourg, 2018
TV news channels in Europe: Offer, establishment and ownership TV news channels in Europe: Offer, establishment and ownership European Audiovisual Observatory (Council of Europe), Strasbourg, 2018 Director of publication Susanne Nikoltchev, Executive Director Editorial supervision Gilles Fontaine, Head of Department for Market Information Author Laura Ene, Analyst European Television and On-demand Audiovisual Market European Audiovisual Observatory Proofreading Anthony A. Mills Translations Sonja Schmidt, Marco Polo Sarl Press and Public Relations – Alison Hindhaugh, [email protected] European Audiovisual Observatory Publisher European Audiovisual Observatory 76 Allée de la Robertsau, 67000 Strasbourg, France Tel.: +33 (0)3 90 21 60 00 Fax. : +33 (0)3 90 21 60 19 [email protected] http://www.obs.coe.int Cover layout – ALTRAN, Neuilly-sur-Seine, France Please quote this publication as Ene L., TV news channels in Europe: Offer, establishment and ownership, European Audiovisual Observatory, Strasbourg, 2018 © European Audiovisual Observatory (Council of Europe), Strasbourg, July 2018 If you wish to reproduce tables or graphs contained in this publication please contact the European Audiovisual Observatory for prior approval. Opinions expressed in this publication are personal and do not necessarily represent the view of the European Audiovisual Observatory, its members or the Council of Europe. TV news channels in Europe: Offer, establishment and ownership Laura Ene Table of contents 1. Key findings ...................................................................................................................... -
Re-Evaluating the Public Sphere in Russia: Case Studies of Two Ngos
Re-Evaluating the Public Sphere in Russia: Case Studies of Two NGOs THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Alex Gregory Radsky Graduate Program in Slavic and East European Studies The Ohio State University 2013 Master's Examination Committee: Morgan Liu, Advisor Nick Breyfogle Copyright by Alex Radsky 2013 Abstract This thesis explores two Russian non-governmental organizations (NGOs), the Union of Committees of Soldiers’ Mothers (UCSMR) and the Interregional Association of Human Rights Organizations AGORA (Agora). These two case studies apply the public sphere as a theoretical lens in an innovative way in order to rethink Russian civil society. The interactions of these two NGOs with state institutions show that Russia’s NGOs are important social actors who are actively negotiating and contesting the borders between civil and political action. Operating on the border of state and society, these two NGOs’ depicts a blurry boundary between social actors and a non-unitary state. In order to challenge the boundaries between the political and the civic, Agora and UCSMR’s negotiate through a process of creating public spheres, or pluralizing the voices contesting a certain institution or idea. In these cases, the UCSMR has brought the discourse of human rights to the military and Agora has done the same within the legal system. This contested negotiation occurs in an overlapping field of state institutions, individuals, and social organizations through both cooperation and contestation. These public spheres encompass multiple layers of the state, and play an important role in negotiating the boundaries of political action in Russian society.