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Viaplay Included in Bahnhof's Top-Tier TV Package and Available As Add-On Subscription • Bahnhof to Distribute NENT Grou
• Viaplay included in Bahnhof’s top-tier TV package and available as add-on subscription • Bahnhof to distribute NENT Group’s premium V channels for the first time • Partnership reflects NENT Group’s unique content offering and strategic focus on long-term distribution deals Nordic Entertainment Group (NENT Group), the Nordic region’s leading streaming company, has extended and expanded its distribution agreement with Swedish broadband and IPTV provider Bahnhof. NENT Group’s Viaplay streaming service will continue to be available to Bahnhof’s 350,000 customers in Sweden as an add-on subscription, and Viaplay’s TV & Movie package will now be included in Bahnhof’s top-tier TV offering, TV Stor. In addition, Bahnhof customers can add NENT Group’s premium V film and sports channels to their subscriptions for the first time, and the recently launched V Sport Extra channel will be included in the TV Stor package. NENT Group’s Swedish channels TV3, TV6, TV8 and TV10 will remain part of all Bahnhof’s TV packages. Kim Poder, NENT Group Chief Commercial Officer: “Our content offering is in a class of its own, and we are delighted to expand this relationship with Bahnhof, which is one of Sweden’s fastest growing operators. We have recently renewed our Swedish rights to the Premier League until 2028, we will be the home of FIS winter sports from 2021 and we continue to invest in Viaplay originals, the best Hollywood films and series, and high-quality kids content. We want Viaplay and our unique content to be as widely available as possible, and we are constantly exploring new ways to bring them to even more homes.” Jon Karlung, CEO, Bahnhof: “I am excited that we now have one of Sweden’s strongest entertainment offerings, thanks to our newly expanded agreement with NENT Group.” The partnership with Bahnhof reflects NENT Group’s strategic focus on long-term distribution deals that ensure the broad availability of its streaming services and TV channels across the Nordic region. -
Levi TV Kanalid
levikom.ee 1213 Paksenduse (bold) ja punase teksti tähistusega telekanaleid on võimalik järelvaadata 7 päeva täies mahus (järelvaatamise teenus on eraldi kuutasu eest)! Telekanalite Levi TV Paras Levi TV Priima Levi TV Ekstra sisaldumine pakettides: - Põhikanaleid 33 kanalit 63 kanalit 69 kanalit - Muid kanaleid 5 kanalit 5 kanalit 10 kanalit KÕIK KOKKU: 38 telekanalit 68 telekanalit 79 telekanalit Eesti telekanalid: ETV ✓ ✓ ✓ ETV2 ✓ ✓ ✓ Kanal 2 ✓ ✓ ✓ TV3 ✓ ✓ ✓ TV6 ✓ ✓ ✓ Kanal 11 ✓ ✓ ✓ Kanal 12 ✓ ✓ ✓ Alo TV ✓ ✓ ✓ Taevas TV7 ✓ ✓ ✓ Eesti Kanal ✓ ✓ ✓ Eesti Kanal Pluss ✓ ✓ ✓ (11 kanalit) (11 kanalit) (11 kanalit) Eesti kanalid HD formaadis (duplikaadina): ETV HD ✓ ✓ ✓ ETV2 HD ✓ ✓ ✓ Kanal 2 HD ✓ ✓ ✓ Kanal 11 HD ✓ ✓ ✓ Kanal 12 HD ✓ ✓ ✓ TV3 HD ✓ TV6 HD ✓ (5 kanalit) (5 kanalit) (5 kanalit) Laste ja noorte telekanalid: Kidzone ✓ ✓ ✓ Kidzone+ HD ✓ ✓ Smartzone HD ✓ ✓ KiKa HD ✓ ✓ Nick JR ✓ ✓ Nickelodeon ✓ ✓ TEL 1213 TEL +372 684 0678 Levikom Eesti OÜ Pärnu mnt 139C, 11317 Tallinn [email protected] | levikom.ee Pingviniukas ✓ ✓ ✓ Multimania ✓ ✓ ✓ Mamontjonok ✓ ✓ ✓ (4 kanalit) (9 kanalit) (9 kanalit) Filmide ja sarjade telekanalid: Epic Drama HD ✓ ✓ ✓ TLC ✓ ✓ ✓ Sony Channel HD ✓ ✓ Sony Turbo HD ✓ ✓ FOX ✓ ✓ FOX Life ✓ ✓ Filmzone ✓ ✓ Filmzone+ HD ✓ ✓ Kino 24 ✓ ✓ ✓ Pro100TV ✓ ✓ ✓ Dom Kino ✓ ✓ ✓ (5 kanalit) (9 kanalit) (11 kanalit) Sporditeemalised telekanalid: Eurosport 1 HD ✓ ✓ ✓ Eurosport 2 HD ✓ ✓ ✓ Setanta Sports HD ✓ ✓ ✓ Fuel TV HD ✓ ✓ Nautical Channel ✓ ✓ (3 kanalit) (5 kanalit) (5 kanalit) Teaduse, looduse ja tõsielu teemalised telekanalid: Discovery -
Katso Televisiota, Maksukanavia Ja Makuunin Vuokravideoita 4/2017 Missä Ja Millä Vain
KATSO TELEVISIOTA, MAKSUKANAVIA JA MAKUUNIN VUOKRAVIDEOITA 4/2017 MISSÄ JA MILLÄ VAIN. WATSON TOIMII TIETOKONEELLA, TABLETISSA JA ÄLYPUHELIMESSA SEKÄ TV-TIKUN TAI WATSON-BOKSIN KANSSA TELEVISIOSSA. WATSON-PERUSPALVELUN KANAVAT 1 Yle TV1 12 FOX WATSONISSA 2 Yle TV2 13 AVA MYÖS 3 MTV3 14 Hero 4 Nelonen 16 Frii MAKUUNIN 5 Yle Fem / SVT World 18 TLC UUTUUSLEFFAT! 6 Sub 20 National Geographic 7 Yle Teema Channel 8 Liv 31 Yle TV1 HD 9 JIM 32 Yle TV2 HD Powered by 10 TV5 35 Yle Fem HD 11 KUTONEN 37 Yle Teema HD Live-tv-katselu. Ohjelma/ohjelmasarjakohtainen tallennus. Live-tv-katselu tv-tikun tai Watson-boksin kautta. Ohjelma/ohjelmasarjakohtainen tallennus. Live-tv-katselu Watson-boksin kautta. Ohjelma/ohjelmasarjakohtainen tallennus. Vain live-tv-katselu Watson-boksin kautta. Vain live-tv-katselu. KANAVAPAKETTI €/KK, KANAVAPAIKKA, KANAVA Next 21 Discovery Channel C 60 C More First Sports 121 Eurosport 1 HD *1 0,00 € 22 Eurosport 1 C 61 C More First HD 8,90 € 122 Eurosport 2 HD 23 MTV C 62 C More Series 123 Eurosport 2 24 Travel Channel C 63 C More Series HD 159 Fuel TV HD 25 Euronews C 64 C More Stars 160 Motors TV HD 27 TV7 C 66 C More Hits 163 Extreme Sports HD Start 33 MTV3 HD *1 C 67 SF Kanalen 200 Nautical Channel 0,00 € C 75 C More Juniori Base 126 MTV Live HD *1 C More Sport S Pakettiin sisältyy oheisella 8,90 € 150 VH1 Swedish 40 SVT1 4,30 € 41 SVT2 24,95 € tunnuksella merkityt 151 Nick Jr. -
“Television of the Future”? Netflix, Quality and Neophilia in the TV Debate Matrizes, Vol
Matrizes ISSN: 1982-2073 ISSN: 1982-8160 [email protected] Universidade de São Paulo Brasil Castellano, Mayka; Meimaridis, Melina The “television of the future”? Netflix, quality and neophilia in the TV debate Matrizes, vol. 15, no. 1, 2021, pp. 195-222 Universidade de São Paulo São Paulo, Brasil DOI: https://doi.org/10.11606/issn.1982-8160.v15i1p195-222 Available in: https://www.redalyc.org/articulo.oa?id=143067575010 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative 195 “Television of the future”? Netflix, quality, and neophilia in the TV debate A “televisão do futuro”? Netflix, qualidade e neofilia no debate sobre TV MAYKA CASTELLANOa Universidade Federal Fluminense, Graduate Program in Communication. Niterói – RJ, Brazil MELINA MEIMARIDISb Universidade Federal Fluminense, Graduate Program in Communication. Niterói – RJ, Brazil ABSTRACT a Professor of the Graduate Program in Communication In this article, we investigate Netflix, questioning the expectations of the public and the and the Department critics regarding changes that arise from the introduction of this service in the market. of Cultural and Media Studies of the Universidade From the analysis of trade press coverage, access data, and the company’s investment Federal Fluminense. Orcid: trends, we inquire what types of TV consumption experiences are at stake in the discourse https://orcid.org/0000- 0003-4401-5979. E-mail: promoted by analysts and novelty enthusiasts. We also discuss how evaluations on these [email protected] platforms renew the ongoing controversies about television quality. -
2020 Annual Report
Radio and Television Commission of Lithuania RADIO AND TELEVISION COMMISSION OF LITHUANIA 2020 ANNUAL REPORT 17 March 2021 No ND-1 Vilnius 1 CONTENTS CHAIRMAN’S MESSAGE ................................................................................................................ 3 MISSION AND OBJECTIVES .......................................................................................................... 5 MEMBERSHIP AND ADMINISTRATION ...................................................................................... 5 LICENSING OF BROADCASTING ACTIVITIES AND RE-BROADCAST CONTENT AND REGULATION OF UNLICENSED ACTIVITIES ............................................................................ 6 THE LEGISLATIVE PROCESS AND ENFORCEMENT .............................................................. 30 ECONOMIC OPERATOR OVERSIGHT AND CONTENT MONITORING ................................ 33 COPYRIGHT PROTECTION ON THE INTERNET ...................................................................... 41 STAFF PARTICIPATION IN TRAINING AND INTERNATIONAL COOPERATION EFFORTS ........................................................................................................................................................... 42 COMPETITION OF THE BEST IN RADIO AND TELEVISION PRAGIEDRULIAI ................... 43 PUBLICITY WORK BY THE RTCL .............................................................................................. 46 PRIORITIES FOR 2021 ................................................................................................................... -
Generational Use of News Media in Estonia
Generational Use of News Media in Estonia Contemporary media research highlights the importance of empirically analysing the relationships between media and age; changing user patterns over the life course; and generational experiences within media discourse beyond the widely-hyped buzz terms such as the ‘digital natives’, ‘Google generation’, etc. The Generational Use doctoral thesis seeks to define the ‘repertoires’ of news media that different generations use to obtain topical information and create of News Media their ‘media space’. The thesis contributes to the development of in Estonia a framework within which to analyse generational features in news audiences by putting the main focus on the cultural view of generations. This perspective was first introduced by Karl Mannheim in 1928. Departing from his legacy, generations can be better conceived of as social formations that are built on self- identification, rather than equally distributed cohorts. With the purpose of discussing the emergence of various ‘audiencing’ patterns from the perspectives of age, life course and generational identity, the thesis centres on Estonia – a post-Soviet Baltic state – as an empirical example of a transforming society with a dynamic media landscape that is witnessing the expanding impact of new media and a shift to digitisation, which should have consequences for the process of ‘generationing’. The thesis is based on data from nationally representative cross- section surveys on media use and media attitudes (conducted 2002–2012). In addition to that focus group discussions are used to map similarities and differences between five generation cohorts born 1932–1997 with regard to the access and use of established news media, thematic preferences and spatial orientations of Signe Opermann Signe Opermann media use, and a discursive approach to news formats. -
Levikomi Telekanalite Põhipaketid Ja Temaatilised Lisapaketid 01.05.2017
levikom.ee 1213 LEVIKOMI TELEKANALITE PÕHIPAKETID JA TEMAATILISED LISAPAKETID 01.05.2017 LEVIKOM RUBIIN (27 KANALIT): Eesti (8): ETV, ETV2, TV3, KANAL 2, Tallinna TV, TV6, ETV HD, ETV2 HD Vene (1): ETV+ Tõsielu (1): National Geographic Lastele (1): Kidzone Muusika (2): MyHits, iConcert Sport (3): Setanta Sports HD, Fuel TV HD, Motors TV HD Filmid ja sarjad (6): Sony Entertainment, Sony Turbo, FOX, FOX Life, Filmzone, Filmzone+ Eesti looduskaamerad (5): Hooajalised Eesti Looduse Veebikaamerad (Hirve, Hülge, Talilinnu, Käsmu ranna, Pesakasti)* Allajoonitud- ja kaldkirjas märgitud kanalid on järele vaadatavad kuni 1 nädal / kokku 10 telekanalit. *Eesti looduskaamerate puhul on Levikom pildi edastaja ning ei vastuta looduskaamerate pildi kvaliteedi või töökindluse eest. Looduskaamerate valik võib hooajaliselt muutuda. LEVIKOM VIASAT HÕBE (42 KANALIT): Eesti (10): ETV, ETV2, TV3, KANAL 2, Tallinna TV, TV6, Kanal 11, Kanal 12, ETV HD, ETV2 HD Vene (5): ETV+, PBK 1, CTC, REN TV Baltic, TV3+ Uudised (4): CNN, BBC World News, Russia Today, NHK World TV Tõsielu (6): National Geographic, National Geographic Wild, Viasat History, Viasat Nature East, Viasat Explorer Lastele (7): Kidzone, Disney Channel, Disney XD, Disney Junior, NickToons, Nickelodeon, Nickelodeon Junior Muusika (3): MTV Hits, VH1, E! Entertainment Euroopa (3): France24, RTL, Sixx Eesti looduskaamerad (5): Hooajalised Eesti Looduse Veebikaamerad (Hirve, Hülge, Talilinnu, Käsmu ranna, Pesakasti)* Allajoonitud- ja kaldkirjas märgitud kanalid on järele vaadatavad kuni 1 nädal / kokku -
S1867 16071609 0
Period Domain Station ID Station UDC Per Minute Rate (YYMMYYMM) Television CSTHIT 4Music Non-Primetime (Census) S1867 16071609 £ 0.36 Television CSTHIT 4Music Primetime (Census) S1868 16071609 £ 0.72 Television C4SEV 4seven Non-Primetime F0029 16071608 £ 0.30 Television C4SEV 4seven Primetime F0030 16071608 £ 0.60 Television CS5USA 5 USA Non-Primetime (Census) H0010 16071608 £ 0.28 Television CS5USA 5 USA Primetime (Census) H0011 16071608 £ 0.56 Television CS5LIF 5* Non-Primetime (Census) H0012 16071608 £ 0.34 Television CS5LIF 5* Primetime (Census) H0013 16071608 £ 0.67 Television CSABNN ABN TV Non-Primetime S2013 16071608 £ 7.05 Television 106 alibi Non-Primetime S0373 16071608 £ 2.52 Television 106 alibi Primetime S0374 16071608 £ 5.03 Television CSEAPE Animal Planet EMEA Non-Primetime S1445 16071608 £ 0.10 Television CSEAPE Animal Planet EMEA Primetime S1444 16071608 £ 0.19 Television CSDAHD Animal Planet HD EMEA Non-Primetime S1483 16071608 £ 0.10 Television CSDAHD Animal Planet HD EMEA Primetime S1482 16071608 £ 0.19 Television CSEAPI Animal Planet Italy Non-Primetime S1530 16071608 £ 0.08 Television CSEAPI Animal Planet Italy Primetime S1531 16071608 £ 0.16 Television CSANPL Animal Planet Non-Primetime S0399 16071608 £ 0.54 Television CSDAPP Animal Planet Poland Non-Primetime S1556 16071608 £ 0.11 Television CSDAPP Animal Planet Poland Primetime S1557 16071608 £ 0.22 Television CSANPL Animal Planet Primetime S0400 16071608 £ 1.09 Television CSAPTU Animal Planet Turkey Non-Primetime S1946 16071608 £ 0.08 Television CSAPTU Animal -
Must-Carry Rules, and Access to Free-DTT
Access to TV platforms: must-carry rules, and access to free-DTT European Audiovisual Observatory for the European Commission - DG COMM Deirdre Kevin and Agnes Schneeberger European Audiovisual Observatory December 2015 1 | Page Table of Contents Introduction and context of study 7 Executive Summary 9 1 Must-carry 14 1.1 Universal Services Directive 14 1.2 Platforms referred to in must-carry rules 16 1.3 Must-carry channels and services 19 1.4 Other content access rules 28 1.5 Issues of cost in relation to must-carry 30 2 Digital Terrestrial Television 34 2.1 DTT licensing and obstacles to access 34 2.2 Public service broadcasters MUXs 37 2.3 Must-carry rules and digital terrestrial television 37 2.4 DTT across Europe 38 2.5 Channels on Free DTT services 45 Recent legal developments 50 Country Reports 52 3 AL - ALBANIA 53 3.1 Must-carry rules 53 3.2 Other access rules 54 3.3 DTT networks and platform operators 54 3.4 Summary and conclusion 54 4 AT – AUSTRIA 55 4.1 Must-carry rules 55 4.2 Other access rules 58 4.3 Access to free DTT 59 4.4 Conclusion and summary 60 5 BA – BOSNIA AND HERZEGOVINA 61 5.1 Must-carry rules 61 5.2 Other access rules 62 5.3 DTT development 62 5.4 Summary and conclusion 62 6 BE – BELGIUM 63 6.1 Must-carry rules 63 6.2 Other access rules 70 6.3 Access to free DTT 72 6.4 Conclusion and summary 73 7 BG – BULGARIA 75 2 | Page 7.1 Must-carry rules 75 7.2 Must offer 75 7.3 Access to free DTT 76 7.4 Summary and conclusion 76 8 CH – SWITZERLAND 77 8.1 Must-carry rules 77 8.2 Other access rules 79 8.3 Access to free DTT -
NENT Group Annual and Sustainability Report 2020
Nordic Entertainment Group | 2020 Annual & SustainabilityReport Telling stories Touching lives Expanding worlds 2020 Annual & Sustainability Report Contents This is NENT Group At a glance 1 2020 highlights 2 CEO’s statement 4 Who we are 8 A sustainable strategy 10 Our story 12 Our people 18 Sustainability 24 The NENT Group Share 41 Governance report 45 Governance and responsibility 46 Internal controls 50 Board of Directors 52 Group Executive Management 54 Risks and risk management 57 Remuneration report 61 Administration report 64 Financial statements 73 Notes to the accounts 82 Signatures 122 Auditor’s report 123 Historical overview 127 Alternative performance measures 128 Sustainability reporting 131 Other Definitions & Glossary 155 Financial calendar 155 Addresses 156 About this report The statutory Annual Report covers pages 64–122, 57–59. The Sustainability Report (including the statutory sustaina- bility report) covers pages 18–40, 49, 59, 132–153. NENT Group reports its sustainability work according to GRI Standards – Core option. The Annual & Sustainability Report is published in Swedish and English. The Swedish version is the original and shall apply in any instance where the two versions differ. CEO’s Our strategy Our people Sustainability The share Governance Remuneration Administration Financial Sustainability statement and story report report report statements reporting At a glance NENT Group is the Nordic region’s leading entertainment provider and streaming company, with the broadest Viaplay subscriber base 1) and most relevant content offering, excellent content Thousands 4,000 discovery and a stable and scalable technology platform. 3,000 3,000 Our ambition is to be the European streaming champion, 2,300 2,000 1,900 and Viaplay will be rolled out to 10 inter national markets 1,000 between the beginning of 2021 and the end of 2023. -
VYTAUTO DIDŽIOJO UNIVERSITETAS Erika
VYTAUTO DIDŽIOJO UNIVERSITETAS POLITIKOS MOKSLŲ IR DIPLOMATIJOS FAKULTETAS VIEŠOSIOS KOMUNIKACIJOS KATEDRA Erika Vyšniauskaitė DIDŽIAUSIĄ TV RINKOS DALĮ LIETUVOJE TURINČIŲ KANALŲ (TV3, LNK, BTV, LTV) TENDENCIJOS 2001 – 2011 METAIS Magistro baigiamasis darbas Žurnalistikos ir medijų analizės studijų programa, valstybinis kodas 62609S105 Žurnalistikos studijų kryptis Vadovas (-ė)_____________________ _________ __________ (Moksl. laipsnis, vardas, pavardė) (Parašas) (Data) Apginta ___________________ __________ __________ (Fakulteto/studijų instituto dekanas/direktorius) (Parašas) (Data) Kaunas, 2012 TURINYS PAGRINDINIŲ SĄVOKŲ ŽODYNAS IR SANTRUMPOS PAVEIKSLŲ IR LENTELIŲ SĄRAŠAS SANTRAUKA SUMMARY ĮVADAS...............................................................................................................................................8 I. TELEVIZIJOS VAIDMUO XX – XXI AMŽIŲ SANDŪROJE..............................................14 1.1. Masinės informacijos priemonės. Teoriniai požiūriai.......................................................14 1.2. Šiuolaikinės televizijos tendencijos.....................................................................................16 1.2.1. Televizijos globalėjimas...................................................................................................20 1.2.2. Komercializacija, vesternizacija, tabloidizacija televizijoje............................................24 1.2.3. Postmodernizmo apraiškos televizijoje............................................................................30 -
Våren 2019, Vecka 6-14
Våren 2019 – Q1, vecka 6-14 2019 04 17 MMS kanalpenetrationsrapport MMS utför fristående kanalpenetrationsundersökningar fyra gånger per år, två gånger på våren och två gånger på hösten, rapporterna benämns Q1-Q4. Dessa används bland annat av TV- kanaler och mediebyråer. Resultaten används inte vid utformningen av tittarpanelen eller peoplemeter-systemet och är inte kopplade till MMS övriga undersökningar. Till skillnad från tittarmätningarna som omfattar åldrarna 3-99 år så intervjuas endast personer i åldrarna 9-99 år i kanalpenetrationsundersökningen. Under fältperioden 5 februari till 8 april 2019 intervjuades 3 000 personer i åldersspannet 9-99 år. 2 511 av dessa uppgav att de hade minst en TV-apparat, och utgör därmed basen för beräkningen av kanalpenetration. Resultaten viktas med avseende på ålder och nuts2-region. Undersökningen utförs via telefon i ett obundet slumpmässigt urval ur befolkningsregistret, där respondenterna får frågor om vilka TV-kanaler de kan se i sina bostäder. Undersökningen tar alltså fram medveten tillgång, inte teknisk penetration. Vissa kanaler mäts i varje omgång medan andra, av utrymmesskäl, endast mäts varannan omgång: en gång på våren och en gång på hösten. Listan över kanaler som undersöks uppdateras löpande i samråd med MMS kunder. De kanaler som inte finns med i denna rapport finns i rapporten för Q4 2018. Tidigare rapporter finns på http://mms.se/rapporter- lista.php/?t=tp För frågor kontakta: Jessica Rönnlund, projektledare epost [email protected] Tabellen nedan visar penetrationen för respektive TV-kanal i TV-befolkningen 9-99 år i procent och tusental under Q1 v6-14 2019. Förändringarna från föregående mätning avser mätningen för Q4 v42-49 2018, eller för kanaler med * då mätningen för Q3 v33-41 2018 avses.