MOLEFE PHETO Facilitator

Total Page:16

File Type:pdf, Size:1020Kb

Load more

Wits Oral History Interviews:

MOLEFE PHETO
Facilitator: This is a n interview with Molefe Pheto, we a re in

Joha nnesburg, the da te is the 20th of April 2011, a nd interview is done by Brown Ma a ba . Tha nks very muc h for your time. You were still ta lking a bout when you ha d this c onferenc e in London in 1980; you ha d nothing in terms of doc uments.

Respondent: Yes, we ha d nothing, a bsolutely. You see, when we went

out, others went to Europe, Afric a , Americ a a nd Engla nd a nd then we found out tha t we c a me from one philosophy but we were not a n orga niza tion but we were pa rts of bla c k c onsc iousness movement, a nd then there wa s a feeling tha t we should c ome together to form a n externa l movement, we did not know wha t we were going to c all ourselves. I think there were a ttempts a t fundra ising in different pla c es, somehow a nywa y those who were doing tha t got the money a nd c ongress wa s eventually held in London unfortuna tely bec a use we wa nted it in Afric a , Afric a n c ountries did not wa nt to touc h a c ongress by bla c ks who were fighting a ga inst ra c ism in South Afric a , Kenya being one exa mple. We ended up in London a s our host c ountry without a ny problems.

Then there were things like, a mong others, then we’ll ha ve to ha ve some kind of a doc ument/s to public ise us a nd pa rtic ula rly to sort of proc ess our ideology, informa tion doc ument, politic a l a nalysis a nd things like tha t, whic h c a me out of tha t c ongress, I am no more telling a bout the ins a nd outs of c ongress, I am just telling a bout how to go a bout being known a nd doing work, lets sa y in London but in other regions. It wa s a greed tha t there should be some kind of politic al doc ument of Bla c k C onsc iousness Movement of Aza nia bec a use the body wa s c alled tha t a fter it wa s founded.

1 of 33

Wits Oral History Interviews:

It took some time to get a doc ument to c oming out, whic h wa s our a na lytic a l doc ument; I think it c a me out onc e in every three months. Ma inly it wa s done in London, editoria l was in London, but c ontributors from Ha ra re, tha t is Afric a , from G erma ny, from Americ a a nd of c ourse from Engla nd there were c ontributors. Most of the issues were politic a l c ommenta ries more tha n a nything else, very little on c ulture a nd yet c ulture wa s very importa nt but there were not ma ny writers on c ulture. The ma jor role pla yers on tha t doc ument of ours, Rose Inis Phahle wa s one.

Facilitator: Is he still alive? Respondent: Yes he is still a bout. Then tha t wa s the time of Ba rney

Pitya na but he left us soon a fter c ongress, no he didn’t pla y a ny role there, bec a use soon a fter c ongress he left us. Then there wa s a ma n c alled Ba sil who bec a me the C ha irperson of the BC MA, the first C ha irperson of the BC MA.

Facilitator: Ba sil Ma nning? Respondent: Yes, Ba sil Ma nning. He wa s also key person in the

doc ument; he loved to ha ve tha t doc ument going. Then we ha d, he wa s also in Fort Ha re, his name now esc apes me, ta ll fellow.

Facilitator: Sipho Buthelezi? Respondent: Yes, Sipho Buthelezi, he wa s also interested in the

doc ument, very muc h interested in the doc ument, though I think he ha d a nother a genda of a doc ument c alled the (not c lea r). Now those were the key pla yers in the UK a nd I think a s I sa y the editors proba bly it wa s Rose Inis Pha hle, he wa s the ma in editor a nd then Ba sil ha d a

2 of 33

Wits Oral History Interviews:

ha nd in it, but we were sort of ha nds on. We ha d Ha run Va riya va , he wa s a n a dministra tor, who ma de sure tha t it c omes out with Moodley, not Strini, the other Moodley, the brother to Strini. We were the distributors, whenever it c a me, I would send it out to the support c ommunities in the UK, either by post or by ha nd, so tha t it c ould sprea d. Then a lot went to Ha ra re a nd Ha ra re then brought it into the c ountry for people to rea d. Tha t wa s the ma in doc ument. Then there would now a nd a ga in be a rtic les here a nd there. The other things in a s fa r a s ma teria l wa s c onc erned, were posters a nd lea flets a nd pa mphlets, those were for loc al work, whenever we ha d something like Steve Biko memorial or June 16, then we would go out a nd c a mpa ign a nd get support from somewhere a nd ma ke those things for the releva nt event. Ea c h time we ha d a n event we used to send them to Ha ra re so tha t they c ould see them, bec a use la te Ha ra re bec a me the Hea d Qua rters of the BC MA. So we would send just a bout everything down to Ha ra re, they were good in Ha ra re bec a use they used to keep the stuff muc h better tha n a whole lot of other a rea s. But for keeping the ma teria l, when I wa s then Sec reta ry of the BC MA region in the UK, I kept them very metic ulously. I had a room whic h ha d nothing else but just BC MA ma teria l.

Facilitator: When were you the Sec reta ry, whic h yea rs? Respondent: Tha t wa s a bout in the middle 1980s, I bec ame the

Sec reta ry. Then yes, very metic ulously kept, until the whole c rew wa s devoted to them. I remember the da y Ma ndela c ame out of prison, everybody wa s on TV a nd I dec ided I was just going to work on our libra ry, I just worked when I realized it wa s going to be a lot of sha rra d, so I wa s working on those doc uments, behind time a little but. Eventua lly when we c a me home, we hea rd tha t there wa s a request, no only from the BC MA, but from the ANC by Fort Ha re, tha t those

3 of 33

Wits Oral History Interviews:

doc uments should go to tha t pla c e. There wa s some deba tes, some of us wa nted to know why they should go to Fort Ha re, we were thinking we would keep them in our own libra ry here c oming home, but looks like a c a demy sort of overc a me us, the rea soning wa s tha t it is a n educ a tiona l institution a nd it is historic a l in ma ny wa ys. But a lso the other libera tion movements were sending their stuff there a nd then people will get to look a t them for resea rc h. So if we were holding ba c k, wha t we’ve done will not be known, where we sta nd in the libera tion for insta nc e will not be known, so we then ga ve in a nd sa id let them go to Fort Ha re. But remember the rea son why we were not keen, some of us tha t they should c ome home wa s the settlement tha t wa s a rrived a t in Kempton Pa rk tha t did not ma ke ma ny of us ha ppy.

We were of the view tha t the bla c k libera tion movements should form a united front, but a long the wa y we were detisent, a nd we were the only ones who were left a nd we didn’t ta ke pa rt eventua lly. So alongside with things like tha t we didn’t feel tha t those doc uments should c ome home to a system suc h a s the one tha t we ended up with. But eventua lly like I sa y a c a demy pronounc ed, in espec ially now Pugusio wa s here, Pugusio wa s really c a mpa igning for tha t, he wa s really moving for tha t, he wa s trying to give us the ra tiona le. As I sa y, a s soon a s we knew the other libera tion movements ha d their doc uments there a nd so forth, then we will lose out. We were even thinking of sending duplic a tes there a nd keeping origina ls or vise versa , we were thinking of tha t, I don’t know wha t ha ppened to tha t proc ess, bec a use sooner or la ter I think round a bout tha t time then it wa s the grea t move from Ha ra re to home. I think the wa y they moved wa s so unfortuna te a nd so ha rd tha t c a rrying importa nt doc uments like tha t wa s not ea sy bec a use we were not funded, we were not helped to c ome ba c k home from Ha ra re, we found our wa y, wherea s the other movements ha d the United Na tions funds a nd wha t not, they rea lly c ould c ollec t,

4 of 33

Wits Oral History Interviews:

but for us it wa s up to you, you’ll see how to get ba c k to, sa me a s us in the UK, when I dec ided a nd the other c omra des tha t we a re c oming home, we c ouldn’t go to the United Na tions a nd sa y we a re also refugees, now we wa nt to go home, we ha d to find our own wa y. Now, when you do tha t you lea ve a lot of stuff tha t perha ps you would ha ve wa nted to bring home.

Facilitator: Just to ma ke some follow-ups. I remember tha t a fter the

meeting in London, 1980, there wa s this doc ument whic h wa s c alled An Urgent Ta sk, whic h wa s produc ed by the movement to ma ke sure tha t you begin to implement wha tever tha t wa s on pa per. The issue of doc uments, wa s it c entra l to this, I need to a c tua lly find the doc ument a ga in. Did it form pa rt of it?

Respondent: Very muc h so, it wa s extremely essentia l to a point where

a fter the c ongress of the c onferenc e, Urgent Ta sk wa s not rea lly emerging, it bec a me a n issue tha t urgent ta sk ha d to be found, ha d to a ppea r. I remember now, I don’t know the sequenc e, whether pa rt of it c a me from Ha ra re or some pa rts c a me from Europe, I think people were c ontributing towa rds the ma in doc ument. Its a rriva l in the UK wa s quite a very sec retive business. We didn’t a gree tha t it must c ome by post or by a nything else, it ha d to be brought by c ourier. Urgent Ta sk wa s the thing tha t wa s really going to get us off the ground.

Facilitator: Most of the stuff in Fort Ha re is BC MA stuff, not AZAPO stuff,

it’s the stuff from exile in 1980 to of c ourse1990 a nd 1991 or so, but a fter the unba nning. The c a dres tha t went to exile in 1976, 1978 a nd so on, wa s it diffic ult for them to ta ke some BC MA ma teria l to exile, for the 70s there seems to be a ga p there, in terms of this pa rtic ula r c ollec tion is c onc erned.

5 of 33

Wits Oral History Interviews:

Respondent: You mea n the c a dres tha t went out in 1976. Facilitator: Yes in the 70s, even ea rlier a nd then 76 a nd 77. Respondent: AZAPO doc uments or BC M doc uments? Facilitator: BC M doc uments. Respondent: I think the problem wa s, you know tha t there wa s this

myth tha t we won’t be long outside, we believed tha t struggle, bec a use we were so rea dy for a rmed c omba t, tha t we thought we’ll get there tra in, finish a nd c ome ba c k home a nd then in a little while we’ll proba bly defea t these guys a nd so those doc uments. Nobody wa s thinking of c a rrying a nything out, but I think it wa s the method of lea ving the c ountry, I mea n just immedia tely get out, we c ouldn’t prepa re tha t I am going to go to exile, we thought I’m still going to be a t home a nd do some work, a nd then suddenly when things c ha nge the first thing you think a bout is tha t I’d better go. Now things like doc uments sometimes bec ome not tha t c ruc ial, but the younger genera tion of 1976, doc uments were not in their minds, no I don’t think they would wa nt to c a rry a nything. They were so hot tha t they wa nt to get there, get those guns a nd c ome ba c k, so I think tha t wa s the missing thing, nobody wa s thinking a bout tha t, but a lso c a rrying doc uments wa s not tha t ea sy, bec a use the c ountry wa s full of roa d bloc ks, soldiers a nd polic e. I think ma ybe people felt tha t, ta ke nothing just be a s you a re a nd if you a re c a ught a t lea st let them put something without being helped by some letter of identific a tion, I think tha t wa s, ma ybe tha t ma kes tha t ga p so prominent.

Facilitator: And yourself, when did you go to exile?

6 of 33

Wits Oral History Interviews:

Respondent: I went into exile in 1977 a nd mine wa s the ea siest, it wa s

not jumping fenc es a nd things like tha t. I wa s invited by the United Sta tes Informa tion servic e, by then c a lled Afric a C rossroa ds in the United Sta tes. Tha t wa s a fter I wa s in prison, I didn’t think I would ma ke it, but somehow the United Sta tes diploma ts here were very strong I think, bec a use I ha d been refused a pa ssport, c ouldn’t go, so I told them there’s no point I c a n’ go bec a use I ha d been refused pa ssport, they sa id they would deal with it. I got a phone c all sa ying they’ve got my pa ssport. Then instea d of c oming home when I wa nted to c ome home, I wa s sort of bloc ked through our c ommunic a tions system, tha t wa s now in 1977 when I wa nted to c ome ba c k home, I think it wa s a fter September, a fter Steve Biko wa s murdered. The sec urity polic e a nd other a genc ies sta rted looking for a c tivists, my house was ra ided ma ny times. When I c alled to sa y I am on my wa y, my wife though I wa s c ra zy a nd my friends thought you must be ma d, but the thing is tha t they sent me informa tion not to c ome ba c k, I think tha t informa tion wa s interc epted. So I wa s going to get right into their ha nds, even when I c alled them here a t home, I c alled them through the Americ a n Informa tion servic e fa c ilities in Joha nnesburg, so I think tha t’s why ma ybe we c ould not be interc epted, or something like tha t, a nd they would ha ve to go a nd pic k up my phone c alls from there a nd c all me from there. So 1977 I ended up in exile, but like I sa id, the ea sy wa y, I didn’t jump fenc es a nd things like tha t. I wa s in Engla nd on my wa y home a nd then tha t wa s it.

Facilitator: You also mentioned tha t there wa s a n editoria l sta ff a nd

offic e tha t opera ted from London, wha t ha ppened to the bulk of tha t ma teria l, or people who were produc ing tha t. Were they very keen on sa fe gua rding a nd keeping this ma teria l from (not c lea r).

7 of 33

Wits Oral History Interviews:

Respondent: I would ha ve thought so, but a t tha t time when now looks

like we were prepa ring to c ome home, they were no longer a c tive a t all, or not a s a c tive a s when we sta rted. When we sta rted for insta nc e, the C ha ir wa s Ba sil Ma nning a nd the others, I think I wa s in the c ommittee. Then la ter it went to different c omra des, a nd when it went to different c omra des, Ma nning wa s no longer C ha ir, Rose Innis wa s no longer editor or something like tha t, so we were left with the ba by, we were left with those doc uments a nd it wa s now the new exec utive tha t wa s ma king dec isions, wha t do we do with these things. The ea rlier dec ision wa s to keep those things ourselves, a nd whoever wa nted resea rc h c ould get in touc h with us, a nd we did get a lot of people wa nting resea rc h, from the C a ribbea n, United Sta tes, Afric a , Europe, a nd we used to send the stuff, so it wa s useful a nd we saw the va lue of keeping it. But then the ea rlier editors where no longer really a c tive, it wa s now a new group of people. I think I wa s of those tha t wa s sec reta ry for a long time, even our last C ha ir , wa s a C ha ir for a long time until 1994, I think I wa s Sec reta ry until 1992, there a bout. Now with us the deba te wa s we will keep these a nd bring them home for the offic e of AZAPO or wha tever we were going to be c a lled, here a t home, no Fort Ha re, no other universities. It they wa nted a nything we would ma ke c opies, tha t’s wha t we were sa ying.

Facilitator: And then you sa id other people like Ma nning, were no

longer a s a c tive a s they used to be in the end. Did tha t impa c t on the loss of doc uments or a c c ounta bility of the ma teria l a nd the future of the doc uments.

Respondent: No, unless you ha d individual c opies a nd everybody ha d

individual c opies, but the c ore, no, ea c h exec utive c ommittee tha t took over ha nded over doc uments, equipment a nd offic es to the next

8 of 33

Wits Oral History Interviews:

one. So tha t went from ea c h new exec utive a fter a nother, but individual c opies, I a m sure some people still ha ve.

Facilitator: So these doc uments were kept a t your pla c e or in the

offic e.

Respondent: They were in the offic e, some of them, but then there wa s

quite a n overflow. When I a s Sec reta ry I ha d spa c e where I wa s, most of them, I mea n the ma jority of the doc uments exc ept a dministra tive stuff, I would ha ve Urgent Ta sk like a nything, I would ha ve shelves a nd shelves, those were kept a t my pla c e. Anything importa nt tha t wa s a t my plac e, it wa s on c ondition it should be a va ila ble when needed a nd there wa s no problem there, we were very c lose knit.

Facilitator: So the fa mily wa s ok with tha t, some room being c onverted

into stora ge?

Respondent: Absolutely no problem, in fa c t tha t room wa s sort of

sa c rosa nc t in the sense tha t, but luc ky my wife wa s also in the orga niza tion a nd my c hildren. So they would go there a nd rea d a nd things like tha t, but ba sic ally they knew, if you wa nted something you c ould go, tha t’s when I wa s Sec reta ry.

Respondent: And you mentioned tha t other people also shown interest

in the c ollec tions within the movement, Buthelezi a nd others a s well. Where they interested in getting something from the ma teria l or were they interested in keeping the ma teria l, wha t wa s their position.

Respondent: Buthelezi wa s ma inly interested in writing a nd tha t our

doc uments were politic a l quality, he wa s c ra zy a bout politic a l quality, no ma tter how diffic ult, bec a use sometimes politic a l la nguage is

9 of 33

Wits Oral History Interviews:

diffic ult, but I think he c omes from tha t sc hool of using the right terminology a nd wha tever, he wa s stric t on tha t a nd he wa s interested in tha t, a nd I would sa y he wa s interested in keeping a c opy of ea c h produc tion, tha t’s fine, we all did tha t. But a lso remember tha t when you ha ve suc h a n interest sometimes you influenc e wha t goes in, a nd then if you ha ve ma ybe a c erta in line, you a re interested tha t, tha t line must a ppea r in the doc ument, tha t’s wha t we would sa y ma ybe persona l interest. But if there’s some tota l tha t no this is ok, its pa rt of our struggle, bec a use la ngua ge c a n be very c ruc ial, it c a n be BC MA la ngua ge but with a c erta in twist whic h is now ta lking to other forc es. But we ha d interest a nd I think honest interest.

Recommended publications
  • Rhodes Fallen: Student Activism in Post-Apartheid South Africa

    Rhodes Fallen: Student Activism in Post-Apartheid South Africa

    History in the Making Volume 10 Article 11 January 2017 Rhodes Fallen: Student Activism in Post-Apartheid South Africa Amanda Castro CSUSB Angela Tate CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the African History Commons Recommended Citation Castro, Amanda and Tate, Angela (2017) "Rhodes Fallen: Student Activism in Post-Apartheid South Africa," History in the Making: Vol. 10 , Article 11. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol10/iss1/11 This History in the Making is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. History in the Making Rhodes Fallen: Student Activism in Post-Apartheid South Africa By Amanda Castro and Angela Tate The Cecil Rhodes statue as a contested space. Photo courtesy of BBC News.1 In early March of 2015, the steely gaze of Cecil Rhodes—ardent imperialist, founder of Rhodesia (now Zimbabwe and Zambia), and former Prime Minister of the Cape Colony—surveyed the campus of the University of Cape Town (UCT) through a splatter of feces. It had been collected by student Chumani Maxwele from “one of the portable toilets that dot the often turbulent, crowded townships on the windswept plains outside Cape Town.”2 Maxwele’s actions sparked a campus-wide conversation that spread to other campuses in South Africa. They also joined the global conversations about Black Lives Matter; the demands in the United States to remove Confederate flags and commemorations to Confederate heroes, and the names of racists (including President 1 Andrew Harding, “Cecil Rhodes Monument: A Necessary Anger?,” BBC News, April 11, 2015, accessed March 3, 2016, http://www.bbc.com/news/ world-africa-32248605.
  • South African Writing in English John C

    South African Writing in English John C

    Santa Clara University Scholar Commons English College of Arts & Sciences 4-30-1996 South African Writing in English John C. Hawley Santa Clara Univeristy, [email protected] Follow this and additional works at: http://scholarcommons.scu.edu/engl Part of the English Language and Literature Commons Recommended Citation Hawley, J. C. (1996). South African Writing in English. In R. Mohanram and G. Rajan (Eds.), English Postcoloniality: Literatures from Around the World (pp.53-62). Greenwood Press. English Postcoloniality: Literatures from Around the World by Radhika Mohanram, Gita Rajan. Copyright © 1996 by Radhika Mohanram and Gita Rajan. All rights reserved. Reproduced with permission of ABC-CLIO, LLC, Santa Barbara, CA. This Book Chapter is brought to you for free and open access by the College of Arts & Sciences at Scholar Commons. It has been accepted for inclusion in English by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. South African Writing in English John C. Hawley As commentators such as Lewis Nkosi and Malvern van Wyk Smith have noted, even though writers from South Africa occasionally engage in an exploration of traditional African values (as has preoccupied the writers of many other countries), their truly characteristic impetus is to focus readers' attention on the conflict between white masters and black servitors. As Bernth Lindfors and Reingard Nethersole have shown, South African writers have had a national obsession to describe in committed detail the practical implications of apartheid, and conse­ quently have produced a literature that is unabashedly didactic. Those who choose to write "metapolitical" fiction are generally attacked as collaborators in injustice.
  • Fanonian Practices in South Africa from Steve Biko to Abahlali Basemjondolo

    Fanonian Practices in South Africa from Steve Biko to Abahlali Basemjondolo

    Fanonian practices in South Africa From Steve Biko to Abahlali baseMjondolo Nigel C. Gibson i First published in 2011 in South Africa by University of KwaZulu-Natal Press Private Bag X01 Scottsville, 3209 South Africa Email: [email protected] Website: www.ukznpress.co.za © 2011 Nigel C. Gibson All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without prior permission in writing from the publishers. ISBN: 978-1-86914-197-4 (University of KwaZulu-Natal Press) Managing editor: Sally Hines Editor: Mary Ralphs Typesetter: Patricia Comrie Proofreader: Lisa Compton Indexer: Abdul Bemath Cover design: publicide Every effort has been made to trace the copyright holder of the photograph of Frantz Fanon reproduced on the cover of this book. First edition: 2011 Printed and bound by Interpak Books, Pietermaritzburg Published in 2011 by PALGRAVE MACMILLAN® in the United States – a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. ISBN: 978-0-230-11784-6 (Palgrave Macmillan) Library of Congress Cataloging-in-Publication Data is available from the Library of Congress. A catalogue record of the book is available from the British Library.
  • Ida! News Notes

    Ida! News Notes

    i. d. a.! news notes Published by the United States Committee of the International Defense and Aid Fund for Southern Africa P.O. Box 17, Cambridge, MA 02238 October, 1984 ~~ "No Peace Without Justice" by Dean T. Simon Farisani On June 21, 1984, the Reverend T. Simon Farisani testified at ajoint hearing of 1982. My ear drums had been perforated.I.4:tad-woUilds orr-my knees the Congressional Subcommittees on Human Rights and Foreign Affairs. The and my whole body was swollen from the torture. After 106 days in hearing, which was also addressed by Elliott Abrams, the Assistant Secretary of the hospital, I was released onJune 11982. I was later hospitalized for State for Human Rights, and by Kenneth Carstens, the Executive Director of further treatment and most recently had an operation last March on UJAFIUSA, was convened to examine the state ofhuman rights in Zaire and my vocal cords. It is a miracle that I am now generally fine except for South Africa. Dean Farisani's statement at the hearing is given below. (For Mr. slight pains. Carstens'testimony, please see the August issue ofiOAF News Notes.) Two other pastors and myself brought a civil damages claim against I speak for millions when I ask the United States government to do the government for the torture we suffered in incommunicado all it can to insure that South Africa no longer merely pretend to be a detention. The suit was settled out of court March 5,1984. democracy, when the vast majority of its population is not allowed to Throughout all of this, several international organizations played a vote.
  • A South African Artist in the Age of Apartheid

    A South African Artist in the Age of Apartheid

    Diana Wylie. Art and Revolution: The Life and Death of Thami Mnyele, South African Artist. Charlottesville: University Press of Virginia, 2008. Illustrations. 264 pp. $25.00, paper, ISBN 978-0-8139-2764-0. Reviewed by Brenda Danilowitz Published on H-AfrArts (March, 2010) Commissioned by Jean M. Borgatti (Clark Univeristy) In the words of his lifelong friend Mongane death fve years later, she "wrote down every‐ Wally Serote, Thami Mnyele's "life, his presence, thing I could remember him having said" (p. 1). was a series of little actions, soft-spoken state‐ Those words and her memories, flled out with in‐ ments, that have accumulated into profound formation gleaned from scores of interviews and meaning."[1] In Art and Revolution, Diana Wylie wide-ranging archival research, are gathered to‐ sets out to unpack the meanings of those small ac‐ gether in Art and Revolution to provide not only a tions, to tell Mnyele's story, and to rescue his life remarkable portrait of an individual and his work from "ignorance" and "indifference" (p. 1). but also a richly nuanced rendering of a crucial Mnyele, struggling to fnd his way in South period in South Africa's history, brought to life Africa, crossed into neighboring Botswana in from the point of view of one of its lesser-known, 1979, and more or less forsook his dreams of be‐ yet significantly knowing, players. coming an artist when he joined the African Na‐ The short span of Mnyele's life--1948 to 1985-- tional Congress (ANC) in exile there. Seven years mirrored the trajectory of institutionalized later, aged thirty-seven, he was one of twelve peo‐ apartheid in South Africa.
  • A RICA EC It

    A RICA EC It

    VOLUME X NUMBER 10 SOUTHERN A RICA EC It REVIE Molefe Pheto Poetry for The Struggle Notes to Our Readers 9 8 a This has been an eventful year in and for south To help readers see the patterns in the develop ern Africa. Everywhere the people are stating ing events we have changed our format this their demands-the right to control their lives, month. Instead of bringing you the latest news we their country, their resources and their future. have devoted most of our space to reviews of major Resistance has exploded in South Africa, involv 1977 happenings and trends in each of the coun ing workers, teachers, parents as well as students, tries we normally cover. and producing brutal retaliation from the Vorstei We have also tried to present some basic statis regime. tics for each area. Compiling even such scanty SWAPO has extended its operational area in facts proved frustratingly difficult. Information is Namibia, challenging the South African occupiers out of date, and often contradictory. We have done militarily as well as politically. our best to check accuracy; nevertheless we sug Despite internal problems the two Zimbabwe gest that readers regard these as a guide to general liberation movements, linked in the Patriotic orders of magnitude rather than accurate down to Front, have drawn thousands of new recruits, and the last digit. pose so serious a threat to the Salisbury govern Loyal readers will notice that the magazine is ment that Smith, who one year ago declared that shorter than usual. We did not have the monev to there would be no majority rule in Rhodesia for a print more pages.
  • The Role of Music in the Resistance Against Apartheid in South Africa

    The Role of Music in the Resistance Against Apartheid in South Africa

    Stichproben. Wiener Zeitschrift für kritische Afrikastudien Nr. 14/2008, 8. Jg., 17‐39 The Beat that Beat Apartheid: The Role of Music in the Resistance against Apartheid in South Africa Anne Schumann Abstract To properly understand the processes that have led to the transition from apartheid to majority rule, it is essential to not just analyse the developments at the negotiating tables of politicians, but also to understand popular initiatives for, and responses to political change. Studying popular creative expressions is instructive, since music may reveal popular sentiments as well as the political atmosphere. Just as the apartheid era was not characterised by the same degree of political repression throughout its duration, so the musical response changed over time. This paper uses the German playwright Berthold Brecht’s idiom “art is not a mirror held up to reality, but a hammer with which to shape it” to show how the political use of music in South Africa changed from being a ‘mirror’ in the 1940s and 50s to becoming a ‘hammer’ with which to shape reality by the 1980s. In South Africa, music went from reflecting common experiences and concerns in the early years of apartheid, to eventually function as a force to confront the state and as a means to actively construct an alternative political and social reality. Introduction Art is not a mirror held up to reality, but a hammer with which to shape it (Bertold Brecht in Askew 2003: 633). Any musical innovation is full of danger to the whole State, and ought to be prohibited; when modes of music change, the fundamental laws of the State always change with them (Plato, The Republic, in Byerly 1998: 27).
  • Contemporary Political Performing Arts in South Africa

    Contemporary Political Performing Arts in South Africa

    CONTEMPORARY POLITICAL PERFORMING ARTS IN SOUTH AFRICA Luvuyo Dontsa Thesis submitted in fulfilment for the degree of Doctor of Philosophy in Ethnomusicology - Performing Arts, in the Faculty of Arts, at the School of Oriental and African Studies, in the Centre of Music Studies, University of London. April 1990 ProQuest Number: 10731639 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731639 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 /3 ABSTRACT Despite the fact that 'transculturation1 between Africans and Europeans in South Africa has been going on for more than two centuries, African contemporary political performing arts continually reflect indigenous performing arts' genres of the pre-colonial era. Although a contemporary political performing artist does not play exactly the same role that is played by the traditional artist, who 'criticises the chiefs for perverting the laws and the customs of the nation and laments their abuse of power and neglect of their responsibilities and obligations to the people' (Mafeje, 1967: 195), he still represents the public: in this case a much wider public, and expresses the views which are shared by Africans throughout the whole country.
  • Soutii Africa Moves Against Black Opponents

    Soutii Africa Moves Against Black Opponents

    No.2 AMERICAN COMMITTEE ON AFRICA• 305 E. 46th St., New York, N.Y. 10010 • (212) 838-5030 FALL 1977 SouTII AfRicA MovEs AGAiNsT BlAck OppoNENTS The South African government, in a __8UW__QRT GROWSEORBANKCAMJMIGN mQv_ei:ksig_n~dtQ_!;!lLrninate aJLrnrm:1in_-__ ing opposition, has shut down the country's largest black newspaper and Union and church groups continue to timates that US bank loans to South outlawed the leading black organiza­ lead the way in withdrawing money Africa total about $3 billion, or one­ tions. Among the 19 groups banned are from 58 US banks which are targets of third higher than previously believed. the Black People's Convention and the a campaign to end all bank loans to The number. of organizations par­ South African Students' Organization, South Africa. ticipating in the campaign has grown both outgrowths of the black The United Radio, Electrical and to nearly 50. Among recent additions consciousness movement whose Machine Workers Union withdrew a $4 are several black organi;ations includ­ leader, Steve Biko, died in detention on million payroll account from Chase ing the Black Theology Project, the Sept. 12. Manhattan Bank in mid-September, Black Students Organization of At least 50 people were arrested and while the Sisters of Charity of New Columbia University, and the Black an unknown number banned as part of York removed its accounts from Citi­ Church Studies Program at Colgate­ the government's sweeping action on bank. The Fur, Leather and Machinery Rochester Divinity School. Oct. 19. Those arrested included six Workers (FLM Joint Board) also has As one indication of rising national members of the Committee of 10, a withdrawn all of its accounts from New interest, more than 100,000 fliers have group seeking self-government for York banks with South African connec- been distributed by COBLSA to date.
  • Thomas Mann's Death in Dar Es Sa I Aa M

    Thomas Mann's Death in Dar Es Sa I Aa M

    U.N. - -_1978 . "A n t•1- Apartheid I .....___ ___.._.....__....______ __..___ ____ _ - ~----~~-----"'------~---'-.____.._,,i april 1978 E) 1978 Gar Pub. co. *** ** ~, ,~ ~' * *'~~'* ** 1978 -- ANTI-APARTHEID YEAR THE UNITED NATIONS has deemed 1978 "Anti-Apartheid Year. 11 Since Steve Biko's death and the jailing·of leaders and the banning of most remaining publications, the tension has grown with­ in South Africa. M eanwhile, guerrilla warfare con­ tinues in Zimbabwe (Rhode sia) and Namibia (South­ west Africa) as the white regimes in South Africa and Rhodesia desperately stall for time while prac­ ticing ever more cruel repression, both within and outside their borde rs. The bombings of "guerrilla camps" kill h.undreds of women and children. The United Nations has called upon go,vernments and private individuals and institutions to observe Box 4793 "Anti-Apartheid Year. " .A us tin 78765 THE GAR will observe this mandate by pubiish­ ing poems and texts smuggled out of South Africa, as well as the writings of South Africans in exile struggling to liberate their own country. We also NGUGI DISAPPEARS publish the story of various activities taking place within the United States, uniting citizens of Africa Ngugi wa Thiong'o, Kenyan novelist, essayist, and the U. s. in the struggle to reveal to the world playwright and chairman of the Department of Lit­ the horrors of apartheid, the mass relocations of erature at the University of Nairobi, was arrested hundreds of thousands of people to sterile ·waste­ for questioning in the early morning hours of Dec. lands where one-half of the children born die before 31 by Kenyan police.
  • MOMENTS with MADIBA of Basic Education

    MOMENTS with MADIBA of Basic Education

    Reflections on Ten Years MOMENTS WITH MADIBA of Basic Education ChallengesFourteen private tointerviews the Transformation with Nelson Mandela of Basicbetween Education 1973 (Robben in Island) South and 2004. Africa’s by Second Decade of Democracy Jacques Moreillon, LIM, PhD International Committee of the Red Cross, Geneva World Organization of the Scout Movement, Geneva Oussemi Foundation, Geneva Prepared and published in collaboration with the Nelson Mandela Foundation Houghton, South Africa Written in 2005, published in 2017 Moments with Madiba by Jacques Moreillon 2 Perspective 1: Address by Nelson Mandela 2004 Address by former President Nelson Mandela during the launch of the Nelson Mandela Centre of Memory and Commemoration Project in Johannesburg on 21 September 2004. “Today we are launching the Nelson Mandela Centre of Memory Project. It will be run by the Nelson Mandela Foundation in a partnership with the Constitution Hill project. We want it to be part of what we have called the processes of restoration and reconciliation. … It is our hope that from these small beginnings it will grow into a vibrant public resource offering a range of services to South Africans and visitors from all parts of the world. We want it to work closely with the many other institutions that make up the South African archival system. And, most importantly, we want it to dedicate itself to the recovery of memories and stories suppressed by power. That is the call of justice: the call that must be the project’s most important shaping influence. The history of our country is characterised by too much forgetting. A forgetting which served the powerful and dispossessed the weak.
  • Acoa 0 0 0 0

    Acoa 0 0 0 0

    No. 2 AMERICAN COMMITTEE ON AFRICA * 305 E. 46th St., New York, N.Y. 10010 * (212) 838-5030 FALL 1977 No. 2 AMERICAN COMMITTEE ON AFRICA * 305 E. 46th St., New York, N.Y. 10010 * (212) 838-5030 FALL 1977 AfcA Agat'I aes Sou~AFRCAMOVEs AjAiNST BLACk OPPNENYTS Union and church groups continue to lead the way in withdrawing money from 58 US banks which are targets of a campaign to end all bank loans to South Africa. The United Radio, Electrical and Machine Workers Union withdrew a $4 million payroll account from Chase Manhattan Bank in mid-September, while the Sisters of Charity of New York removed its accounts from Citibank. The Fur, Leather and Machinery Workers (FLM Joint Board) also has withdrawn all of its accounts from New York banks with South African connections. In another major development, the United Automobile Workers and District 31 of the United Steelworkers of America, the largest Steelworkers local in the country, both voted to withdraw all deposits in banks with South African connections. The Committee to End Bank Loans to South Africa (COBLSA), whose formmation was initiated by ACOA, now es- timates that US bank loans to South Africa total about $3 billion, or onethird higher than previously believed. The number. of organizations participating in the campaign has grown to nearly 50. Among recent additions are several black organizations including the Black Theology Project, the Black Students Organization of Columbia University, and the Black Church Studies Program at ColgateRochester Divinity School. As one indication of rising national interest, more than 100,000 fliers have been distributed by COBLSA to date.