A RICA EC It
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
MOLEFE PHETO Facilitator
Wits Oral History Interviews: MOLEFE PHETO Facilitator: This is an interview with Molefe Pheto, we are in Johannesburg, the date is the 20th of April 2011, and interview is done by Brown Maaba. Thanks very much for your time. You were still talking about when you had this conference in London in 1980; you had nothing in terms of documents. Respondent: Yes, we had nothing, absolutely. You see, when we went out, others went to Europe, Africa, America and England and then we found out that we came from one philosophy but we were not an organization but we were parts of black consciousness movement, and then there was a feeling that we should come together to form an external movement, we did not know what we were going to call ourselves. I think there were attempts at fundraising in different places, somehow anyway those who were doing that got the money and congress was eventually held in London unfortunately because we wanted it in Africa, African countries did not want to touch a congress by blacks who were fighting against racism in South Africa, Kenya being one example. We ended up in London as our host country without any problems. Then there were things like, among others, then we’ll have to have some kind of a document/s to publicise us and particularly to sort of process our ideology, information document, political analysis and things like that, which came out of that congress, I am no more telling about the ins and outs of congress, I am just telling about how to go about being known and doing work, lets say in London but in other regions. -
Rhodes Fallen: Student Activism in Post-Apartheid South Africa
History in the Making Volume 10 Article 11 January 2017 Rhodes Fallen: Student Activism in Post-Apartheid South Africa Amanda Castro CSUSB Angela Tate CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the African History Commons Recommended Citation Castro, Amanda and Tate, Angela (2017) "Rhodes Fallen: Student Activism in Post-Apartheid South Africa," History in the Making: Vol. 10 , Article 11. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol10/iss1/11 This History in the Making is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. History in the Making Rhodes Fallen: Student Activism in Post-Apartheid South Africa By Amanda Castro and Angela Tate The Cecil Rhodes statue as a contested space. Photo courtesy of BBC News.1 In early March of 2015, the steely gaze of Cecil Rhodes—ardent imperialist, founder of Rhodesia (now Zimbabwe and Zambia), and former Prime Minister of the Cape Colony—surveyed the campus of the University of Cape Town (UCT) through a splatter of feces. It had been collected by student Chumani Maxwele from “one of the portable toilets that dot the often turbulent, crowded townships on the windswept plains outside Cape Town.”2 Maxwele’s actions sparked a campus-wide conversation that spread to other campuses in South Africa. They also joined the global conversations about Black Lives Matter; the demands in the United States to remove Confederate flags and commemorations to Confederate heroes, and the names of racists (including President 1 Andrew Harding, “Cecil Rhodes Monument: A Necessary Anger?,” BBC News, April 11, 2015, accessed March 3, 2016, http://www.bbc.com/news/ world-africa-32248605. -
South African Writing in English John C
Santa Clara University Scholar Commons English College of Arts & Sciences 4-30-1996 South African Writing in English John C. Hawley Santa Clara Univeristy, [email protected] Follow this and additional works at: http://scholarcommons.scu.edu/engl Part of the English Language and Literature Commons Recommended Citation Hawley, J. C. (1996). South African Writing in English. In R. Mohanram and G. Rajan (Eds.), English Postcoloniality: Literatures from Around the World (pp.53-62). Greenwood Press. English Postcoloniality: Literatures from Around the World by Radhika Mohanram, Gita Rajan. Copyright © 1996 by Radhika Mohanram and Gita Rajan. All rights reserved. Reproduced with permission of ABC-CLIO, LLC, Santa Barbara, CA. This Book Chapter is brought to you for free and open access by the College of Arts & Sciences at Scholar Commons. It has been accepted for inclusion in English by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. South African Writing in English John C. Hawley As commentators such as Lewis Nkosi and Malvern van Wyk Smith have noted, even though writers from South Africa occasionally engage in an exploration of traditional African values (as has preoccupied the writers of many other countries), their truly characteristic impetus is to focus readers' attention on the conflict between white masters and black servitors. As Bernth Lindfors and Reingard Nethersole have shown, South African writers have had a national obsession to describe in committed detail the practical implications of apartheid, and conse quently have produced a literature that is unabashedly didactic. Those who choose to write "metapolitical" fiction are generally attacked as collaborators in injustice. -
Fanonian Practices in South Africa from Steve Biko to Abahlali Basemjondolo
Fanonian practices in South Africa From Steve Biko to Abahlali baseMjondolo Nigel C. Gibson i First published in 2011 in South Africa by University of KwaZulu-Natal Press Private Bag X01 Scottsville, 3209 South Africa Email: [email protected] Website: www.ukznpress.co.za © 2011 Nigel C. Gibson All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without prior permission in writing from the publishers. ISBN: 978-1-86914-197-4 (University of KwaZulu-Natal Press) Managing editor: Sally Hines Editor: Mary Ralphs Typesetter: Patricia Comrie Proofreader: Lisa Compton Indexer: Abdul Bemath Cover design: publicide Every effort has been made to trace the copyright holder of the photograph of Frantz Fanon reproduced on the cover of this book. First edition: 2011 Printed and bound by Interpak Books, Pietermaritzburg Published in 2011 by PALGRAVE MACMILLAN® in the United States – a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. ISBN: 978-0-230-11784-6 (Palgrave Macmillan) Library of Congress Cataloging-in-Publication Data is available from the Library of Congress. A catalogue record of the book is available from the British Library. -
Ida! News Notes
i. d. a.! news notes Published by the United States Committee of the International Defense and Aid Fund for Southern Africa P.O. Box 17, Cambridge, MA 02238 October, 1984 ~~ "No Peace Without Justice" by Dean T. Simon Farisani On June 21, 1984, the Reverend T. Simon Farisani testified at ajoint hearing of 1982. My ear drums had been perforated.I.4:tad-woUilds orr-my knees the Congressional Subcommittees on Human Rights and Foreign Affairs. The and my whole body was swollen from the torture. After 106 days in hearing, which was also addressed by Elliott Abrams, the Assistant Secretary of the hospital, I was released onJune 11982. I was later hospitalized for State for Human Rights, and by Kenneth Carstens, the Executive Director of further treatment and most recently had an operation last March on UJAFIUSA, was convened to examine the state ofhuman rights in Zaire and my vocal cords. It is a miracle that I am now generally fine except for South Africa. Dean Farisani's statement at the hearing is given below. (For Mr. slight pains. Carstens'testimony, please see the August issue ofiOAF News Notes.) Two other pastors and myself brought a civil damages claim against I speak for millions when I ask the United States government to do the government for the torture we suffered in incommunicado all it can to insure that South Africa no longer merely pretend to be a detention. The suit was settled out of court March 5,1984. democracy, when the vast majority of its population is not allowed to Throughout all of this, several international organizations played a vote. -
A South African Artist in the Age of Apartheid
Diana Wylie. Art and Revolution: The Life and Death of Thami Mnyele, South African Artist. Charlottesville: University Press of Virginia, 2008. Illustrations. 264 pp. $25.00, paper, ISBN 978-0-8139-2764-0. Reviewed by Brenda Danilowitz Published on H-AfrArts (March, 2010) Commissioned by Jean M. Borgatti (Clark Univeristy) In the words of his lifelong friend Mongane death fve years later, she "wrote down every‐ Wally Serote, Thami Mnyele's "life, his presence, thing I could remember him having said" (p. 1). was a series of little actions, soft-spoken state‐ Those words and her memories, flled out with in‐ ments, that have accumulated into profound formation gleaned from scores of interviews and meaning."[1] In Art and Revolution, Diana Wylie wide-ranging archival research, are gathered to‐ sets out to unpack the meanings of those small ac‐ gether in Art and Revolution to provide not only a tions, to tell Mnyele's story, and to rescue his life remarkable portrait of an individual and his work from "ignorance" and "indifference" (p. 1). but also a richly nuanced rendering of a crucial Mnyele, struggling to fnd his way in South period in South Africa's history, brought to life Africa, crossed into neighboring Botswana in from the point of view of one of its lesser-known, 1979, and more or less forsook his dreams of be‐ yet significantly knowing, players. coming an artist when he joined the African Na‐ The short span of Mnyele's life--1948 to 1985-- tional Congress (ANC) in exile there. Seven years mirrored the trajectory of institutionalized later, aged thirty-seven, he was one of twelve peo‐ apartheid in South Africa. -
The Role of Music in the Resistance Against Apartheid in South Africa
Stichproben. Wiener Zeitschrift für kritische Afrikastudien Nr. 14/2008, 8. Jg., 17‐39 The Beat that Beat Apartheid: The Role of Music in the Resistance against Apartheid in South Africa Anne Schumann Abstract To properly understand the processes that have led to the transition from apartheid to majority rule, it is essential to not just analyse the developments at the negotiating tables of politicians, but also to understand popular initiatives for, and responses to political change. Studying popular creative expressions is instructive, since music may reveal popular sentiments as well as the political atmosphere. Just as the apartheid era was not characterised by the same degree of political repression throughout its duration, so the musical response changed over time. This paper uses the German playwright Berthold Brecht’s idiom “art is not a mirror held up to reality, but a hammer with which to shape it” to show how the political use of music in South Africa changed from being a ‘mirror’ in the 1940s and 50s to becoming a ‘hammer’ with which to shape reality by the 1980s. In South Africa, music went from reflecting common experiences and concerns in the early years of apartheid, to eventually function as a force to confront the state and as a means to actively construct an alternative political and social reality. Introduction Art is not a mirror held up to reality, but a hammer with which to shape it (Bertold Brecht in Askew 2003: 633). Any musical innovation is full of danger to the whole State, and ought to be prohibited; when modes of music change, the fundamental laws of the State always change with them (Plato, The Republic, in Byerly 1998: 27). -
Contemporary Political Performing Arts in South Africa
CONTEMPORARY POLITICAL PERFORMING ARTS IN SOUTH AFRICA Luvuyo Dontsa Thesis submitted in fulfilment for the degree of Doctor of Philosophy in Ethnomusicology - Performing Arts, in the Faculty of Arts, at the School of Oriental and African Studies, in the Centre of Music Studies, University of London. April 1990 ProQuest Number: 10731639 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731639 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 /3 ABSTRACT Despite the fact that 'transculturation1 between Africans and Europeans in South Africa has been going on for more than two centuries, African contemporary political performing arts continually reflect indigenous performing arts' genres of the pre-colonial era. Although a contemporary political performing artist does not play exactly the same role that is played by the traditional artist, who 'criticises the chiefs for perverting the laws and the customs of the nation and laments their abuse of power and neglect of their responsibilities and obligations to the people' (Mafeje, 1967: 195), he still represents the public: in this case a much wider public, and expresses the views which are shared by Africans throughout the whole country. -
Soutii Africa Moves Against Black Opponents
No.2 AMERICAN COMMITTEE ON AFRICA• 305 E. 46th St., New York, N.Y. 10010 • (212) 838-5030 FALL 1977 SouTII AfRicA MovEs AGAiNsT BlAck OppoNENTS The South African government, in a __8UW__QRT GROWSEORBANKCAMJMIGN mQv_ei:ksig_n~dtQ_!;!lLrninate aJLrnrm:1in_-__ ing opposition, has shut down the country's largest black newspaper and Union and church groups continue to timates that US bank loans to South outlawed the leading black organiza lead the way in withdrawing money Africa total about $3 billion, or one tions. Among the 19 groups banned are from 58 US banks which are targets of third higher than previously believed. the Black People's Convention and the a campaign to end all bank loans to The number. of organizations par South African Students' Organization, South Africa. ticipating in the campaign has grown both outgrowths of the black The United Radio, Electrical and to nearly 50. Among recent additions consciousness movement whose Machine Workers Union withdrew a $4 are several black organi;ations includ leader, Steve Biko, died in detention on million payroll account from Chase ing the Black Theology Project, the Sept. 12. Manhattan Bank in mid-September, Black Students Organization of At least 50 people were arrested and while the Sisters of Charity of New Columbia University, and the Black an unknown number banned as part of York removed its accounts from Citi Church Studies Program at Colgate the government's sweeping action on bank. The Fur, Leather and Machinery Rochester Divinity School. Oct. 19. Those arrested included six Workers (FLM Joint Board) also has As one indication of rising national members of the Committee of 10, a withdrawn all of its accounts from New interest, more than 100,000 fliers have group seeking self-government for York banks with South African connec- been distributed by COBLSA to date. -
Thomas Mann's Death in Dar Es Sa I Aa M
U.N. - -_1978 . "A n t•1- Apartheid I .....___ ___.._.....__....______ __..___ ____ _ - ~----~~-----"'------~---'-.____.._,,i april 1978 E) 1978 Gar Pub. co. *** ** ~, ,~ ~' * *'~~'* ** 1978 -- ANTI-APARTHEID YEAR THE UNITED NATIONS has deemed 1978 "Anti-Apartheid Year. 11 Since Steve Biko's death and the jailing·of leaders and the banning of most remaining publications, the tension has grown with in South Africa. M eanwhile, guerrilla warfare con tinues in Zimbabwe (Rhode sia) and Namibia (South west Africa) as the white regimes in South Africa and Rhodesia desperately stall for time while prac ticing ever more cruel repression, both within and outside their borde rs. The bombings of "guerrilla camps" kill h.undreds of women and children. The United Nations has called upon go,vernments and private individuals and institutions to observe Box 4793 "Anti-Apartheid Year. " .A us tin 78765 THE GAR will observe this mandate by pubiish ing poems and texts smuggled out of South Africa, as well as the writings of South Africans in exile struggling to liberate their own country. We also NGUGI DISAPPEARS publish the story of various activities taking place within the United States, uniting citizens of Africa Ngugi wa Thiong'o, Kenyan novelist, essayist, and the U. s. in the struggle to reveal to the world playwright and chairman of the Department of Lit the horrors of apartheid, the mass relocations of erature at the University of Nairobi, was arrested hundreds of thousands of people to sterile ·waste for questioning in the early morning hours of Dec. lands where one-half of the children born die before 31 by Kenyan police. -
MOMENTS with MADIBA of Basic Education
Reflections on Ten Years MOMENTS WITH MADIBA of Basic Education ChallengesFourteen private tointerviews the Transformation with Nelson Mandela of Basicbetween Education 1973 (Robben in Island) South and 2004. Africa’s by Second Decade of Democracy Jacques Moreillon, LIM, PhD International Committee of the Red Cross, Geneva World Organization of the Scout Movement, Geneva Oussemi Foundation, Geneva Prepared and published in collaboration with the Nelson Mandela Foundation Houghton, South Africa Written in 2005, published in 2017 Moments with Madiba by Jacques Moreillon 2 Perspective 1: Address by Nelson Mandela 2004 Address by former President Nelson Mandela during the launch of the Nelson Mandela Centre of Memory and Commemoration Project in Johannesburg on 21 September 2004. “Today we are launching the Nelson Mandela Centre of Memory Project. It will be run by the Nelson Mandela Foundation in a partnership with the Constitution Hill project. We want it to be part of what we have called the processes of restoration and reconciliation. … It is our hope that from these small beginnings it will grow into a vibrant public resource offering a range of services to South Africans and visitors from all parts of the world. We want it to work closely with the many other institutions that make up the South African archival system. And, most importantly, we want it to dedicate itself to the recovery of memories and stories suppressed by power. That is the call of justice: the call that must be the project’s most important shaping influence. The history of our country is characterised by too much forgetting. A forgetting which served the powerful and dispossessed the weak. -
Acoa 0 0 0 0
No. 2 AMERICAN COMMITTEE ON AFRICA * 305 E. 46th St., New York, N.Y. 10010 * (212) 838-5030 FALL 1977 No. 2 AMERICAN COMMITTEE ON AFRICA * 305 E. 46th St., New York, N.Y. 10010 * (212) 838-5030 FALL 1977 AfcA Agat'I aes Sou~AFRCAMOVEs AjAiNST BLACk OPPNENYTS Union and church groups continue to lead the way in withdrawing money from 58 US banks which are targets of a campaign to end all bank loans to South Africa. The United Radio, Electrical and Machine Workers Union withdrew a $4 million payroll account from Chase Manhattan Bank in mid-September, while the Sisters of Charity of New York removed its accounts from Citibank. The Fur, Leather and Machinery Workers (FLM Joint Board) also has withdrawn all of its accounts from New York banks with South African connections. In another major development, the United Automobile Workers and District 31 of the United Steelworkers of America, the largest Steelworkers local in the country, both voted to withdraw all deposits in banks with South African connections. The Committee to End Bank Loans to South Africa (COBLSA), whose formmation was initiated by ACOA, now es- timates that US bank loans to South Africa total about $3 billion, or onethird higher than previously believed. The number. of organizations participating in the campaign has grown to nearly 50. Among recent additions are several black organizations including the Black Theology Project, the Black Students Organization of Columbia University, and the Black Church Studies Program at ColgateRochester Divinity School. As one indication of rising national interest, more than 100,000 fliers have been distributed by COBLSA to date.