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New Mexico Daily Lobo, Volume 080, No 105, 2/28/1977." 80, 105 (1977)
University of New Mexico UNM Digital Repository 1977 The aiD ly Lobo 1971 - 1980 2-28-1977 New Mexico Daily Lobo, Volume 080, No 105, 2/ 28/1977 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1977 Recommended Citation University of New Mexico. "New Mexico Daily Lobo, Volume 080, No 105, 2/28/1977." 80, 105 (1977). https://digitalrepository.unm.edu/daily_lobo_1977/32 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1971 - 1980 at UNM Digital Repository. It has been accepted for inclusion in 1977 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. .. ,: i \~~"··-· - . ( ~~~'Dt:::> •· ' '67"5J 'l''BS ' · ·V'!r1. 3qw . f€ fl ., ~~~!!!!!!!!!!!!!!!!!!!!!!~!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!l!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ·• . C\il~\ ~ ' ~ew Mexico Remember,. library. books are due one month after they ·ate checked out. I f~IDAILV. j. ~- . i , I ,. 'Z'J~:<·,..... - -'., '. V811d8JS Dam"~ge Files. in' Scholes; " Vandals broke into Scholes Hall legible' but it will be Monday or up by Saturday afternoon and the early Saturday morning and Tuesday before he can determine if o(fices were put back in order. The · sprayed equipment and records in any files were stolen. · . water fountain was repaired and is the adll,lissions office with fire ex now operable. .. · . tinguisbers causing an un The vandals apparently broke in deterJ!lined amount of damage',. through a window on the north side lJNM Police said they are con UNM.officials said. of the first floor, Perovich said. tinuing their investigation but have ·The UNM spokesman said thel Most of the damage was cleaned no suspects in the case. -
A Band Together. but Who Knew We'd Find As Durable an Application Of
o R M D EVERY MUSICIAN KNOWS IT’s THE RHYTHM SECTION THAT HOLDS a band together. But who knew we’d find as durable an application of that maxim as the one exemplified by the history of Fleetwood Mac? & Over the last thirty years, Fleetwood Mac has comprised fifteen musicians shuffled through six major lineups, resulting in endless tin- kerings with tone and genre. Yet the two members to survive it all rarely write tunes and never front the recordings. They’re the beat- keepers - drummer Mick Fleetwood and bassist John Me Vie. The fact that a rhythm section could sustain a band through thirty years seems all the more amazing considering the traumatic histories of the band’s shifting array o f stage-front stars. Together, their personal lives have given rock one of its most elaborate and juicy plotlines. (L Religious conversions, spells o f madness, “incestuous” liaisons within the band, drug freak-outs, alleged brainwashings, imperson- Mick ^ stevie ations, everything short of murder have spun Nicks, John McVie, Christine McVie, Lindsey Fleetwood Mac’s legacy into a story worthy of Buckingham (from left) Scheherazade. & Musically the band has endured just as many twists, moving from blues to rockabilly to laid-back California folk rock - finally to bloom into purveyors of some of the most popular and endur- ing music of the Seventies. (L It all began humbly enough. In 1967, the B Y J I M FÄRBER The band in '69: Peter original foursome convened as arch Fame entrant, Santana). If that wasn’t enough, Rose also saw the Green, Fleetwood, Jeremy devotees of the blues, arriving in the band adding nineteen-year-old Danny Kirwan (who’d played in Spencer, Danny Kirwan, second wave of U.K. -
Full Article
20 rock the rabbit12 TH E FLEETWOOD MAC BY ANTHONY BOZZA ROCK ROYALTY MICK FLEETWOOD LOOKS baCK AT ONE OF THE GREATEST YET MOST DYSFUNCTIONAL baNDS IN MUSIC HISTORY AND FIGURES OUT WHAT COMES NEXT Stretching 48 miles long and 26 across, Maui, the second-largest of the Hawaiian islands, is a tropical paradise full of dreamy beaches and lush landscapes, the most atypical of which is arranged over 18 acres at 4,000 feet above sea level. Near the top of a winding one-lane road cut into a ruddy hillside, a shady driveway dips beneath a canopy of trees to reveal a spread that—minus the citrus groves—looks more like an English country home than a tropical retreat. Clouds that seem but an arm’s length away cast moody shadows over the homestead, giving the sense that this place is half a world from the sun- lit valley below. Lovely bushes of pink and blue flowers abuzz with bees line the roundabout that lies before the front door. Beyond it, stretching into the trees, a long, manicured lawn awaits a garden party or a game of croquet. Off to one PHOTOGRAPHY BY MATTHIAS CLAMER nude female angel playing a harp, a pack of blues musicians, an ax and a headless torso— “IN THE PAST I’D Not and more nude women—plus a portrait of HAVE taKEN NO foR AN Fleetwood in the midst of it all, draped in a ANSweR. I’D HAVE PER- patterned scarf and wearing a white shirt. SUaded SteVie to do There is, naturally, a blue rose in there too. -
Jeremy Spencer
THIS ARTICLE WAS PUBLISHED ON THEBLUEMAGAZINE.COM IN AUGUST 2020 Exclusive Interview: Jeremy Spencer Five Finger Death Punch founding drummer Jeremy Spencer talks to Blue about the perils of being a rock n roll star with an addiction to drugs and alcohol By Eddie Molina There are many things law enforcement officers are good at; solving crimes, responding to domestic violence calls, driving like a stunt man. But one of my favorites we’re good at- partying. Although closing bars are a thing of the past for me (thank you wife and children), I manage to get my fun time in with a few cold beers on my regular days off. But there’s a limit. How much is too much? At what point does it go from casual and social drinking to problematic and disturbing. Anyone that wears a badge knows what goes on in the world. From dealing with decay of society to working odd hours, there are more than enough reasons to grab a beer after a tour of duty. Sometimes that does go too far. If the only way you cope with a stressful day is to drink alcohol and it’s affecting the people you love most, you may need help. I boasted to a couple of officers in our department about how I landed an interview with a rock star, founding drummer of Five Finger Death Punch Jeremy Spencer. I told them that the focus of the interview was his rehab stints due to his drug and alcohol addiction. They each responded with, “oh yeah, I went to rehab too.” It was a sobering moment and a stark reminder of the seriousness of this issue. -
September / October
CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 5 Number 5 September-October 2005 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE TILT OF THE KILT Wicked Tinkers Photo by Chris Keeney BY RON YOUNG inside this issue: he wail of the bagpipes…the twirl of the dancers…the tilt of the kilts—the surge of the FADO: The Soul waves? Then it must be the Seaside Highland Games, which are held right along the coast at of Portugal T Seaside Park in Ventura. Highly regarded for its emphasis on traditional music and dance, this festival is only in its third year but is already one Interview: of the largest Scottish events in the state. Games chief John Lowry and his wife Nellie are the force Liz Carroll behind the rapid success of the Seaside games. Lowry says that the festival was created partly because there was an absence of Scottish events in the region and partly to fill the void that was created when another long-standing festival PLUS: was forced to move from the fall to the spring. With its spacious grounds and variety of activities, the LookAround Seaside festival provides a great opportunity for first-time Highland games visitors who want to experience it all. This How Can I Keep From Talking year’s games will be held on October 7, 8 and 9, with most of the activity taking place on the Saturday and Sunday. -
Pro-Police Jeremy Spencer of Five Finger Death Punch Opens up To
THIS ARTICLE WAS PUBLISHED BY LAW ENFORCEMENT TODAY JULY 2020 Pro-police Jeremy Spencer of Five Finger Death Punch opens up to LET about his struggle with addiction Posted by: LET Guest|July 26, 2020 |CategoriesEditorial, Featured, The Wounded Blue Jeremy Spencer- Reserve Police Officer and founding drummer of Five Finger Death Punch talks to LET about his struggle with addiction and recovery, a true story of redemption For every law enforcement officer that doesn’t have a drink on his or her day off, there are about 99 that do. Although I made those figures up, I believe it. In the 15 years I have been in law enforcement, I don’t ever recall meeting a LEO that doesn’t occasionally have a few drinks. I merely assume that over the years I must’ve met at least a handful of cops that never have a drink. I’m 42 years old, and now I know several cops that don’t drink…anymore. Those cop friends of mine battled alcoholism and it nearly destroyed them. The pattern should sound very familiar to you: After you graduate the academy you start dealing with criminals, have a few drinks to unwind, stress mounts up, and repeat. This was all before today’s volatile climate of anti-police sentiment sweeping the nation. Just donning the uniform today will get you hateful glances and menacing stares. Who wouldn’t want a drink after a tour of duty right now? And that is a common scenario for us. In an extremely rare and incredible story, Jeremy Spencer, founding drummer of the hit heavy metal rock band Five Finger Death Punch, now a reserve Police Officer for Rockport Police Department in Indiana, went through a similar drug and alcoholism addiction and recovery experience- just the extreme version. -
Name Artist Album Track Number Track Count Year Wasted Words
Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B. -
CHUCK LEAVELL the Tree Man Interview Plus CD & Book Reviews Included 12 NEW SONGS for DOWNLOAD the Wildroots Are Back!
CHUCK LEAVELL The Tree Man Interview Plus CD & Book Reviews Included 12 NEW SONGS FOR DOWNLOAD The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me. It’s one of those discs that can really lift the darkness. If, by chance you’re feeling down, you won’t be after this record is done with you. …Stunning.” - ROCK DOCTOR (John Kereiff) “With a guest list that’s mind boggling, you couldn’t get a better set if Paul Shaffer rounded up his SNL/Letterman pals and enlisted them to have a party. This set makes every hour after hours and the party never ends. Simply smoking.” - Midwest Record (Chris Spector) “With excellent songwriting, stellar performances, and wide-ranging styles, it is an album easily recommended for everyone.” - Blues Blast Magazine (Anita Schlank) Get your copy today! WildRootsRecords.com The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me. -
Fleetwood Mac: Del Blues Anglès Al Soft Rock Americà
It's only rock & roll | Pep Saña | Actualitzat el 02/11/2016 a les 06:00 Fleetwood Mac: Del Blues Anglès al Soft Rock Americà Fleetwood Mac es va formar al 1967 al voltant del talentós guitarrista de blues Peter Green, que s'acabava de destacar com a substitut d'Eric Clapton a la banda de John Mayall, The Bluesbreakers. La història de Fleetwood Mac és llarga, tortuosa i una mica desconcertant. En menys d'una dècada, va passar de ser una admirada i respectada banda del blues anglès dels 60, a ser un referent del soft rock (també anomenat AOR, abreviació de l'anglès, Adult Oriented Rock) californià, gènere que els va transformar en mega estrelles i en un dels majors èxits comercials de la història. Els constants canvis de formació que va patir la banda durant uns anys expliquen, en part, la radical transformació musical de Fleetwood Mac. Pocs grups a la història del rock han patit tants canvis de formació, estilístics, musicals i geogràfics com els camaleònics Fleetwood Mac, han sobreviscut a 15 formacions diferents en gairebé 50 anys de trajectòria. La deserció de la banda dels dos grans guitarristes de blues, Peter Green i Jeremy Spencer, fundadors del grup al costat de Mick Fleetwood i John McVie, va posar a la banda en una difícil decisió, acabar amb el projecte o explorar noves influències creatives. L'etapa blues. Els orígens de Fleetwood Mac es remunten fins al llegendari bluesman John Mayall i la seva famosa banda Bluesbreakers. John McVie (baix) va ser un dels membres principals dels Bluesbreakers, fundant el grup al 1963. -
Jeremy Spencer Jeremy Spencer
LINDA ANDERSON THE CHRISTMAS ALBUM (EXPANDED EDITION) With the phenomenal success of her 1970 SELLING POINTS: single “Rose Garden,” Lynn Anderson was launched into the ranks of country • The Late, Great Lynn Anderson Is One of the Most and pop superstardom. The Grammy Award-winning singer’s string of No. 1 Successful Country Artists of All Time hits made her a chart fixture in the • Her 1970 Chart Topper “Rose Garden” Launched 1970s, and, indeed, one of the most SONGS: a String of #1 Hits That Made Her an Early ‘70s successful artists of all time. Among her Country Superstar most beloved recordings is 1971’s The Christmas Album , 1. Ding-A-Ling The Christmas Bell • Among Her Most Beloved Recordings is 1971’s which arrived on Columbia Records while Lynn was still riding high from 2. Jingle Bell Rock The Christmas Album , Which Was Released at the the worldwide success of “Rose Garden.” Christmas Album , produced in 3. The Spirit of Christmas Height of Her Popularity, but Has Only Been on Nashville by her then-husband Glenn Sutton, featured Music City’s A-team 4. Rudolph The Red-Nosed Reindeer CD Briefly and Commands Triple-Figure Sums of musicians on a festive collection of both familiar and original yuletide 5. Soon It Will Be Christmas Day • Produced by Then-Husband Glenn Sutton and tunes. In addition to her spirited revivals of “Frosty the Snowman,” 6. I Saw Mommy Kissing Santa Claus “Rudolph the Red-Nosed Reindeer,” “Jingle Bell Rock” and “Rockin’ 7. Rockin’ Around the Christmas Tree Features Nashville’s A-Team of Session Musicians Around the Christmas Tree,” Lynn introduced “Ding-a-Ling the Christmas 8. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
A Study of Blues And
“YOUNG FASHIONED WAYS”: A STUDY OF BLUES AND AUTHENTICITY IN THREE TRANSATLANTIC STUDIO COLLABORATIONS _______________ A Thesis Presented to the Faculty of San Diego State University _______________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Music _______________ by Conor M. Jamison Fall 2013 iii Copyright © 2013 by Conor M. Jamison All Rights Reserved iv ABSTRACT OF THE THESIS “Young Fashioned Ways”: A Study of Blues and Authenticity in Three Transatlantic Studio Collaborations by Conor M. Jamison Master of Arts in Music San Diego State University, 2013 During the late 1960s and early 1970s, it was popular for blues artists—both British and American—to travel across the Atlantic to record with their fellow musicians. Three albums resulted from these collaborative exchanges which have been popular among fans, but also matters of controversy among blues purists: The London Muddy Waters Sessions, The London Howlin' Wolf Sessions, and Fleetwood Mac: Blues Jam in Chicago. Some feel that the American masters did not play to their own potential, and the white, British sidemen sound weak in comparison with their black, American counterparts. These reflections call into question the ability of the British musicians to achieve authentic blues, as well as the ability of the American players to remain authentic in a collaborative environment. In 2002, musicologist, Allan Moore published his article “Authenticity as Authentication,” wherein, he outlined a tripartite typology that can be uses as a basis for evaluating musical performances in terms of the perception of authenticity by those experiencing it. Moore's typology classifies the factors of authenticity into “first-, second-, and third-person.” Or “authenticity of: 'expression,' 'experience,' and 'execution'”.