The Rhythm Posse
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Fleetwood Mac Then Play on Die Brandneue Wiederöffentlichung Des Legendären Dritten Albums Der Band Als Celebration Edition Veröffentlichung Am 18
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] FLEETWOOD MAC THEN PLAY ON DIE BRANDNEUE WIEDERÖFFENTLICHUNG DES LEGENDÄREN DRITTEN ALBUMS DER BAND ALS CELEBRATION EDITION VERÖFFENTLICHUNG AM 18. September 2020 durch BMG Erweiterte Version mit vier Bonus Tracks - Erhältlich als 2LP Vinyl oder CD Beinhaltet neue Linernotes von Anthony Bozza sowie ein persönliches Vorwort von Mick Fleetwood JETZT BESTELLEN Fleetwood Mac’s drittes Studioalbum „Then Play On” wird am 18. September durch BMG auf CD und Vinyl wiederveröffentlicht. Diese hochwertige Wiederveröffentlichung erscheint als Bookpack Edition und beinhaltet alle 12 ursprünglich veröffentlichten Songs, sowie vier Bonus Songs. Jeder Song wurde in halber Geschwindigkeit gemastered um den größtmöglichen Dynamikbereich in der Audioqualität zu ermöglichen. Darüber hinaus erscheint die 2LP Vinyl als hochwertige schwarze 180g Vinyl-Schallplatte für den bestmöglichen Klang. Die CD wird mit einem Mediabook und die 2LP Vinyl mit einem 16-seitigen Bookpack erscheinen. Beide beinhalten brandneue Texte des Fleetwood-Biographen Anthony Bozza, sowie ein persönliches Vorwort von Mick Fleetwood. Die Celebration Edition gilt als Auftakt für die im Laufe diesen Jahres kommende, weltweite Veröffentlichung des Konzertfilms „Mick Fleetwood And Friends Celebrate The Music Of Peter Green“. „Then Play On“ wurde ursprünglich am 19. September 1969 veröffentlicht und war somit das erste Album von Fleetwood Mac zusammen mit Danny Kirwan, sowie das letzte Album in Zusammenarbeit mit Peter Green. Der Albumtitel „Then Play On“ ist an die erste Zeile von Shakespeare’s Komödie „Twelfth Night“ (im Deutschen: „Was ihr wollt“) angelehnt, welche im Original lautet: „If music be the food of love, play on“. -
The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic. -
Heavy Metal and Classical Literature
Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal). -
Bourdieu and the Music Field
Bourdieu and the Music Field Professor Michael Grenfell This work as an example of the: Problem of Aesthetics A Reflective and Relational Methodology ‘to construct systems of intelligible relations capable of making sense of sentient data’. Rules of Art: p.xvi A reflexive understanding of the expressive impulse in trans-historical fields and the necessity of human creativity immanent in them. (ibid). A Bourdieusian Methodology for the Sub-Field of Musical Production • The process is always iterative … so this paper presents a ‘work in progress’ … • The presentation represents the state of play in a third cycle through data collection and analysis …so findings are contingent and diagrams used are the current working diagrams! • The process begins with the most prominent agents in the field since these are the ones with the most capital and the best configuration. A Bourdieusian Approach to the Music Field ……..involves……… Structure Structuring and Structured Structures Externalisation of Internality and the Internalisation of Externality => ‘A science of dialectical relations between objective structures…and the subjective dispositions within which these structures are actualised and which tend to reproduce them’. Bourdieu’s Thinking Tools “Habitus and Field designate bundles of relations. A field consists of a set of objective, historical relations between positions anchored in certain forms of power (or capital); habitus consists of a set of historical relations ‘deposited’ within individual bodies in the forms of mental and corporeal -
Residential Property Owners As Of: 2/10/2021 Two and Three Family
Residential Property Owners as of: 2/10/2021 Two and Three Family Sect Taxkey Property Address Owner Name Secondary Owner Owner Address Owner CityState,Zip Property Use 32 415-0006-000 10006 W Bungalow Pkwy Aaron S. Jacobson Glenn Barber 671 S 100 St West Allis, WI 53214 940 Residential Duplex 32 415-0013-000 10202 W Bungalow Pkwy Ronald C. Shikora Doris J. Shikora 4085 Brook Ln Brookfield, WI 53005 940 Residential Duplex 32 416-0019-000 651 S 93 St Reddie Living Trust 651 S 93 St West Allis, WI 53214 940 Residential Duplex 32 416-0023-001 681 S 93 St Corry S. Eifert Sandra S. Eifert 2745 S 132 St New Berlin, WI 53151 940 Residential Duplex 32 416-9981-001 9732 W Schlinger Ave Shirley Kewan 9732 W Schlinger Ave West Allis, WI 53214 940 Residential Duplex 33 417-0009-000 9116 W Conrad Ln Jeffrey J. Raab N3430 County Rd K Jefferson, WI 53549 940 Residential Duplex 35 438-0001-000 705 S 57 St Gary J. Karabelas Carol A. Karabelas 6009 W Mitchell St West Allis, WI 53214 940 Residential Duplex 35 438-0009-000 804 S 58 St Santiago Rodriguez Iraviregen Rodriguez 804 S 58 St West Allis, WI 53214 940 Residential Duplex 35 438-0024-000 810 S 57 St Christopher J. Lake Rebecca T. Long-Lake PO Box 204 Big Bend, WI 53103 940 Residential Duplex 35 438-0029-004 702 S 57 St Jeffrey T. Anderson 125 N 70 St Milwaukee, WI 53213 940 Residential Duplex 35 438-0038-000 1000 S 58 St Gary L. -
A Band Together. but Who Knew We'd Find As Durable an Application Of
o R M D EVERY MUSICIAN KNOWS IT’s THE RHYTHM SECTION THAT HOLDS a band together. But who knew we’d find as durable an application of that maxim as the one exemplified by the history of Fleetwood Mac? & Over the last thirty years, Fleetwood Mac has comprised fifteen musicians shuffled through six major lineups, resulting in endless tin- kerings with tone and genre. Yet the two members to survive it all rarely write tunes and never front the recordings. They’re the beat- keepers - drummer Mick Fleetwood and bassist John Me Vie. The fact that a rhythm section could sustain a band through thirty years seems all the more amazing considering the traumatic histories of the band’s shifting array o f stage-front stars. Together, their personal lives have given rock one of its most elaborate and juicy plotlines. (L Religious conversions, spells o f madness, “incestuous” liaisons within the band, drug freak-outs, alleged brainwashings, imperson- Mick ^ stevie ations, everything short of murder have spun Nicks, John McVie, Christine McVie, Lindsey Fleetwood Mac’s legacy into a story worthy of Buckingham (from left) Scheherazade. & Musically the band has endured just as many twists, moving from blues to rockabilly to laid-back California folk rock - finally to bloom into purveyors of some of the most popular and endur- ing music of the Seventies. (L It all began humbly enough. In 1967, the B Y J I M FÄRBER The band in '69: Peter original foursome convened as arch Fame entrant, Santana). If that wasn’t enough, Rose also saw the Green, Fleetwood, Jeremy devotees of the blues, arriving in the band adding nineteen-year-old Danny Kirwan (who’d played in Spencer, Danny Kirwan, second wave of U.K. -
Full Article
20 rock the rabbit12 TH E FLEETWOOD MAC BY ANTHONY BOZZA ROCK ROYALTY MICK FLEETWOOD LOOKS baCK AT ONE OF THE GREATEST YET MOST DYSFUNCTIONAL baNDS IN MUSIC HISTORY AND FIGURES OUT WHAT COMES NEXT Stretching 48 miles long and 26 across, Maui, the second-largest of the Hawaiian islands, is a tropical paradise full of dreamy beaches and lush landscapes, the most atypical of which is arranged over 18 acres at 4,000 feet above sea level. Near the top of a winding one-lane road cut into a ruddy hillside, a shady driveway dips beneath a canopy of trees to reveal a spread that—minus the citrus groves—looks more like an English country home than a tropical retreat. Clouds that seem but an arm’s length away cast moody shadows over the homestead, giving the sense that this place is half a world from the sun- lit valley below. Lovely bushes of pink and blue flowers abuzz with bees line the roundabout that lies before the front door. Beyond it, stretching into the trees, a long, manicured lawn awaits a garden party or a game of croquet. Off to one PHOTOGRAPHY BY MATTHIAS CLAMER nude female angel playing a harp, a pack of blues musicians, an ax and a headless torso— “IN THE PAST I’D Not and more nude women—plus a portrait of HAVE taKEN NO foR AN Fleetwood in the midst of it all, draped in a ANSweR. I’D HAVE PER- patterned scarf and wearing a white shirt. SUaded SteVie to do There is, naturally, a blue rose in there too. -
ABRAXAS F.H.U. Numery Telefonów: (022) 750-30-02 0 606 650 684 Od Pn - Pt W Godz
ABRAXAS F.H.U. www.abraxas.pl Numery telefonów: (022) 750-30-02 0 606 650 684 od Pn - Pt w godz. 11 -18 CD1 01. Evil Woman Blues - With John Mayall 02. The Stumble - With John Mayall’s Bluesbreakers 03. Sitting In The Rain - With John Mayall’s Bluesbreakers 04. The World Keep On Turning - With Fleetwood Mac 05. The Supernatural - With John Mayall’s Bluesbreakers 06. Looking For Somebody - With Fleetwood Mac 07. Long Grey Mare (feat Bob Brunning) - With Fleetwood Mac 08. Stop Messin’ Around - With Fleetwood Mac 09. Train Is Coming - With Eddie Boyd & His Blues Band 10. Greeny - With John Mayall’s Bluesbreakers 11. Soul Dressing - With Peter B’s Looners 12. I Loved Another Woman - With Fleetwood Mac 13. No Place To Go - With Fleetwood Mac 14. You Don’t Love Me - With John Mayall’s Bluesbreakers 15. Lazy Poker Blues - With Fleetwood Mac 16. Merry Go Round - With Fleetwood Mac 17. Trying So Hard To Forget - With Duster Bennett 18. Ramblin’ Pony - With Fleetwood Mac 19. Drifting - With Fleetwood Mac CD2 01. Black Magic Woman - With Fleetwood Mac 02. Albatross - With Fleetwood Mac 03. Ain’t Nobody’s Business - With Otis Spann 04. Someday Baby - With Otis Spann 05. Watch Out - With Fleetwood Mac (Blues Jam At Chess) 06. Ooh Baby - With Fleetwood Mac (Blues Jam At Chess) Horton’s Boogie Woogie - Take One With Walter Horton, Otis 07. Spann & SP Leary (Blues Jam At Chess) 08. Love That Burns - With Fleetwood Mac 09. First Train Home - With Fleetwood Mac 10. Need Your Love So Bad - With Fleetwood Mac 11. -
Foraging Ecology of the Albatross • Michelle Kappes Larry Arbanas
Volume 52, Number 8-9 May/June 2007 Foraging Ecology of the Larry Arbanas Returns L arr y Arbana s , MDA S Albatross • Michelle Kappes member and bird and nature In February, MDAS photographer, continues his quest members were given an to collect high definition footage of overview of the lengthy the behavior of all North American and surprising migra- bird species for the media collection tions of a variety of of the Macaulay Library of Natural open-ocean animals. Sounds and Images in the Cornell At our May 3 meeting, Lab of Ornithology. His travels Michelle Kappes, PhD take him from Maine to Mexico candidate from U.C. and from Alaska to Florida. Larry Santa Cruz, will pres- is currently filming in Florida and Rufous-capped Warbler at ent details of her re- the Dry Tortugas and will share Barranca de Yécora, Mexico Laysan Albatross nest at Kilauea Point search on the foraging his latest spectacular footage on Larry Arbanas photo National Wildlife Refuge on the island ecology of three species June 7. of Kauai, Hawaii. of albatrosses in two A lifelong, passionate naturalist, Larry grew up in a family of ocean basins. Michelle studies the foraging distribution behavior professional still photographers for whom nature photography was of the Laysan and Black-footed albatrosses from Tern Island in a primary interest. Throughout his career as a professional video the Northwest Hawaiian Islands, in comparison to the foraging producer and commercial TV cameraman, Larry has provided behavior of the Indian Yellow-nosed Albatrosses of Amsterdam video footage for clients such as The World Book Encyclopedia, Island, Terres Australes et Antarctiques Francaises. -
Tedde, Adriano Antonio
The Other America of Paul Auster, Jim Jarmusch and Tom Waits Author Tedde, Adriano Antonio Published 2019-10-23 Thesis Type Thesis (PhD Doctorate) School School of Hum, Lang & Soc Sc DOI https://doi.org/10.25904/1912/2054 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/388986 Griffith Research Online https://research-repository.griffith.edu.au The Other America of Paul Auster, Jim Jarmusch and Tom Waits Adriano Tedde, PhD candidate School of Humanities, Languages and Social Sciences Griffith University. Thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy March 2019 0 ABSTRACT This thesis employs popular culture texts (works of literature, film, and popular music) as companions to the understanding of contemporary America. It is about artworks that form a cultural resistance that enables the appreciation of social issues and cultural decline in the United States. The authors of these artworks are novelist Paul Auster, filmmaker Jim Jarmusch, and musician Tom Waits. Born between the late 1940s and the early 1950s, in different parts of the United States, Auster, Jarmusch, and Waits have produced a series of works that share strong similarities. In their novels, films, and songs, they portray an imagined “Other America” that is in stark contrast with the idyllic vision of the American Dream. Their America does not coincide with conventional middle-class values and goals of success, money and social upward mobility. It is an open, tolerant, and egalitarian country inhabited by marginalized “other Americans” who never escape from poverty and failure. -
Jeremy Spencer
THIS ARTICLE WAS PUBLISHED ON THEBLUEMAGAZINE.COM IN AUGUST 2020 Exclusive Interview: Jeremy Spencer Five Finger Death Punch founding drummer Jeremy Spencer talks to Blue about the perils of being a rock n roll star with an addiction to drugs and alcohol By Eddie Molina There are many things law enforcement officers are good at; solving crimes, responding to domestic violence calls, driving like a stunt man. But one of my favorites we’re good at- partying. Although closing bars are a thing of the past for me (thank you wife and children), I manage to get my fun time in with a few cold beers on my regular days off. But there’s a limit. How much is too much? At what point does it go from casual and social drinking to problematic and disturbing. Anyone that wears a badge knows what goes on in the world. From dealing with decay of society to working odd hours, there are more than enough reasons to grab a beer after a tour of duty. Sometimes that does go too far. If the only way you cope with a stressful day is to drink alcohol and it’s affecting the people you love most, you may need help. I boasted to a couple of officers in our department about how I landed an interview with a rock star, founding drummer of Five Finger Death Punch Jeremy Spencer. I told them that the focus of the interview was his rehab stints due to his drug and alcohol addiction. They each responded with, “oh yeah, I went to rehab too.” It was a sobering moment and a stark reminder of the seriousness of this issue.