Fleetwood Mac: Del Blues Anglès Al Soft Rock Americà

Total Page:16

File Type:pdf, Size:1020Kb

Fleetwood Mac: Del Blues Anglès Al Soft Rock Americà It's only rock & roll | Pep Saña | Actualitzat el 02/11/2016 a les 06:00 Fleetwood Mac: Del Blues Anglès al Soft Rock Americà Fleetwood Mac es va formar al 1967 al voltant del talentós guitarrista de blues Peter Green, que s'acabava de destacar com a substitut d'Eric Clapton a la banda de John Mayall, The Bluesbreakers. La història de Fleetwood Mac és llarga, tortuosa i una mica desconcertant. En menys d'una dècada, va passar de ser una admirada i respectada banda del blues anglès dels 60, a ser un referent del soft rock (també anomenat AOR, abreviació de l'anglès, Adult Oriented Rock) californià, gènere que els va transformar en mega estrelles i en un dels majors èxits comercials de la història. Els constants canvis de formació que va patir la banda durant uns anys expliquen, en part, la radical transformació musical de Fleetwood Mac. Pocs grups a la història del rock han patit tants canvis de formació, estilístics, musicals i geogràfics com els camaleònics Fleetwood Mac, han sobreviscut a 15 formacions diferents en gairebé 50 anys de trajectòria. La deserció de la banda dels dos grans guitarristes de blues, Peter Green i Jeremy Spencer, fundadors del grup al costat de Mick Fleetwood i John McVie, va posar a la banda en una difícil decisió, acabar amb el projecte o explorar noves influències creatives. L'etapa blues. Els orígens de Fleetwood Mac es remunten fins al llegendari bluesman John Mayall i la seva famosa banda Bluesbreakers. John McVie (baix) va ser un dels membres principals dels Bluesbreakers, fundant el grup al 1963. Al 1966 Peter Green substitueix a Eric Clapton i un any https://www.naciodigital.cat/bergueda/noticia/7793/fleetwood-mac-blues-angles-al-soft-rock-america Pagina 1 de 10 desprès, Mick Fleetwood (bateria) també s'hi afegeix. Inspirats per l'èxit de Cream, Yardbirds o Jimi Hendrix, el trio decideix separar-se de Mayall al 1967. A l'agost d'aquell mateix any debutaven en un festival britànic de Jazz i Blues, allà, Bob Brunning va començar tocant el baix a la nova banda fins que McVie va quedar lliure del contracte que el lligava a la banda de Mayall, cosa que passava poques setmanes desprès del seu debut. En aquesta mateixa època, el guitarrista Jeremy Spencer, especialista amb l'Slide, també es va afegir al grup. Al principi, els guitarristes Peter Green i Jeremy Spencer li donaven a la banda un so blues però amb ingredients psicodèlics i propers a la moda blues rock de l'època de finals dels 60. Fleetwood Mac (1968), debut discogràfic homònim va resultar un èxit enorme al Regne Unit (incloïa el clàssic Black Magic Woman que més endavant popularitzaria Carlos Santana). Fleetwood Mac després del segon àlbum Mr. Wonderful (1968), afegiren un segon guitarrista, Danny Kirwan que només tenia 18 anys però amb un talent innat, amb Kirwan la banda va publicar el seu primer single, Albatross, arribant al número 1 de vendes a Europa i Stop Messing Around, un tema que ja és un clàssic del blues i del rock, i del que Aerosmith en fan una acollonant versió en els seus directes i al seu disc de blues Honkin' On Bobo (2004). De la seva visita als Estats Units, en va sortir, Blues Jam At Chess (1969), gravat als estudis Chess Records, de composicions pròpies, sobretot de Green, amb significades col?laboracions de bluesmen llegendaris, entre els quals Buddy Guy, Willie Dixon i Otis Spann. Durant 1969 Fleetwood Mac edita pel mercat USA una espècie de recopilatori, English Rose, que incloïa la meitat de Mr. Wonderful i temes de Kirwan, i el seu tercer àlbum al Regne Unit, Then Play On. Tots dos àlbums indicaven que la tendència de la seva musica anava mes enllà de les arrels bluseres, amb Then Play On apareixien pinzellades de rock i rock progressiu. Aquest mateix any, dos temes de Green, Man Of The World i Oh Well van aconseguir un gran èxit a les llistes. The Beatles volien que el grup fitxés per la seva discogràfica, Apple Records, Mick Fleetwood i George Harrison aleshores eren cunyats, però el manager de la banda Clifford Davis va decidir fitxar per Warner Bros. Records, el segell amb el que han publicat els seus discos fins avui. El primer àlbum amb el nou segell discogràfic va ser aquest Then Play On (1969). Fleetwood Mac - Oh Well V?deo: http://www.youtube.com/watch?v=KE4HGlmtOcg Fleetwood Mac - Man Of The World V?deo: http://www.youtube.com/watch?v=OJWOtL-PZiE Fleetwood Mac - Stop Messing Around V?deo: http://www.youtube.com/watch?v=18nMFahKmUk Fleetwood Mac - Need Your Love So Bad V?deo: http://www.youtube.com/watch?v=RtmW2ek7WkQ Fleetwood Mac - Black Magic Woman V?deo: http://www.youtube.com/watch?v=hRu7Pt42x6Y Fleetwood Mac - Albatross V?deo: http://www.youtube.com/watch?v=9u4vb3OPN_w Per desgracia, els dos guitarres Peter Green i Danny Kirwan van patir en poc temps desordres mentals que els ficarien en un infern del que no en van poder sortir, i que va acabar destruint al Fleetwood Mac original. Tant Green com Kirwan, estaven delicats de salut a conseqüència de passar-se de rosca pels excessos amb LSD, Green va arribar a convertir-se en un personatge caricaturesc i paranoic, gairebé no podia fer-se càrrec de la seva pròpia vida. Aquesta seria una terrible pèrdua pel mon de la música rock, perquè Green era un dels millors guitarristes de la seva època. La seva qualitat i talent quedarien immortalitzats per sempre en joies com la instrumental Albatross, Black Magic Woman o Stop Messing Around. https://www.naciodigital.cat/bergueda/noticia/7793/fleetwood-mac-blues-angles-al-soft-rock-america Pagina 2 de 10 La banda va substituir a Green per Christine Perfect, una cantant i pianista que havia col?laborat amb la banda d'Spencer Davis, en aquell moment però els problemes contractuals li van impedir ser membre ?full time? de Fleetwood Mac fins al 1971, aquell any es va casar amb John McVie. Per això, Christine McVie no apareix al disc Kiln House (1970), el primer àlbum de la banda sense Peter Green. En aquest àlbum, Jeremy Spencer portava el timó musical del grup, però Spencer també va començar a patir desordres mentals degut a les seves addiccions a les drogues. A causa d'això, durant la gira nord-americana de la banda a principis de 1971, Spencer va desaparèixer, mes tard es va descobrir que en realitat havia deixat la banda per unir-se a la polèmica secta religiosa anomenada Els Nens de Déu, acabant més endavant desapareixent definitivament. La fusió amb membres nord-americans i un canvi d'estil cap al soft rock. Desprès de la sortida de Green, Kirwan i Spencer, la banda es comença a decantar per un so mes proper al pop rock a causa de la incorporació de la cantant, pianista i compositora Christine McVie, esposa de John. A mitjan dels 70, Fleetwood Mac ja establerts a Califòrnia, es passen definitivament al soft rock de la mà del duet nord-americà Lindsey Buckingham i Stevie Nicks, un matrimoni que ocuparà un lloc central a la musica de la banda d'ara endavant. Obsessionat amb els meticulosos arranjaments pop dels Beach Boys i els Beatles, Buckingham converteix a la banda en un dels grups de més èxit de finals dels 70. A principis de 1975, Fleetwood i McVie estaven en una audició d'enginyers de so pel nou disc de la banda, per casualitat van escoltar el disc de Lindsey Buckingham i Stevie Nicks, un matrimoni amb un debut discogràfic fallit, que sonava a l'estil del típic soft rock californià. La cançó era Frozen Love i els seus responsables una parella de hippies californians anomenats Buckingham - Nicks. Fleetwood, impressionat pel solo de guitarra, li va demanar a Buckingham que s'incorporés immediatament a la banda, però Buckingham no va acceptar fins que va aconseguir que la seva dona entrés en el pack. La nit de cap d'any de 1974 va néixer la formació amb més èxit de la banda, els fundadors Mick Fleetwood i John McVie, amb Christine McVie i les incorporacions de Lindsey Buckingham i Stevie Nicks, revifava la trajectòria musical de la banda i el seu èxit comercial. Fleetwood Mac (1975) https://www.naciodigital.cat/bergueda/noticia/7793/fleetwood-mac-blues-angles-al-soft-rock-america Pagina 3 de 10 Buckingham i Nicks, ajudats per Christine McVie, es van fer amb el control de la banda i van gravar el disc homònim de 1975 amb la nova formació de Fleetwood Mac, titulat igual que el del seu debut de 1968 amb Peter Green. De sobte Fleetwood Mac es va convertir en número 1 als Estats Units amb un estil radicalment diferent del de l'etapa de Peter Green, va ser el primer èxit de la banda en bastants anys amb els mega hits Over My Head, Rhiannon, Landslide i Say You Love Me. Durant l'enregistrament John McVie es va queixar a Keith Olsen, productor del disc, que el que estaven fent no tenia res a veure amb el blues, Olsen li va respondre "no, però tindrà molt a veure amb el teu compte bancari". No s'equivocava. Curiosament moltes de les cançons més recordades de la banda estarien signades per Nicks, la dona que havia entrat de rebot. Tot i això, l'èxit comercial afectaria la vida personal dels propis integrants ja que els McVies es van divorciar al 1976, i Buckingham i Nicks també ho farien poc desprès, de seguida es va especular entre els mitjans que la banda podria desintegrar-se, arribant fins i tot a dir-se que Stevie Nicks practicava la bruixeria.
Recommended publications
  • Fleetnotes Via Fmlegacy ! Sept
    1982 Fleetnotes via FMLegacy ! Sept. 4, 1982 – Orlando, FL Loverboy, John Cougar (no Mellencamp yet) and John Waite (playing his big hit ‘Change’) opened for The Mac. A fan recalls John Cougar riding on Kenny Aranoff’s shoulders during ‘Hurts So Good’. During the Loverboy set, it was so hot that security had to spray the crowd with firehoses. When the Mac played Gypsy virtually the enKre crowd lit their cigareLe lighters. Stevie didn’t finish the !song because she was too emoKonal that night. Sept. 5, 1982 – San Bernardino, CA The band closed the third and final day of the US FesKval by playing their Mirage set. The order of arKsts on the bill was as follows: Grateful Dead, Jerry Jeff Walker, Jimmy Buffet, Jackson Browne, and then Fleetwood Mac. This was also the last Kme that Mick Fleetwood saw Stevie’s friend Robin Anderson, who later passed away from leukaemia. She was very ill at the show and had to be !helicoptered out of the venue. Bootleg is circulaKng. Second Hand News The Chain Don’t Stop Dreams Oh Well Rhiannon Brown Eyes Eyes of the World Gypsy You Make Loving Fun I’m So Afraid Go Your Own Way Blue LeLer Sisters of the Moon !Songbird Sept. 10, 1982 – Norfolk, VA !Men at Work opened for The Mac. Bootleg is circulaKng. Second Hand News The Chain Don’t Stop Dreams Oh Well Rhiannon Brown Eyes Eyes of the World Gypsy Love In Store Not That Funny Never Going Back Again Landslide Tusk Sara Hold Me You Make Loving Fun I’m So Afraid Go Your Own Way Blue LeLer Sisters of the Moon !Songbird Sept.
    [Show full text]
  • The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
    L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic.
    [Show full text]
  • Samantha Fish Homemade Jamz Jarekus Singleton
    Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs.
    [Show full text]
  • Legendary Musician Dave Mason Plays at the Colonial
    Press Contacts: Rebecca Brighenti, (413) 448-8084 x11 [email protected] www.BerkshireTheatreGroup.org Christina Riley, (413) 448-8084 x15 [email protected] www.BerkshireTheatreGroup.org For Immediate Release, please: Monday, September 16, 2013 Legendary Musician Dave Mason plays at the Colonial Pittsfield, MA– Rock and Roll Hall of Famer, Dave Mason and band will perform at the Colonial on Wednesday, October 9 at 7:30pm. Tickets to Dave Mason are $25-$45. Contact the Colonial Ticket Office at 111 South Street, Pittsfield by calling 413-997-4444. Tickets can also be bought online at www.berkshiretheatregroup.org. Ticket Offices are open Monday-Friday 10am-5pm, Saturdays 10am-2pm or on any performance day from 10am until curtain. All schedules and prices are subject to change. With a career spanning nearly 50 years, Dave Mason is an accomplished producer, performer and songwriter. A member of the Rock and Roll Hall of Fame for his work with the band Traffic, Mason has penned over 100 songs, including “Feelin’ Alright” and “We Just Disagree.” Throughout his career Mason has worked with some of the most influential bands and musicians in rock and roll. He performed on The Rolling Stones’ Beggar’s Banquet, George Harrison’s All Things Must Pass, Paul McCartney’s “Listen to What the Man Said” and Jimi Hendrix’s Electric Ladyland. Five highly successful albums for the CBS/Sony label followed, four of which received gold album certification in the US. His next album Let It Flow sold millions of copies and contained the major Mason classic "We Just Disagree.” In addition to performing to sold-out audiences and being a permanent staple in record collections and hearts of fans around the world, Mason’s unique guitar work can be heard on many landmark albums and songs.
    [Show full text]
  • The Roots Report: an Interview with Dave Mason
    The Roots Report: An Interview with Dave Mason John Fuzek: Hello Dave Mason: Hello, John? It’s Dave Mason John Fuzek: Hey, how are you? Where are you? Dave Mason: We are in Florida JF: Gig there tonight? DT: We played in Clearwater last night and we are in Orlando tomorrow JF: so how many dates are there on this tour? DM: um, good question, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12 13, 14, and I think 15, 16, 17, 18, 19, 20! JF: wow, busy tour DM: not really (laughs) its not that busy, maybe, I suppose but have done lots more than that JF: you don’t seem to have an accent anymore DM: um, I don’t know, I never thought about it, but then again not everybody sounds like the gecko (laughs) JF: Do you live in the states? DM: I’ve lived here since 1969 JF: Well that could be it, you speak like we do unfortunately (laughs) i have a friend from London and she’s lived here a long time and now she sounds like she comes from NYC DM: I think my accent is somewhere in the middle of the atlantic ocean JF: So, we share the same birthday DM: Oh really? JF: You’re 15 years older than me though, we share that day with Bono, Donovan, Fred Astaire and a few others DM: Good company! JF: So i saw you once and that was 41 years ago, I don’t know if you remember but it was 7/4/76 DM: I doubt it, too many miles ago! JF: it was pretty important around here cause it was the bicentennial and you opened for Elton John at a stadium with 80,000 people DM: oh, i do remember that! JF: that was a long time ago DM: Ah, yes and no, not in the vast scheme of things, it’s not that long ago JF: you were 30 and I was 15, that makes ME feel old! So, a big thing lately with me has been musicians who tell stories on stage.
    [Show full text]
  • A Band Together. but Who Knew We'd Find As Durable an Application Of
    o R M D EVERY MUSICIAN KNOWS IT’s THE RHYTHM SECTION THAT HOLDS a band together. But who knew we’d find as durable an application of that maxim as the one exemplified by the history of Fleetwood Mac? & Over the last thirty years, Fleetwood Mac has comprised fifteen musicians shuffled through six major lineups, resulting in endless tin- kerings with tone and genre. Yet the two members to survive it all rarely write tunes and never front the recordings. They’re the beat- keepers - drummer Mick Fleetwood and bassist John Me Vie. The fact that a rhythm section could sustain a band through thirty years seems all the more amazing considering the traumatic histories of the band’s shifting array o f stage-front stars. Together, their personal lives have given rock one of its most elaborate and juicy plotlines. (L Religious conversions, spells o f madness, “incestuous” liaisons within the band, drug freak-outs, alleged brainwashings, imperson- Mick ^ stevie ations, everything short of murder have spun Nicks, John McVie, Christine McVie, Lindsey Fleetwood Mac’s legacy into a story worthy of Buckingham (from left) Scheherazade. & Musically the band has endured just as many twists, moving from blues to rockabilly to laid-back California folk rock - finally to bloom into purveyors of some of the most popular and endur- ing music of the Seventies. (L It all began humbly enough. In 1967, the B Y J I M FÄRBER The band in '69: Peter original foursome convened as arch Fame entrant, Santana). If that wasn’t enough, Rose also saw the Green, Fleetwood, Jeremy devotees of the blues, arriving in the band adding nineteen-year-old Danny Kirwan (who’d played in Spencer, Danny Kirwan, second wave of U.K.
    [Show full text]
  • Full Article
    20 rock the rabbit12 TH E FLEETWOOD MAC BY ANTHONY BOZZA ROCK ROYALTY MICK FLEETWOOD LOOKS baCK AT ONE OF THE GREATEST YET MOST DYSFUNCTIONAL baNDS IN MUSIC HISTORY AND FIGURES OUT WHAT COMES NEXT Stretching 48 miles long and 26 across, Maui, the second-largest of the Hawaiian islands, is a tropical paradise full of dreamy beaches and lush landscapes, the most atypical of which is arranged over 18 acres at 4,000 feet above sea level. Near the top of a winding one-lane road cut into a ruddy hillside, a shady driveway dips beneath a canopy of trees to reveal a spread that—minus the citrus groves—looks more like an English country home than a tropical retreat. Clouds that seem but an arm’s length away cast moody shadows over the homestead, giving the sense that this place is half a world from the sun- lit valley below. Lovely bushes of pink and blue flowers abuzz with bees line the roundabout that lies before the front door. Beyond it, stretching into the trees, a long, manicured lawn awaits a garden party or a game of croquet. Off to one PHOTOGRAPHY BY MATTHIAS CLAMER nude female angel playing a harp, a pack of blues musicians, an ax and a headless torso— “IN THE PAST I’D Not and more nude women—plus a portrait of HAVE taKEN NO foR AN Fleetwood in the midst of it all, draped in a ANSweR. I’D HAVE PER- patterned scarf and wearing a white shirt. SUaded SteVie to do There is, naturally, a blue rose in there too.
    [Show full text]
  • Lindsey Buckingham Insists He Isn’T a Virtuoso
    Guitar BY RUSSELL HALL TOO LS O Lindsey F T HE T RAD E n G U Buckingham I TAR n LIN DS E Y B U CKIN G H AM When it comes to playing guitar, Lindsey Buckingham insists he isn’t a virtuoso. Many would disagree with that assess- alone in his bedroom fguring out how ment, but in Buckingham’s view, to duplicate the sounds made by guitarist LINDSEY BUCKINGHAM Gift of Screws virtuosity isn’t necessarily a good thing. Scotty Moore. [ Reprise ] “Tere are times when cleverness or “It wasn’t about facility,” Buckingham technical profciency can overwhelm the says. “It was more about being so interested Great Day Time Precious Time simplicity or the openness of what needs in music and wanting to learn to play those Did You Miss Me to be there,” he explains. “It can be hard, songs. When you’re 7 or 8, your learning Wait for You Love Runs Deeper sometimes, to not do too much. Knowing curve is way quicker. I was so taken with Bel Air Rain where to play and where to be silent are this form of music, I had to be a part of it.” The Right Place to Fade important.” Fast-forward 50 years, and the rich- Gift of Screws Underground Buckingham has been putting that philoso- ness of Buckingham’s contributions to Treason phy into practice for more than fve decades. contemporary music is beyond dispute. Beginning at age 6, when his parents gave Afer making a superb folk-pop album him a Mickey Mouse ukulele, the future with childhood friend Stevie Nicks, the Fleetwood Mac member set about perfect- northern California native was invited by ing a fnger-picking technique that’s as Mick Fleetwood to join Fleetwood Mac.
    [Show full text]
  • Jeremy Spencer
    THIS ARTICLE WAS PUBLISHED ON THEBLUEMAGAZINE.COM IN AUGUST 2020 Exclusive Interview: Jeremy Spencer Five Finger Death Punch founding drummer Jeremy Spencer talks to Blue about the perils of being a rock n roll star with an addiction to drugs and alcohol By Eddie Molina There are many things law enforcement officers are good at; solving crimes, responding to domestic violence calls, driving like a stunt man. But one of my favorites we’re good at- partying. Although closing bars are a thing of the past for me (thank you wife and children), I manage to get my fun time in with a few cold beers on my regular days off. But there’s a limit. How much is too much? At what point does it go from casual and social drinking to problematic and disturbing. Anyone that wears a badge knows what goes on in the world. From dealing with decay of society to working odd hours, there are more than enough reasons to grab a beer after a tour of duty. Sometimes that does go too far. If the only way you cope with a stressful day is to drink alcohol and it’s affecting the people you love most, you may need help. I boasted to a couple of officers in our department about how I landed an interview with a rock star, founding drummer of Five Finger Death Punch Jeremy Spencer. I told them that the focus of the interview was his rehab stints due to his drug and alcohol addiction. They each responded with, “oh yeah, I went to rehab too.” It was a sobering moment and a stark reminder of the seriousness of this issue.
    [Show full text]
  • A Look Inside the Newest Wolf Den 2006 CMA Broadcast Award Winners
    ISSUE SEVEN MUSIC EDITION OCTOBER 2, 2006 A Look Inside The Newest Wolf Den RECORDS CHECK KWLI (Willie)/Denver has gone up in smoke It’s official, Country Aircheck is located at 9 Music after 10 months of “Wide Open Country.” The CBS Square West, Nashville, TN 37203. Our phone number, Radio outlet is now “92.5, The Wolf -- Denver’s New effective Wednesday, Oct. 4, is 615-244-4484. Please Country Choice.” Although not used as a liner or in a update your records and contact list with this new promo, a station press release promises “the best new information. country music artists of today and the brightest new And be doubly sure to update your email contacts stars of tomorrow.” and press lists with correct emails for: The music is decidedly current and promoted Lon Helton -- [email protected] with liners including “A new breed of Country Chuck Aly -- [email protected] has arrived,” “More new Country” and “Fewer Mary Forest Campbell -- [email protected] commercials and more new Country.” During a 90- Another reminder: Send your news, photos, birth- days, upcoming television appearances, and all other minute Aircheck session in Monday afternoon drive, extraneous information to [email protected]. four of 22 songs were pre-2000: Tim McGraw’s We thank you for your support! “Indian Outlaw” (1994), Collin Raye’s “I Can Still Feel You” (1998), Faith Hill’s “Wild One” and Alan A 90-minute music log from the Wolf/Denver is Jackson’s “Chasin’ That Neon Rainbow.” on page two of Country Aircheck Music Edition.
    [Show full text]
  • Pro-Police Jeremy Spencer of Five Finger Death Punch Opens up To
    THIS ARTICLE WAS PUBLISHED BY LAW ENFORCEMENT TODAY JULY 2020 Pro-police Jeremy Spencer of Five Finger Death Punch opens up to LET about his struggle with addiction Posted by: LET Guest|July 26, 2020 |CategoriesEditorial, Featured, The Wounded Blue Jeremy Spencer- Reserve Police Officer and founding drummer of Five Finger Death Punch talks to LET about his struggle with addiction and recovery, a true story of redemption For every law enforcement officer that doesn’t have a drink on his or her day off, there are about 99 that do. Although I made those figures up, I believe it. In the 15 years I have been in law enforcement, I don’t ever recall meeting a LEO that doesn’t occasionally have a few drinks. I merely assume that over the years I must’ve met at least a handful of cops that never have a drink. I’m 42 years old, and now I know several cops that don’t drink…anymore. Those cop friends of mine battled alcoholism and it nearly destroyed them. The pattern should sound very familiar to you: After you graduate the academy you start dealing with criminals, have a few drinks to unwind, stress mounts up, and repeat. This was all before today’s volatile climate of anti-police sentiment sweeping the nation. Just donning the uniform today will get you hateful glances and menacing stares. Who wouldn’t want a drink after a tour of duty right now? And that is a common scenario for us. In an extremely rare and incredible story, Jeremy Spencer, founding drummer of the hit heavy metal rock band Five Finger Death Punch, now a reserve Police Officer for Rockport Police Department in Indiana, went through a similar drug and alcoholism addiction and recovery experience- just the extreme version.
    [Show full text]
  • Davis Turner Song List
    Davis Turner Song List A Pirate Looks At Forty Jimmy Buffett A Thousand Miles From Nowhere Dwight Yoakum Adalida George Strait Addicted To Love Robert Palmer Ain't No Sunshine Bill Withers Alice Smokie All Along The Watchtower Jimmy Hendrix All I Have To Do Is Dream Everly Brothers All Right Now Free Amazed Lonestar American Pie Don McClean Amie Pure Prairie League And I Love Her Beatles Babylon David Gray Back Home In Derry Seven Nations Bad To The Bone George Thorogood Banana Pancakes Jack Johnson Basic Country Skills Turner, Gallian, McCarthy Beast Of Burden Rolling Stones Big Dreams In A Small Town Restless Heart Black Magic Woman Santana Black Velvet Band Irish Rovers Black Water Doobie Brothers Blue Night Bill Monroe Bold O'Donahue Irish Boondocks Little Big Town Born In Louisiana Gatemouth Brown Born On The Bayou Credence Clearwater Revival Born To Be Wild Steppenwolf Breakdown Tom Petty Brick House Commodores Bridge Of Sighs Robin Trower Brown Eyed Girl Van Morrison Burning Love Elvis Caledonia Cab Calloway Call Me The Breeze J. J. Cale, Skynyrd Can't Find My Way Home Blind Faith Can't You See Marshall Tucker Cat Scratch Fever Ted Nugent Cat's In The Cradle Harry Chapin www.resorttalent.com Charlie On The MTA Kingston Trio Chicken Fried Zack Brown China Grove Doobie Brothers City Of New Orleans Arlo Guthrie Cocaine J. J. Cale, Eric Clapton Cold Shot Stevie Ray Vaughn Come Monday Jimmy Buffett Come Out Ye Black And Tans Irish Cool Change Little River Band Copper Head Road Steve Earl Couldn't Stand The Weather Stevie Ray Vaughn
    [Show full text]