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In Focus 5. Verano 2003. the Boogie Punkers. (PDF Editorial Sumario LA CRÍTICA, EL CRÍTICO, EL CRITERIO REPORTAJES (004) Curiosos palabros estos tres. Al crítico no le (002) The Boogie Punkers gusta formar parte de la crítica pero se sabe (006) Los Del Tonos poseedor de criterio. El criticado cuando recibe (009) Doctor Deseo una buena crítica piensa que está hecha con cri- (015) Fito y Fitipaldis (016) Edu "Bighands" terio, así que si tiene ocasión se lo hace saber al (018) Gorka Gassman crítico, y el crítico, claro está, opina entonces que (020) Los Padrinos el criticado tiene criterio al criticar su crítica. (023) Sanchís y Jocano Suena críptico pero suele ser así. (027) Séan Keane (029) Tres Hombres Bien, ¿qué facultades debe tener un crítico? En (031) E- Bow el caso que nos ocupa, se supone que cultura (034) Bad- F Line musical. No problemo, si hay que escuchar dis- (036) The Cumshots cos, se escuchan, mola. Pero el problema está en (038) Dover las condiciones. Si eres de una discográfica y (040) El Drogas y el Kutxi quieres venderme a tu grupo, hazme el favor (043) Koniec (045) Mike Sobieski (ironía) de mandarme un disco, y no un Cd-R sin (046) Motorhead títulos, sin créditos, sin contactos y sin nada ("tie- (049) Obligaciones nes fotos en la güéf"). Si tu grupo está presen- (051) Los Reyes del KO tando su última grabación, no me entregues la (054) Peer Wyboris víspera de la rueda de prensa el disco ("por men- (058) Sharon Sahnnon (060) Shisha Pangma sajero, que corre prisa") y me sueltes encima la BREVES (062) puntilla: "les preguntas cuatro bobadas". Las INFORMES (068) bobadas, cari, las estás diciendo tú, y en esa gro- (068) Tres casos de flamenco contagioso tesca línea de actuación mi sueño es entrevistar (072) Death Row Records a los Stones y preguntarles cómo se formaron. Si (075) Jacobites vas a meter publicidad de tu grupo, no me ven- (078) Tom Waits & Chuck E. Weiss FESTIVALES (080) gas huntando de manera chabacana: "os mete- (080) Festimad 2003 mos un módulo y nos metéis entrevista". Y por (082) B.A.R. cierto, págame la publicidad que nos debes (084) XXVIIFestival de Jazz de Vitoria - Gasteiz desde hace tres números. Y ahora, adivina, adi- (090) Serie Z 2003 vinanza: ¿Qué discográfica de las aquí anuncia- DIRECTOS (092) das, NO cumple ninguno de estos parámetros? DISCOS-DVD (114) OBITUARIO (130) La respuesta en el interior de estas páginas. CINE (131) La crítica, debe entenderse como la abstracción (132) Cine Club F.A.S. y Cimemateca del Museo de Bellas Artes de una opinión. Parece una verdad de Pero (132) Películas Grullo, pero el público en general, parece mani- LETRAS (134) (134) Antiversos Terroristas festar poco discernimiento cuando habitualmen- (135) Nuestra rebelión personal te tiende a identificar una crítica con un valor (136) Libros dogmático. Y no es de extrañar, pues si acudimos (137) El camarote al diccionario de la RAE el criterio se define con (138) Fluidos dos entradas: "Norma para conocer la verdad", (143) Sacrificio que suena terrorífico y el consumidor lo toma DIARIO DE UN COLECCIONISTA (144) demasiado en serio. Y dos: "juicio y discernimien- to" que no es más que una simple opinión y como tal debe ser tomada. Como ejemplo de lo prime- ro , recuerdo el alivio de cierto avezado guita- Han hecho este In Focus: rrista bilbaíno, cuando leyó la reseña favorable a su último disco, llevada a cabo por un controver- (Des) Coordinador: Sachs Le Loup tido periodista local. (Capítulo aparte merecería Redactores: Txetxu Aguado, Alize. Pablo Almaraz, Josu Arteaga, Aviel, Kike Babas y Kike Turrón, Rafael Balparda, Carlos Bastero, Bedwyr, Carlos este último aspecto: ¿por qué no se puede hacer Beltrán, Oscar Beorlegui, Luppo Claqué, Dayip, Donca, Aitor Ferrer, una crítica negativa a un grupo local?) Francisco Javier Ferro Fernández, Asier Gerrikaetxebarria, Yara Goti, Borja Y curiosamente, en ninguna de las dos acepcio- Hortelano, Knoxville Girl, Kodro, Sachs Le Loup, Txe2 - Doom - Blaster, Txema Mañeru, Ricardo Maartínez de la Pera, Mefizz, Manolo del Moral, nes hay alusión al término gusto, que lo es en Nikoteen, Alberto Olmedo, Iker Omar, Iñaki Orbezua, Alberto Palomera, última instancia lo que fundamenta la crítica Rafabilly, Ignatius Reilly, Sorgin Etxean, Los Vicentes, Leonard Zélig, Aritz junto con el conocimiento y el juicio. Y respecto al Zubiate conocimiento, todavía recuerdo las carcajadas de Traductores: Belén Mijangos, Sorgin Etxean Malcolm Scarpa cuando leyó una crítica mía Fotos: Todas por Dena Flows salvo que se indique lo contrario sobre la banda sonora que él había escrito de la Otras fotos en este número: Elker Azqueta, Donca, Edelmiro Fernández, Borja película "Tu madre está loca" (titulo original: Hortelano, Sachs Le Loup, José Miguel Lobato, Belen Mijangos, Nikoteen, Txema "Mamá es boba") Rojo, Alvy Singer, Leonard Zélig, Iker Zubia ¿Y para qué toda esta perorata? Pues para Maquetación y Diseño: Dena Flows decir que una crítica es una opinión y que las opi- Portada y Contraportada: Dena Flows niones hay que valorarlas en su justa medida, ni Publicidad: In Focus por encima, ni por debajo. No puede haber una Producción: In Focus crítica objetiva y tras lo subjetivo no está más que Imprenta: Patxi Ros el individuo, con todo su saber y todas sus caren- cias, así que pongámoslo en su sitio. Contacto: He dicho. In Focus Bº Altamira 24, lonja-estanco 48002- Bilbao Tfno: 606094982 In focus se hace responsable de las opiniones de E-mail: [email protected] todos sus colaboradores. ¡Nos ha jodido! Busca un In Focus que llevarte a casa en Es obligatoria la reproducción total -o parcial- y aquellos lugares que veas anunciados en libre distribución de In Focus... nuestras páginas ...debidamente acreditado ¡eso sí!. 1 Verano-03 Reportaje alos tiempos corren para el rock and THETHE Mroll , si ya no decir malos tiempos corren para la creatividad en la música. BOOGIEBOOGIE Hay cientos de bandas que se queman en locales de PUNKERSPUNKERS ensayo sin ningún tipo de apoyo y que terminan tiran- do la toalla. Otras consi- guen grabar una maqueta que mandarán a alguna compañía independiente y que, tal y como están las cosas, acabará en la pape- lera del baranda de tumo. Pero bueno, supongo que lleva mucho tiempo siendo así y no tiene pinta de mejo- rar. oogie Punkers, infati- gables rockeros con Bunos cuantos concier- tos a sus espaldas, han gra- bado con la intención de editar su material sea como sea y para la ocasión nos reunimos con Carlos Beltrán (guitarra), Eduardo Uña (bajo ) y Luis Arroyo (voz y guitarra) en un bareto, cer- veza en mano, para que nos contasen algo de sus rocke- ras vidas. IF: Empecemos hablando sobre lo Carlos: Primero grabamos los cuatro ins- des grabar independientemente del estilo grabado: maqueta o ¿cómo lo llama- trumentos tocando todos a la vez, y luego que realices. Primero escucha lo que haces, mos? se añadió la voz. Hay algunos recordings luego piensa y después le da al "rec". Carlos: Bueno, maqueta que será disco. mínimos, bien cuando se quería meter un Edu: Te sabe entender. sonido diferente de guitarra o, por ejemplo, Mucha gente toma como diferencia entre cuando añadimos algún detalle: congas, IF: ¿Cómo contactásteis con Hayride maqueta y disco que hayas pagado a la gritos, la voz de Elvis en "Gonna Burn This Music & Records? S.G.A.E., lo cual no me parece muy lógico. Town"... Carlos: Luis y yo conocemos a Kike, el Edu: Está considerado maqueta; es más Edu: Intentamos coger toda la intensidad capo de Hyride, desde hace muchos años. por el sonido. Normalmente se grababan del directo porque en realidad somos un Nos hizo una oferta bastante seria, y eso con cuatro pistas en la lonja grupo de directo. que el disco ni siquiera estaba masterizado. Luis: Para mí maqueta en realidad eran Carlos: También está la cuestión econó- Pero preferimos tener con él una relación unas pocas canciones grabadas con cuatro mica claro; menos horas de estudio, menos meramente de ayuda legal. También, a duros. Esto lo hemos grabado también con dinero. cambio de poner su nombre en el disco, cuatro duros pero hay un montón de can- IF: ¿Dónde y con quién? hemos conseguido las copias más baratas ciones. en fábrica. Carlos: Hemos grabado en el "estudio" de IF: ¿Cómo lo habéis grabado? Javi Letamendia. Algunos pensaban que no IF: ¿Cómo está el tema de la distribu- Edu :Esta grabado en el estudio, toda la era el productor adecuado para un grupo ción en Japón? ¿Y la distribuidora ame- base rítmica a la vez, la voz aparte. como nosotros, pero realmente con él pue- ricana? 2 The Boogie Punkers Carlos: El disco lo edita On The Hill amplia, no sólo en la escena rockabilly, en música y es lo que mucha gente no acepta Records, que tiene en su catálogo grupos algo más abierto tipo el festival SERIE Z o en el circuito rockabilly, donde se lleva de todo el planeta como Hellbillys, Phantom escenas que tengan una visión un poco mas mucho lo de copiar a la gente de los cin- Rockers, Long Tall Texas o The Barnshakers. amplia del rock and roll y que nos permita cuenta, tocar exactamente como ellos, Ya está hecho y esperamos tener 300 tocar con regularidad. incluso grabar con los mismos instrumentos copias para agosto. IF:¿qué bandas os influyen ahora con los que ellos grababan; nosotros no. IF: Hablemos un poco de las cancio- mismo? Nosotros queremos hacer música, estamos nes ¿son vuestras? Carlos: Somos un grupo muy fan de la en el año 2003 y queremos hacer música Luis: Yo tenía desde hace tiempo unas música.
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