The Romance of the Rose Illuminated
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Chaucer and the Roman De La Rose
'""^"' ^IfHLiiii G^_l^ltl^LZwr?, /i /^ - Book f €l. Gop)iighl]^'.__Zi/^ COPYRIGHT DEPOSIT. COLUMBIA UNIVERSITY STUDIES IN ENGLISH AND COMPARATIVE LITERATURE CHAUCER AND THE ROMAN DE LA ROSE :: COLUMBIA UNIVERSITY PRESS SALES AGENTS NEW YORK: LEMCKE & BUECHNEE 30-32 West 27th Street LONDON HUMPHREY MILFOED Amen Corner, E.G. TORONTO HUMPHEEY MILFOED 25 Richmond Street, W. CHAUCER AND THE ROMAN DE LA ROSE BY DEAN SPRUILL FANSLER, Ph.D. u Nrw fork COLUMBIA UNIVERSITY PRESS 1914 All rights reserved 71? 11'^ l-^lAr Copyright, 1914 By Columbia University Press Printed from type, January, 1914 FEB 21 I9i4 ©CI.A362662 i T r- • ^ ji f f 1 T/wa' Monograph Jms been approved hy the Department of English and Comparative Literature in Columbia Uni- versity as a contribution to knowledge worthy of publi- cation. A. H. THORNDIKE, Executive Officer. To My Father and Mother This hook is affectionately dedicated PREFATORY NOTE I take pleasure in acknowledging in print my indebted- ness to Professor Harry M. Ayres, Professor George P. Krapp, and Professor William W. Lawrence, of Columbia University, who have generously read both the manuscript and the proof-sheets of this book and have made many suggestions of value. My greatest obligation is to Professor Lawrence, under whose immediate direction this disserta- tion has been prepared. He has unselfishly at all times given me the benefit of his wide acquaintance with medieval literature, and has been most courteous and helpful. I am also grateful to Professor William E. Mead, of Wesleyan University, for a number of useful bibliographical refer- ences. -
Nature and Divine Love in Guillaume De Lorris and Jean De Meun's Le Roman De La Rose
NATURE AND DIVINE LOVE IN LE ROMAN DE LA ROSE NATURE AND DIVINE LOVE IN GUILLAUME DE LORRIS AND JEAN DE MEUN'S LE ROMAN DE LA ROSE By DEBORAH ANGELA VAN VELDHUIZEN, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Deborah Angela Van Veldhuizen, 1997 MASTER OF ARTS (1997) McMaster University (English) Hamilton, Ontario TITLE: Nature and Divine Love in Guillaume de Lorris and Jean de Meun's Le Roman de la Rose AUTHOR: Deborah Angela Van Veldhuizen, B.A. (Carleton University) SUPER VISOR: Professor Anne Savage NUMBER OF PAGES: vi, 86 11 ABSTRACT This study examines the relationship between nature and divine love in Guillaume de Lorris (c. 1200-1240) and Jean de Meun's (c. 1235-1305) Le Roman de la Rose. My approach contextualizes the allegorical representations of nature and divine love in the religious, historical, and cultural milieu of the poem. The introductory chapter foregrounds the poem in two ways: first, in the theologization of 'nature' by the thirteenth century; second, in terms of a vernacular theology about Christ's Incarnation and Passion being for and about everyone because they redeem the human body and soul. Chapter Two introduces natural and cupidinous love, the framework in which the philosophical discussion of the redemption of the human body and soul occurs. The third chapter compares and contrasts Nature and Genius, the allegorical representations of nature and divine love in the poem. Chapter Four, through an examination of the Park of the Lamb, the garden of Deduit and the hierarchy of 'worlds' presented in the Roman, reveals how it is possible for humankind to live according to God's purpose. -
THE LUDIC(ROUS) AS UMPIRE by ANNIE LEE NARVER A
MAPPING HUMAN VIRTUE AND THE ETHICS OF DESIRE: THE LUDIC(ROUS) AS UMPIRE by ANNIE LEE NARVER A DISSERTATION Presented to the Department of English And the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2019 DISSERTATION APPROVAL PAGE Student: Annie Lee Narver Title: Mapping Human Virtue and the Ethics of Desire: the Ludic(rous) as Umpire This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English by: Warren Ginsberg Chair Anne Laskaya Core Member Stephanie Clark Core Member David Wacks Institutional Representative and Janet Woodruff-Borden Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree Awarded June 2019. ii © 2019 Annie Lee Narver iii DISSERTATION ABSTRACT Annie Lee Narver Doctor of Philosophy Department of English June 2019 Title: Mapping Human Virtue and the Ethics of Desire: the Ludic(rous) as Umpire Building on the assumption that society constructs ideology through, according to Louis Althusser, “apparatuses,” this dissertation explores how medieval romances written from the twelfth through fourteenth century exploit alterity by repurposing the Chanson de Roland’s portrayals of Eastern others and women to negotiate the exigencies contemporary to them. The proof texts, in addition to the Oxford Roland, include martial romances, deemed martial because the hero serves a liege lord rather than a lady: Guy of Warwick and The Sowdone of Babylone. In these texts, knights prove themselves men by vanquishing a sensationalized Eastern foe. -
A History of French Literature from Chanson De Geste to Cinema
A History of French Literature From Chanson de geste to Cinema DAVID COWARD HH A History of French Literature For Olive A History of French Literature From Chanson de geste to Cinema DAVID COWARD © 2002, 2004 by David Coward 350 Main Street, Malden, MA 02148-5020, USA 108 Cowley Road, Oxford OX4 1JF, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of David Coward to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. First published 2002 First published in paperback 2004 by Blackwell Publishing Ltd Library of Congress Cataloging-in-Publication Data Coward, David. A history of French literature / David Coward. p. cm. Includes bibliographical references and index. ISBN 0–631–16758–7 (hardback); ISBN 1–4051–1736–2 (paperback) 1. French literature—History and criticism. I. Title. PQ103.C67 2002 840.9—dc21 2001004353 A catalogue record for this title is available from the British Library. 1 Set in 10/13 /2pt Meridian by Graphicraft Ltd, Hong Kong Printed and bound in the United Kingdom by TJ International Ltd, Padstow, Cornwall For further information on Blackwell Publishing, visit our website: http://www.blackwellpublishing.com Contents -
Jean De Meun's Narrative Stylistics and Readership
Jean De Meun’s Narrative Stylistics and Readership Lee Dongchoon [Abstract] Unlike a popular narrative, meanings in Jean de Meun’s narratives cannot be pursued by simply following the omniscient narrator’s guideline. His narrator intends to keep distance between himself and his audience rather than a perfect accord in understanding a tale or figuring out the authorial meaning. It is through the various narrative devices that Jean de Meun frustrates his audience from accepting the narrator’s words and attitudes at face value. By calling his narrator’s trustworthiness into question, he offers his audience the chance to rely on the judicious and thoughtful independence of the mind in sorting out the complex messages within a narrative. The effect of distancing between the narrator and the audience through the storytelling devices is to make it possible for them to exert their own imagination and intelligence in grasping the meaning. In short, the audience with keen perception and intelligence are required actively to mine for meaning or decide upon the truth or authenticity among multiple voices. Reading Jean de Meun demands of the audience an act of will. Key Words: Jean de Meun, Roman de la Rose, Rhetorical Devices, Narratology, Readership 34 영미연구 제37집 Although it might be difficult to demonstrate the full extent of Ovid’s influence on Jean de Meun, we can see the glimpses of Ovid in Jean de Meun’s work, Le Roman de la Rose on a variety of levels. First, Jean de Meun’s debt to Ovid is immense in the former’s borrowings of such Ovidian myths as the story of Venus and Adonis (15645-737) and the Pygmalion story (20787-21184).1) In fact, the critics have been wrestling over how and why Jean de Meun adapted the Ovidan myths in his tale.2) Besides Ovid’s role as a provider of storytelling materials for the French raconteur, Ovid’s influence on Jean de Meun on the level of narrative technique is found in Jean de Meun’s work as well. -
Considering Chaucer's Romaunt of the Rose
Lette Vos 3695107 BA Thesis English Language and Culture, Utrecht University. Begeleider: dr. Anita Auer. Juni 2013 8645 woorden Considering Chaucer’s Romaunt of the Rose: Principles and Processes of Medieval and Present-day Translations Folio 57v from the Hunter Manuscript, c. 1440-1450, Glasgow University Library 2 Acknowledgements I would like to express my gratitude to dr. Anita Auer for her enthusiasm in the development of this thesis, and for helping me find a suitable scope to address this topic. Despite the physical distance, I felt that you were always close at hand in times of uncertainty. As they say in Manchester: ta! I would also like to thank Ingmar Bloemendal, for being eternally kind and witty in evaluating my work, and dr. Gerda van der Weele, my most critical and constructive reader, for always taking the time to appreciate and improve whatever I produce. You are an indispensable part of my writing process. Finally, thank you to dr. Marcelle Cole for kindly agreeing to assist in correcting my thesis. I am proud to present this work as the result of not only the last couple of months, but three years of great courses at two great universities. 3 Table of Contents 1. Introduction 4 2. Identifying Chaucer’s Hand in the Romaunt of the Rose 2.1. Walter W. Skeat 7 2.2. Fragment B and C 8 2.3. Fragment A 10 3. Chaucer’s Style of Translation 12 4. Comparison to Modern Translations 4.1. Introduction to Modern Translations 17 4.2. Chaucer in Robbins and Dahlberg 18 4.3. -
Substance and Providence in the Old French Theological Romance
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Substance and Providence in the Old French Theological Romance Ian Michael McConnon University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Medieval Studies Commons, and the Other Languages, Societies, and Cultures Commons Recommended Citation McConnon, Ian Michael, "Substance and Providence in the Old French Theological Romance" (2012). Publicly Accessible Penn Dissertations. 545. https://repository.upenn.edu/edissertations/545 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/545 For more information, please contact [email protected]. Substance and Providence in the Old French Theological Romance Abstract The doctrine of divine providence was considered fundamental to understanding the nature of reality in medieval Christian orthodoxy. One of our greatest modern impediments to proper understanding of this law are the radically different ontologies that flourished in the Latin estW through the recuperation of Ancient thought, most notably in the divisions between the Platonists and the Aristotelians. Whereas Biblical exegesis owed more to Augustine's Platonism, the rise of Aristotelian thought in the university curriculum entailed a serious threat to the doctrine of providence. The translation and dissemination of Islamic Aristotelians revealed an almost identical challenge to Islamic orthodoxy on the same matter. Philosophical, and especially ontological, speculation on the nature of substance (ontology) was therefore fertile ground for heresy. The main works under examination are the anonymous Queste del Saint Graal and the continuation of the Roman de la Rose by Jean de Meun. Deeply imbued with Augustinian figuralism and Biblical history, the Queste strongly distinguishes itself from the rest of the Lancelot en Prose, most notably La Mort le Roi Artu, in its theological purpose. -
Essays on the Narrative Verse of Guillaume De Machaut
University of Kentucky UKnowledge French and Francophone Literature European Languages and Literatures 1974 A Poet at the Fountain: Essays on the Narrative Verse of Guillaume de Machaut William Calin University of Oregon Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Calin, William, "A Poet at the Fountain: Essays on the Narrative Verse of Guillaume de Machaut" (1974). French and Francophone Literature. 3. https://uknowledge.uky.edu/upk_french_and_francophone_literature/3 STUDIES INlROMANCE LANGUAGES: 9 Editor Jom; E. KELLER Associate Editor for French VIRGI:\IA A. LA CHAHiri: Editorial Board French Portuguese WILLIAM c. CALI:\ EDWARD CLASEI\ ROBERT CHAMPIG:\Y GEHALD MosER LESTER c. CHOCKEH J. H. MATTHEWS MICHAEL RrFFXfERRE Spanish JOSE J. ARROM Italian JuA:'I BAUTISTA AYALLE-AHCE GLAUCO CAMBO); Ons H. CREE:<: WILLIAM DESUA KARL-LUDWIG SELIG This page intentionally left blank A POET AT THE FOUNTAIN This page intentionally left blank A POET AT THE FOUNTAIN ESSAYS ON THE NARRATIVE VERSE OF GUILLAUME DE MACHAUT BY WILLIAM CALIN THE UNIVERSITY PRESS OF KENTUCKY LEXINGTON I.S.B.N. 0-8131-1297-4 LIBRARY OF CoNGRESS CATALOG CARD NUMBER 72-91663 A statewide cooperative publishing agency serving Berea College, Centre College of Kentucky, Eastern Kentucky University, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky State College, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University EDITORIAL AND SALES OFFICES: LEXINGTON, KENTUCKY 40506 PRINTED IN SPAIN ~PRESQ EN ESPANA I.S.B.N. -
New Studies in Medieval Culture Ethan Knapp, Series Editor
Interventions: New Studies in Medieval Culture Ethan Knapp, Series Editor HOW TO MAKE A HUMAN Animals and Violence in the Middle Ages KARL STEEL THE OHIO STATE UNIVERSITY PRESS Columbus Copyright © 2011 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Steel, Karl. How to make a human : animals and violence in the Middle Ages / Karl Steel. p. cm. — (Interventions: new studies in medieval culture) Includes bibliographical references and index. ISBN-13: 978-0-8142-1157-1 (cloth : alk. paper) ISBN-10: 0-8142-1157-7 (alk. paper) ISBN-13: 978-0-8142-9256-3 (cd-rom) 1. Literature, Medieval—History and criticism. 2. Human-animal relationships in litera- ture. 3. Animals (Philosophy)—History. 4. Animal welfare in literature. 5. Animals— Social aspects. I. Title. II. Series: Interventions : new studies in medieval culture. PN682.A57S74 2011 809'.93362—dc22 2010050273 This book is available in the following formats: Cloth (ISBN 978-0-8142-1157-1) CD-ROM (ISBN 978-0-8142-9256-3) Cover design by Melissa Ryan Type set in Times New Roman Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 For Alison CONTENTS- Acknowledgments ix Introduction • Human Limits 1 Chapter 1 • How to Make a Human I. “Elles were Beest Lich to Man”: Dominance, Human Reason, and Invocations of Likeness in Sidrak and Bokkus 29 II. The Reasonable Body 44 Chapter 2 • Mastering Violence I. -
Mccabe Timothy MN 201003
Ethics, Rhetorical Accommodation, and Vernacularity in Gower’s Confessio Amantis by T. Matthew N. McCabe A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy, Graduate Department of the Centre for Medieval Studies, in the University of Toronto © by T. Matthew N. McCabe Ethics, Rhetorical Accommodation, and Vernacularity in Gower’s Confessio Amantis T. Matthew N. McCabe Doctor of Philosophy Centre for Medieval Studies University of Toronto 2010 Abstract Many critics have seen Confessio Amantis as a work of reformist rhetoric that, drawing deeply on medieval Aristotelian conflations of ethics and politics, urges readers toward personal moral reform as the crucial means by which to heal the body politic. In such a view, the moral and public interests on full display in Mirour de l’Omme , Vox Clamantis , and elsewhere remain central to Gower’s purpose in Confessio . However, while Mirour and Vox also foreground religious concerns, Confessio is often seen as “secular” in a modern sense. I argue in this dissertation that Confessio indeed bears strong affinities to Gower’s other religious-ethical-political works, and that the main differences that set it apart from them must be understood in connection with Gower’s decision to write this work “in oure Englissh.” Notwithstanding its debt to aristocratic culture, Confessio imagines a broader and more popular audience than do Vox and Mirour . Gower’s novel language choice has major implications especially for Confessio ’s uncharacteristically delicate handling of religion. Chapter 1 examines Confessio ’s Ovidian debt and suggests that Confessio ’s many invocations of Metamorphoses , given that poem’s fourteenth-century reception, align Confessio with Ovidian universal satire in a way that suggests totalizing religious-ethical-political synthesis. -
A Study of Guillaume De Palerne As a Self-Reflexive Romance
Reflections of writing, rewriting, and reading in twelfth-century French literature: A study of Guillaume de Palerne as a self-reflexive romance Eleanor Hodgson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy Department of French University of Sheffield —July 2015— Abstract This thesis explores Guillaume de Palerne as a self-reflexive romance in which twelfth-century practices of writing, rewriting, and reading are reflected in the narrative. As a romance excluded from the main corpus of texts analysed in medieval studies, Guillaume suffered from critical neglect throughout much of the twentieth century. However, a recent rise in interest in this work has called for its integration into mainstream scholarship. This study develops this trend by examining the contribution that Guillaume can make to existing knowledge of romance production and reception. Detailed analysis of Guillaume and its main themes is presented alongside discussion of the intertextual rewriting found within the text. Taking a bipartite form divided into four chapters, the first half of the study explores transformation, before moving on to the notions of doubling and correspondence, and finally to recognition. The thesis argues that the ‘intertextual game of romance’ played between poet and audience is reflected in the Guillaume narrative through the stress placed on transformation and recognition. By exploring doubling and correspondence, this analysis also highlights the relationship between transformation and recognition in the narrative, which in turn mirrors the partnership between poet and audience in romance creation. With its primary focus on the text, this study is facilitated by an engagement with theoretical frameworks, particularly of intertextuality, that discuss medieval composition and reception, stemming both from medieval studies and from modern literary theory. -
Scenes of Embrace in Morgan MS M.245 and the Tactile Responses They Provoked
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Fall 1-5-2019 Through the Eye and Into My Heart: Scenes of Embrace in Morgan MS M.245 and the Tactile Responses They Provoked Zoe A. Coyle CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/375 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Through the Eye and Into My Heart: Scenes of Embrace in Morgan MS M.245 and the Tactile Responses They Provoked by Zoe Coyle Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History, Hunter College The City University of New York Fall 2018 Thesis Sponsor: December 8, 2018___________ Cynthia Hahn_______ Date Signature December 8, 2018________ Maria Loh___________ Date Signature of Second Reader Table of Contents Acknowledgements………………………………………………………………….…….ii List of Illustrations…………………………………………………………...……………iii Introduction…………………………………………………………………………...…..1 Chapter 1: Embraces…………………………………………………………………..….16 Chapter 2: Tensions………………………………………………………….………..….32 Chapter 3: Caressing Vellum & Stroking Pigment ……………………………………...41 Chapter 4: Visuality & Embodied Reading………………………………………………59 Chapter 5: Vello-Maniacs………………………...………………………………………69 I. Valois Patronage………………………………………………………………..69 II. La Querelle…………………………………………………………………….74 Conclusion…………………………………………………..……………………………81 Bibliography…………………………………………………...…………………………84 Illustrations……………………………………………………………………………….92 i Acknowledgements This thesis grew out of a research paper for a Spring 2017 seminar led by Cynthia Hahn and Joshua O'Driscoll at the Morgan Library; the feedback from both professors and my fellow students in that extraordinary class has informed every single page of this project.