Fibre to Fabric
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Start Spinning: Everything You Need to Know to Make Great Yarn Ebook
START SPINNING: EVERYTHING YOU NEED TO KNOW TO MAKE GREAT YARN PDF, EPUB, EBOOK Maggie Casey | 120 pages | 01 Apr 2008 | Interweave Press Inc | 9781596680654 | English | Loveland, CO, United States Start Spinning: Everything You Need to Know to Make Great Yarn PDF Book To make two-ply yarn, take two singles strands or both ends of the same strand , attach them both to your spindle, and twist them around each other in the opposite direction from how you originally spun them. When you spin, you put twist into fibres so that they hold together to form a continuous thread. Navajo Plying - Making a three-ply yarn 8. Designed to appeal to the beginning spinner, tips and hints are provided that illustrate how easy, enjoyable, and relaxing spinning can be. When I was in Kenya, women spun Romney wool chiefly "in the grease," but it often locked in large amounts of dirt in the process. Spin spin spin! Covers fiber characteristics, preparation and spinning, choosing a wheel, and crafting the finished yarn into useful and attractive pieces. I Made It! Leave the original loop of fiber anchored on the spindle hook. Description If you are a knitter or crocheter looking to take the step from just using manufactured yarn to making your own this is a great book to get you started. A bunch of loose fibers will fall apart if you pull on their ends. Launching a Patreon! First and foremost, you want a balanced drop spindle that spins true. Either one will do just fine to learn on. It is also much easier to learn to spin wool than silk, or cotton and other vegetable fibres. -
Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept
DOCUMENT RESUME ED 048 223 SP 007 137 TITLE Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept. of Education, Toronto. PUB LATE 67 NOTE 34p. EDRS PRICE EDRS Price MF-$0.65 HC-$3.29 DESCRIPTORS Clothing Instruction, *Curriculum Guides, Distributive Education, *Grade 11, *Grade 12, *Hcme Economics, Interior Design, *Marketing, Merchandising, Textiles Instruction AESTRACT GRADES OR AGES: Grades 11 and 12. SUBJECT MATTER: Fashicn arts and marketing. ORGANIZATION AND PHkSTCAL APPEARANCE: The guide is divided into two main sections, one for fashion arts and one for marketing, each of which is further subdivided into sections fcr grade 11 and grade 12. Each of these subdivisions contains from three to six subject units. The guide is cffset printed and staple-todnd with a paper cover. Oi:IJECTIVE3 AND ACTIVITIES' Each unit contains a short list of objectives, a suggested time allotment, and a list of topics to he covered. There is only occasional mention of activities which can he used in studying these topics. INSTRUCTIONAL MATERIALS: Each unit contains lists of books which relate either to the unit as a whole or to subtopics within the unit. In addition, appendixes contain a detailed list of equipment for the fashion arts course and a two-page billiography. STUDENT A. ,'SSMENT:No provision. (RT) U $ DEPARTMENT OF hEALTH EOUCATION & WELFARE OFFICE OF THIS DOCUMENTEOUCATION HAS BEEN REPRO DUCED EXACT' VAS RECEIVED THE PERSON OR FROM INAnNO IT POINTSORGANIZATION ()RIG IONS STATED OF VIEW OR DO NUT OPIN REPRESENT OFFICIAL NECESSARILY CATION -
Sheila Never Go As Fast As You Would Wish!) Don’T Worry – We Will Let You Know When You Can Open That Present!
Bear in Mind An electronic newsletter from Bear Threads Ltd. Volume 4 – Issue 1 January 2012 From The Editor – I hope you will enjoy this newsletter. In it there is lots of information that I think you will find helpful for the 2012! coming months and beyond. And I am looking forward to showing you all that is new at the Creative Sewing Market in Birmingham. Remember the dates are January 15‐16. Seems only yesterday we were turning the calendar to the new millennium of 2000! Indeed this is a new year and an Till Birmingham, Happy Stitching – exciting one as well, for Bear Threads. * We will soon be inaugurating a new website (things Sheila never go as fast as you would wish!) Don’t worry – we will let you know when you can open that present! *I will begin teaching again with several informative as well as fun lectures and projects. There are classes for beginner to advanced, as well as shop owners, too. BIRMINGHAM CREATIVE SEWING Please call for more information. MARKET *We have many new fabrics to entice your spring sewing. Sunday and Monday Honestly there are too many new fabrics to list here, but January 15 and 16, 2012 for teasers, we have brought back the beautiful Ecru in the Marriot Hotel – Hwy. 280 just south of I‐459 Bearissima. AND we have brought back the TRUE LAWN, in white, pink and blue. *We have a new price list that is easier to read and it lists Be sure to see Bear Threads, Ltd. first. -
From “Outsider” to Insider: the Case of Reliance
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Munich Personal RePEc Archive MPRA Munich Personal RePEc Archive From \Outsider" to Insider: The Case of Reliance Surajit Mazumdar 2016 Online at https://mpra.ub.uni-muenchen.de/93162/ MPRA Paper No. 93162, posted 9 April 2019 16:13 UTC From ‘Outsider’ to Insider: the Case of Reliance Surajit Mazumdar CESP/SSS. Jawaharlal Nehru University Revised Version of Paper presented at the Conference on the Sociology of the Indian Elites, Jawaharlal Nehru University, 4th and 5th January 2016 Abstract: At the time that India’s liberalization, the Reliance group was already one of India’s leading business groups and in subsequent years has only cemented its place at the top of India’s corporate hierarchy. Reliance was not, however, among the ‘traditional’ large groups that emerged during the colonial era and were found to be still dominant in the mid-1960s. This paper traces the story of the Reliance phenomenon and discusses briefly the process (method) by which that story was constructed. In addition to demystifying the phenomenon, the paper seeks to demonstrate that there is sufficient evidence available to establish the proposition that the basis for the success of Reliance was fundamentally no different from that which other groups used to perpetuate their dominant position, the roots of which lay in the nature of Indian capitalism. 1 Introduction A fundamental premise of this paper is that the capitalist or business class in any society is a product of its particular historical development. -
How to Choose the Right Needle Infogra
How to choose the best needle for your sewing Normal Woven Material Universal Embroidery Embroidery This needle is For example: suitable for sewing This needle is Shirts and suede, corduroy, suitable for machine skirts with organdy, batiste, embroidery with cotton and linen, poplin thicker thread sheeting fabric broadcloth and and multi others. directional stitching. Normal round point Light ball point needle for multi - directional stitching Machine Quilting Quilting Top Stitch Metal Suitable This needle is This needle is This needle is for quilting suitable for suitable for quilting suitable for and piecing quilting and seams with thicker machine patchwork threads. It can also embroidery with sewing and also be used for the sewing metallic threads or recommended of button holes, for specially treated for the sewing of decorative stitches and threads. button holes. for repair embroidery. Slim sharp point Light ball point needle for for machine quilting Light ball point for special stitches sewing with metallic thread Knit Material Super Stretch Jersey Suitable for t-shirts, This needle is This medium ballpoint baby onesies, suitable for sewing needle is suitable for sporstwear, etc. simplex, latex, Lycra®, sewing with woven and sportswear fabrics knitted fabrics such as and general elastics. jersey, fleece and stretchy rayon. Med ball point for low gauge fabrics Med ball point for general knitted fabrics Hard Material Jeans Leather This needle is suitable Good for thick The knife shape for sewing jeans, layers of denim point of this needle canvas, coated material makes it suitable for fabrics, flannel, all kinds of leather artificial leather or and suede sewing. -
Vicky Steps out in Cotton Jo Ann Breckenridge Iowa State College
Volume 28 Article 6 Number 8 The Iowa Homemaker vol.28, no.8 1948 Vicky Steps Out In Cotton Jo Ann Breckenridge Iowa State College Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Breckenridge, Jo Ann (1948) "Vicky Steps Out In Cotton," The Iowa Homemaker: Vol. 28 : No. 8 , Article 6. Available at: http://lib.dr.iastate.edu/homemaker/vol28/iss8/6 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. • by .To Ann Breckenridge ICKY'S having a hey day. Spring is coming and You'll buy or make them in old-fashioned charmers V she has only one cool cotton dress in her closet. with dark background calico prints. Most eye-catch So she's haunting the faqric counters and is delighted ing is the almost microscopic black splatter print on as a kitten with catnip at what she's found. Her old gay color ground. It too, is a rustler. Bright and dresses, too short, faded or worn out, are on the way clannish are the cotton taffeta plaids that will be to children in Holland or dusting the furniture on square dancing in Great Hall this spring. cleaning clay. The new ones she's making are planned to make her look as cool as a Union malt when hot Wrinkle-shed Cottons weather arrives. -
View Resume/Vita
Email: [email protected] LinkedIn : https://www.linkedin.com/in/eulandasanders EDUCATION: 1997 Doctorate of Philosophy Human Resources and Family Sciences, University of Nebraska-Lincoln Dissertation Title: African American Appearance: Cultural Analysis of Slave Women’s Narratives Advisor: Joan Laughlin, Ph.D. 1994 Masters of Arts Design, Merchandising and Consumer Sciences, Colorado State University Thesis Title: AutoCAD for Hand-Knitted Garment Production: Art Deco Design Advisor: Diane Sparks, Ed.D. 1990 Bachelor of Science Apparel and Merchandising, Colorado State University Honors: Cum Laude 1987 Associate of Arts Liberal Arts, Lamar Community College Honors: President’s List and Graduation Student Speaker ACADEMIC POSITIONS: August 2012 - forward Professor and Donna R. Danielson Endowed Professorship in Textiles and Clothing, Department of Apparel, Events and Hospitality Management (AESHM), College of Human Sciences, Iowa State University Current: Teaching 60%, Research/Creative Scholarship 20%, Service 20% Lead the development of the apparel design and product development programs Mentor tenure-track and non-tenure track faculty in apparel design and product development Recruit, mentor, and advise top graduate students into the department Manage the Digital Apparel & Textile Studio (DATS) 1 June 2016 – forward Equity Advisor, College of Human Sciences, Iowa State University Chair the CHS Committee on Diversity, Equity, and Community (DEC) and represents the CHS on the ISU Committee on Diversity Coordinate regularly with -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
Tapestry Weaving
CONTENTS FOREWORD INTRODUCTION TO TEXTILES AND WEAVING 2 SPINNING SPINNING BY HAND 6 SPINNINGWHEEL: THE PARTS 6 SPINNINGWHEELWITH BOBBIN LEAD 9 BICYCLE SPINNINGWHEEL 9 SPINNING ACCESSORIES 9 BENCH-CARDER 11 CONSTRUCTING A BENCH-CARDER 12 THE SPINNING OPERATION 13 MATERIALS: WOOL AN D MOHAl R 14 THE CLASSES OF MOHAIR FROM LESOTHO 14 SORTING BASOTHO MOHAIR 15 TEASING 16 CARDING 16 COMBING 18 SPINNING: WORKING METHOD 19 LONG DRAW-WOOLLEN SPINNING 20 SHORT DRAW-WORSTED SPINNING 21 SPINNING FLUFFY YARN 22 Z-TWISTED AND S-TWISTED YARN 22 PLYING 22 THE SIZE OF THE YARN 23 SKEINS 23 EVALUATI NG TH E YARN 24 DYEING NATURAL DYES 25 SYNTHETIC OR CHEMICAL DYES 25 SYNTHETIC DYES FOR ANIMAL FIBRE 25 EQUIPMENT 27 MATERIALS USED FOR DYEING AT TLM 29 WEIGHING THE DYE-STUFF 30 PREPARING LESS THAN 1/10 GRAM DYE-STUFF 30 http://d-nb.info/1015550118 CALCULATING PERCENTAGES 31 PREPARING YARN FOR WASHING AND DYEING 31 HANDLING YARN FROM ANIMAL FIBRE 32 SOAKING YARN BEFORE WASHING 32 WASHING YARN 32 WORKING ROUTINE AND DYEING METHOD 33 SAMPLE DYEING 34 MATERIAL CONSUMPTION REGISTRATION 35 SHAFT LOOM WEAVING SHAFT LOOM WITH OVERHEAD PULLEY SYSTEM 36 SHAFT LOOM: THE PARTS 37 SHAFT LOOM: OPERATION 38 SHAFT LOOM WITH COUNTERMARCH 39 WEAVING ACCESSORIES AND HAND-TOOLS 39 THE WARP 42 THE WEFT 42 PREPARING WARP THE SIMPLEST WAY 42 PREPARING WARP ON A FRAME 43 PREPARING WARP ON A WARPING MILL 44 THE CROSS 45 THE REED 46 CALCULATING THE WARP WIDTH 47 CALCULATING THE WARP LENGTH 47 SPACING THE WARP BEFORE DRESSING THE LOOM 48 TRANSFERRING A WARP TO THE SHAFT LOOM 49 DRESSING -
In-Stock Kravet Carpet
Volume II IN STOCK.kravetcarpet Flat weaves are the foundation for a casual lifestyle. These beautiful rugs are hand woven on horizontal looms in China and India, available in wool or cotton. Designs include stripes, geometrics and ikats in textures such as soumaks and kilims. Modern rugs from Kravet Carpet are hand knotted using extraordinary fibers, such as linen, hemp and art silk. Construction includes wool pile and Moroccan Berber, resulting in designs that are lifestyle oriented and fashion forward. High contrast colors, subtle animal skins, large scale damasks, bold ikats and abstract geometrics make this an exciting category for Kravet Carpet. Tibetan rugs are created in Nepal where Tibetan artisans execute every part of the process entirely by hand. The collection includes an extensive line of area rugs in the best selling colors, constructed in 100 knots from the finest Tibetan wool and Indian silk. These designs are in stock eliminating the waiting time usually associated with hand knotted rugs. The Eastern collection from Kravet Carpet includes new introductions, favorites, and antique reproductions. This vast selection of more than 300 designs is available in rectangles, squares, rounds and runners. All rugs are hand knotted with the finest wools from India, Pakistan and China. Rugs from the Kravet Smart collection are hand knotted and hand loomed in India. Seven subtle designs in forty five luminous colors are created from wool and viscose. The effect is sophisticated and stylish, providing the perfect foundation for any interior. Kravet Smart Naturals offers a selection of sisal area rugs, elegantly finished with cotton binding. -
Ellsworth American, a Newspaper Print* Il T Prevented Essay—“The School Lunch" Albert E
distort Emetic he. •VMoaimoa ratoa, IlH rn — 1) LXII* rAI» I* 4DVARCI, ll.H ““•I ) HTUtt AM aiOOVD- OLAM MATTIB ) you ELLSWORTH, MAINE, WEDNESDAY AFTERNOON, JUNE 28, 1916. AT Til ILUWOITI rOSTOPPloa. No. 26. LOCAL AFFAIRS. schools be discontinued, and the pupils abDirt«nuntt». now attending these schools sent to the Pine street «nd Ellsworth Fells schools HKW AOVERTIHBMKNTH THIS WEE K respectively. Strand Theatre Qoorge W. Mooney, ol Orland, was in J A Haynes—Climax tea Ellsworth over Sunday. visiting his £ Burrill National Bank E E Rowe—Chevrolet car Annual meeting of Mt Desert Bridge Cor- daughter, Mrs. A. H. Sawyer. His grand- poration son, Sherman Sawyer, him For eale—Preacott Player Piano accompanied OF ELLSWORTH Mra Harriet K Qilea—Tea room home lor a summer visit. E W Wooater — Strawberries and goose- berries Mortimer Levy, of New York, with offers you every possible banking accommodation MiscKLLANaocf: little nephew, hss joined Mrs. Levy here Federal Inquiry or Railroad Strike at the borne of her parents, David Friend bounds of We want within safety. your business. and wife, for a short visit. Mrs. Levy WEATHER IE ELLSWORTH will return to New York with them. on accts. 29bcredited monthly checking of $500 and over The full summer schedule went into ef- for Week Boding at Midnight Tuesday, fect on the Mt. Desert branch of the Jana 4 compounded semi-annually, in savings *7. 1910. Maine Central railroad Monday. The percent., dept. [From observations taken at the power station of the Bar Harbor A Union Rivei time-table and mail schedule at the head Both Check and Savings Departments are under Power Co., In Ellsworth. -
Identifying Textile Types and Weaves 1750-1950 DATS in Partnership with the V&A
Identifying Textile Types and Weaves 1750-1950 DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Textile Types and Weaves 1750-1950 Text copyright © DATS, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name taught by Sue Kerry and held at Birmingham Museum and Art Gallery Collections Centre on 29th November 2007. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Printed Textiles in Dress 1740 -1890 Identifying Handmade and Machine Lace Front Cover - English silk tissue, 1875, Spitalfields. T.147-1972 , Image © V&A Images / Victoria and Albert Museum 2 Identifying Textile Types and Weaves Contents Page 2. List of Illustrations 1 3. Introduction and identification checklist 3 4. Identifying Textile Types - Fibres and Yarns 4 5. Weaving and Woven Cloth Historical Framework - Looms 8 6. Identifying Basic Weave Structures – Plain Cloths 12 7. Identifying Basic Weave Structures – Figured / Ornate Cloths 17 8.