DOCSLIB.ORG

RAYON RUGS... Readily Ruined, but Still the Rage

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
RAYON RUGS... Readily Ruined, but Still the Rage RAYON RUGS... Readily Ruined, But Still the Rage We have published various articles Why might a retailer or It seems that some will do over the years explaining the manufacturer use the term almost anything to keep from shortcomings of rayon. Despite “bamboo silk” instead of rayon? calling their rugs “rayon.” No our best efforts, rayon rugs remain Natural fibers are as popular as other fiber shows up under so extremely popular with designers ever and bamboo is thought of as many different names. Banana and their clients. Undeterred, both natural and sustainable. Silk silk, faux silk and art silk are we bring you—again—our best is, of course, both natural and a almost always rayon (rarely, a information about the limitations luxury fiber. So, the misleading rug will be mercerized cotton). of these products. name really comes down to Luxcelle and Silkette are marketing sizzle (without the steak). tradenames being used for What's in a Name? rayon. Again, the names are For all practical purposes, the confusing (and illegal) because terms rayon and viscose are the fiber content is not interchangeable. There are a immediately recognizable. handful of exceptions, but they are a tiny part of the total market. Problems Abound In fact, the Federal Trade As we’ve mentioned before, we Commission (FTC) says either think of rayon as cotton’s poor name is acceptable. relation. It’s a cellulosic fiber, so it shares a few of cotton’s better What the FTC does not allow qualities (e.g., soft hand and is rayon that is described under resistance to static). But rayon is fanciful names that do not a man-made cellulosic, meaning include either “rayon” or “viscose” some of its properties are quite in the description. A rug that is different from cotton. labeled “100% Bamboo Silk” is actually 100% rayon and 100% Poor Strength. Cotton actually gets in violation of federal labeling stronger when it is wet. Rayon, laws. In fact, the FTC sued several Water spilled on a rayon rug was blotted however, loses strength. In fact, with paper towel and then air-dried. The major retailers for just this type of rayon can lose up to 50% of its resulting pile distortion (light spot) is very infraction in 2012… and the fines common in these rugs. tensile strength when it gets wet. were over $1.2 million. This means that when rayon rugs Superior Service, Smart Solutions PAGE 1 COPYRIGHT 2016 are cleaned (either by spot cleaning common. Complicating this situation pile. This effect can be somewhat or overall cleaning), greater caution is the fact that aggressive vacuuming corrected by gently grooming the must be used. (with a brush head) is specifically pile upright as it dries, but the recommended against by some overall look of the pile will never be Shading. Rayon is very lustrous, with manufacturers of rayon rugs. “new” again. the result that differences in pile orientation can mean areas appear Poor Cleaning Results. Generally On the Bright Side lighter or darker. This problem is speaking, rayon rugs are difficult As always, the experts of your local often referred to as pile distortion. to clean and many carpet and Fiber-Seal Service Center are just Wet feet, a small spill or a pet rug cleaners will decline to do so. a phone call away when you need accident can all result in this type of As with any other fabric or floor assistance with the care of fine shading problem. covering, dry cleaning is simply interior textiles. As you can see from not very effective on the range of this article, we answer questions When a rayon rug needs spot stains and traffic soils that are most that are not even related to Fiber- cleaning, it can be complicated. common in the home. Wet cleaning, Seal. If we don’t already have the Water-based cleaners tend to using appropriate detergents answer, we’ll help find it for you! flatten the pile, causing noticeable followed by thorough rinsing, is the distortion that can be VERY difficult, most effective method…and also You can also connect with us on if not impossible, to correct. the most problematic for rayon rugs. our social media networks! Poor Resiliency. Rayon is one of the Normal wet cleaning procedures will least resilient of all fibers. Crushing inevitably cause flattening of the and matting in traffic areas is very Need Help With Fabric Cleaning Or Fabric Protection? Your local Fiber-Seal Service Center is ready to help and just a few clicks away... find out which one is closest to you by visiting www.FiberSeal.com/Locations. Or, you can always give us a call at 214.333.9400 or email us at [email protected]. Superior Service, Smart Solutions PAGE 2 COPYRIGHT 2016.
Load more

Recommended publications
  • Favorite Scandinavian Projects to Weave, We Have Selected 45 Patterns from Vävmagasinet—The Scandinavian Weaving Magazine
    FAVORITE DUPLICATION PROHIBITED by copyright holder WEAVE SCANDINAVIAN FAVORITE LIKE AN SCANDINAVIAN EXPERT PROJECTS TO WEAVE WHAT COULD BE MORE WONDERFUL than surrounding WEAVE TO PROJECTS yourself with gorgeous handwoven textiles? Weaving them yourself! Inside find 45 unique projects, developed and tested by professional weavers, 45 Stylish Designs for the Modern Home and specially chosen for this collection from the popular Scandinavian weaving magazine Vävmagasinet. You’ll enjoy: Step-by-step instructions, charts, illustrations, and color photos Featured fibers, including linen, half-linen, cottolin, wool, paper, and piassava Versatile ideas for pillows, throws, rugs, curtains, table linens, and more, all easily adjusted to suit your own individual style A special section on textile care and handling TINA IGNELL $22.95 USD ISBN 978-1-57076-898-9 5 2 2 9 5 Tina Ignell 9 781570 768989 Printed in China Printed www.trafalgarbooks.com © Tina Ignell, and Trafalgar SquareSCANDINAVIAN Books WEAVING MAGAZINE www.trafalgarbooks.com Favorite Scandi Weaves Full Cover.indd 1 4/30/18 2:05 PM DUPLICATION PROHIBITED by copyright holder First published in the United States of America in 2010 by Trafalgar Square Books North Pomfret, Vermont 05053 Printed in China Originally published in Swedish as Hemvävt Copyright © 2008 Tina Ignell, Bengt Arne Ignell and ICA Bokförlag, Forma Publishing Group AB, Sweden English translation © 2010 Trafalgar Square Books All rights reserved. No part of this book maybe reproduced, by any means, without written permission
    [Show full text]
  • From “Outsider” to Insider: the Case of Reliance
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Munich Personal RePEc Archive MPRA Munich Personal RePEc Archive From \Outsider" to Insider: The Case of Reliance Surajit Mazumdar 2016 Online at https://mpra.ub.uni-muenchen.de/93162/ MPRA Paper No. 93162, posted 9 April 2019 16:13 UTC From ‘Outsider’ to Insider: the Case of Reliance Surajit Mazumdar CESP/SSS. Jawaharlal Nehru University Revised Version of Paper presented at the Conference on the Sociology of the Indian Elites, Jawaharlal Nehru University, 4th and 5th January 2016 Abstract: At the time that India’s liberalization, the Reliance group was already one of India’s leading business groups and in subsequent years has only cemented its place at the top of India’s corporate hierarchy. Reliance was not, however, among the ‘traditional’ large groups that emerged during the colonial era and were found to be still dominant in the mid-1960s. This paper traces the story of the Reliance phenomenon and discusses briefly the process (method) by which that story was constructed. In addition to demystifying the phenomenon, the paper seeks to demonstrate that there is sufficient evidence available to establish the proposition that the basis for the success of Reliance was fundamentally no different from that which other groups used to perpetuate their dominant position, the roots of which lay in the nature of Indian capitalism. 1 Introduction A fundamental premise of this paper is that the capitalist or business class in any society is a product of its particular historical development.
    [Show full text]
  • In-Stock Kravet Carpet
    Volume II IN STOCK.kravetcarpet Flat weaves are the foundation for a casual lifestyle. These beautiful rugs are hand woven on horizontal looms in China and India, available in wool or cotton. Designs include stripes, geometrics and ikats in textures such as soumaks and kilims. Modern rugs from Kravet Carpet are hand knotted using extraordinary fibers, such as linen, hemp and art silk. Construction includes wool pile and Moroccan Berber, resulting in designs that are lifestyle oriented and fashion forward. High contrast colors, subtle animal skins, large scale damasks, bold ikats and abstract geometrics make this an exciting category for Kravet Carpet. Tibetan rugs are created in Nepal where Tibetan artisans execute every part of the process entirely by hand. The collection includes an extensive line of area rugs in the best selling colors, constructed in 100 knots from the finest Tibetan wool and Indian silk. These designs are in stock eliminating the waiting time usually associated with hand knotted rugs. The Eastern collection from Kravet Carpet includes new introductions, favorites, and antique reproductions. This vast selection of more than 300 designs is available in rectangles, squares, rounds and runners. All rugs are hand knotted with the finest wools from India, Pakistan and China. Rugs from the Kravet Smart collection are hand knotted and hand loomed in India. Seven subtle designs in forty five luminous colors are created from wool and viscose. The effect is sophisticated and stylish, providing the perfect foundation for any interior. Kravet Smart Naturals offers a selection of sisal area rugs, elegantly finished with cotton binding.
    [Show full text]
  • IS 3781 (1994): Textiles - Honey Comb and Huckaback Towels,Cotton Khadi,Bleached Or Dyed - Specition (Amalgamating IS 3775:1983) [TXD 8: Handloom and Khadi]
    इंटरनेट मानक Disclosure to Promote the Right To Information Whereas the Parliament of India has set out to provide a practical regime of right to information for citizens to secure access to information under the control of public authorities, in order to promote transparency and accountability in the working of every public authority, and whereas the attached publication of the Bureau of Indian Standards is of particular interest to the public, particularly disadvantaged communities and those engaged in the pursuit of education and knowledge, the attached public safety standard is made available to promote the timely dissemination of this information in an accurate manner to the public. “जान का अधकार, जी का अधकार” “परा को छोड न 5 तरफ” Mazdoor Kisan Shakti Sangathan Jawaharlal Nehru “The Right to Information, The Right to Live” “Step Out From the Old to the New” IS 3781 (1994): Textiles - Honey comb and huckaback towels,cotton khadi,bleached or dyed - Specition (Amalgamating IS 3775:1983) [TXD 8: Handloom and Khadi] “ान $ एक न भारत का नमण” Satyanarayan Gangaram Pitroda “Invent a New India Using Knowledge” “ान एक ऐसा खजाना > जो कभी चराया नह जा सकताह ै”ै Bhartṛhari—Nītiśatakam “Knowledge is such a treasure which cannot be stolen” IS 3781:1994 Indian Standard TEXTILES- HONEYCOMB AND HUCKABACK TOWELS, COTTON KHADI, BLEACHED OR DYED - SPECIFICATION ( First Revision ) UDC 677’21’074’ 162’3 : 645’486 BUREAU OF INDlAN STANDARDS MANAK BHAVAN, 9 BAHADUR SHAH ZAFAR MARG NEW DEL,HI 110002 December 1994 Price Group 2 Handloom and Khadi Sectional Committee, TX 08 FOREWORD This Indian Standard ( First Revision ) was adopted by the Bureau of Indian Standards, after the draft finalized by the Handloom and Khadi Sectional Committee had been approved by the Textile Division Council.
    [Show full text]
  • Identifying Textile Types and Weaves 1750-1950 DATS in Partnership with the V&A
    Identifying Textile Types and Weaves 1750-1950 DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Textile Types and Weaves 1750-1950 Text copyright © DATS, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name taught by Sue Kerry and held at Birmingham Museum and Art Gallery Collections Centre on 29th November 2007. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Printed Textiles in Dress 1740 -1890 Identifying Handmade and Machine Lace Front Cover - English silk tissue, 1875, Spitalfields. T.147-1972 , Image © V&A Images / Victoria and Albert Museum 2 Identifying Textile Types and Weaves Contents Page 2. List of Illustrations 1 3. Introduction and identification checklist 3 4. Identifying Textile Types - Fibres and Yarns 4 5. Weaving and Woven Cloth Historical Framework - Looms 8 6. Identifying Basic Weave Structures – Plain Cloths 12 7. Identifying Basic Weave Structures – Figured / Ornate Cloths 17 8.
    [Show full text]
  • Fabrics Around Us 5.3 Classification of Textile Fibres
    Fabrics 5 Around Us LEARNING OBJECTIVES After completing this chapter the learner will be able to — • discuss the diversity in fabrics. • name and classify the fabrics commonly seen around. • explain the concept of yarn and fabric making. • describe the properties of each group of fabrics. 57 • make informed selection of textile products for specific end use. 5.1 Introduction Fabrics are all around us. They are an important part in our lives. Fabrics give comfort and warmth, bring colour and decorative style, and add texture. Just think of a day’s activity and recall how fabrics touch you. When you wake up from your bed, the bedsheets and pillow covers are fabrics. As you get ready for school the towel you use after bath is a soft and absorbent fabric, and the school dress you wear is again a fabric of a special type. The school bag in which you carry your books and other items is also a fabric, but again different in texture. It may be slightly stiff and coarse but strong enough to bear the load. If you observe your home you will find fabrics in almost all places, from curtains to kitchen dusters, floor mops and durries. Fabrics are of different kinds, weights and thickness and their choice is related to their end use. If you take a typical fabric in hand, and unravel it, you may be able to pull out the thread like structures from it. These may be interlaced with each other at right angles or interlooped as in your woollen cardigan or T shirts, or knotted as in nets and laces.
    [Show full text]
  • What Requirements Must Hammam Towels Comply with to Be Allowed on the European Market? 2
    Entering the European market for hammam towels Last updated: 29 December 2020 The mid and higher-end segments of the European market offer good opportunities for hammam towels, but competition is strong. You can add value to your products through the use of special techniques and materials, as well as sustainable values. Entering the European market means you need to comply with the European Union’s mandatory legal requirements, as well as any additional or niche requirements your buyers may have. Contents of this page 1. What requirements must hammam towels comply with to be allowed on the European market? 2. Through what channels can you get hammam towels on the European market? 3. What competition do you face on the European hammam towels market? 4. What are the prices for hammam towels on the European market? 1. What requirements must hammam towels comply with to be allowed on the European market? The following requirements apply to hammam towels on the European market. For a more detailed overview, see our study on buyer requirements for home decorations and home textiles (HDHT). What are the mandatory requirements? When exporting to Europe, you must comply with the following legal requirements: General Product Safety Directive REACH Textile Regulation Packaging and packaging waste legislation General Product Safety Europe’s General Product Safety Directive states that all products marketed in Europe must be safe to use. It provides a framework for all legislation regarding specific products and issues. If there are no specific legal requirements established for your product and its use, the General Product Safety Directive still applies.
    [Show full text]
  • The Relationship of Past to Present Fashions, and Where Fashion Goes from Here Invention of “Synthetic” Fibers: Nylon, & Rayon, Or Artificial Silk
    The relationship of past to present fashions, and where fashion goes from here Invention of “synthetic” fibers: nylon, & rayon, or artificial silk • Nylon – marketed by duPont company in 1938 – Quickly adopted for use in women’s underwear and stockings • Rayon – Manufactured regenerated cellulosic fiber. – produced from naturally occurring polymers and therefore it is not a truly synthetic fiber, nor is it a natural fiber – known by the names viscose rayon and art silk in the textile industry – Known as artificial silk – Began to be improved and used in 1920’s and 1930’s – It can imitate the feel and texture of silk, wool, cotton and linen • Zippers: – New Closures beyond lacings and buttons! – improved and used by 1925, very popular in the 1930s – Early 1940’s: The zipper was well established as a closure, and appeared in clothing in all price ranges. After the beginning of WWII, the supply of zippers was curtailed because of metal shortages 20th century women’s fashion recycling: liberation, constriction… 1926 1934 The way the decades work: transitional styles at the beginning and end of each decade 1921, 1926, 1930 1931, 1934, 1939 Madeleine Vionnet (1876-1975) • French fashion designer • • Called the "Queen of the bias cut" and "the architect among dressmakers" • Explored classical ideas for freeing the body The Winged Victory Silk crepe evening of pajamas with Samothrace, matching scarf, c. 220-190 BC 1931 Madeleine Vionnet (1876-1975) A Purist, she found inspiration in the clean lines of squares, rectangles and circles At work, early
    [Show full text]
  • Report on Phase I of Project Implementation Order Entitled
    NATIONAL BUREAU OF STANDARDS REPORT 10 583 Report on Phase I of Project Implementation Order Entitled UTILIZATION OF THE INDUSTRIAL TECHNOLOGY CAPABILITY OF THE NATIONAL BUREAU OF STANDARDS to Agency for International Development Bureau for Technical Assistance Office of Science and Technology Washington, D. C. U.S. DEPARTMENT OF COMMERCE NATIONAL BUREAU OF STANDARDS - 1 NATIONAL BUREAU OF STANDARDS The National Bureau of Standards was established by an act of Congress March 3, 1901 . Tod..\, in addition to serving as the Nation’s central measurement laboratory, the Bureau is a principal focal point in the Federal Government for assuring maximum application of the physical and engineering sciences to the advancement of technology in industry and commerce. To this end the Bureau conducts research and provides central national services in four broad program areas. These are: (1) basic measurements and standards, (2) materials measurements and standards, (3) technological measurements and standards, and (4) transfer of technology. The Bureau comprises the Institute for Basic Standards, the Institute for Materials Research, the Institute for Applied Technology, the Center for Radiation Research, the Center for Computer Sciences and Technology, and the Office for Information Programs. THE INSTITUTE FOR B4SIC STANDARDS provides the central basis within the United States of a complete and consistent system of physical measurement; coordinates that system with measurement systems of other nations; and furnishes essential services leading to accurate and uniform physical measurements throughout the Nation's scientific community, industry, and com- merce. The Institute consists of an Office of Measurement Services and the following technical divisions: Applied Mathematics—Electricity—Metrology—Mechanics—Heat— Atomic and Molec- ular Physics—Radio Physics - —Radio Engineering - —Time and Frequency -—Astro- physics -—Cryogenics.
    [Show full text]
  • EUROPEAN PATENT APPLICATION Published in Accordance with Art
    s\ — iiiiimiiiiiiiiiiiiiiiiiiiiiii OJII Eur°Pean Patent Office <*S Office europeen des brevets (11) EP 0 889 156 A1 (12) EUROPEAN PATENT APPLICATION published in accordance with Art. 158(3) EPC (43) Date of publication: (51) int. CI.6: D06L 1/00, C12S 11/00, 07.01.1999 Bulletin 1999/01 D06p 3/24 D06p 5/02 (21) Application number: 96909363.2 D06B 3/04 (22) Date of filing: 12.04.1996 (86) International application number: PCT/JP96/01019 (87) International publication number: WO 97/31147 (28.08.1997 Gazette 1997/37) (84) Designated Contracting States: (72) Inventor: KANEHISA, Keiichiro AT BE CH DE DK ES Fl FR GB GR IE IT LI LU MC Takeno-gun, Kyoto-hu 627-01 (JP) NL PT SE (74) Representative: (30) Priority: 23.02.1996 JP 61825/96 von Samson-Himmelstjerna, Friedrich R., Dipl. - Phys. et al (71) Applicants: SAMSON & PARTNER • Kanehisa Inc. Widenmayerstrasse 5 Takeno-gun, Kyoto-hu 627-01 (JP) 80538 Munchen (DE) • Sumitomo Corporation Osaka-shi, Osaka 540-8666 (JP) (54) PROCESS FOR PRODUCING WOVEN OR KNITTED FABRIC FROM YARN-DYED RAW SILK AND WOVEN OR KNITTED FABRIC THUS PRODUCED (57) A process for producing woven or knitted fab- rics having an improved fastness, high qualities, and the Fig. 1 width as large as 150 cm from yarn-dyed raw silk while (a) evading possible occurrence of defects caused by piece dyeing, such as shading, friction marks, creases or bending. The process comprises the step (3) of union dyeing of sericin which surrounds the silk and fibroin which is contained within the silk, the steps (4 and 5) of preparing yarn-dyed raw silk by doubling the dyed silk fibers followed by twisting, the step (6) of producing fab- ric by weaving or knitting the yarn-dyed raw silk, the step (7) of swelling the raw silk constituting the fabric in a hot-water bath, and the step (8) of enzymatic degum- ming by treating the fabric with an enzyme capable of hydrolyzing the sericin of the swollen yarn-dyed raw silk.
    [Show full text]
  • Silk – As Fiber and Fabric
    SILK – AS FIBER AND FABRIC Abstract Silk is the most beautiful and shiny natural fiber, that was founded by human civilization. It was first developed in ancient China, but spread gradually n to many regions of Asia. Silk is rightly regarded as Queen of textile fiber. Silk is a 100% natural fabric and natural protein fiber obtained from the cocoons. Out of the numerous species of silk moths, scientists have enumerated about 70 silk moths which are of some economic value. But of these only a very few have commercial value. The bulk of world silk supply comes from the silk moth Bombyx Mori which is domesticated/cultivated, the other varieties of silk Eri,Muga and Tasar are known as wild silk, as they are grown in remote forest trees in natural condition. Silk cocoon formation involves various stages Hatching of Eggs, Silk production by worm,Transition of the worm, cocoon formation and Raw Fiber is Obtained.This is subjected for chemical treatment like Degumming,Bleaching and Dyeing A wide range of silk fabrics are produced by using both Handloom and Power looms. Some of the popular silk fabric are Plain Silk Fabrics ,Dupion Fabrics , Charka Silk , Chiffon , Chinnon , Crepe or Crepe de Chine, Organza , Satin , Tabby Silk , Murshidabad Silk , Matka Fabric, China Silk ,Noil or Thrown silk ,Raw silk ,Taffeta Today 100% silk fabric are facing stiff competition from both from popular silk blends like Silk and Cotton, Silk and Linen and Silk and Wool and also from Artificial Silk or Art silk which refers to a synthetic manufactured fiber called Rayon which resembles silk but costs less to produce.
    [Show full text]
  • Towel Products for Institutional and Household Use1
    Designation: D 5433 – 00 Standard Performance Specification for Towel Products for Institutional and Household Use1 This standard is issued under the fixed designation D 5433; the number immediately following the designation indicates the year of original adoption or, in the case of revision, the year of last revision. A number in parentheses indicates the year of last reapproval. A superscript epsilon (e) indicates an editorial change since the last revision or reapproval. 1. Scope sumer Textile and Leather Products Other Than Carpets 2 1.1 This specification covers the evaluation of specific and Upholstery performance characteristics of importance in woven and knit- D 3786 Test Method for Hydraulic Bursting Strength of ted kitchen towel, dishcloth, crash towel, huck towel, wash- Knitted Goods and Nonwoven Fabrics—Diaphragm 4 cloth, hand towel, bath towel, and bath sheet products for use Bursting Strength Tester Method in institutional and household environments. D 3787 Test Method for Bursting Strength of Knitted 4 1.2 This specification may be used by mutual agreement Goods—Constant-Rate-of Traverse (CRT) Ball Burst Test between the purchaser and the supplier to establish purchasing D 3882 Test Method for Bow and Skewness (Bias) in 4 specification requirements. Woven and Knitted Fabrics 1.3 The requirements in Tables 1 and 2 apply to the length D 3938 Guide for Evaluation of Textile Products in Relation 4 and width directions for those properties where fabric direction to Refurbishing Described on Care Labels is pertinent. D 4390 Practice for Evaluation of the Performance of Terry 4 1.4 This specification is not applicable for coated and Bathroom Products for Household Use laminated products, nonwoven products, or terry fabrics used D 4772 Test Method for Surface Water Absorption of Terry 4 for apparel.
    [Show full text]