Interesting Textures and a Very Soft Hand Makes Chenille
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Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
MICROFIBER & MORE LLC Healthcare Systems Distributed by Microfi Ber & More LLC
{DUSTBUNNIESBEWARE} MICROFIBER & MORE LLC Healthcare Systems Distributed by Microfi ber & More LLC SBCART CLEANING SYSTEM SEALING BUCKET PRE-TREAT MOP SYSTEM reduce cross contamination 1.5 gallon of water cleans 15,000 sq. feet 1-2 ounce chemical cleans 15,000 sq. feet no dirty water to dispose no r lling mop buckets launder mops 500 times reduce employee injury reduce absenteeism DUSTING & SURFACES CLEANING overhead dusting white boards counters computer screens RESTROOM FIXTURES, MIRRORS & SHOWERS bathroom xtures mirrors showers FLOORS, WALLS & BASEBOARDS bathroom oors walls baseboards patient room oors MICRO101 HealthCareSaleSheet.FA.indd 1 1/9/10 5:37 PM MICRO103 Catalog_paths.FA.indd 3 1/11/10 2:54 PM MICRO103 Catalog_paths.FA.indd 4 1/11/10 2:54 PM Page 5 Education with bleeds.pdf 1 1/9/13 4:01 PM Education & Office Systems Distributed by Microfi ber & More LLC DUAL COMPARTMENT MOP BUCKET CHART 7 QUICK & EASY STEPS TO A CLEANER AND HEALTHIER ENVIRONMENT. FILL BUCKET MOP SURFACE Front compartment with Mop hard surface areas. 3 gallons of cleaning solution. Use mop until dry. Fill rear compartment with 1 gallon of clear water. STEP 1 STEP 5 INSTALL MOP RINSE MOP Install tab mop on frame and Rinse mop in rear rinse slide tabs through opening compartment. C and clamp down. M STEP 2 STEP 6 Y CM MY CY CHARGE MOP WRING MOP Charge mop in front com- Recharge mop in clean CMY partment with solution. K STEP 7 STEP 3 WRING MOP Wring out excess solution from mop making sure correct moisture. -
Dec. 1, 1964 P, F, MARSHA 3,158,982 NAPPED TEXTILE FABRICS Filed Nov
Dec. 1, 1964 P, F, MARSHA 3,158,982 NAPPED TEXTILE FABRICS Filed Nov. 29, 1962 2 Sheets-Sheet l F G. 4 Dec. 1, 1964 P, F, MARSHALL 3,158,982 NAPPED TEXTILE FABRICS Filled Nov. 29, 1962 2 Sheets-Sheet 2 3,158,982 United States Patent Office Patented Dec. 1, 1964 2 It is an object of this invention to provide a napped - 3,158,982 fabric comprising wrapped yarns in which the nap is of NAPPED TEXTELEFABRICS exceptional length, is firmly anchored to the base fabric, Preston F. Marshal, Walpole, Mass, assignor to The and is relatively free from lint and broken fibers. Kenda Company, Boston, Mass, a corporation of 5 It is a further object of this invention to provide a Massachusetts -- . - napped fabric comprising yarns wrapped with a plurality M Fied Nov. 29, 1962, Ser. No. 240,942 of strands which comprise filaments of different stiffness, 7 Claims. (C. 57-140) to effect a mixed filamentary nap. This invention relates to napped textile fabrics, and The invention will be more clearly understood in con more particularly to a textile fabric in which the nap is O nection with the accompanying drawings, in which: of superior length, is substantially lint-free, and tightly FIGURE 1 represents a conventional plied yarn, of anchored into the fabric. The present application is a two ends twisted together. continuation-in-part of my copending application Serial FIGURE 2 represents a wrapped yarn of the type Number 212,922, filed July 17, 1962, which is in turn a known as a loop yarn. -
From “Outsider” to Insider: the Case of Reliance
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Munich Personal RePEc Archive MPRA Munich Personal RePEc Archive From \Outsider" to Insider: The Case of Reliance Surajit Mazumdar 2016 Online at https://mpra.ub.uni-muenchen.de/93162/ MPRA Paper No. 93162, posted 9 April 2019 16:13 UTC From ‘Outsider’ to Insider: the Case of Reliance Surajit Mazumdar CESP/SSS. Jawaharlal Nehru University Revised Version of Paper presented at the Conference on the Sociology of the Indian Elites, Jawaharlal Nehru University, 4th and 5th January 2016 Abstract: At the time that India’s liberalization, the Reliance group was already one of India’s leading business groups and in subsequent years has only cemented its place at the top of India’s corporate hierarchy. Reliance was not, however, among the ‘traditional’ large groups that emerged during the colonial era and were found to be still dominant in the mid-1960s. This paper traces the story of the Reliance phenomenon and discusses briefly the process (method) by which that story was constructed. In addition to demystifying the phenomenon, the paper seeks to demonstrate that there is sufficient evidence available to establish the proposition that the basis for the success of Reliance was fundamentally no different from that which other groups used to perpetuate their dominant position, the roots of which lay in the nature of Indian capitalism. 1 Introduction A fundamental premise of this paper is that the capitalist or business class in any society is a product of its particular historical development. -
In-Stock Kravet Carpet
Volume II IN STOCK.kravetcarpet Flat weaves are the foundation for a casual lifestyle. These beautiful rugs are hand woven on horizontal looms in China and India, available in wool or cotton. Designs include stripes, geometrics and ikats in textures such as soumaks and kilims. Modern rugs from Kravet Carpet are hand knotted using extraordinary fibers, such as linen, hemp and art silk. Construction includes wool pile and Moroccan Berber, resulting in designs that are lifestyle oriented and fashion forward. High contrast colors, subtle animal skins, large scale damasks, bold ikats and abstract geometrics make this an exciting category for Kravet Carpet. Tibetan rugs are created in Nepal where Tibetan artisans execute every part of the process entirely by hand. The collection includes an extensive line of area rugs in the best selling colors, constructed in 100 knots from the finest Tibetan wool and Indian silk. These designs are in stock eliminating the waiting time usually associated with hand knotted rugs. The Eastern collection from Kravet Carpet includes new introductions, favorites, and antique reproductions. This vast selection of more than 300 designs is available in rectangles, squares, rounds and runners. All rugs are hand knotted with the finest wools from India, Pakistan and China. Rugs from the Kravet Smart collection are hand knotted and hand loomed in India. Seven subtle designs in forty five luminous colors are created from wool and viscose. The effect is sophisticated and stylish, providing the perfect foundation for any interior. Kravet Smart Naturals offers a selection of sisal area rugs, elegantly finished with cotton binding. -
FABRICS/ DYING Dictionary
FABRICS/ DYING dictionary ACRYLIC BABYCORD Acrylic fabric is a manufactured fiber with a soft wool-like feel and Babycord is a ribcord fabric with a very small and thin rib line. The an uneven finish. It is used widely in knits as the fabric has the same fabric is often lighter and softer than normal or corduroy fabric. It is cozy look as wool. Acrylic fabric is favored for a variety of reasons very soft and comfortable, and is often made in a stretch quality. it is warm, quite soft, holds color well, is both stain and wrinkle resistant and it doesn’t itch. These qualities make acrylic a great BLEND substitute for wool. A blend fabric or yarn is made up of more than one fibre. In the yarn, two or more different types of fibres are used to form the yarn. ALPACA Blends are used to create a more comfortable fabric with a softer Alpaca wool comes from a South American animal that roams the feel. A good example is a cotton/wool blend; the mixture of cotton mountain slopes of Ecuador, Peru, Bolivia and Chile. The fleece and wool will prevent the fabric from being excessively warm and from an alpaca is similar to wool or mohair, but is softer, silkier, and will make the fabric softer to the skin. warmer. Because alpaca wool takes much longer to grow it is often more expensive and exclusive. However, garments made from this BOUCLE fabric are stronger and more comfortable. The term boucle is derived from the French word boucle, which literally means “to curl”. -
[Protec 1000 G Is a Decorative, Stipple, Gloss Epoxy Coating for Cast-In-Place Concrete Floors & Walls]
Protective Industrial Polymers - USA 09 96 13 Manufacturer’s Specification ANTIMICROBIAL GLASS CLOTH-REINFORCED SYSTEM August 13, 2015 This specification covers BrewSpec GlassMat Antimicrobial Glass Cloth-Reinforced System, a high-performance antimicrobial system consisting of an antimicrobial vertical-substrate concrete pretreatment, an antimicrobial block-filler, and antimicrobial flexible hybrid basecoat reinforced with glass cloth mat. A 2nd application of the flexible hybrid basecoat is applied, followed by an application of an antimicrobial glass and fiber-reinforced epoxy build coat. This base is top coated with a high-performance antimicrobial urethane. This smooth, clothe reinforced wall system is easy to wash and is suited for use in areas where superior chemical resistance, durability and UV-stability are crucial. 1.00 GENERAL 1.01 SECTION INCLUDES A. Preparation of concrete or block substrate B. Apply antimicrobial concrete/block pretreatment C. Apply antimicrobial concrete/block filler D. Apply antimicrobial hybrid basecoat E. Apply glass cloth mat F. Apply antimicrobial hybrid basecoat G. Apply antimicrobial glass and fiber-reinforced epoxy coating H. Apply antimicrobial urethane topcoat Specifier Notes: Edit the following list as required by the project. List other sections with work directly related to the floor coating. 1.02 RELATED SECTIONS A. Section 03 30 00 – Cast-In-Place Concrete: [existing or] new slab. B. Section 03 35 00 – Concrete Finishing: specific chemicals on slab. C. Section 03 39 00 - Concrete Curing D. Section 03 01 00 – Concrete Rehabilitation 1.04 REFERENCES STANDARDS A. For reference standards tests & results refer to Manufactures Product Data Sheets 1.05 ADMINISTRATIVE REQUIRMENTS A. Pre installation meeting call if needed. -
Identifying Textile Types and Weaves 1750-1950 DATS in Partnership with the V&A
Identifying Textile Types and Weaves 1750-1950 DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Textile Types and Weaves 1750-1950 Text copyright © DATS, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name taught by Sue Kerry and held at Birmingham Museum and Art Gallery Collections Centre on 29th November 2007. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Printed Textiles in Dress 1740 -1890 Identifying Handmade and Machine Lace Front Cover - English silk tissue, 1875, Spitalfields. T.147-1972 , Image © V&A Images / Victoria and Albert Museum 2 Identifying Textile Types and Weaves Contents Page 2. List of Illustrations 1 3. Introduction and identification checklist 3 4. Identifying Textile Types - Fibres and Yarns 4 5. Weaving and Woven Cloth Historical Framework - Looms 8 6. Identifying Basic Weave Structures – Plain Cloths 12 7. Identifying Basic Weave Structures – Figured / Ornate Cloths 17 8. -
Fabrics Around Us 5.3 Classification of Textile Fibres
Fabrics 5 Around Us LEARNING OBJECTIVES After completing this chapter the learner will be able to — • discuss the diversity in fabrics. • name and classify the fabrics commonly seen around. • explain the concept of yarn and fabric making. • describe the properties of each group of fabrics. 57 • make informed selection of textile products for specific end use. 5.1 Introduction Fabrics are all around us. They are an important part in our lives. Fabrics give comfort and warmth, bring colour and decorative style, and add texture. Just think of a day’s activity and recall how fabrics touch you. When you wake up from your bed, the bedsheets and pillow covers are fabrics. As you get ready for school the towel you use after bath is a soft and absorbent fabric, and the school dress you wear is again a fabric of a special type. The school bag in which you carry your books and other items is also a fabric, but again different in texture. It may be slightly stiff and coarse but strong enough to bear the load. If you observe your home you will find fabrics in almost all places, from curtains to kitchen dusters, floor mops and durries. Fabrics are of different kinds, weights and thickness and their choice is related to their end use. If you take a typical fabric in hand, and unravel it, you may be able to pull out the thread like structures from it. These may be interlaced with each other at right angles or interlooped as in your woollen cardigan or T shirts, or knotted as in nets and laces. -
INSTALLATION PROCEDURE ® 505/510 Coroline Ceilcote
INSTALLATION PROCEDURE Ceilcote® 505/510 Coroline R e i n f o r c e d T r o w e l A p p l i e d E p o x y L i n i n g / T o p p i n g Description For Application: Installation information contained in this procedure is as specific • Shears or utility knife for cutting glass cloth/mat as possible but cannot cover all variations in field conditions. If Plaster or cement finishing trowel (generally 4“x12“) anticipated conditions do not permit following these guidelines, • do not hesitate to call your CEILCOTE Representative. • Marginal trowels 2“ x 5“ or 2“ x 8“ • Wallpaper brush (for dry pressing glass cloth/mat before CEILCOTE 505 Coroline is a silica filled system. CEILCOTE S-1 saturating) powder is used as the filler for this standard system. • Smoothing brush – good grade horsehair, nylon, and/or short nap mohair paint roller (for topcoat) CEILCOTE 505AR Coroline is an abrasion resistant system. CEILCOTE S-9AR powder is used as the filler for abrasion • Paint roller covers (short 3/8“ nap mohair or equivalent) and resistance. frames • Steel or aluminum ribbed roller if using mat instead of cloth CEILCOTE 505BR Coroline Basecoat/Saturant is optional and • 1 gal (3.78 liter) pail for smoothing liquid (T-420) recommended when surface conditions are exposed to high • 1 gal (3.78 liter) pail for cleaning solvent humidity and/or low temperature, creating the potential condition • Clean Pails -3 or 5 gal (minimum 5 required for mixing, for excess amine blush, common with outside applications. -
The Relationship of Past to Present Fashions, and Where Fashion Goes from Here Invention of “Synthetic” Fibers: Nylon, & Rayon, Or Artificial Silk
The relationship of past to present fashions, and where fashion goes from here Invention of “synthetic” fibers: nylon, & rayon, or artificial silk • Nylon – marketed by duPont company in 1938 – Quickly adopted for use in women’s underwear and stockings • Rayon – Manufactured regenerated cellulosic fiber. – produced from naturally occurring polymers and therefore it is not a truly synthetic fiber, nor is it a natural fiber – known by the names viscose rayon and art silk in the textile industry – Known as artificial silk – Began to be improved and used in 1920’s and 1930’s – It can imitate the feel and texture of silk, wool, cotton and linen • Zippers: – New Closures beyond lacings and buttons! – improved and used by 1925, very popular in the 1930s – Early 1940’s: The zipper was well established as a closure, and appeared in clothing in all price ranges. After the beginning of WWII, the supply of zippers was curtailed because of metal shortages 20th century women’s fashion recycling: liberation, constriction… 1926 1934 The way the decades work: transitional styles at the beginning and end of each decade 1921, 1926, 1930 1931, 1934, 1939 Madeleine Vionnet (1876-1975) • French fashion designer • • Called the "Queen of the bias cut" and "the architect among dressmakers" • Explored classical ideas for freeing the body The Winged Victory Silk crepe evening of pajamas with Samothrace, matching scarf, c. 220-190 BC 1931 Madeleine Vionnet (1876-1975) A Purist, she found inspiration in the clean lines of squares, rectangles and circles At work, early -
RAYON RUGS... Readily Ruined, but Still the Rage
RAYON RUGS... Readily Ruined, But Still the Rage We have published various articles Why might a retailer or It seems that some will do over the years explaining the manufacturer use the term almost anything to keep from shortcomings of rayon. Despite “bamboo silk” instead of rayon? calling their rugs “rayon.” No our best efforts, rayon rugs remain Natural fibers are as popular as other fiber shows up under so extremely popular with designers ever and bamboo is thought of as many different names. Banana and their clients. Undeterred, both natural and sustainable. Silk silk, faux silk and art silk are we bring you—again—our best is, of course, both natural and a almost always rayon (rarely, a information about the limitations luxury fiber. So, the misleading rug will be mercerized cotton). of these products. name really comes down to Luxcelle and Silkette are marketing sizzle (without the steak). tradenames being used for What's in a Name? rayon. Again, the names are For all practical purposes, the confusing (and illegal) because terms rayon and viscose are the fiber content is not interchangeable. There are a immediately recognizable. handful of exceptions, but they are a tiny part of the total market. Problems Abound In fact, the Federal Trade As we’ve mentioned before, we Commission (FTC) says either think of rayon as cotton’s poor name is acceptable. relation. It’s a cellulosic fiber, so it shares a few of cotton’s better What the FTC does not allow qualities (e.g., soft hand and is rayon that is described under resistance to static).