ICOM Costume Newsletter 2018:2
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Textile Society of America Newsletter 29:2 — Fall 2017 Textile Society of America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Fall 2017 Textile Society of America Newsletter 29:2 — Fall 2017 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Materials Conservation Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Industrial and Product Design Commons, Interdisciplinary Arts and Media Commons, and the Metal and Jewelry Arts Commons Textile Society of America, "Textile Society of America Newsletter 29:2 — Fall 2017" (2017). Textile Society of America Newsletters. 80. https://digitalcommons.unl.edu/tsanews/80 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 29. NUMBER 2. FALL 2017 Photo Credit: Tourism Vancouver See story on page 6 Newsletter Team BOARD OF DIRECTORS Editor-in-Chief: Wendy Weiss (TSA Board Member/Director of Communications) Designer: Meredith Affleck Vita Plume Member News Editor: Caroline Charuk (TSA General Manager) President [email protected] Editorial Assistance: Natasha Thoreson and Sarah Molina Lisa Kriner Vice President/President Elect Our Mission [email protected] Roxane Shaughnessy The Textile Society of America is a 501(c)3 nonprofit that provides an international forum for Past President the exchange and dissemination of textile knowledge from artistic, cultural, economic, historic, [email protected] political, social, and technical perspectives. Established in 1987, TSA is governed by a Board of Directors from museums and universities in North America. -
Toronto! Welcome to the 118Th Joint Annual Meeting of the Archaeological Institute of America and the Society for Classical Studies
TORONTO, ONTARIO JANUARY 5–8, 2017 Welcome to Toronto! Welcome to the 118th Joint Annual Meeting of the Archaeological Institute of America and the Society for Classical Studies. This year we return to Toronto, one of North America’s most vibrant and cosmopolitan cities. Our sessions will take place at the Sheraton Centre Toronto Hotel in the heart of the city, near its famed museums and other cultural organizations. Close by, you will find numerous restaurants representing the diverse cuisines of the citizens of this great metropolis. We are delighted to take this opportunity of celebrating the cultural heritage of Canada. The academic program is rich in sessions that explore advances in archaeology in Europe, the Table of Contents Mediterranean, Western Asia, and beyond. Among the highlights are thematic sessions and workshops on archaeological method and theory, museology, and also professional career General Information .........3 challenges. I thank Ellen Perry, Chair, and all the members of the Program for the Annual Meeting Program-at-a-Glance .....4-7 Committee for putting together such an excellent program. I also want to commend and thank our friends in Toronto who have worked so hard to make this meeting a success, including Vice Present Exhibitors .......................8-9 Margaret Morden, Professor Michael Chazan, Professor Catherine Sutton, and Ms. Adele Keyes. Thursday, January 5 The Opening Night Public Lecture will be delivered by Dr. James P. Delgado, one of the world’s Day-at-a-Glance ..........10 most distinguished maritime archaeologists. Among other important responsibilities, Dr. Delgado was Executive Director of the Vancouver Maritime Museum, Canada, for 15 years. -
Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept
DOCUMENT RESUME ED 048 223 SP 007 137 TITLE Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept. of Education, Toronto. PUB LATE 67 NOTE 34p. EDRS PRICE EDRS Price MF-$0.65 HC-$3.29 DESCRIPTORS Clothing Instruction, *Curriculum Guides, Distributive Education, *Grade 11, *Grade 12, *Hcme Economics, Interior Design, *Marketing, Merchandising, Textiles Instruction AESTRACT GRADES OR AGES: Grades 11 and 12. SUBJECT MATTER: Fashicn arts and marketing. ORGANIZATION AND PHkSTCAL APPEARANCE: The guide is divided into two main sections, one for fashion arts and one for marketing, each of which is further subdivided into sections fcr grade 11 and grade 12. Each of these subdivisions contains from three to six subject units. The guide is cffset printed and staple-todnd with a paper cover. Oi:IJECTIVE3 AND ACTIVITIES' Each unit contains a short list of objectives, a suggested time allotment, and a list of topics to he covered. There is only occasional mention of activities which can he used in studying these topics. INSTRUCTIONAL MATERIALS: Each unit contains lists of books which relate either to the unit as a whole or to subtopics within the unit. In addition, appendixes contain a detailed list of equipment for the fashion arts course and a two-page billiography. STUDENT A. ,'SSMENT:No provision. (RT) U $ DEPARTMENT OF hEALTH EOUCATION & WELFARE OFFICE OF THIS DOCUMENTEOUCATION HAS BEEN REPRO DUCED EXACT' VAS RECEIVED THE PERSON OR FROM INAnNO IT POINTSORGANIZATION ()RIG IONS STATED OF VIEW OR DO NUT OPIN REPRESENT OFFICIAL NECESSARILY CATION -
1 Newsletter Februar 2019 Liebe Netzwerker*Innen, Im Aktuellen
Newsletter Februar 2019 Liebe Netzwerker*innen, im aktuellen Newsletter für Februar sind wieder viele Hinweise und Informationen enthalten. Viel Spaß beim Durchsehen! Wir freuen uns über jeden Beitrag an [email protected]. Sendet uns neue Informationen für den Newsletter März 2019 bitte als Word-Datei bis zum 15. Februar. Herzlichen Dank für eure Mitarbeit! Wir hoffen, ihr hattet einen guten Start in 2019 und senden herzliche Grüße Catharina Obernauer und das Newsletter-Team PS: Ihr könnt den Newsletter jederzeit wieder abbestellen. Sendet dafür bitte einen kurzen Hinweis an [email protected]. Wir werden euch dann umgehend aus dem Verteiler nehmen. Inhalt 1. Infos für Mitglieder S. 2 2. Vorträge, Veranstaltungen und Tagungen S. 4 3. Call for Papers - Ausschreibungen S. 8 4. Stellenangebote /Ausschreibungen S. 12 5. Ausstellungen S. 13 6. Interessantes S. 22 1 1. Infos für Mitglieder Save the date! - 11. Jahresmitgliederversammlung in Berlin Termin: 2. – 5. Mai 2019 Das vorläufige (!) Programm ist jetzt online. Genaue Angaben zu den verschiedenen Programmpunkten folgen, wenn alle Zusagen vorliegen. Sowie die Einladung zur JMV mit Programm und Anmeldeformular per E-Mail bei Ihnen eintrifft, können Sie sich anmelden. Die Verschickung ist für die erste Februarhälfte geplant. Wir freuen uns alle sehr auf ein Wiedersehen in Berlin! Tagungsort: LETTE VEREIN BERLIN Stiftung des öffentlichen Rechts Viktoria-Luise-Platz 610777 Berlin http://www.letteverein.berlin/ Tagungshotel: Motel One Tiergarten An der Urania 12/14, 10787 Berlin Kontingentabruf nach Buchungseingang, Deadline 7. März 2019. Das Buchungsformular ist über die Website abrufbar. Orga-Koordination: Katrin Lindemann ([email protected]) Neues auf der Website • zahlreiche Information über Ausstellungen weltweit, recherchiert und eingestellt von Maria Stabel (Aktuelles/ Ausstellungen) • 5 Call for Papers und Infos über mehr als fünfzig nationale und internationale Tagungen, zusammengestellt von H. -
ORNAMENT 30.3.2007 30.3 TOC 2.FIN 3/18/07 12:39 PM Page 2
30.3 COVERs 3/18/07 2:03 PM Page 1 992-994_30.3_ADS 3/18/07 1:16 PM Page 992 01-011_30.3_ADS 3/16/07 5:18 PM Page 1 JACQUES CARCANAGUES, INC. LEEKAN DESIGNS 21 Greene Street New York, NY 10013 BEADS AND ASIAN FOLKART Jewelry, Textiles, Clothing and Baskets Furniture, Religious and Domestic Artifacts from more than twenty countries. WHOLESALE Retail Gallery 11:30 AM-7:00 PM every day & RETAIL (212) 925-8110 (212) 925-8112 fax Wholesale Showroom by appointment only 93 MERCER STREET, NEW YORK, NY 10012 (212) 431-3116 (212) 274-8780 fax 212.226.7226 fax: 212.226.3419 [email protected] E-mail: [email protected] WHOLESALE CATALOG $5 & TAX I.D. Warehouse 1761 Walnut Street El Cerrito, CA 94530 Office 510.965.9956 Pema & Thupten Fax 510.965.9937 By appointment only Cell 510.812.4241 Call 510.812.4241 [email protected] www.tibetanbeads.com 1 ORNAMENT 30.3.2007 30.3 TOC 2.FIN 3/18/07 12:39 PM Page 2 volumecontents 30 no. 3 Ornament features 34 2007 smithsonian craft show by Carl Little 38 candiss cole. Reaching for the Exceptional by Leslie Clark 42 yazzie johnson and gail bird. Aesthetic Companions by Diana Pardue 48 Biba Schutz 48 biba schutz. Haunting Beauties by Robin Updike Candiss Cole 38 52 mariska karasz. Modern Threads by Ashley Callahan 56 tutankhamun’s beadwork by Jolanda Bos-Seldenthuis 60 carol sauvion’s craft in america by Carolyn L.E. Benesh 64 kristina logan. Master Class in Glass Beadmaking by Jill DeDominicis Cover: BUTTERFLY PINS by Yazzie Johnson and Gail Bir d, from top to bottom: Morenci tur quoise and tufa-cast eighteen karat gold, 7.0 centimeters wide, 2005; Morenci turquoise, lapis, azurite and fourteen karat gold, 5.1 centimeters wide, 1987; Morenci turquoise and tufa-cast eighteen karat gold, 5.7 centimeters wide, 2005; Tyrone turquoise, coral and tufa- cast eighteen karat gold, 7.6 centimeters wide, 2006; Laguna agates and silver, 7.6 centimeters wide, 1986. -
Sheila Never Go As Fast As You Would Wish!) Don’T Worry – We Will Let You Know When You Can Open That Present!
Bear in Mind An electronic newsletter from Bear Threads Ltd. Volume 4 – Issue 1 January 2012 From The Editor – I hope you will enjoy this newsletter. In it there is lots of information that I think you will find helpful for the 2012! coming months and beyond. And I am looking forward to showing you all that is new at the Creative Sewing Market in Birmingham. Remember the dates are January 15‐16. Seems only yesterday we were turning the calendar to the new millennium of 2000! Indeed this is a new year and an Till Birmingham, Happy Stitching – exciting one as well, for Bear Threads. * We will soon be inaugurating a new website (things Sheila never go as fast as you would wish!) Don’t worry – we will let you know when you can open that present! *I will begin teaching again with several informative as well as fun lectures and projects. There are classes for beginner to advanced, as well as shop owners, too. BIRMINGHAM CREATIVE SEWING Please call for more information. MARKET *We have many new fabrics to entice your spring sewing. Sunday and Monday Honestly there are too many new fabrics to list here, but January 15 and 16, 2012 for teasers, we have brought back the beautiful Ecru in the Marriot Hotel – Hwy. 280 just south of I‐459 Bearissima. AND we have brought back the TRUE LAWN, in white, pink and blue. *We have a new price list that is easier to read and it lists Be sure to see Bear Threads, Ltd. first. -
Annual Report 2005
ANNUAL REPORT 2005 “Expanding, Integrating, and Enhancing” March 31, 2006 © CHSRF/CIHR Health Services Chair in Health Care Settings and Canadians, University of Toronto 81 PETER C. COYTE “The CHSRF/CIHR Genesis Research Training Fellowship I received enables me to concentrate exclusively on my current studies and future career in health policy research. The opportunities this fellowship provides to interact with decision-makers in the health policy field are both unique and valuable, and have undoubtedly enriched my academic experiences this year .” - Meghan McMahon PhD. Student, Dept. Health Policy, Management, and Evaluation, University of Toronto “Dr. Coyte has helped me develop my research and analytical skills over the past few months by guiding me in data collection and analysis. Moreover, he has introduced me to various aspects of health care and health economics that I had not previously considered. Working with him has been a valuable learning experience. ” - Karen Arcot, Research Intern, Dept. Health Policy, Management, and Evaluation, University of Toronto “The Home and Community Care Knowledge Translation course provides students with the opportunity to read the latest research in the sector, to critically appraise studies in terms of valid methodology, the importance of disseminating their findings and how to write in an accessible way for policy decision makers. With the help of advisory policy decision makers, they are encouraged to think about the political and health system context to consider topics of interest and use for people in the field. At the same time, each student is given the opportunity to edit an issue of Highlights that offers current findings to the attention of subscribers. -
Annual Report
ANNUAL2011 REPORT-2012 UNIVERSITY OF PENNSYLVANIA MUSEUM OF ARCHAEOLOGY AND ANTHROPOLOGY ANNUAL2011 REPORT-2012 UNIVERSITY OF PENNSYLVANIA MUSEUM OF ARCHAEOLOGY AND ANTHROPOLOGY 3 Letter from the Chair of the Board of Overseers 4 Letter from the Williams Director 5 THE YEAR IN REVIEW Collections and Programs 6 Collections Showcase: New and Traveling Exhibitions 13 A Living Museum: Public Lectures, Special Programs, Family Programs, and Evening Events 21 A Rich History: The Museum Archives 23 Preserving Our Collections: Conservation Work 25 Stewarding Our Collections: The Museum’s NAGPRA Office and Committee 27 Sharing Our Collections: Outgoing Loans and Traveling Exhibitions 30 Expanding Our Collections: New Acquisitions Outreach and Collaboration 32 Community Outreach: Educational Programs and Collaborations 40 Protecting the World’s Cultural Heritage: The Penn Cultural Heritage Center 42 Student Involvement: Academic Enrichment, Advisory Boards, Internships, Docents, and Summer Research Research and Dissemination 45 Generating Knowledge: Research Projects around the World 60 Preserving Knowledge: Digitizing Collections, Archives, and New Endeavors 64 Disseminating Knowledge: Penn Museum Publications 65 Engaging the World: The Museum Website and Social Media Financial and Operational Highlights 67 Statement of Museum Fiscal Activity 67 Operational Highlights: Becoming a Destination 68 IN GRATEFUL ACKNOWLEDGMENT 69 Destination 2012 70 Leadership and Special Gifts 74 Perpetual and Capital Support 76 Annual Sustaining Support 90 Penn Museum People ON THE COVER Exhibition curator Loa P. Traxler (right) demonstrates the touchtable interactive in the MAYA 2012: Lords of Time exhibition as (from left to right) Penn President Amy Gutmann, Philadelphia Mayor Michael A. Nutter, and President Porfirio Lobo de Sosa of Honduras look on. -
How to Choose the Right Needle Infogra
How to choose the best needle for your sewing Normal Woven Material Universal Embroidery Embroidery This needle is For example: suitable for sewing This needle is Shirts and suede, corduroy, suitable for machine skirts with organdy, batiste, embroidery with cotton and linen, poplin thicker thread sheeting fabric broadcloth and and multi others. directional stitching. Normal round point Light ball point needle for multi - directional stitching Machine Quilting Quilting Top Stitch Metal Suitable This needle is This needle is This needle is for quilting suitable for suitable for quilting suitable for and piecing quilting and seams with thicker machine patchwork threads. It can also embroidery with sewing and also be used for the sewing metallic threads or recommended of button holes, for specially treated for the sewing of decorative stitches and threads. button holes. for repair embroidery. Slim sharp point Light ball point needle for for machine quilting Light ball point for special stitches sewing with metallic thread Knit Material Super Stretch Jersey Suitable for t-shirts, This needle is This medium ballpoint baby onesies, suitable for sewing needle is suitable for sporstwear, etc. simplex, latex, Lycra®, sewing with woven and sportswear fabrics knitted fabrics such as and general elastics. jersey, fleece and stretchy rayon. Med ball point for low gauge fabrics Med ball point for general knitted fabrics Hard Material Jeans Leather This needle is suitable Good for thick The knife shape for sewing jeans, layers of denim point of this needle canvas, coated material makes it suitable for fabrics, flannel, all kinds of leather artificial leather or and suede sewing. -
Vicky Steps out in Cotton Jo Ann Breckenridge Iowa State College
Volume 28 Article 6 Number 8 The Iowa Homemaker vol.28, no.8 1948 Vicky Steps Out In Cotton Jo Ann Breckenridge Iowa State College Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Breckenridge, Jo Ann (1948) "Vicky Steps Out In Cotton," The Iowa Homemaker: Vol. 28 : No. 8 , Article 6. Available at: http://lib.dr.iastate.edu/homemaker/vol28/iss8/6 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. • by .To Ann Breckenridge ICKY'S having a hey day. Spring is coming and You'll buy or make them in old-fashioned charmers V she has only one cool cotton dress in her closet. with dark background calico prints. Most eye-catch So she's haunting the faqric counters and is delighted ing is the almost microscopic black splatter print on as a kitten with catnip at what she's found. Her old gay color ground. It too, is a rustler. Bright and dresses, too short, faded or worn out, are on the way clannish are the cotton taffeta plaids that will be to children in Holland or dusting the furniture on square dancing in Great Hall this spring. cleaning clay. The new ones she's making are planned to make her look as cool as a Union malt when hot Wrinkle-shed Cottons weather arrives. -
View Resume/Vita
Email: [email protected] LinkedIn : https://www.linkedin.com/in/eulandasanders EDUCATION: 1997 Doctorate of Philosophy Human Resources and Family Sciences, University of Nebraska-Lincoln Dissertation Title: African American Appearance: Cultural Analysis of Slave Women’s Narratives Advisor: Joan Laughlin, Ph.D. 1994 Masters of Arts Design, Merchandising and Consumer Sciences, Colorado State University Thesis Title: AutoCAD for Hand-Knitted Garment Production: Art Deco Design Advisor: Diane Sparks, Ed.D. 1990 Bachelor of Science Apparel and Merchandising, Colorado State University Honors: Cum Laude 1987 Associate of Arts Liberal Arts, Lamar Community College Honors: President’s List and Graduation Student Speaker ACADEMIC POSITIONS: August 2012 - forward Professor and Donna R. Danielson Endowed Professorship in Textiles and Clothing, Department of Apparel, Events and Hospitality Management (AESHM), College of Human Sciences, Iowa State University Current: Teaching 60%, Research/Creative Scholarship 20%, Service 20% Lead the development of the apparel design and product development programs Mentor tenure-track and non-tenure track faculty in apparel design and product development Recruit, mentor, and advise top graduate students into the department Manage the Digital Apparel & Textile Studio (DATS) 1 June 2016 – forward Equity Advisor, College of Human Sciences, Iowa State University Chair the CHS Committee on Diversity, Equity, and Community (DEC) and represents the CHS on the ISU Committee on Diversity Coordinate regularly with -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book.