The Functions of Hedong Military Officers in Early Song
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Poh Cheng Khoo Interrogating the Women Warrior
MIT4 Panel: "Asian Warrior Womanhood in Storytelling." Poh Cheng Khoo Interrogating the Women Warrior: War, Patriotism and Family Loyalty in Lady Warriors of the Yang Family (2001). The medieval Chinese are known to be heavily patriarchal, but even such a culture produced many formidable women warriors…Daughters of prominent military families trained in the martial arts. Wives of generals were often chosen for their battle skills. The Yang family of the Song Dynasty (960-1279 CE) was one such military family. When the men were decimated on various military assignments, their wives, mothers, sisters and even maidservants took their places on the battlefield. (“Warriors: Asian women in Asian society”) “No group of women in Chinese history has commanded so much prestige and respect as the ladies of the Yang family. They are revered as great patriots who were willing to lay down their lives for the sake of their country” (Lu Yanguang, 100 Celebrated Chinese Women, 149). The genesis of this paper lies in a 40-part retelling of one of the more enduring woman warrior stories of historical China. When I saw this particular 2001 TV series which loosely translates into Lady Warriors of the Yang Family, I was working on my dissertation involving Maxine Hong Kingston’s The Woman Warrior and hence the iconic figure of Fa Mu Lan. Contrary to Mulan’s concealment of gender in battle, here was a family of woman warriors from some ten centuries ago, none of whom had to compromise their true biological identity by cross-dressing or, according to Judith Lorber’s definition, turning “transvestite” (Richardson et al [eds.] 42). -
Lesson Plan on the Age of Division: One China Or Many Chinas?
Teacher: Gintaras Valiulis Grade: 7 Subject: World History Lesson Plan on the Age of Division: One China or Many Chinas? Objectives: Students will be able to: 1. Explain the collapse of the Han into the Age of Division 2. Describe the cultural changes during the Age of Division 3. Identify key personalities in politics and art during the Age of Division 4. Describe the process of transformation from a divided China to a united one once more. 5. Locate the important states of the Age of Division on a Map. 6. Identify the multicultural elements of the Age of Division 7. Argue a case for or against the inevitability of a united China from the perspective of the Age of Division. Opening Comments: This lesson plan is presented in the form of a lecture with Socratic segues in points. Because much of the material is not found in 7th grade history books I could not rely on any particular reading assignments and would then present these sections as reading assignments with lecture and explicative support. As this lesson becomes more refined, some of the academic language may disappear but some would remain and become highlighted to help students build a more effective technical vocabulary for history and the social sciences. Much of my assignments in class build note- taking skills and ask students to create their own graphic organizers, illustrations, and such to help the students build more meaning. Several segues could lead to debates depending upon student interest and instructional time. The following is arranged in a series of questions which are explored in the lecture. -
Buffalo Niagara Film Festival 2014 Film Schedule
BUFFALO NIAGARA FILM FESTIVAL 2014 FILM SCHEDULE April 24th thru May 3rd 2014 SHOWTIMES ARE AS FOLLOWS: Thurs. – April 24, 2014 @ The Market Arcade Film & Arts Center, Buffalo, NY Screen 1 4pm - - Brave New West (Documentary, 86m) - by Doug Hawes-Davis, Drury Gunn Carr – (Missoula, Montana) - “From its vast and stunning landscapes to the frontier mentality of its inhabitants, few regions inspire a stronger sense of place than the American West. - - - Nickel City Vandals (Documentary, 37m) – by Aaron Ferguson – (Buffalo, NY) - Nickel City Vandals asks the question, is graffiti an art or a crime? It also describes how graffiti has transitioned within the mainstream culture. Featuring graffiti writers, law enforcement, and an academic giving their opinions on not only graffiti in Buffalo but how graffiti has migrated from the streets to public galleries. 6pm - - A Toy’s Story: Life, Death & Rock N Roll (Documentary, 34m) - by Elmer Ploetz – (Eden, NY) - One of Buffalo’s biggest punk-era bands pursues the rock ‘n’ roll dream – and everything that goes with it. - - - Dream Interrupted (Documentary, 40m) - by Mahmood Karimi-Hakak – (Niskayuna, NY) - Dream entangled 10pm - - Claire (F, 99m) – by David Schatanoff, Jr. – (Canoga Park, CA) - A high school football player risks everything to find out if a deceased classmate had feelings for him. Screen 2 5pm - - Lean, Mean & Green (Documentary, 52m) – by Carrie Lezotte – (Detroit, Michigan) - Population loss and industrial collapse scar cities around the globe. People in post- industrial, blighted neighborhoods are taking action to make their communities a better place to live. While transitioning their cities from polluted wastelands to environmentally sustainable communities, these urban heroes tell an international story we all share. -
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No.1 October 2019 EDITORS-IN-CHIEF Tobias BIANCONE, GONG Baorong EDITORIAL BOARD MEMBERS (in alphabetical order by Pinyin of last name) Tobias BIANCONE, Georges BANU, Christian BIET, Marvin CARLSON, CHEN Jun, CHEN Shixiong, DING Luonan, Erika FISCHER-LICHTE, FU Qiumin, GONG Baorong, HE Chengzhou, HUANG Changyong, Hans-Georg KNOPP, HU Zhiyi, LI Ruru, LI Wei, LIU Qing, LIU Siyuan, Patrice PAVIS, Richard SCHECHNER, SHEN Lin, Kalina STEFANOVA, SUN Huizhu, WANG Yun, XIE Wei, YANG Yang, YE Changhai, YU Jianchun. EDITORS WU Aili, CHEN Zhongwen, CHEN Ying, CAI Yan CHINESE TO ENGLISH TRANSLATORS HE Xuehan, LAN Xiaolan, TANG Jia, TANG Yuanmei, YAN Puxi ENGLISH CORRECTORS LIANG Chaoqun, HUANG Guoqi, TONG Rongtian, XIONG Lingling,LIAN Youping PROOFREADERS ZHANG Qing, GUI Han DESIGNER SHAO Min CONTACT TA The Center Of International Theater Studies-S CAI Yan: [email protected] CHEN Ying: [email protected] CONTENTS I 1 No.1 CONTENTS October 2019 PREFACE 2 Empowering and Promoting Chinese Performing Arts Culture / TOBIAS BIANCONE 4 Let’s Bridge the Culture Divide with Theatre / GONG BAORONG STUDIES ON MEI LANFANG 8 On the Subjectivity of Theoretical Construction of Xiqu— Starting from Doubt on “Mei Lanfang’s Performing System” / CHEN SHIXIONG 18 The Worldwide Significance of Mei Lanfang’s Performing Art / ZOU YUANJIANG 31 Mei Lanfang, Cheng Yanqiu, Qi Rushan and Early Xiqu Directors / FU QIUMIN 46 Return to Silence at the Golden Age—Discussion on the Gains and Losses of Mei Lanfang’s Red Chamber / WANG YONGEN HISTORY AND ARTISTS OF XIQU 61 The Formation -
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450 | Asian Ethnology 74/2 • 2015 China Wilt L. Idema and Stephen H. West, The Generals of the Yang Family: Four Early Plays Hackensac, NJ, and Singapore: World Century Publishing Corp. and World Scientific Publishing Co. Pte. Ltd., 2013. xxxviii+228 pages. Table of dynasties, conventions, 4 appendixes, bibliography, index. Hardcover $49.00; ebook $37.00. isbn 978-981-4508-68-1 (hardcover); 978-981-4508-70-4 (ebook). THE GENERALS OF THE YANG FAMILY is the first book-length study in English of an important story-cycle centering on the famous Yang family of generals who sought to save China from “barbarian” forces in the tenth and eleventh centuries. A sta- ple in Chinese opera and folk performance past and present, the Yang family saga focuses on themes of patriotism, loyalty, jealousy, and betrayal. Operatic versions abound in spectacular performances of military acrobatics that have long delighted their audiences. Most amazing of all, the Yang family of generals included that most unusual sight in imperial China, women of martial valor who could worst male opponents in battle. It is surprising that this story-cycle, one of the most prolific and popular in the Chinese tradition, has been so little studied in the West. English-language studies and translations have generally dealt with texts deriv- ing from the later imperial period, particularly those associated with Beijing Opera of the nineteenth and twentieth centuries. In this volume, however, the reader is able to appreciate the evolution of this major story-cycle in its earlier formative stage. This volume, by veteran scholars and translators Wilt L. -
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Advances in Economics, Business and Management Research, volume 106 Fourth International Conference on Economic and Business Management (FEBM 2019) An Evolutionary Game Analysis of Information Sharing Behavior for Cluster Supply Chain Yang Ye* Zhipeng Ju Yue Li Management Science and Management Science and Tulane University Engineering Engineering A.B Freeman School Shanxi University of Finance and Shanxi University of Finance and New Orleans, USA Economics Economics [email protected] Taiyuan, China Taiyuan, China [email protected] [email protected] Abstract—From the perspective of evolutionary game, this paper demonstrates the internal mechanism and evolution II. MODEL process of information sharing among horizontal enterprises in the cluster supply chain. Our results show that the number of A. Model Variables and Assumptions information sharing, the marginal benefit of information sharing, The cooperation between supply chain enterprises in the ability of information absorption, the incentive coefficient industrial clusters is a cooperative game behavior based on the and the penalty coefficient for “free-riding behavior” are goal of maximizing public interest. Horizontal enterprises in positively promoted to the information sharing behavior of the cluster supply chain can establish a relatively stable enterprises in the supply chain. However, the marginal cost and synergy relationship with cooperation. In the supply chain risk coefficient of information sharing have a negative impact. Based on these influencing factors and the problem existing in network, manufacturers, retailers, and distributors generate the information sharing, the paper puts forward some complex network structures. To simplify the supply chain suggestions to strengthen the awareness of enterprise information network, we assume that there are two parallel supply chains. -
Reproductive Subjects: the Global Politics of Health in China, 1927-1964 by Joshua Hubbard a Dissertation Submitted in Partial F
Reproductive Subjects: The Global Politics of Health in China, 1927-1964 by Joshua Hubbard A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History and Women’s Studies) in the University of Michigan 2017 Associate Professor Pär Cassel, Co-Chair Professor Wang Zheng, Co-Chair Professor Susan Greenhalgh, Harvard University Professor Mrinalini Sinha Professor Elizabeth Wingrove Joshua Hubbard [email protected] ORCID iD: 0000-0001-5850-4314 © Joshua Hubbard 2017 Acknowledgements I am indebted to friends and colleagues who have provided support—in a myriad of ways—along my long and winding path toward completing this dissertation. First and foremost, I want to thank my husband, Joseph Tychonievich, who now knows more about Chinese history than he ever cared to know. He has cooked meals, provided encouragement, helped me think through arguments and questions, and offered feedback on early drafts. Many wonderful people have come into my life since I began my graduate education, but he is chief among them. I am also especially thankful to my sister, Heather Burke, who has been an enduring source of friendship and support for decades. Faculty at Marshall University guided me as I began developing the skills necessary for historical research. I am especially grateful to Fan Shuhua, David Mills, Greta Rensenbrink, Robert Sawrey, Anara Tabyshalieva, Chris White, and Kat Williams. As an East Asian studies master’s student at The Ohio State University, I received excellent mentorship from Joseph Ponce, Christopher Reed, Patricia Sieber, and Ying Zhang. The strong cohort of Chinese studies graduate students there, many of whom have since gone on to become faculty, also pushed me to think deeply and across disciplines. -
Les Origines Et Les Transformations Institutionnelles Du Royaume De Shu (907-965)
LES ORIGINES ET LES TRANSFORMATIONS INSTITUTIONNELLES DU ROYAUME DE SHU (907-965) Par Sébastien Rivest Département d‟études est-asiatiques Université McGill, Montréal Mémoire présenté à l‟Université McGill en vue de l‟obtention du grade de Maîtrise ès arts (M.A.) Septembre 2010 © Sébastien Rivest, 2010 TABLE DES MATIÈRES : Abstract/Résumé ii Remerciements iii Conventions iv Abréviations v Introduction 0.1 La transition Tang-Song 1 0.2 Les rapports État-société 4 0.3 Les enjeux historiographiques 9 I Le contexte historique 16 1.1 L‟érosion de l‟aristocratie (763-875) 16 1.2 Le temps des rébellions et la destruction de l‟aristocratie (860-907) 29 1.3 Les Cinq dynasties et le nouvel ordre politique (907-960) 36 II Le Royaume de Shu antérieur (907-925) 49 2.1 Les loyalistes en exil à Chengdu 56 2.2 Le loyalisme de l‟armée Zhongwu 65 2.3 La morphologie d‟un État loyaliste 79 a) Les Trois départements 81 b) Le Secrétariat impérial 83 c) La Chancellerie impériale 92 d) Le Département des affaires d‟État 98 e) La dichotomie entre lettrés de cour et militaires 102 III Le Royaume de Shu postérieur (934-965) 108 3.1 Les associés de Meng Zhixiang et les régents de son successeur 113 3.2 Le développement des préfectures 129 3.3 Une bureaucratie renouvelée, un État transformé 136 Conclusion 143 Bibliographie sélective 151 i ABSTRACT : This thesis is a regional case study on the metamorphosis of state institutions at a time when China went through an important period of political division. -
Historical Romance and Sixteenth-Century Chinese Cultural Fantasies
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 Genre and Empire: Historical Romance and Sixteenth-Century Chinese Cultural Fantasies Yuanfei Wang University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the English Language and Literature Commons, and the History Commons Recommended Citation Wang, Yuanfei, "Genre and Empire: Historical Romance and Sixteenth-Century Chinese Cultural Fantasies" (2013). Publicly Accessible Penn Dissertations. 938. https://repository.upenn.edu/edissertations/938 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/938 For more information, please contact [email protected]. Genre and Empire: Historical Romance and Sixteenth-Century Chinese Cultural Fantasies Abstract Chinese historical romance blossomed and matured in the sixteenth century when the Ming empire was increasingly vulnerable at its borders and its people increasingly curious about exotic cultures. The project analyzes three types of historical romances, i.e., military romances Romance of Northern Song and Romance of the Yang Family Generals on northern Song's campaigns with the Khitans, magic-travel romance Journey to the West about Tang monk Xuanzang's pilgrimage to India, and a hybrid romance Eunuch Sanbao's Voyages on the Indian Ocean relating to Zheng He's maritime journeys and Japanese piracy. The project focuses on the trope of exogamous desire of foreign princesses and undomestic women to marry Chinese and social elite men, and the trope of cannibalism to discuss how the expansionist and fluid imagined community created by the fiction shared between the narrator and the reader convey sentiments of proto-nationalism, imperialism, and pleasure. -
2009 IEEE International Conference on Automation and Logistics
2009 IEEE International Conference on Automation and Logistics August 5-7, 2009 Shenyang, China Cosponsored by Institute of Electrical and Electronics Engineers, Inc. Shandong University, China IEEE Robotics and Automation Society Technically cosponsored by: Northeastern University The ASME Dynamics Systems & Control division Chinese Mechanical Engineering Society Federation of Logistics and Purchasing of China Chinese University of Hong Kong Logistics Engineering Institute of China 2009 IEEE International Conference on Automation and Logistics August 5 – 7, 2009 Northeastern University, Shenyang, China Conference Program Digest Sponsored by Institute of Electrical and Electronics Engineers, Inc. IEEE Robotics and Automation Society Shandong University Technically Sponsored by Northeastern University The ASME Dynamics Systems & Control division Chinese Mechanical Engineering Society Federation of Logistics and Purchasing of China Chinese University of Hong Kong IEEE ICAL 2009 CD-ROM Proceedings Additional Copies may be ordered from: IEEE Service Center 445 Hoes Lane P.O. Box 1331 Piscataway, NJ 08855-1331 U.S.A. IEEE Catalog Number: CFP09CAL ISBN: 978-1-4244-4795-4 Library of Congress: 2009905379 Copyright and Reprint Permission: Copyright and Reprint Permission: Abstracting is permitted with credit to the source. Libraries are permitted to photocopy beyond the limit of U.S. copyright law for private use of patrons those articles in this volume tha carry a code at the bottom of the first page, provided the per-copy fee indicated in the code is paid through Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923. For other copying, reprint or republication permission, write to IEEE Copyrights Manager, IEEE Operations Center, 445 Hoes Lane, P.O.Box 1331, Piscataway, NJ 08855-1331. -
Reinventing the Traditional Guangzhou Teahouse: Caterers
Reinventing the Traditional Guangzhou Teahouse: Caterers, Customers and Cooks in Post-Socialist Urban South China Jakob Akiba Klein School of Oriental and African Studies University of London Ph.D. Social Anthropology 2004 ProQuest Number: 10673050 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10673050 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 ABSTRACT This thesis, based on ten months of field research and archival studies in Guangzhou (Canton), centres on an ethnographic portrait of a 120-year old teahouse, a state enterprise which combines the functions of teahouse and restaurant in a single establishment with the help of 180 staff. I approach the teahouse as a complex, shifting social space embedded in wider discourses and historical processes, and use the ethnographic portrait as a basis for exploration into several themes in the anthropology of urban China. The first chapter provides an historical background and deals with the rise, fall and revival of teahouse culture in the changing uses of urban space in the twentieth century. -
The Aesthetics of Chinese Classical Theatre
THE AESTHETICS OF CHINESE CLASSICAL THEATRE - A PERFORMER’S VIEW Yuen Ha TANG A thesis submitted for the degree of Doctor of Philosophy of The Australian National University. March, 2016 © Copyright by Yuen Ha TANG 2016 All Rights Reserved This thesis is based entirely upon my own research. Yuen Ha TANG ACKNOWLEDGMENT I owe a debt of gratitude to my supervisor Professor John Minford, for having encouraged me to undertake this study in the first place and for guiding my studies over several years. He gave me generously of his time and knowledge. Since I first became their student in Shanghai in the 1980s, my teachers Yu Zhenfei and Zhang Meijuan (and others) inspired me with their passionate love for the theatre and their unceasing quest for artistic refinement. I am deeply grateful to them all for having passed on to me their rich store of artistry and wisdom. My parents, my sister and her family, have supported me warmly over the years. My mother initiated me in the love of the theatre, and my father urged me to pursue my dream and showed me the power of perseverance. My thanks also go to Geng Tianyuan, fellow artist over many years. His inspired guidance as a director has taught me a great deal. Zhang Peicai and Sun Youhao, outstanding musicians, offered their help in producing the video materials of percussive music. Qi Guhua, my teacher of calligraphy, enlightened me on this perennial and fascinating art. The Hong Kong Arts Development Council has subsidized my company, Jingkun Theatre, since 1998. My assistant Lily Lau has provided much valuable help and my numerous friends and students have given me their constant loyalty and enthusiasm.