Patronage and Community in Medieval China
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Silk Road Fashion, China. the City and a Gate, the Pass and a Road – Four Components That Make Luoyang the Capital of the Silk Roads Between 1St and 7Th Century AD
https://publications.dainst.org iDAI.publications ELEKTRONISCHE PUBLIKATIONEN DES DEUTSCHEN ARCHÄOLOGISCHEN INSTITUTS Dies ist ein digitaler Sonderdruck des Beitrags / This is a digital offprint of the article Patrick Wertmann Silk Road Fashion, China. The City and a Gate, the Pass and a Road – Four components that make Luoyang the capital of the Silk Roads between 1st and 7th century AD. The year 2018 aus / from e-Forschungsberichte Ausgabe / Issue Seite / Page 19–37 https://publications.dainst.org/journals/efb/2178/6591 • urn:nbn:de:0048-dai-edai-f.2019-0-2178 Verantwortliche Redaktion / Publishing editor Redaktion e-Jahresberichte und e-Forschungsberichte | Deutsches Archäologisches Institut Weitere Informationen unter / For further information see https://publications.dainst.org/journals/efb ISSN der Online-Ausgabe / ISSN of the online edition ISSN der gedruckten Ausgabe / ISSN of the printed edition Redaktion und Satz / Annika Busching ([email protected]) Gestalterisches Konzept: Hawemann & Mosch Länderkarten: © 2017 www.mapbox.com ©2019 Deutsches Archäologisches Institut Deutsches Archäologisches Institut, Zentrale, Podbielskiallee 69–71, 14195 Berlin, Tel: +49 30 187711-0 Email: [email protected] / Web: dainst.org Nutzungsbedingungen: Die e-Forschungsberichte 2019-0 des Deutschen Archäologischen Instituts stehen unter der Creative-Commons-Lizenz Namensnennung – Nicht kommerziell – Keine Bearbeitungen 4.0 International. Um eine Kopie dieser Lizenz zu sehen, besuchen Sie bitte http://creativecommons.org/licenses/by-nc-nd/4.0/ -
Official Colours of Chinese Regimes: a Panchronic Philological Study with Historical Accounts of China
TRAMES, 2012, 16(66/61), 3, 237–285 OFFICIAL COLOURS OF CHINESE REGIMES: A PANCHRONIC PHILOLOGICAL STUDY WITH HISTORICAL ACCOUNTS OF CHINA Jingyi Gao Institute of the Estonian Language, University of Tartu, and Tallinn University Abstract. The paper reports a panchronic philological study on the official colours of Chinese regimes. The historical accounts of the Chinese regimes are introduced. The official colours are summarised with philological references of archaic texts. Remarkably, it has been suggested that the official colours of the most ancient regimes should be the three primitive colours: (1) white-yellow, (2) black-grue yellow, and (3) red-yellow, instead of the simple colours. There were inconsistent historical records on the official colours of the most ancient regimes because the composite colour categories had been split. It has solved the historical problem with the linguistic theory of composite colour categories. Besides, it is concluded how the official colours were determined: At first, the official colour might be naturally determined according to the substance of the ruling population. There might be three groups of people in the Far East. (1) The developed hunter gatherers with livestock preferred the white-yellow colour of milk. (2) The farmers preferred the red-yellow colour of sun and fire. (3) The herders preferred the black-grue-yellow colour of water bodies. Later, after the Han-Chinese consolidation, the official colour could be politically determined according to the main property of the five elements in Sino-metaphysics. The red colour has been predominate in China for many reasons. Keywords: colour symbolism, official colours, national colours, five elements, philology, Chinese history, Chinese language, etymology, basic colour terms DOI: 10.3176/tr.2012.3.03 1. -
Beyond Buddhist Apology the Political Use of Buddhism by Emperor Wu of the Liang Dynasty
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ghent University Academic Bibliography Beyond Buddhist Apology The Political Use of Buddhism by Emperor Wu of the Liang Dynasty (r.502-549) Tom De Rauw ii To my daughter Pauline, the most wonderful distraction one could ever wish for and to my grandfather, a cakravartin who ruled his own private universe iii ACKNOWLEDGEMENTS Although the writing of a doctoral dissertation is an individual endeavour in nature, it certainly does not come about from the efforts of one individual alone. The present dissertation owes much of its existence to the help of the many people who have guided my research over the years. My heartfelt thanks, first of all, go to Dr. Ann Heirman, who supervised this thesis. Her patient guidance has been of invaluable help. Thanks also to Dr. Bart Dessein and Dr. Christophe Vielle for their help in steering this thesis in the right direction. I also thank Dr. Chen Jinhua, Dr. Andreas Janousch and Dr. Thomas Jansen for providing me with some of their research and for sharing their insights with me. My fellow students Dr. Mathieu Torck, Leslie De Vries, Mieke Matthyssen, Silke Geffcken, Evelien Vandenhaute, Esther Guggenmos, Gudrun Pinte and all my good friends who have lent me their listening ears, and have given steady support and encouragement. To my wife, who has had to endure an often absent-minded husband during these first years of marriage, I acknowledge a huge debt of gratitude. She was my mentor in all but the academic aspects of this thesis. -
Settlement Patterns, Chiefdom Variability, and the Development of Early States in North China
JOURNAL OF ANTHROPOLOGICAL ARCHAEOLOGY 15, 237±288 (1996) ARTICLE NO. 0010 Settlement Patterns, Chiefdom Variability, and the Development of Early States in North China LI LIU School of Archaeology, La Trobe University, Melbourne, Australia Received June 12, 1995; revision received May 17, 1996; accepted May 26, 1996 In the third millennium B.C., the Longshan culture in the Central Plains of northern China was the crucial matrix in which the ®rst states evolved from the basis of earlier Neolithic societies. By adopting the theoretical concept of the chiefdom and by employing the methods of settlement archaeology, especially regional settlement hierarchy and rank-size analysis, this paper introduces a new approach to research on the Longshan culture and to inquiring about the development of the early states in China. Three models of regional settlement pattern correlating to different types of chiefdom systems are identi®ed. These are: (1) the centripetal regional system in circumscribed regions representing the most complex chiefdom organizations, (2) the centrifugal regional system in semi-circumscribed regions indicating less integrated chiefdom organization, and (3) the decentral- ized regional system in noncircumscribed regions implying competing and the least complex chief- dom organizations. Both external and internal factors, including geographical condition, climatic ¯uctuation, Yellow River's changing course, population movement, and intergroup con¯ict, played important roles in the development of complex societies in the Longshan culture. As in many cultures in other parts of the world, the early states in China emerged from a system of competing chiefdoms, which was characterized by intensive intergroup con¯ict and frequent shifting of political centers. -
Xiao Gang (503-551): His Life and Literature
Xiao Gang (503-551): His Life and Literature by Qingzhen Deng B.A., Guangzhou Foreign Language Institute, China, 1990 M.A., Kobe City University of Foreign Languages, Japan, 1996 Ph.D., Nara Women's University, Japan, 2001 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Doctor of Philosophy in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) February 2013 © Qingzhen Deng, 2013 ii Abstract This dissertation focuses on an emperor-poet, Xiao Gang (503-551, r. 550-551), who lived during a period called the Six Dynasties in China. He was born a prince during the Liang Dynasty, became Crown Prince upon his older brother's death, and eventually succeeded to the crown after the Liang court had come under the control of a rebel named Hou Jing (d. 552). He was murdered by Hou before long and was posthumously given the title of "Emperor of Jianwen (Jianwen Di)" by his younger brother Xiao Yi (508-554). Xiao's writing of amorous poetry was blamed for the fall of the Liang Dynasty by Confucian scholars, and adverse criticism of his so-called "decadent" Palace Style Poetry has continued for centuries. By analyzing Xiao Gang within his own historical context, I am able to develop a more refined analysis of Xiao, who was a poet, a filial son, a caring brother, a sympathetic governor, and a literatus with broad and profound learning in history, religion and various literary genres. Fewer than half of Xiao's extant poems, not to mention his voluminous other writings and many of those that have been lost, can be characterized as "erotic" or "flowery". -
Welcome to the Romance of the Three Kingdoms Podcast 100Th Episode Extravaganza
Welcome to the Romance of the Three Kingdoms Podcast 100th episode extravaganza. Yes, I know, we’re only at episode 92 in the narrative, but counting the seven supplemental episodes I’ve done, this IS the 100th episode since we began our podcast journey through the Romance of the Three Kingdoms. I know I’ve said this before, but thank you all for your support of this podcast. Knowing that more and more people are checking out the show and discovering the novel through it is a huge part of what keeps me doing this. I love all the comments you’ve sent, so keep them coming. With the podcast celebrating its 100th episode, I figured that’s as good an excuse as any to pause the narrative for a day and mark the occasion with a question-and-answer session. A number of you have sent in questions, to which I have some long-winded answers, as the length of this episode suggests. So let’s get to it. Listener Kyle asked, and I’m paraphrasing a bit here: What happens after the Three Kingdoms period? To answer this question without giving away too many spoilers for those of you who don’t know how the novel ends, I’m going to refrain from talking about how the Three Kingdoms period ended or who ultimately came out on top, and just focus on what happened afterward. Actually, the novel kind of gives away the ending anyway with its first line: Ever since antiquity, domains under heaven, after a long period of division, tend to unite. -
Preparing the Shaanxi-Qinling Mountains Integrated Ecosystem Management Project (Cofinanced by the Global Environment Facility)
Technical Assistance Consultant’s Report Project Number: 39321 June 2008 PRC: Preparing the Shaanxi-Qinling Mountains Integrated Ecosystem Management Project (Cofinanced by the Global Environment Facility) Prepared by: ANZDEC Limited Australia For Shaanxi Province Development and Reform Commission This consultant’s report does not necessarily reflect the views of ADB or the Government concerned, and ADB and the Government cannot be held liable for its contents. (For project preparatory technical assistance: All the views expressed herein may not be incorporated into the proposed project’s design. FINAL REPORT SHAANXI QINLING BIODIVERSITY CONSERVATION AND DEMONSTRATION PROJECT PREPARED FOR Shaanxi Provincial Government And the Asian Development Bank ANZDEC LIMITED September 2007 CURRENCY EQUIVALENTS (as at 1 June 2007) Currency Unit – Chinese Yuan {CNY}1.00 = US $0.1308 $1.00 = CNY 7.64 ABBREVIATIONS ADB – Asian Development Bank BAP – Biodiversity Action Plan (of the PRC Government) CAS – Chinese Academy of Sciences CASS – Chinese Academy of Social Sciences CBD – Convention on Biological Diversity CBRC – China Bank Regulatory Commission CDA - Conservation Demonstration Area CNY – Chinese Yuan CO – company CPF – country programming framework CTF – Conservation Trust Fund EA – Executing Agency EFCAs – Ecosystem Function Conservation Areas EIRR – economic internal rate of return EPB – Environmental Protection Bureau EU – European Union FIRR – financial internal rate of return FDI – Foreign Direct Investment FYP – Five-Year Plan FS – Feasibility -
Preface of Selections of Refined Literature”
Advances in Social Science, Education and Humanities Research, volume 416 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020) Exploration on the Completion Time of the “Preface of Selections of Refined Literature” Yong Yu The College of Literature and Journalism Sichuan University Chengdu, China Abstract—The opinions on the completion time of the At the end of the "Preface of Selections of Refined "Preface of Selections of Refined Literature" have always been Literature", it describes the beginning year and end year of divergent and inconsistent. To examine its completion time, it the works collected in "Selections of Refined Literature" and is necessary to combine various internal and external factors the total number of volumes, and explains the basis of the such as the preface, the compilation style of "Selections of style order arrangement. Especially, the poems are Refined Literature", the life story of the editor, and the process subdivided into subtypes and sequenced according to the of writing the book. It helps to make clear the long-standing times. Obviously, it is neither possible for the editor to related disputes in the researches on "anthologizing presume the total number of volumes compiled before principles". completion of "Selections of Refined Literature" nor possible Keywords: “Preface of Selections of Refined Literature”, to previously have an idea of subdividing poems into Xiao Tong, completion time subtypes. If the "Preface of Selections of Refined Literature" was written in the compilation process but before completion I. INTRODUCTION of "Selections of Refined Literature", the editor would also not available to conclude that the total number of volumes is When was the "Preface of Selections of Refined thirty. -
Langdon Warner at Dunhuang: What Really Happened? by Justin M
ISSN 2152-7237 (print) ISSN 2153-2060 (online) The Silk Road Volume 11 2013 Contents In Memoriam ........................................................................................................................................................... [iii] Langdon Warner at Dunhuang: What Really Happened? by Justin M. Jacobs ............................................................................................................................ 1 Metallurgy and Technology of the Hunnic Gold Hoard from Nagyszéksós, by Alessandra Giumlia-Mair ......................................................................................................... 12 New Discoveries of Rock Art in Afghanistan’s Wakhan Corridor and Pamir: A Preliminary Study, by John Mock .................................................................................................................................. 36 On the Interpretation of Certain Images on Deer Stones, by Sergei S. Miniaev ....................................................................................................................... 54 Tamgas, a Code of the Steppes. Identity Marks and Writing among the Ancient Iranians, by Niccolò Manassero .................................................................................................................... 60 Some Observations on Depictions of Early Turkic Costume, by Sergey A. Yatsenko .................................................................................................................... 70 The Relations between China and India -
Consecrating the Buddha : Legend, Lo Re,And History of the Imperial
中華佛學學報第 011 期 (p483-533): (民國 77 年),臺北:中華佛學研 究所,http://www.chibs.edu.tw Chung-Hwa Buddhist Journal, No. 11, (1988) Taipei: The Chung-Hwa Institute of Buddhist Studies ISSN: 1017─7132 Consecrating the Buddha : Legend, Lo re,and History of the Imperial Relic-Veneration Ritual in theT 'ang Dynasty Huang Chi-chiang Associate Professor of Chinese, Hobart and William Smith Colleges p. 483 Summary This article deals with an important and intriguing aspect of the history of Buddhism inChina──the Buddha's bodily relics and the imperial ve neration of these relics. It discussesthe relic-veneration ritual perform ed in the palaces of the imperial dynasties from theWei-chin period thr ough the T'ang dynasty. Focusing on the ritual performed separately b yKao-tsung ( r.650-683 ), Empress Wu ( r.690 ~ 704 ) Su-tsung ( r.756 ~ 761 ), Te-tsung ( r.779 ~ 804 ), Hsien-tsung ( r.805 ~ 819 ), and I-tsung ( r.859 ~ 872 ), it analyzes possible reasonsfor the occurrence of each ritual. W hile acknowledging its existence, the article also callsreaders' attentio n to how this ritual grew out of a created or invented tradition. It reveal s theformation and the growth of the tradition as resulting from the cre ation or historicizationundertaken, consciously or unconsciously, by hi storians and Buddhist scholars at differentstages of China's imperial ti me. The process of this creation or historicization involved thefusion o f legend, lore, and historical facts as evidenced by some accounts, inc luding officialhistories and Buddhist works on the basis of which mode rn scholars write their historicalworks. -
United States Department of the Interior U.S. Geological Survey
UNITED STATES DEPARTMENT OF THE INTERIOR U.S. GEOLOGICAL SURVEY Geology and Hydrocarbon Resources of Onshore Basins in Eastern China by Gregory Ulmishek* c U.S. Geological Survey Open-File Report 93-4 This report is preliminary and has not been reviewed for conformity with U.S. Geological Survey editorial standards (or with the North American Stratigraphic Code). Any use of trade, product or firm names is for descriptive purposes only and does not imply endorsement by the U.S. Government. 1 Denver, Colorado 1992 CONTENTS Page Purpose and Scope of Study..................................................................................... 1 Ordos Basin Introduction................................................................................................................. 3 Stratigraphy.................................................................................................................. 3 Tectonics....................................................................................................................... 16 Petroleum Geology and Potential Exploration Plays.......................................... 17 Sichuan Basin Introduction................................................................................................................. 29 Stratigraphy.................................................................................................................. 29 Tectonics....................................................................................................................... 40 Petroleum Geology -
The Transparent Stone
WU HUNG The TransparentStone: Inverted Vision and Binary Imagery in Medieval Chinese Art A CRUCIAL MOMENT DIVIDES the course of Chinese art into two broad periods. Before this moment,a ritual art traditiontransformed general political and religious concepts into material symbols.Forms that we now call worksof art were integralparts of largermonumental complexes such as temples and tombs,and theircreators were anonymouscraftsmen whose individualcrea- tivitywas generallysubordinated to largercultural conventions. From the fourth and fifthcenturies on, however,there appeared a group of individuals-scholar- artistsand art critics-who began to forge theirown history.Although the con- structionof religiousand politicalmonuments never stopped, these men of let- ters attempted to transformpublic art into their private possessions, either physically,artistically, or spiritually.They developed a strongsentiment toward ruins,accumulated collectionsof antiques,placed miniaturemonuments in their houses and gardens,and "refined"common calligraphicand pictorialidioms into individual styles.This paper discusses new modes of writingand paintingat this liminalpoint in Chinese art history. Reversed Image and Inverted Vision Near the modern cityof Nanjing in eastern China, some ten mauso- leums survivingfrom the early sixth centurybear witnessto the past glory of emperors and princes of the Liang Dynasty(502-57).' The mausoleums share a general design (fig. 1). Three pairs of stone monumentsare usually erected in frontof the tumulus: a pair of stone animals-lions or qilinunicorns according to the statusof the dead-are placed before a gate formedby two stone pillars; the name and titleof the deceased appear on the flatpanels beneath the pillars' capitals. Finallytwo opposing memorialstelae bear identicalepitaphs recording the career and meritsof the dead person.