Monks of the [Imperial] Family
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Beyond Buddhist Apology the Political Use of Buddhism by Emperor Wu of the Liang Dynasty
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ghent University Academic Bibliography Beyond Buddhist Apology The Political Use of Buddhism by Emperor Wu of the Liang Dynasty (r.502-549) Tom De Rauw ii To my daughter Pauline, the most wonderful distraction one could ever wish for and to my grandfather, a cakravartin who ruled his own private universe iii ACKNOWLEDGEMENTS Although the writing of a doctoral dissertation is an individual endeavour in nature, it certainly does not come about from the efforts of one individual alone. The present dissertation owes much of its existence to the help of the many people who have guided my research over the years. My heartfelt thanks, first of all, go to Dr. Ann Heirman, who supervised this thesis. Her patient guidance has been of invaluable help. Thanks also to Dr. Bart Dessein and Dr. Christophe Vielle for their help in steering this thesis in the right direction. I also thank Dr. Chen Jinhua, Dr. Andreas Janousch and Dr. Thomas Jansen for providing me with some of their research and for sharing their insights with me. My fellow students Dr. Mathieu Torck, Leslie De Vries, Mieke Matthyssen, Silke Geffcken, Evelien Vandenhaute, Esther Guggenmos, Gudrun Pinte and all my good friends who have lent me their listening ears, and have given steady support and encouragement. To my wife, who has had to endure an often absent-minded husband during these first years of marriage, I acknowledge a huge debt of gratitude. She was my mentor in all but the academic aspects of this thesis. -
Xiao Gang (503-551): His Life and Literature
Xiao Gang (503-551): His Life and Literature by Qingzhen Deng B.A., Guangzhou Foreign Language Institute, China, 1990 M.A., Kobe City University of Foreign Languages, Japan, 1996 Ph.D., Nara Women's University, Japan, 2001 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Doctor of Philosophy in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) February 2013 © Qingzhen Deng, 2013 ii Abstract This dissertation focuses on an emperor-poet, Xiao Gang (503-551, r. 550-551), who lived during a period called the Six Dynasties in China. He was born a prince during the Liang Dynasty, became Crown Prince upon his older brother's death, and eventually succeeded to the crown after the Liang court had come under the control of a rebel named Hou Jing (d. 552). He was murdered by Hou before long and was posthumously given the title of "Emperor of Jianwen (Jianwen Di)" by his younger brother Xiao Yi (508-554). Xiao's writing of amorous poetry was blamed for the fall of the Liang Dynasty by Confucian scholars, and adverse criticism of his so-called "decadent" Palace Style Poetry has continued for centuries. By analyzing Xiao Gang within his own historical context, I am able to develop a more refined analysis of Xiao, who was a poet, a filial son, a caring brother, a sympathetic governor, and a literatus with broad and profound learning in history, religion and various literary genres. Fewer than half of Xiao's extant poems, not to mention his voluminous other writings and many of those that have been lost, can be characterized as "erotic" or "flowery". -
Preface of Selections of Refined Literature”
Advances in Social Science, Education and Humanities Research, volume 416 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020) Exploration on the Completion Time of the “Preface of Selections of Refined Literature” Yong Yu The College of Literature and Journalism Sichuan University Chengdu, China Abstract—The opinions on the completion time of the At the end of the "Preface of Selections of Refined "Preface of Selections of Refined Literature" have always been Literature", it describes the beginning year and end year of divergent and inconsistent. To examine its completion time, it the works collected in "Selections of Refined Literature" and is necessary to combine various internal and external factors the total number of volumes, and explains the basis of the such as the preface, the compilation style of "Selections of style order arrangement. Especially, the poems are Refined Literature", the life story of the editor, and the process subdivided into subtypes and sequenced according to the of writing the book. It helps to make clear the long-standing times. Obviously, it is neither possible for the editor to related disputes in the researches on "anthologizing presume the total number of volumes compiled before principles". completion of "Selections of Refined Literature" nor possible Keywords: “Preface of Selections of Refined Literature”, to previously have an idea of subdividing poems into Xiao Tong, completion time subtypes. If the "Preface of Selections of Refined Literature" was written in the compilation process but before completion I. INTRODUCTION of "Selections of Refined Literature", the editor would also not available to conclude that the total number of volumes is When was the "Preface of Selections of Refined thirty. -
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On A Snowy Night: Yishan Yining (1247-1317) and the Development of Zen Calligraphy in Medieval Japan Xiaohan Du Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2021 © 2021 Xiaohan Du All Rights Reserved Abstract On A Snowy Night: Yishan Yining (1247-1317) and the Development of Zen Calligraphy in Medieval Japan Xiaohan Du This dissertation is the first monographic study of the monk-calligrapher Yishan Yining (1247- 1317), who was sent to Japan in 1299 as an imperial envoy by Emperor Chengzong (Temur, 1265-1307. r. 1294-1307), and achieved unprecedented success there. Through careful visual analysis of his extant oeuvre, this study situates Yishan’s calligraphy synchronically in the context of Chinese and Japanese calligraphy at the turn of the 14th century and diachronically in the history of the relationship between calligraphy and Buddhism. This study also examines Yishan’s prolific inscriptional practice, in particular the relationship between text and image, and its connection to the rise of ink monochrome landscape painting genre in 14th century Japan. This study fills a gap in the history of Chinese calligraphy, from which monk- calligraphers and their practices have received little attention. It also contributes to existing Japanese scholarship on bokuseki by relating Zen calligraphy to religious and political currents in Kamakura Japan. Furthermore, this study questions the validity of the “China influences Japan” model in the history of calligraphy and proposes a more fluid and nuanced model of synthesis between the wa and the kan (Japanese and Chinese) in examining cultural practices in East Asian culture. -
Langdon Warner at Dunhuang: What Really Happened? by Justin M
ISSN 2152-7237 (print) ISSN 2153-2060 (online) The Silk Road Volume 11 2013 Contents In Memoriam ........................................................................................................................................................... [iii] Langdon Warner at Dunhuang: What Really Happened? by Justin M. Jacobs ............................................................................................................................ 1 Metallurgy and Technology of the Hunnic Gold Hoard from Nagyszéksós, by Alessandra Giumlia-Mair ......................................................................................................... 12 New Discoveries of Rock Art in Afghanistan’s Wakhan Corridor and Pamir: A Preliminary Study, by John Mock .................................................................................................................................. 36 On the Interpretation of Certain Images on Deer Stones, by Sergei S. Miniaev ....................................................................................................................... 54 Tamgas, a Code of the Steppes. Identity Marks and Writing among the Ancient Iranians, by Niccolò Manassero .................................................................................................................... 60 Some Observations on Depictions of Early Turkic Costume, by Sergey A. Yatsenko .................................................................................................................... 70 The Relations between China and India -
Consecrating the Buddha : Legend, Lo Re,And History of the Imperial
中華佛學學報第 011 期 (p483-533): (民國 77 年),臺北:中華佛學研 究所,http://www.chibs.edu.tw Chung-Hwa Buddhist Journal, No. 11, (1988) Taipei: The Chung-Hwa Institute of Buddhist Studies ISSN: 1017─7132 Consecrating the Buddha : Legend, Lo re,and History of the Imperial Relic-Veneration Ritual in theT 'ang Dynasty Huang Chi-chiang Associate Professor of Chinese, Hobart and William Smith Colleges p. 483 Summary This article deals with an important and intriguing aspect of the history of Buddhism inChina──the Buddha's bodily relics and the imperial ve neration of these relics. It discussesthe relic-veneration ritual perform ed in the palaces of the imperial dynasties from theWei-chin period thr ough the T'ang dynasty. Focusing on the ritual performed separately b yKao-tsung ( r.650-683 ), Empress Wu ( r.690 ~ 704 ) Su-tsung ( r.756 ~ 761 ), Te-tsung ( r.779 ~ 804 ), Hsien-tsung ( r.805 ~ 819 ), and I-tsung ( r.859 ~ 872 ), it analyzes possible reasonsfor the occurrence of each ritual. W hile acknowledging its existence, the article also callsreaders' attentio n to how this ritual grew out of a created or invented tradition. It reveal s theformation and the growth of the tradition as resulting from the cre ation or historicizationundertaken, consciously or unconsciously, by hi storians and Buddhist scholars at differentstages of China's imperial ti me. The process of this creation or historicization involved thefusion o f legend, lore, and historical facts as evidenced by some accounts, inc luding officialhistories and Buddhist works on the basis of which mode rn scholars write their historicalworks. -
The Transparent Stone
WU HUNG The TransparentStone: Inverted Vision and Binary Imagery in Medieval Chinese Art A CRUCIAL MOMENT DIVIDES the course of Chinese art into two broad periods. Before this moment,a ritual art traditiontransformed general political and religious concepts into material symbols.Forms that we now call worksof art were integralparts of largermonumental complexes such as temples and tombs,and theircreators were anonymouscraftsmen whose individualcrea- tivitywas generallysubordinated to largercultural conventions. From the fourth and fifthcenturies on, however,there appeared a group of individuals-scholar- artistsand art critics-who began to forge theirown history.Although the con- structionof religiousand politicalmonuments never stopped, these men of let- ters attempted to transformpublic art into their private possessions, either physically,artistically, or spiritually.They developed a strongsentiment toward ruins,accumulated collectionsof antiques,placed miniaturemonuments in their houses and gardens,and "refined"common calligraphicand pictorialidioms into individual styles.This paper discusses new modes of writingand paintingat this liminalpoint in Chinese art history. Reversed Image and Inverted Vision Near the modern cityof Nanjing in eastern China, some ten mauso- leums survivingfrom the early sixth centurybear witnessto the past glory of emperors and princes of the Liang Dynasty(502-57).' The mausoleums share a general design (fig. 1). Three pairs of stone monumentsare usually erected in frontof the tumulus: a pair of stone animals-lions or qilinunicorns according to the statusof the dead-are placed before a gate formedby two stone pillars; the name and titleof the deceased appear on the flatpanels beneath the pillars' capitals. Finallytwo opposing memorialstelae bear identicalepitaphs recording the career and meritsof the dead person. -
Court Historiography in Early Tang China: Assigning a Place to History and Historians at the Palace
COURT HISTORIOGRAPHY IN EARLY TANG CHINA: ASSIGNING A PLACE TO HISTORY AND HISTORIANS AT THE PALACE Isenbike Togan Introduction In Tang China (618–907 CE) policies and political interaction took shape at court, in the context of palace life. During the early Tang, court life came to include activities such as the writing of history: historians were assigned a place in the palace. The placement of the historians within the precincts of the palace was an illustration of the ‘politicization of history’, the institutional and political appropriation of history writing by the Tang court. This new trend did not only shape the interpretation of past events, but also the approach and methods of future historiography. It was during this time that the major histories of the preceding four centuries were written and the groundwork laid for future history writing by professional historians. These changes were initiated by the second Tang emperor Li Shimin, known as Tang Taizong (626–649). He was regarded as an exemplary figure by later dynasties; his reign of Zhen Guan (True Vision) is known in Chinese history as the ‘good rule of the Zhen Guan reign.’ This ‘Golden Age’ lasted for 23 years from 627 to 649. Taizong, who reached power by killing the crown prince and forcing his father to abdicate, was able to achieve high standing in history, irrespective of these events. He gained this standing initially through a policy of shar- ing power with political contestants and consolidated his position with a victory (630) over the Early Türk, the foreign power in the north and the west. -
THE GREAT ERA of ART COLLECTING in CHINA Emperor Taizong and His Followers
BBognaogna ŁakomskaŁakomska Academy of Fine Arts, Gdansk The State Ethnographic Museum in Warsaw Polish Institute of World Art Studies THE GREAT ERA OF ART COLLECTING IN CHINA Emperor Taizong and his followers n 618 AD when the Tang dynasty was founded, the Imperial Storehouse had merely three hundred scrolls, but all of them were regarded as treasures Ihanded down from the Sui dynasty.1) This small collection, however, only began to grow when on the throne sat Emperor Taizong 太宗 (626 – 649 AD) – one of the greatest art collectors of all times. An excellent scholar and calligra- pher, interested in art himself, Taizong almost fanatically began to buy art from private individuals.2) As a result, by the year 632 AD in the imperial collection there were already over 1,500 scrolls of calligraphy.3) The Imperial Storehouse was much more than simply a repository for art works. It was an exclusive institution uniting excellent intellectuals, artists and capable officials, who also were outstanding experts in art. Its core constituted a counsel of three authorities: Yu Shinan 虞世南 (558 – 638 AD) – once Emperor Taizong’s teacher of calligraphy; Wei Zheng 魏徵 (580 – 643 AD) – a brilliant officer and the emperor’s adviser; and Chu Suiliang 褚遂良 (597 – 658 AD) – 1) Acker (1979: 127). 2) In sponsored by the Emperor Huizong 徽宗 (1100 – 1126) the Xuanhe Huapu宣和画谱 (Catalogue of Paintings of the Xuanhe Emperor [Huizong]), there is a following description of Emperor Taizong as an artist as well as a patron of art: “…Taizong was good at fei bai飞白 (fl ying white) and gave some of his pieces in it to his top offi cials. -
The Evolution of the Story of the Wife of Emperor Wu of Liang in the Baojuan ∗ Texts of the Sixteenth–Nineteenth Centuries
《漢學研究》0254-4466 第 37 卷第 4 期 民國 108 年 12 月(2019.12)頁 159-203 漢學研究中心 Narrative of Salvation: The Evolution of the Story of the Wife of Emperor Wu of Liang in the Baojuan ∗ Texts of the Sixteenth–Nineteenth Centuries Rostislav Berezkin∗∗ Abstract The story of Emperor Wu of the Liang dynasty 梁武帝 (r. 502-549) rescuing his wife Lady Xi 郗氏 from an unfortunate rebirth as a snake was a common subject in popular literature related to Buddhist beliefs in late imperial China. Its history can be dated back to the twelfth century, when it quickly spread throughout the country. It is interpreted as a foundation of monastic Buddhist rites for the salvation of the dead, and it has also appeared as a narrative used in ritual storytelling and drama in several areas of China. Although Lady Xi’s story played a major role in the dissemination of Buddhist ideas and rituals among the common folk, its history and cultural impact still remain understudied. The present paper explores the development of Lady Xi’s story in the particular literary form of baojuan 寶卷 (precious scrolls) with the focus on performance traditions of southern Jiangsu. It compares three different Manuscript received: March 28, 2019; revision completed: May 6, 2019; approved: October 8, 2019. ∗ This research was assisted by a grant provided by the Chinese government foundation for research in social studies: “Survey and research on Chinese precious scrolls preserved abroad” 海外藏中國寶卷整理與研究 (17ZDA266). The author also expresses his gratitude to Paula Roberts for help with language issues. -
A History of Chinese Letters and Epistolary Culture
A History of Chinese Letters and Epistolary Culture Edited by Antje Richter LEIDEN | BOSTON For use by the Author only | © 2015 Koninklijke Brill NV Contents Acknowledgements ix List of Illustrations xi Abbreviations xiii About the Contributors xiv Introduction: The Study of Chinese Letters and Epistolary Culture 1 Antje Richter PART 1 Material Aspects of Chinese Letter Writing Culture 1 Reconstructing the Postal Relay System of the Han Period 17 Y. Edmund Lien 2 Letters as Calligraphy Exemplars: The Long and Eventful Life of Yan Zhenqing’s (709–785) Imperial Commissioner Liu Letter 53 Amy McNair 3 Chinese Decorated Letter Papers 97 Suzanne E. Wright 4 Material and Symbolic Economies: Letters and Gifts in Early Medieval China 135 Xiaofei Tian PART 2 Contemplating the Genre 5 Letters in the Wen xuan 189 David R. Knechtges 6 Between Letter and Testament: Letters of Familial Admonition in Han and Six Dynasties China 239 Antje Richter For use by the Author only | © 2015 Koninklijke Brill NV vi Contents 7 The Space of Separation: The Early Medieval Tradition of Four-Syllable “Presentation and Response” Poetry 276 Zeb Raft 8 Letters and Memorials in the Early Third Century: The Case of Cao Zhi 307 Robert Joe Cutter 9 Liu Xie’s Institutional Mind: Letters, Administrative Documents, and Political Imagination in Fifth- and Sixth-Century China 331 Pablo Ariel Blitstein 10 Bureaucratic Influences on Letters in Middle Period China: Observations from Manuscript Letters and Literati Discourse 363 Lik Hang Tsui PART 3 Diversity of Content and Style section 1 Informal Letters 11 Private Letter Manuscripts from Early Imperial China 403 Enno Giele 12 Su Shi’s Informal Letters in Literature and Life 475 Ronald Egan 13 The Letter as Artifact of Sentiment and Legal Evidence 508 Janet Theiss 14 Infijinite Variations of Writing and Desire: Love Letters in China and Europe 546 Bonnie S. -
Canada Archives Canada Published Heritage Direction Du Branch Patrimoine De I'edition
WU ZETIAN'S CONTRIBUTION TO THE CULTURAL DEVELOPMENT OF THE TANG DYNASTY By Rui Wang A thesis submitted in conformity with the requirements for the degree of Master of Arts Department of East Asian Studies University of Toronto © 2008 by Rui Wang Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-44981-3 Our file Notre reference ISBN: 978-0-494-44981-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.