Welcome to the Romance of the Three Kingdoms Podcast 100Th Episode Extravaganza
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Playing History: Study of the Computer Game "Romance of Threekingdoms,,
Playing History: Study of the Computer Game "Romance of Three Kingdoms,, Wong Sun Fai A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Master of Philosophy in History © The Chinese University of Hong Kong July 2001 The Chinese University of Hong Kong holds the copyright of this thesis. Any person(s) intending to use a part or whole of the materials in the thesis in a proposed publication must seek copyright release from the Dean of the Graduate School. i I ] f^R • !一 ?\ 一 、丨I V .^LIBRARY SYSTEI^f Playing History: Study of the Computer Game Romance of Three Kingdoms 102/102 Abstract of thesis entitled: Playing History: Study of the Computer Game "Romance of Three Kingdoms,, Submitted by Wong Sun Fai for the degree of Master of Philosophy in History at The Chinese University of Hong Kong in June 2001 Abstract Computer game is not only a kind of entertainment, but also a kind of new media. Its difference from all the other media is that computer game provides information to players while changes the content of information. Books offer a static structure of information to readers. We accept information and explain it by our own understanding according to the order of events arranged by the authors. In image media such as movies and television, audience get information from moving images and voice instead of from written words. Here, the audience is passive because their imaginary space is killed by the stereotype of the effects of images and voice. We call people who read books readers; we call people who watch movies or television audience. -
Silk Road Fashion, China. the City and a Gate, the Pass and a Road – Four Components That Make Luoyang the Capital of the Silk Roads Between 1St and 7Th Century AD
https://publications.dainst.org iDAI.publications ELEKTRONISCHE PUBLIKATIONEN DES DEUTSCHEN ARCHÄOLOGISCHEN INSTITUTS Dies ist ein digitaler Sonderdruck des Beitrags / This is a digital offprint of the article Patrick Wertmann Silk Road Fashion, China. The City and a Gate, the Pass and a Road – Four components that make Luoyang the capital of the Silk Roads between 1st and 7th century AD. The year 2018 aus / from e-Forschungsberichte Ausgabe / Issue Seite / Page 19–37 https://publications.dainst.org/journals/efb/2178/6591 • urn:nbn:de:0048-dai-edai-f.2019-0-2178 Verantwortliche Redaktion / Publishing editor Redaktion e-Jahresberichte und e-Forschungsberichte | Deutsches Archäologisches Institut Weitere Informationen unter / For further information see https://publications.dainst.org/journals/efb ISSN der Online-Ausgabe / ISSN of the online edition ISSN der gedruckten Ausgabe / ISSN of the printed edition Redaktion und Satz / Annika Busching ([email protected]) Gestalterisches Konzept: Hawemann & Mosch Länderkarten: © 2017 www.mapbox.com ©2019 Deutsches Archäologisches Institut Deutsches Archäologisches Institut, Zentrale, Podbielskiallee 69–71, 14195 Berlin, Tel: +49 30 187711-0 Email: [email protected] / Web: dainst.org Nutzungsbedingungen: Die e-Forschungsberichte 2019-0 des Deutschen Archäologischen Instituts stehen unter der Creative-Commons-Lizenz Namensnennung – Nicht kommerziell – Keine Bearbeitungen 4.0 International. Um eine Kopie dieser Lizenz zu sehen, besuchen Sie bitte http://creativecommons.org/licenses/by-nc-nd/4.0/ -
Official Colours of Chinese Regimes: a Panchronic Philological Study with Historical Accounts of China
TRAMES, 2012, 16(66/61), 3, 237–285 OFFICIAL COLOURS OF CHINESE REGIMES: A PANCHRONIC PHILOLOGICAL STUDY WITH HISTORICAL ACCOUNTS OF CHINA Jingyi Gao Institute of the Estonian Language, University of Tartu, and Tallinn University Abstract. The paper reports a panchronic philological study on the official colours of Chinese regimes. The historical accounts of the Chinese regimes are introduced. The official colours are summarised with philological references of archaic texts. Remarkably, it has been suggested that the official colours of the most ancient regimes should be the three primitive colours: (1) white-yellow, (2) black-grue yellow, and (3) red-yellow, instead of the simple colours. There were inconsistent historical records on the official colours of the most ancient regimes because the composite colour categories had been split. It has solved the historical problem with the linguistic theory of composite colour categories. Besides, it is concluded how the official colours were determined: At first, the official colour might be naturally determined according to the substance of the ruling population. There might be three groups of people in the Far East. (1) The developed hunter gatherers with livestock preferred the white-yellow colour of milk. (2) The farmers preferred the red-yellow colour of sun and fire. (3) The herders preferred the black-grue-yellow colour of water bodies. Later, after the Han-Chinese consolidation, the official colour could be politically determined according to the main property of the five elements in Sino-metaphysics. The red colour has been predominate in China for many reasons. Keywords: colour symbolism, official colours, national colours, five elements, philology, Chinese history, Chinese language, etymology, basic colour terms DOI: 10.3176/tr.2012.3.03 1. -
The Outlaws of the Marsh
The Outlaws of the Marsh Shi Nai'an and Luo Guanzhong The Outlaws of the Marsh Shi Nai'an and Luo Guanzhong • Chapter 1 Zhang the Divine Teacher Prays to Dispel a Plague Marshal Hong Releases Demons by Mistake • Chapter 2 Arms Instructor Wang Goes Secretly to Yanan Prefecture Nine Dragons Shi Jin Wreaks Havoc in Shi Family Village • Chapter 3 Master Shi Leaves Huayin County at Night Major Lu Pummels the Lord of the West • Chapter 4 Sagacious Lu Puts Mount Wutai in an Uproar Squire Zhao Repairs Wenshu Monastery • Chapter 5 Drunk, the Little King Raises the Gold−Spangled Bed Curtains Lu the Tattooed Monk Throws Peach Blossom Village into Confusion • Chapter 6 Nine Dragons Shi Jin Robs in Red Pine Forest Sagacious Lu Burns Down Waguan Monastery • Chapter 7 The Tattooed Monk Uproots a Willow Tree Lin Chong Enters White Tiger Inner Sanctum by Mistake • Chapter 8 Arms Instructor Lin Is Tattooed and Exiled to Cangzhou Sagacious Lu Makes a Shambles of Wild Boar Forest • Chapter 9 Chai Jin Keeps Open House for All Bold Men Lin Chong Defeats Instructor Hong in a Bout with Staves • Chapter 10 Lin Chong Shelters from the Snowstorm in the Mountain Spirit Temple Captain Lu Qian Sets Fire to the Fodder Depot • Chapter 11 Zhu Gui Shoots a Signal Arrow from the Lakeside Pavilion Lin Chong Climbs Mount Liangshan in the Snowy Night • Chapter 12 Lin Chong Joins the Bandits in Liangshan Marsh Yang Zhi Sells His Sword in the Eastern Capital • Chapter 13 The Blue−Faced Beast Battles in the Northern Capital Urgent Vanguard Vies for Honors on the Training Field -
On the Transcendence of Morality in the Romance of the Three Kingdoms
2019 5th International Conference on Economics, Management and Humanities Science (ECOMHS 2019) On the Transcendence of Morality in The Romance of the Three Kingdoms Wu Peng Shandong University School of Literature, Shandong Jinan, 250100 Keywords: morality; aesthetics; The Romance of the Three Kingdoms Abstract: The world often likes to judge the good, evil, beauty and ugliness of food with its own values, i.e. moral standards, but the author believes that not all things can be judged in this way. In this paper, the author will take the Romance of the Three Kingdoms as an example to analyze the transcendence of morality in the Romance of the Three Kingdoms from the aspects of morality and artistic value. The word "morality" can be traced back to the ancient thinker Lao Tzu's book "Tao Te Jing". Lao Tzu said, "Dao Sheng, De Zhu, and Material Shape are bound to become one." It is noble to respect all things without respect for morality. The dignity of Tao, the nobility of virtue, the life of Fu Mo is natural. "Tao" refers to the law of natural operation and the philosophy of the world, while "virtue" refers to the character and virtue of a person born in the world. But at that time, Tao and virtue were two independent and unrelated concepts, and there was no word of morality. The word "morality" can also be traced back to Xunzi's "persuasion to learn", in which there is a saying that "learning from etiquette is the end, and the husband is the pole of morality". -
Fall 2020 CHIN 4090: Readings in Masterworks of Classical Chinese
Fall 2020 CHIN 4090: Readings in Masterworks of Classical Chinese Fiction TTR 9:00-10:15am, Zoom, Dr. Li Guo, ([email protected]); Office: Zoom, TTR 8:00-9:00 am Description: This upper-level content-based course is an introduCtion to traditional Chinese fiction, with a focus on masterworks from vernaCular fictional traditions. The Chinese equivalent term for fiction or novel “small talks” (小說), as scholar Lin Yutang 林語堂 proposes, suggests the rise of traditional Chinese fiCtion from vernacular traditions including chats, conversations, folk storytelling, singsong tales and oral accounts on everyday happenings by and for ordinary civilians. Through close reading and discussions of vernaCular fiction, we explore the seminal features of traditional society, including: religious and philosophical beliefs, the imperial system and dynastic Change, gender relations, notions of class, ethnicity, virtue, kinship, family, and romanCe. Key questions: How do literati scholars, women authors, folk storytellers facilitate diverse imaginings of virtue, valor, and chivalry? How do we understand intertextuality between diverse genres? How does poetry blend into fictional narratives? How does fiction engender dramatic modes, which in return inspire new tales and textual representations? How do premodern literary masterworks inspire modern and Contemporary media adaptations in film, anime, Comic books, computer games, web sites, music, theater, art, and other media? Course goals: To guide students in reading excerpts from classiCal novels as well as from late imperial biographies, short stories, fantasy tales, folklores, travelogues, and chantefable stories. To provide students methods to analyze significant details or patterns, and develop an in- depth understanding of the text’s form, craft, meanings. -
Where Was the Western Zhou Capital? a Capital City Has a Special Status in Every Country
Maria Khayutina [email protected] Where Was the Western Zhou Capital? A capital city has a special status in every country. Normally, this is a political, economical, social center. Often it is a cultural and religious center as well. This is the place of governmental headquarters and of the residence of power-holding elite and professional administrative cadres. In the societies, where transportation means are not much developed, this is at the same time the place, where producers of the top quality goods for elite consumption live and work. A country is often identified with its capital city both by its inhabitants and the foreigners. Wherefore, it is hardly possible to talk about the history of a certain state without making clear, where was located its capital. The Chinese history contains many examples, when a ruling dynasty moved its capital due to defensive or other political reasons. Often this shift caused not only geographical reorganization of the territory, but also significant changes in power relations within the state, as well as between it and its neighbors. One of the first such shifts happened in 771 BC, when the heir apparent of the murdered King You 幽 could not push back invading 犬戎 Quanrong hordes from the nowadays western 陜西 Shaanxi province, but fled to the city of 成周 Chengzhou near modern 洛陽 Luoyang, where the royal court stayed until the fall of the 周 Zhou in the late III century BC. This event is usually perceived as a benchmark between the two epochs – the “Western” and “Eastern” Zhou respectively, distinctly distinguished one from another. -
Ancient Chinese Works
Four Great Chinese Works Dream of the Red Chamber/Story of the Stone ● by Cao Xueqin ● About the Chia Family ● The family has imperial ties ● They build the Grand View Garden for YuanChun ○ She is an imperial concubine ● Chia PaoYu is the protagonist ○ Born with a piece of jade in his mouth ○ It is called the Jade of Spiritual Understanding ○ Chia Chang is PaoYu’s father ○ As a young man he is a romantic who writes poems ○ Loves TaiYu, and is going to marry her ○ His family tricks him into marrying PaoChai ○ After this he leaves and becomes a monk ○ He goes to fairyland in a dream ○ He meets a goddess who shows him 12 beauties, and they sing him 12 songs ○ Target of an assassination plot by Lady Chao and her son Journey to the West ● by Wu Cheng’en ● Sandy and Pigsy ● Tripitaka ● Sun Wukong ● Guan Yin ● White Bone Demon ● can do acrobatics in the clouds ● knows 72 types of transformations ● born from a stone egg ● a ninetooth iron rake ● a 7.5 ton golden rod that changes sizes ● character is sealed in a mountain ● transforms into a fly ● eats peaches of immortality ● the “Golden Cicada” ● character breaks a vase ● Outlaws of the Marsh/Water Margin ● attributed to Shi Nai’an ● may be written by Luo Guanzhong, Shi Hui, or Guo Xun ● set in the Song dynasty ● 108 outlaws ○ 36 Heavenly stars ○ 72 Earthly stars ○ also called the Stars of Destiny ● Chao Gai ● Song Jiang ● Fang La ● Yan Poxi ● He Tao ● Mystic Queen of the Ninth Heaven ● the Righteous Seven ● character is released from a stone tortoise ● Huang An ● Mt. -
Construction of a Probability Model of the Generals' Skills in the Game “Legends of the Three Kingdoms”
S18 Construction of a Probability Model of the Generals’ Skills in the Game “Legends of the Three Kingdoms” Students: Zhuoxiao Yang, Sihang Wu, Sicong Li Supervisor: Bin Qu Guangzhou No.6 Middle School Page - 388 S18 CONTENTS Abstract .......................................................................................................... 3 摘要 .................................................................................................................. 4 Background .................................................................................................... 5 A brief introduction of the game “Legends of the Three Kingdoms” .............. 5 The aim of this study..................................................................................... 6 The Probability Analysis Model .................................................................... 7 Zhou Tai ....................................................................................................... 9 Zhang Jiao .................................................................................................. 14 Zhen Ji ........................................................................................................ 16 Lu Xun ........................................................................................................ 19 Construction of a model to quantitatively evaluate the power of Generals ....................................................................................................................... 23 The standard of generals' abilities -
Bioarcheology of China
Chapter 3 Bioarchaeology of China: Bridging Biological and Archaeological Inquiries Elizabeth Berger and Kate Pechenkina In China, anthropology (人类学 renleixue, literally “study of humanity”) is primar- ily used to refer to physical anthropology. Biological or physical anthropology is firmly situated within the biological disciplines, whereas archaeology is tradition- ally hosted by history departments. Consequent differences in research interests and approaches between archaeologists and biological anthropologists have influenced the development of the field. Research on archaeological human skeletons, and anthropology as a whole, in China can be divided into three historical phases: (1) the late 1800s to 1949, the formative period, when anthropology in China was practiced as a holistic discipline and biological anthropology research was dominated by comparative morphomet- rics, population history, and paleoanthropology; (2) 1949 to the early 1980s, when “anthropology” referred almost exclusively to physical anthropology, and morpho- metrics and paleoanthropology were independent of archaeology; and (3) the 1980s until today, when cultural anthropology has experienced a renewal and bioarchaeol- ogy has come to integrate the skeletal and archaeological records (Zhang 2012; Zhu 2004; Hu 2006; Guldin 1994). In its early years (before 1949), Chinese anthropology was in close communica- tion with American, British, and European scholarship. However, it also draws from a long tradition of Chinese historiography, antiquarianism, and medical stud- ies and has undergone more than 100 years of development within China to become a discipline with its own research foci and disciplinary boundaries (Guldin 1994; Hu 2006). E. Berger Lieberthal-Rogel Center for Chinese Studies, University of Michigan, Ann Arbor, MI, USA e-mail: [email protected] Copyright © 2018. -
The Lyrics of Zhou Bangyan (1056-1121): in Between Popular and Elite Cultures
THE LYRICS OF ZHOU BANGYAN (1056-1121): IN BETWEEN POPULAR AND ELITE CULTURES by Zhou Huarao A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of East Asian Studies University of Toronto © Copyright by Zhou Huarao, 2014 The Lyrics of Zhou Bangyan (1056-1121): In between Popular and Elite Cultures Huarao Zhou Doctor of Philosophy Department of East Asian Studies University of Toronto 2014 Abstract Successfully synthesizing all previous styles of the lyric, or ci, Zhou Bangyan’s (1056-1121) poems oscillate between contrasting qualities in regard to aesthetics (ya and su), generic development (zheng and bian), circulation (musicality and textuality), and literary value (assumed female voice and male voice, lyrical mode and narrative mode, and the explicit and the implicit). These qualities emerged during the evolution of the lyric genre from common songs to a specialized and elegant form of art. This evolution, promoted by the interaction of popular culture and elite tradition, paralleled the canonization of the lyric genre. Therefore, to investigate Zhou Bangyan’s lyrics, I situate them within these contrasting qualities; in doing so, I attempt to demonstrate the uniqueness and significance of Zhou Bangyan’s poems in the development and canonization of the lyric genre. This dissertation contains six chapters. Chapter One outlines the six pairs of contrasting qualities associated with popular culture and literati tradition that existed in the course of the development of the lyric genre. These contrasting qualities serve as the overall framework for discussing Zhou Bangyan’s lyrics in the following chapters. Chapter Two studies Zhou Bangyan’s life, with a focus on how biographical factors shaped his perspective about the lyric genre. -
1000CP and Create a Tale That Will Stand the Test of Time
By Tyr Alexander Version 1.5 Welcome to feudal China. For four hundred years, the Han dynasty has ruled the land. Underneath the Han, China knew an age of peace and prosperity. However, like all things, it must one day end. The court eunuchs have usurped imperial authority, not only deceiving the emperor but promoting corrupt officials and persecuting virtuous ones. The people suffered greatly underneath the eunuch's corruption. But it was Zhang Jiao, a Taoist monk, who hammered in the first nail into the Han's coffin when he formed the Yellow Turban Army. With many dissatisfied peasants flocking to his banner, Zhang Jiao led the Yellow Turbans in revolt against the Han Emperor. Heroes and villains alike took up arms to either quell the chaos or prosper from it. No greater heroes arose during this time than Liu Bei, Cao Cao, and Sun Quan. The leaders of Shu-Han, Cao Wei, and Sun Wu respectively. These three men's destinies were intertwined together. Clashing, unifying and more often conspiring against each other, it was their actions that defined the Three Kingdoms period. While neither of these men nor the legacies they left behind would unite the land, their stories are being retold to this day. You now enter China, for good or ill. Will you join the chaos and prosper as the world around you burns? Will you stand up for righteousness and suppress the chaos, restoring the Han Dynasty to its former glory? Will you usurp the land for your own glory and force all the feudal lords to kowtow to your might? Or will you be a roaming vagabond merely going to and fro without a care in the world? Take this 1000CP And create a tale that will stand the test of time.