Descriptions of the Various Characters in the Game
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Cataloguing Chinese Art in the Middle and Late Imperial Eras
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Spring 2010 Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras YEN-WEN CHENG University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Art and Architecture Commons, Asian History Commons, and the Cultural History Commons Recommended Citation CHENG, YEN-WEN, "Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras" (2010). Publicly Accessible Penn Dissertations. 98. https://repository.upenn.edu/edissertations/98 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/98 For more information, please contact [email protected]. Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras Abstract After obtaining sovereignty, a new emperor of China often gathers the imperial collections of previous dynasties and uses them as evidence of the legitimacy of the new regime. Some emperors go further, commissioning the compilation projects of bibliographies of books and catalogues of artistic works in their imperial collections not only as inventories but also for proclaiming their imperial power. The imperial collections of art symbolize political and cultural predominance, present contemporary attitudes toward art and connoisseurship, and reflect emperors’ personal taste for art. The attempt of this research project is to explore the practice of art cataloguing during two of the most important reign periods in imperial China: Emperor Huizong of the Northern Song Dynasty (r. 1101-1125) and Emperor Qianlong of the Qing Dynasty (r. 1736-1795). Through examining the format and content of the selected painting, calligraphy, and bronze catalogues compiled by both emperors, features of each catalogue reveal the development of cataloguing imperial artistic collections. -
The Congregation of Heroes: a Skyrim Representation
DePauw University Scholarly and Creative Work from DePauw University Student research Student Work 4-2017 The onC gregation of Heroes: A Skyrim Representation Richard Smith DePauw University Follow this and additional works at: http://scholarship.depauw.edu/studentresearch Part of the Chinese Studies Commons, and the Computer Sciences Commons Recommended Citation Smith, Richard, "The onC gregation of Heroes: A Skyrim Representation" (2017). Student research. 77. http://scholarship.depauw.edu/studentresearch/77 This Thesis is brought to you for free and open access by the Student Work at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in Student research by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. The Congregation of Heroes: A Skyrim Representation Richard Smith Honor Scholar Program Senior Project 2017 Sponsor: Dr. Dave Berque First Reader: Dr. Sherry Mou Second Reader: Dr. Harry Brown 1 Table of Contents Table of Contents 2 A Brief History 4 The Congregation of Heroes 6 Thesis Project 8 Skyrim and the Creation Kit 9 The Creation Process 10 Creative Decisions for the First Iteration 14 Technical Details for the First Iteration 18 The User Study 20 The Second Iteration 23 The Ethics of Translation 26 Conclusion 28 Acknowledgements 30 Works Cited 31 2 3 A Brief History The Romance of the Three Kingdoms is a novel detailing the events during the final years of the Han Dynasty and the Three Kingdoms period. This time period, approximately 169 AD to 280 AD (Luo), was notable for the constant power struggles between the three kingdoms in China at the time. -
The Romance of the Three Kingdoms Podcast. This Is Episode 3. Before
Welcome to the Romance of the Three Kingdoms Podcast. This is episode 3. Before we pick up where we left off, I have a quick programming note for those of you who haven’t seen it on the website yet. I have decided to scale back the length of the episodes. Each of the first two episodes came in at nearly 40 minutes, and it felt long when I was writing them, recording them, editing them, and listening to them. When I am talking from a script for a long time, I have a tendency to fall back into reading rather than talking, and I want to avoid that. So I am going to try to keep future episodes to between 25 and 30 minutes. I think that will make the episodes easier for me to produce and result in a better product for you. It does mean that it will take longer to get through the whole novel, but hey, when your project starts out being at least a three-year commitment, what’s a few more months? So anyway, back to the story. At the end of the last episode, we were knee-deep in palace intrigue as a power struggle had broken out at the very top of the empire. Emperor Ling had just died. He had two sons, and both them were just kids at this point. The eunuchs were planning to make one son, prince Liu Xie (2), the heir, but the regent marshall, He Jin, the brother of the empress, beat them to the punch and declared her son, prince Liu Bian (4), the new emperor. -
Cao Pi (Pages 5-6) 5
JCC: Romance of the Three Kingdoms 三國演義 Cao Cao Dossier 曹操 Crisis Director: Matthew Owens, Charles Miller Email: [email protected], [email protected] Chair: Harjot Singh Email: [email protected] Table of Contents: 1. Front Page (Page 1) 2. Table of Contents (Page 2) 3. Introduction to the Cao Cao Dossier (Pages 3-4) 4. Cao Pi (Pages 5-6) 5. Cao Zhang (Pages 7-8) 6. Cao Zhi (Pages 9-10) 7. Lady Bian (Page 11) 8. Emperor Xian of Han (Pages 12-13) 9. Empress Fu Shou (Pages 14-15) 10. Cao Ren (Pages 16-17) 11. Cao Hong (Pages 18-19) 12. Xun Yu (Pages 20-21) 13. Sima Yi (Pages 22-23) 14. Zhang Liao (Pages 24-25) 15. Xiahou Yuan (Pages 26-27) 16. Xiahou Dun (Pages 28-29) 17. Yue Jin (Pages 30-31) 18. Dong Zhao (Pages 32-33) 19. Xu Huang (Pages 34-35) 20. Cheng Yu (Pages 36-37) 21. Cai Yan (Page 38) 22. Han Ji (Pages 39-40) 23. Su Ze (Pages 41-42) 24. Works Cited (Pages 43-) Introduction to the Cao Cao Dossier: Most characters within the Court of Cao Cao are either generals, strategists, administrators, or family members. ● Generals lead troops on the battlefield by both developing successful battlefield tactics and using their martial prowess with skills including swordsmanship and archery to duel opposing generals and officers in single combat. They also manage their armies- comprising of troops infantrymen who fight on foot, cavalrymen who fight on horseback, charioteers who fight using horse-drawn chariots, artillerymen who use long-ranged artillery, and sailors and marines who fight using wooden ships- through actions such as recruitment, collection of food and supplies, and training exercises to ensure that their soldiers are well-trained, well-fed, well-armed, and well-supplied. -
三國演義 Court of Liu Bei 劉備法院
JCC: Romance of the Three Kingdoms 三國演義 Court of Liu Bei 劉備法院 Crisis Directors: Matthew Owens, Charles Miller Emails: [email protected], [email protected] Chair: Isis Mosqueda Email: [email protected] Single-Delegate: Maximum 20 Positions Table of Contents: 1. Title Page (Page 1) 2. Table of Contents (Page 2) 3. Chair Introduction Page (Page 3) 4. Crisis Director Introduction Pages (Pages 4-5) 5. Intro to JCC: Romance of the Three Kingdoms (Pages 6-9) 6. Intro to Liu Bei (Pages 10-11) 7. Topic History: Jing Province (Pages 12-14) 8. Perspective (Pages 15-16) 9. Current Situation (Pages 17-19) 10. Maps of the Middle Kingdom / China (Pages 20-21) 11. Liu Bei’s Domain Statistics (Page 22) 12. Guiding Questions (Pages 22-23) 13. Resources for Further Research (Page 23) 14. Works Cited (Pages 24-) Dear delegates, I am honored to welcome you all to the Twenty Ninth Mid-Atlantic Simulation of the United Nations Conference, and I am pleased to welcome you to JCC: Romance of the Three Kingdoms. Everyone at MASUN XXIX have been working hard to ensure that this committee and this conference will be successful for you, and we will continue to do so all weekend. My name is Isis Mosqueda and I am recent George Mason Alumna. I am also a former GMU Model United Nations president, treasurer and member, as well as a former MASUN Director General. I graduated last May with a B.A. in Government and International politics with a minor in Legal Studies. I am currently an academic intern for the Smithsonian Institution, working for the National Air and Space Museum’s Education Department, and a substitute teacher for Loudoun County Public Schools. -
Letters and Gifts in Early Medieval China
Material and Symbolic Economies: Letters and Gifts in Early Medieval China The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Tian, Xiaofei. "4 Material and Symbolic Economies: Letters and Gifts in Early Medieval China." In A History of Chinese Letters and Epistolary Culture, pp. 135-186. Brill, 2015. Published Version doi:10.1163/9789004292123_006 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:29037391 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP Material and Symbolic Economies_Tian Material and Symbolic Economies: Letters and Gifts in Early Medieval China* Xiaofei Tian Harvard University This paper examines a group of letters in early medieval China, specifically from the turn of the third century and from the early sixth century, about gift giving and receiving. Gift-giving is one of the things that stand at the center of social relationships across many cultures. “The gift imposes an identity upon the giver as well as the receiver.”1 It is both productive of social relationships and affirms them; it establishes and clarifies social status, displays power, strengthens alliances, and creates debt and obligations. This was particularly true in the chaotic period following the collapse of the Han empire at the turn of the third century, often referred to by the reign title of the last Han emperor as the Jian’an 建安 era (196-220). -
International Seminar on Silk Roads: Roads of Dialogue
INTERNATIONAL SEMINAR ON SILK ROADS: ROADS OF DIALOGUE MALACCA, MALAYSIA 4th January 1991 Organized by: Ministry of Culture, Arts and Tourism, Malaysia National University of Malaysia Ministry of Education, Malaysia Chief Minister Department. Malacca With the Cooperation of: 1 Recent Studies in China on Admiral Zheng He's Navigation Liu Yingsheng Nanjing University, China At the end of 15th century great Portuguese sailor Vasco Da Gama returned to Europe from India. In the history of navigation, the Portuguese discovery is the very beginning of the new era. But before the Portuguese came to the east the Pacific Ocean and Indian Ocean had already been a busy commercial region for a long time. Ships of China, Southeast Asia, Sub- continent, West Asia and East Africa had kept on coming and going from east to west and from west to east. Admiral Zheng He and his fleets’ navigation in the West Pacific Ocean and Indian Ocean in the early 15th century is one of greatest achievements in the history of Chinese navigation activities. In the period from the 3rd year of Yong Le 永乐 (1405) to the 8th year of Xuan De 宣 德 (1433) Zheng He sailed 7 times to Southeast Asia and in the Indian Ocean. His fleet was the biggest in the world at that time. It consisted of more than 200 ships and more than 27,800 sailors and soldiers. The study on Zheng He's navigation activity was begun at the beginning of the Qing Dynasty when Zhang Tingyu 张廷玉 and his colleagues compiled the biography of Zheng He of the Ming Shi in the 17th century. -
THE LAST YEARS 218–220 Liu Bei in Hanzhong 218–219 Guan Yu and Lü Meng 219 Posthumous Emperor 220 the Later History Of
CHAPTER TEN THE LAST YEARS 218–220 Liu Bei in Hanzhong 218–219 Guan Yu and Lü Meng 219 Posthumous emperor 220 The later history of Cao Wei Chronology 218–2201 218 spring: short-lived rebellion at Xu city Liu Bei sends an army into Hanzhong; driven back by Cao Hong summer: Wuhuan rebellion put down by Cao Cao’s son Zhang; Kebineng of the Xianbi surrenders winter: rebellion in Nanyang 219 spring: Nanyang rebellion put down by Cao Ren Liu Bei defeats Xiahou Yuan at Dingjun Mountain summer: Cao Cao withdraws from Hanzhong; Liu Bei presses east down the Han autumn: Liu Bei proclaims himself King of Hanzhong; Guan Yu attacks north in Jing province, besieges Cao Ren in Fan city rebellion of Wei Feng at Ye city winter: Guan Yu defeated at Fan; Lü Meng seizes Jing province for Sun Quan and destroys Guan Yu 220 spring [15 March]: Cao Cao dies at Luoyang; Cao Pi succeeds him as King of Wei winter [11 December]: Cao Pi takes the imperial title; Cao Cao is given posthumous honour as Martial Emperor of Wei [Wei Wudi] * * * * * 1 The major source for Cao Cao’s activities from 218 to 220 is SGZ 1:50–53. They are presented in chronicle order by ZZTJ 68:2154–74 and 69:2175; deC, Establish Peace, 508–560. 424 chapter ten Chronology from 220 222 Lu Xun defeats the revenge attack of Liu Bei against Sun Quan 226 death of Cao Pi, succeeded by his son Cao Rui 238 death of Cao Rui, succeeded by Cao Fang under the regency of Cao Shuang 249 Sima Yi destroys Cao Shuang and seizes power in the state of Wei for his family 254 Sima Shi deposes Cao Fang, replacing him with Cao Mao 255 Sima Shi succeeded by Sima Zhao 260 Cao Mao killed in a coup d’état; replaced by Cao Huan 264 conquest of Shu-Han 266 Sima Yan takes title as Emperor of Jin 280 conquest of Wu by Jin Liu Bei in Hanzhong 218–219 Even while Cao Cao steadily developed his position with honours, titles and insignia, he continued to proclaim his loyalty to Han and to represent himself as a servant—albeit a most successful and distin- guished one—of the established dynasty. -
Table of Contents Vol01
TABLE OF CONTENTS VOL01 SESSION 1 COMPUTER SCIENCE AND INFORMATION TECHNOLOGY 1-M0176CN1060 EFFICIENT RESOURCE ALLOCATION IN COGNITIVE WIRELESS 1 MESH NETWORKS Song Lei,Zhao Cheng,Li Changzheng 2-M0177CN0534 APPLICATION OF APRIORI ALGORITHM IN OPEN EXPERIMENT 6 Li Mengshan,Liu Bingxiang,Wu Yan 3-M0178CN0958 BUILDING INTELLIGENT RESIDENTIAL DISTRICT BASED ON 10 INTERNET OF THINGS TECHNOLOGY Zhiqiang Wei, Ying Zhang, Dongning Jia 4-M0179CN0458 THE APPLICATION OF FIRE SUPERVISING MANAGEMENT 15 INFORMATION SYSTEM ON THE WIRELESS INTERNET YAO Zhiqiang,WANG Huijuan,WU Jianzheng 5-M0180CN0491 MEDIUM ACCESS CONTROLLER DESIGN FOR WIRELESS BODY 21 AREA NETWORK Jigang Shao,Hanjun Jiang,Chun Zhang,Zhihua Wang 6-M0181CN0563 A NEW TRACK CORRELATION ALGORITHM BASED ON STATISTICS 26 ZHANG Zhang,WANG Xue-bin,Yan Jun 7-M0182CN0741 THE STUDY ON THE UNIVERSITY SPORTS TEAMS IN INFORMATION 30 MANAGEMENT Li Yong,Yi Peng 8-M0183CN0958 GENERAL LAYERED HETEROGENEOUS MODEL OF PARALLEL 33 COMPUTATION Zhiqiang Wei, Wenjuan Shi, Yingying Liu, Jie Nie, Lin Gui 9-M0184CN0958 IMPLEMENTATION OF VISUALIZATION OF HORIZONTAL SLICE IN 38 THREE-DIMENSIONAL SEISMIC DATA VOLUME Xiaopeng Ji, Lin Mou, Zhiqiang Wei, Longbin Shen, Lin Gui 10-M0185CN0491 RFID SENSOR NETWORKS BASED ON PHARMACEUTICAL DRUGS 42 LOGISTICS, STORAGE, SECURITY RESEARCH YINQun,Zhangjianbo 11-M0186CN0659 ESTABLISHMENT OF THE PERFORMANCE APPRAISAL INDEX 46 SYSTEM OF SOFTWARE PROJECT PRESALES MANAGER Ren Yongchang,Xing Tao,Wang Li,Cai Wei 1 SESSION 2 COMPUTER SCIENCE AND INFORMATION TECHNOLOGY 12-M0187CN1599 -
Three Kingdoms Unveiling the Story: List of Works
Celebrating the 40th Anniversary of the Japan-China Cultural Exchange Agreement List of Works Organizers: Tokyo National Museum, Art Exhibitions China, NHK, NHK Promotions Inc., The Asahi Shimbun With the Support of: the Ministry of Foreign Affairs of Japan, NATIONAL CULTURAL HERITAGE ADMINISTRATION, July 9 – September 16, 2019 Embassy of the People’s Republic of China in Japan With the Sponsorship of: Heiseikan, Tokyo National Museum Dai Nippon Printing Co., Ltd., Notes Mitsui Sumitomo Insurance Co.,Ltd., MITSUI & CO., LTD. ・Exhibition numbers correspond to the catalogue entry numbers. However, the order of the artworks in the exhibition may not necessarily be the same. With the cooperation of: ・Designation is indicated by a symbol ☆ for Chinese First Grade Cultural Relic. IIDA CITY KAWAMOTO KIHACHIRO PUPPET MUSEUM, ・Works are on view throughout the exhibition period. KOEI TECMO GAMES CO., LTD., ・ Exhibition lineup may change as circumstances require. Missing numbers refer to works that have been pulled from the JAPAN AIRLINES, exhibition. HIKARI Production LTD. No. Designation Title Excavation year / Location or Artist, etc. Period and date of production Ownership Prologue: Legends of the Three Kingdoms Period 1 Guan Yu Ming dynasty, 15th–16th century Xinxiang Museum Zhuge Liang Emerges From the 2 Ming dynasty, 15th century Shanghai Museum Mountains to Serve 3 Narrative Figure Painting By Qiu Ying Ming dynasty, 16th century Shanghai Museum 4 Former Ode on the Red Cliffs By Zhang Ruitu Ming dynasty, dated 1626 Tianjin Museum Illustrated -
Study on the Relationship Between Guan Yu and Sun Quan (The Kingdom of Wu)
2019 International Conference on Cultural Studies, Tourism and Social Sciences (CSTSS 2019) Study on the Relationship between Guan Yu and Sun Quan (The Kingdom of Wu) Xinzhao Tang School of History and Culture, Sichuan University, Chengdu, Sichuan Province, China Keywords: Guan Yu; Sun Quan and the kingdom of Wu; Jingzhou Abstract: The alliance formation of Sun Quan and Liu Bei makes China's political structure gradually enter the “three kingdoms” era in the late Eastern Han Dynasty. After the battle of Red Cliff, the alliance gradually breaks down. Many scholars pass the buck to Guan Yu. They think that the reason why the alliance of Sun Quan and Liu Bei broke down at last is because Guan Yu was too headstrong and he didn’t pay much attention to better the relationship with Sun Quan. This paper discusses the breakdown of the alliance of Sun Quan and Liu Bei from Guan Yu's point of view. 1. Introduction The formation of the alliance of Sun Quan and Liu Bei is the result of the change of the political pattern since the late Eastern Han Dynasty. The powerful warlords destroyed the weak warlords, and the weak warlords had to form an alliance to fight against the powerful warlords for their survival. As Cao Cao and his army were marching toward the south, Sun Quan and Liu Bei formed an alliance and defeated Cao Cao in the battle of Red Cliff. After that, with the threat of Cao Cao gradually decreasing, the contradiction between the two forces began to become increasingly sharp. -
Weaponry During the Period of Disunity in Imperial China with a Focus on the Dao
Weaponry During the Period of Disunity in Imperial China With a focus on the Dao An Interactive Qualifying Project Report Submitted to the Faculty Of the WORCESTER POLYTECHNIC INSTITUTE By: Bryan Benson Ryan Coran Alberto Ramirez Date: 04/27/2017 Submitted to: Professor Diana A. Lados Mr. Tom H. Thomsen 1 Table of Contents Table of Contents 2 List of Figures 4 Individual Participation 7 Authorship 8 1. Abstract 10 2. Introduction 11 3. Historical Background 12 3.1 Fall of Han dynasty/ Formation of the Three Kingdoms 12 3.2 Wu 13 3.3 Shu 14 3.4 Wei 16 3.5 Warfare and Relations between the Three Kingdoms 17 3.5.1 Wu and the South 17 3.5.2 Shu-Han 17 3.5.3 Wei and the Sima family 18 3.6 Weaponry: 18 3.6.1 Four traditional weapons (Qiang, Jian, Gun, Dao) 18 3.6.1.1 The Gun 18 3.6.1.2 The Qiang 19 3.6.1.3 The Jian 20 3.6.1.4 The Dao 21 3.7 Rise of the Empire of Western Jin 22 3.7.1 The Beginning of the Western Jin Empire 22 3.7.2 The Reign of Empress Jia 23 3.7.3 The End of the Western Jin Empire 23 3.7.4 Military Structure in the Western Jin 24 3.8 Period of Disunity 24 4. Materials and Manufacturing During the Period of Disunity 25 2 Table of Contents (Cont.) 4.1 Manufacturing of the Dao During the Han Dynasty 25 4.2 Manufacturing of the Dao During the Period of Disunity 26 5.