Fall 2020 CHIN 4090: Readings in Masterworks of Classical Chinese
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Playing History: Study of the Computer Game "Romance of Threekingdoms，，
Playing History: Study of the Computer Game "Romance of Three Kingdoms，， Wong Sun Fai A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Master of Philosophy in History © The Chinese University of Hong Kong July 2001 The Chinese University of Hong Kong holds the copyright of this thesis. Any person(s) intending to use a part or whole of the materials in the thesis in a proposed publication must seek copyright release from the Dean of the Graduate School. i I ] f^R • ！一 ?\ 一 、丨I V .^LIBRARY SYSTEI^f Playing History: Study of the Computer Game Romance of Three Kingdoms 102/102 Abstract of thesis entitled: Playing History: Study of the Computer Game "Romance of Three Kingdoms，， Submitted by Wong Sun Fai for the degree of Master of Philosophy in History at The Chinese University of Hong Kong in June 2001 Abstract Computer game is not only a kind of entertainment, but also a kind of new media. Its difference from all the other media is that computer game provides information to players while changes the content of information. Books offer a static structure of information to readers. We accept information and explain it by our own understanding according to the order of events arranged by the authors. In image media such as movies and television, audience get information from moving images and voice instead of from written words. Here, the audience is passive because their imaginary space is killed by the stereotype of the effects of images and voice. We call people who read books readers; we call people who watch movies or television audience. -
The Outlaws of the Marsh
The Outlaws of the Marsh Shi Nai'an and Luo Guanzhong The Outlaws of the Marsh Shi Nai'an and Luo Guanzhong • Chapter 1 Zhang the Divine Teacher Prays to Dispel a Plague Marshal Hong Releases Demons by Mistake • Chapter 2 Arms Instructor Wang Goes Secretly to Yanan Prefecture Nine Dragons Shi Jin Wreaks Havoc in Shi Family Village • Chapter 3 Master Shi Leaves Huayin County at Night Major Lu Pummels the Lord of the West • Chapter 4 Sagacious Lu Puts Mount Wutai in an Uproar Squire Zhao Repairs Wenshu Monastery • Chapter 5 Drunk, the Little King Raises the Gold−Spangled Bed Curtains Lu the Tattooed Monk Throws Peach Blossom Village into Confusion • Chapter 6 Nine Dragons Shi Jin Robs in Red Pine Forest Sagacious Lu Burns Down Waguan Monastery • Chapter 7 The Tattooed Monk Uproots a Willow Tree Lin Chong Enters White Tiger Inner Sanctum by Mistake • Chapter 8 Arms Instructor Lin Is Tattooed and Exiled to Cangzhou Sagacious Lu Makes a Shambles of Wild Boar Forest • Chapter 9 Chai Jin Keeps Open House for All Bold Men Lin Chong Defeats Instructor Hong in a Bout with Staves • Chapter 10 Lin Chong Shelters from the Snowstorm in the Mountain Spirit Temple Captain Lu Qian Sets Fire to the Fodder Depot • Chapter 11 Zhu Gui Shoots a Signal Arrow from the Lakeside Pavilion Lin Chong Climbs Mount Liangshan in the Snowy Night • Chapter 12 Lin Chong Joins the Bandits in Liangshan Marsh Yang Zhi Sells His Sword in the Eastern Capital • Chapter 13 The Blue−Faced Beast Battles in the Northern Capital Urgent Vanguard Vies for Honors on the Training Field -
Welcome to the Romance of the Three Kingdoms Podcast 100Th Episode Extravaganza
Welcome to the Romance of the Three Kingdoms Podcast 100th episode extravaganza. Yes, I know, we’re only at episode 92 in the narrative, but counting the seven supplemental episodes I’ve done, this IS the 100th episode since we began our podcast journey through the Romance of the Three Kingdoms. I know I’ve said this before, but thank you all for your support of this podcast. Knowing that more and more people are checking out the show and discovering the novel through it is a huge part of what keeps me doing this. I love all the comments you’ve sent, so keep them coming. With the podcast celebrating its 100th episode, I figured that’s as good an excuse as any to pause the narrative for a day and mark the occasion with a question-and-answer session. A number of you have sent in questions, to which I have some long-winded answers, as the length of this episode suggests. So let’s get to it. Listener Kyle asked, and I’m paraphrasing a bit here: What happens after the Three Kingdoms period? To answer this question without giving away too many spoilers for those of you who don’t know how the novel ends, I’m going to refrain from talking about how the Three Kingdoms period ended or who ultimately came out on top, and just focus on what happened afterward. Actually, the novel kind of gives away the ending anyway with its first line: Ever since antiquity, domains under heaven, after a long period of division, tend to unite. -
On the Transcendence of Morality in the Romance of the Three Kingdoms
2019 5th International Conference on Economics, Management and Humanities Science (ECOMHS 2019) On the Transcendence of Morality in The Romance of the Three Kingdoms Wu Peng Shandong University School of Literature, Shandong Jinan, 250100 Keywords: morality; aesthetics; The Romance of the Three Kingdoms Abstract: The world often likes to judge the good, evil, beauty and ugliness of food with its own values, i.e. moral standards, but the author believes that not all things can be judged in this way. In this paper, the author will take the Romance of the Three Kingdoms as an example to analyze the transcendence of morality in the Romance of the Three Kingdoms from the aspects of morality and artistic value. The word "morality" can be traced back to the ancient thinker Lao Tzu's book "Tao Te Jing". Lao Tzu said, "Dao Sheng, De Zhu, and Material Shape are bound to become one." It is noble to respect all things without respect for morality. The dignity of Tao, the nobility of virtue, the life of Fu Mo is natural. "Tao" refers to the law of natural operation and the philosophy of the world, while "virtue" refers to the character and virtue of a person born in the world. But at that time, Tao and virtue were two independent and unrelated concepts, and there was no word of morality. The word "morality" can also be traced back to Xunzi's "persuasion to learn", in which there is a saying that "learning from etiquette is the end, and the husband is the pole of morality". -
The Outlaws of the Marsh
The Outlaws of the Marsh Shi Nai'an and Luo Guanzhong The Outlaws of the Marsh Table of Contents The Outlaws of the Marsh..................................................................................................................................1 Shi Nai'an and Luo Guanzhong...............................................................................................................1 Chapter 1 Zhang the Divine Teacher Prays to Dispel a Plague Marshal Hong Releases Demons by Mistake....................................................................................................................................................7 Chapter 2 Arms Instructor Wang Goes Secretly to Yanan Prefecture Nine Dragons Shi Jin Wreaks Havoc in Shi Family Village...................................................................................................15 Chapter 3 Master Shi Leaves Huayin County at Night Major Lu Pummels the Lord of the West.......32 Chapter 4 Sagacious Lu Puts Mount Wutai in an Uproar Squire Zhao Repairs Wenshu Monastery....42 Chapter 5 Drunk, the Little King Raises the Gold−Spangled Bed Curtains Lu the Tattooed Monk Throws Peach Blossom Village into Confusion...................................................................................57 Chapter 6 Nine Dragons Shi Jin Robs in Red Pine Forest Sagacious Lu Burns Down Waguan Monastery.............................................................................................................................................67 Chapter 7 The Tattooed Monk Uproots a Willow -
Zhen Fo Bao Chan Yi Gui True Buddha Repentance Sadhana
真佛寶懺儀軌英文版 Honor the Guru Zhen Fo Bao Chan Yi Gui Treasure the Dharma True Buddha Repentance Sadhana Practice Diligently Transmitted by Living Buddha Lian Sheng Om Guru Lian Sheng Siddhi Hum Published by True Buddha Foundation Translated and sponsored by Ling Shen Ching Tze Temple Ling Shen Ching Tze temple is the first and foremost temple of True Buddha Copyright by True Buddha Foundation, a nonprofit religious School, where Living Buddha Lian Sheng imparted True Buddha Tantra for organization, 2002 many years. Enshrined at the temple are Shakyamuni Buddha, Medicine Buddha, the Five Dhyani Buddhas, Golden Mother, and many beautiful images. General permission is granted to religious and educational institutions for non-commercial reproduction in limited quantities, provided a complete It is located at 17012 N.E. 40th Court, Redmond, WA 98052. Tel: 1-425- reference is made to the source. 882-0916. Group meditation practice is open to public every Saturday at 8 p.m. True Buddha Repentance True Buddha Repentance Refuge and Lineage Empowerment One needs to obtain a lineage empowerment in order to achieve maximum results in his/her tantra practice. One obtains True Buddha lineage by taking refuge in Living Buddha Lian Sheng, Grand Master Lu Sheng Yen, in one of the following ways: In writing Root Guru Mantra Root Guru Mantra (long version) (short version) Perform the remote refuge initiation as follows: Om Ah Hum Om Guru At 7:00 a.m. of either the first or fifteenth of a lunar month, face the Guru Bei Lian Sheng direction of the rising sun. With palms joined, reverently recite the Fourfold Yaho Sasamaha Siddhi Hum Refuge Mantra three times: “namo guru bei, namo buddha ye, namo dharma Lian Sheng ye, namo sangha ye.” Prostrate three times. -
Ancient Chinese Works
Four Great Chinese Works Dream of the Red Chamber/Story of the Stone ● by Cao Xueqin ● About the Chia Family ● The family has imperial ties ● They build the Grand View Garden for YuanChun ○ She is an imperial concubine ● Chia PaoYu is the protagonist ○ Born with a piece of jade in his mouth ○ It is called the Jade of Spiritual Understanding ○ Chia Chang is PaoYu’s father ○ As a young man he is a romantic who writes poems ○ Loves TaiYu, and is going to marry her ○ His family tricks him into marrying PaoChai ○ After this he leaves and becomes a monk ○ He goes to fairyland in a dream ○ He meets a goddess who shows him 12 beauties, and they sing him 12 songs ○ Target of an assassination plot by Lady Chao and her son Journey to the West ● by Wu Cheng’en ● Sandy and Pigsy ● Tripitaka ● Sun Wukong ● Guan Yin ● White Bone Demon ● can do acrobatics in the clouds ● knows 72 types of transformations ● born from a stone egg ● a ninetooth iron rake ● a 7.5 ton golden rod that changes sizes ● character is sealed in a mountain ● transforms into a fly ● eats peaches of immortality ● the “Golden Cicada” ● character breaks a vase ● Outlaws of the Marsh/Water Margin ● attributed to Shi Nai’an ● may be written by Luo Guanzhong, Shi Hui, or Guo Xun ● set in the Song dynasty ● 108 outlaws ○ 36 Heavenly stars ○ 72 Earthly stars ○ also called the Stars of Destiny ● Chao Gai ● Song Jiang ● Fang La ● Yan Poxi ● He Tao ● Mystic Queen of the Ninth Heaven ● the Righteous Seven ● character is released from a stone tortoise ● Huang An ● Mt. -
The Water Margin Podcast. This Is Episode 69. Last Time, After Killing
Welcome to the Water Margin Podcast. This is episode 69. Last time, after killing his wife in a most gruesome fashion, Yang Xiong set out with his hetero life mate Shi Xiu and their new grave-robber buddy Shi (2) Qian (1) to join up with the outlaws of Liangshan. On their way, they stayed at an inn near a place called the Zhu (4) Family Manor. While there, Shi Qian decided to steal and cook the house rooster for dinner. Soon, though, the clerk at the inn discovered what happened, and he confronted the three men. “Sirs, how can you do this?!” he said. “How could you steal our rooster and eat it?!” “What?!” Shi Qian protested. “We bought this chicken on the way here. When the hell did we ever see your rooster?!” “Then what happened to my rooster?” “Got dragged off by a cat? Eaten by a weasel? Carried away by a hawk? How would I know?” Shi Qian scoffed. “The rooster was in a cage!” the incredulous clerk shouted. “If you didn’t steal it, who did?” Shi Xiu, trying to make peace and retain some right to call himself an honorable man, now intervened and said to the clerk, “Let’s not argue anymore. How much could it be worth? We’ll just pay you.” “That rooster heralds the dawn; our inn can’t do without it!” the clerk said. “Even if you gave me 10 taels of silver, it won’t be enough. I want you to return my rooster.” But now, Shi Xiu was getting pissed. -
Global Communication, Local Perspectives
2010 China Communication Forum Global Communication, Local Perspectives English Papers 10-12, December ,2010 Hong Kong，China China Association of Communication Chinese Communication Association Department of Media and Communication, City University of Hong Kong National Center for Radio and Television Studies, Communication University of China 2010 China Communication Forum Copyright Statement 1.All papers in this symposium (including text, graphics) are provided by the participants of the 2010 China Communication Forum on "Global communication, local perspective" . All papers are restricted for discussions within this symposium only. It is forbidden for anyone to use these thesis for any commercial purposes. 2.The conference organizers and the symposium do not have any rights about the papers (including text, graphics). The copyright is reserved within the legal owners of all papers. Any quotation and reproduction without the permission of copyright owners is forbidden. All the copyright disputes are irrelevant to the conference organizers and the symposium. 3.This symposium has not done any modifications to the papers included. Thus we do not guarantee the accuracy, security, integrity and the legitimacy of all the thesis. We also do not take any responsibility for the damage it has done to the users of these papers and the harm the users have done to others.If the papers in this symposium are disputed on intellectual property right, the authors should take the responsibility themselves. 2 2010 China Communication Forum CONTENTS Angela K. Y. Mak The “Customer” Metaphor in Social Institutions in the Public’s Eyes: An Exploratory Study in Singapore...........................................................4 Augustine Pang Yeo Su Lin Crisis Management Consultancy: Exploration of the Expertise, Experience and Expediency of Consultants in Public Relations Agencies in Singapore ........................................................................................... -
Outlaws 097: Truce
Welcome to the Water Margin Podcast. This is episode 97. Last time, the Liangshan bandits returned to Zeng Family Village looking to avenge the death of their former leader Chao Gai. They mostly had the upper hand in the first two engagements, including killing the eldest of the Zeng family’s five sons. As we pick up the story, the Zeng family’s youngest son, Zeng Sheng (1), had demanded that they go avenge his brother. So the family’s arms instructor Shi (3) Wengong (2,1) led an army out to challenge for battle. He rode out on the fine horse that they had seized from Liangshan previously, which was the cause of all this kerfuffle. Shi Wengong rode out to the front of the lines to challenge for battle. On the bandits’ side, the chieftain Qin Ming the Fiery Thunderbolt wanted to claim the honor of slaying their nemesis, so he galloped out to take on Shi Wengong. The two warriors raised their weapons and exchanged blows. Now, as we have seen repeatedly in the novel, Qin Ming was one of Liangshan’s fiercest fighters. But this time, he met his match. After 20 bouts, he started to falter, so he turned and rode back toward his own lines. But Shi Wengong chased after him, and speared him in the back of the thigh, sending him tumbling off his horse. Four chieftains from Liangshan quickly charged out to occupy Shi Wengong while the lackeys rescued Qin Ming, but the Zeng family forces charged and won the day, riding the momentum from their arms instructor’s victory. -
The Dreaming Mind and the End of the Ming World
The Dreaming Mind and the End of the Ming World The Dreaming Mind and the End of the Ming World • Lynn A. Struve University of Hawai‘i Press Honolulu © 2019 University of Hawai‘i Press This content is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0), which means that it may be freely downloaded and shared in digital format for non-commercial purposes, provided credit is given to the author. Commercial uses and the publication of any derivative works require permission from the publisher. For details, see https://creativecommons.org/licenses/by-nc-nd/4.0/. The Creative Commons license described above does not apply to any material that is separately copyrighted. The open-access version of this book was made possible in part by an award from the James P. Geiss and Margaret Y. Hsu Foundation. Cover art: Woodblock illustration by Chen Hongshou from the 1639 edition of Story of the Western Wing. Student Zhang lies asleep in an inn, reclining against a bed frame. His anxious dream of Oriole in the wilds, being confronted by a military commander, completely fills the balloon to the right. In memory of Professor Liu Wenying (1939–2005), an open-minded, visionary scholar and open-hearted, generous man Contents Acknowledgments • ix Introduction • 1 Chapter 1 Continuities in the Dream Lives of Ming Intellectuals • 15 Chapter 2 Sources of Special Dream Salience in Late Ming • 81 Chapter 3 Crisis Dreaming • 165 Chapter 4 Dream-Coping in the Aftermath • 199 Epilogue: Beyond the Arc • 243 Works Cited • 259 Glossary-Index • 305 vii Acknowledgments I AM MOST GRATEFUL, as ever, to Diana Wenling Liu, head of the East Asian Col- lection at Indiana University, who, over many years, has never failed to cheerfully, courteously, and diligently respond to my innumerable requests for problematic materials, puzzlements over illegible or unfindable characters, frustrations with dig- ital databases, communications with publishers and repositories in China, etcetera ad infinitum. -
Liu Ts'un‑Yan (1917–2009)
Liu Ts’un‑yan (1917–2009) 90 Australian Academy of the Humanities, Proceedings 34, 2009 Liu Ts’un‑yan (1917–2009) 2 Liu Ts’un‑yan was one of the finest representatives of a very special group of Chinese scholars, superbly trained and skilled in Classical scholarship but with an equal command of modern literature, and with great ability in Confucian, Taoist and Buddhist philosophy and religion. At the same time, he belonged to the generation of the early twentieth century which received Western ideas and blended them to create a new approach to the study of China. Originally from Shandong province, during the time of the Manchu Qing, the last imperial dynasty, Liu Ts’un‑yan’s family had been Chinese Bannermen, honoured for their loyalty. His father Liu Tsung‑ch’uan was one of the last graduates of the old examination system in Classical Chinese, and though the new Baihua movement of colloquial literature became increasingly influential after the fall of the empire in 1911, Liu Tsung‑ch’uan trained his son in the old tradition – reading the Confucian classics from the age of three, and composing formal pieces of prose and poetry. As a child, however, Liu Ts’un‑yan suffered from poor health, and his family eventually entrusted him to the care of a Taoist monastery, where he was taught breathing and other techniques, and where he gained an appreciation of the Taoist approach to philosophy and to life. A sensible proponent of traditional Chinese medicine, he later studied the history of alchemy and the search for the Golden Pill and the elixir of life.