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Arts of Asia Lecture Series Spring 2015 Masterpieces and Iconic Artworks of the Asian Art Museum Sponsored by the Society for Asian Art

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Arts of Asia Lecture Series Spring 2015 Masterpieces and Iconic Artworks of the Asian Art Museum Sponsored by the Society for Asian Art Arts of Asia Lecture Series Spring 2015 Masterpieces and Iconic Artworks of the Asian Art Museum Sponsored by The Society for Asian Art The 338 Buddha, April 24, 2015 Michael Knight, Curator Emeritus of Chinese Art Names, places and terms was Dharmaraksa (Zhu Fahu), the most eminent translator during the Western Jin period whose ancestors had lived in Dunhuang for generations. When he was young, Dharmaraksa traveled with his teacher to many countries in the Western Regions and learned Central Asian languages and scripts and then returned to China with a large number of Buddhist texts. In 266 he traveled from Dunhuang to Chang'an and Luoyang, then crossed the Yangtze River. He translated 154 Hīnayāna and Mahāyāna sutras virtually covering all important texts circulating in the Western Regions. dhyana (meditating) Buddha Fotudeng (ca. 231-349) Former Zhao (319-329) Jie (or Lijie): identified by their high noses and full beards they were of Indo-Iranian background, members of the Xiongnu confederacy and the founders of the Later Zhao dynasty. Jiankang (present-day Nanjing) Jin Dynasty (265-420) Western Jin (265-316) Eastern Jin (317-420) Kashmir Kanishka (accession to Kushan throne probably between 78 and 144 CE, with c.128 being the most likely specific date) Kucha, a state established by the Tokharians on the northern edge of the Tarim Basin Kushan Empire (approx. 2nd century BCE-3rd century CE) Later Zhao (319-351) Lokaksema (Zhi Loujiachan, sometimes abbreviated to Zhi Chan), Buddhist translator during the Later Han period. He arrived at Luoyang in the late years of the Emperor Han Huandi's reign and between 178 and 179 CE translated more than ten Buddhist sutras from Central Asian languages into Chinese, the most noteworthy is Prajnā-pāramitā Luoyang, Henan province Prajñāpāramitā Sutra: "the Perfection of (Transcendent) Wisdom." Prajñāpāramitā is a central concept in Mahāyāna Buddhism and its practice and understanding are taken to be indispensable elements of the Bodhisattva Path. There are a number of sutras associated with the concept, the best known are the Heart and Diamond Sutras. The first translation of a Prajñāpāramitā sutra into Chinese occurred in the 2nd century CE. Shi Hu (295-349) Shi Le (274-333) Sogdians: were centered on the main city of Samarkand, north of Bactria, east of Khwarezm, and southeast of Kangju between the Oxus (Amu Darya) and the Jaxartes (Syr Darya). According to many, the Sogdians dominated the means of trade along the Silk Road. Their main religion was Zoroastrianism. Xianbei: Asian nomadic people, speaking an Altaic language. Competitors of the Xiongnu. Xiangguo (modern Xingtai, Hebei), first capital of Later Zhao dynasty Xiangrui: portents, often in the shape of mythical beasts signaling the approval of heaven Xiwang Mu: Queen Mother of the West Xiongnu: a Eurasian nomadic people who formed a state or confederation centered in modern Mongolia. Throughout the Eastern Han period, the Xiongnu were divided into two groups: the southern Xiongnu and the northern Xiongnu. Ye (or Yecheng, modern Handan, Hebei), second capital of Later Zhao dynasty Suggested Readings Bonnie Cheng, “The Space Between: Locating “Culture” in Artistic Exchange,” Ars Orientalis, 38 (2010), pp. 81-93. Annette L. Juliano: Buddhist Art in Northwest China in Monks and Merchants: Silk Road Treasures from Northwest China, New York, 2001, 119- Michael Knight: “The 338 Buddha Revisited,” Lotus Leaves, Spring 2013, Volume 15, Number 2, pp. 1-10 Lai Guolong, “Use of the Human Figure in Early Chinese Art,” Chinese Bronzes, Selected Articles from Orientations1983-2000, pp. 326-332 Judith A. Lerner: “The Merchant Empire of the Sogdians,” in Monks and Merchants: Silk Road Treasures from Northwest China, New York, 2001, pp. 221-. Marilyn Rhie, Early Buddhist Art of China and Central Asia, (Brill, Leiden, Boston, Koln, 2002), Vol. 2, pp. 246-361. Donna Strahan, “Piece-Mold Casting: A Chinese Tradition for Fourth- and Fifth-Century Bronze Buddha Images,” Metropolitan Museum Studies in Art, Science and Technology, 2010. Arthur Frederick Wright, “Fo-Tu-Teng, A Biography,” Harvard Journal of Asiatic Studies, Volume 11, December 1948, p. 320. Xu, Wenkan, “The Tokharians and Buddhism” online. S.Y. Yang: “The Jie and the formation of the Later Zhao empire,” online .
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