Kazakh Culture in the 20Th and 21St Centuries. Legacies and Innovations.” the Conference, Opened by the Ambassador of Kazakh- Stan to the United States, H.E

Total Page:16

File Type:pdf, Size:1020Kb

Kazakh Culture in the 20Th and 21St Centuries. Legacies and Innovations.” the Conference, Opened by the Ambassador of Kazakh- Stan to the United States, H.E Kazakhstan Initiative Brief No. 1 November 2013 th st Kazakh Culture in the 20 and 21 centuries. Legacies and Innovations The Kazakhstan Initiative at GW Gratefully funded by the Kazakhstan Embassy in Washington D.C. On November 6, 2013, the Central Asia Program at IERES launched its Kazakhstan Initiative with a one-day event on "Kazakh Culture in the 20th and 21st centuries. Legacies and Innovations.” The conference, opened by the Ambassador of Kazakh- stan to the United States, H.E. Kairat Umarov, featured the most prominent repre- sentative of Soviet and contemporary Kazakh culture, Olzhas Suleymenov, cur- rently permanent representative of Kazakhstan to UNESCO. This conference is part of the IERES/CAP goal of relinking knowledge on Eurasian societies with the study of their cultures. IERES’s Central Asia Program hopes to contribute to the study of the cultures of Eurasia as living dynamic entities, functioning in interaction with politics and the economy, and reflecting contemporary social changes in the region. The opinions expressed here are those of the author only and do not represent the Cen- tral Asia Program. KAZAKHSTAN INITIATIVE BRIEF No. 1, November 2013 Ambassador Suleymenov weapon of defense – it is the main and the only means of national defense. Unless we take away This decade has been declared by UNESCO the this status, it would be impossible to stop the International Decade for the Rapprochement of development of the atomic bomb. Great powers Cultures. I believe that we can bring cultures like the U.S. and Russia should agree to make this together only by first knowing the causes of their weapon as a means of universal defense, not deep differences. For example, the difference national – that is, to reduce the arsenal to the between Catholics and Protestants cannot be agreed minimum and transfer it to the control of explained without knowledge of Islam. "Do not the UN Security Council which could be used as a make yourself an idol" – this is a covenant which political cudgel against oppressive regimes. So is especially observed by Muslims in the form of there are prospects for resolving the nuclear a ban on the depiction of people; and it has been issues. This will be the main goal of the Decade of in a way adopted by Protestants who largely the Rapprochement of Cultures, which could eschew crucifixes in church or other objects of otherwise be called a decade of salvation of veneration unlike Catholics. In America I met mankind. with African American Christians who had con- verted to Islam. They told me that they did not Generation of sixties in the history of art and cul- want to worship a white god. God is beyond race. ture of the Soviet period. The 1960s heralded the Portraying a white god is making him not God of end of the Leninist-Stalinist period, following the all people but God of a particular race. Martin death of Stalin in 1953, and saw a period associ- Luther knew this and wanted to make God for all ated with political thaw and a revival of culture people. These reasons are important to know (there were great films, books, poems produced and this is one way how we can make cultures at this time). Thus a new generation of readers closer. grew up. People learned something new not from the newspapers but from poetry, which took on Like many post-Soviet cultures, Kazakh culture is such a great role and helped the entire culture to currently experiencing some difficulties – it can rise to a certain level. even be called a crisis. For example, literature has been in crisis for the last 20 years. Once our Kazakhstan’s national idea. It became very popu- country was “a country of great readers” where lar to talk about national ideology after the col- poetry books were printed in runs of 100- lapse of the Soviet Union, when fifteen inde- 150,000 copies and even this amount proved pendent states emerged along with fifteen differ- insufficient to meet demand: indeed, there were ent national ideas. National ideas however were even popular “black” book markets where the subordinated to nationalism. This is something prices of books soared. One hundred thousand we have to guard against, because nationalism copies of my own book “Az i Ya,” which cost 74 limits the capacities of the nation, benefiting as it kopecks, were printed, while on the black market does only the dominant nationality, not the na- in some of the Soviet republics a car was even tion as a whole. Thus, the danger exists that indi- offered in exchange for it. But this all lies in the vidual national ideas may ruin multinational past now the reader has largely become a listen- societies in Kazakhstan, Russia, and the United er of music and viewer of TV instead. And this is States. National ideas should bring together all a big loss for culture. But we must understand nationalities, uniting them and making multicul- the importance of books and knowledge. turalism a natural form of existence for the na- Knowledge brings cultures together, and it will tion. In addition, we should not lose our national consolidate peace on our Earth. identities but keep all the best features that unite us. Discussion The role of Russian culture in Kazakhstan. We Nuclear issue and Iran - Nuclear weapons have a should not deny both positive and negative as- status of a weapon of national defense and it is pects of the influence of Russian culture in Ka- an importance that can hardly be denied. India, zakhstan. Russia made a huge contribution in Pakistan, Israel, and Iran all want to have a terms of our development, but it was also impe- 2 KAZAKHSTAN INITIATIVE BRIEF No. 1, November 2013 rial at times, when it suppressed specific national by the rise of national ideas, when one thinks features of our popular culture. There being two more about himself rather than others. We sides to the story, we should bear in mind for should consider this and think how to change future generations a third approach: that is, not this understanding to the benefit of future inte- forgetting about good and evil, but understand- gration. The Eurasian Union is one such form of ing that more good than harm comes from com- integration, which will help Central Asia to inte- municating with all neighboring cultures. Indeed, grate. If Pan-Turkism can be incorporated within this third “understanding” has become a basis of Eurasian integration, this phenomenon is not as our policy as it is laid out in our Constitution. dangerous as many people think. At a time dur- Cohesion and unity is a pledge of our society. We ing the Ottoman Empire, Pan-Turkism was a must stand on this, not allowing extreme parties threat and a destructive phenomenon. Pan- to prevail and in this fight we may face more Turkism can manifest itself in culture, but not in difficult times ahead. politics, where it is irrelevant; while both Turk- ism and Slavism are acceptable phenomena. Eurasianism. In the recent past, ideas of Eura- sianism permeated our thoughts, following Lev Kazakh mentality. Mentality is borne of culture. Gumilev’s thoughts on the subject In 1994, Pres- Recently I wrote an article for the birthday of a ident Nazarbayev proposed the creation of the person. Usually in such cases a writer should Eurasian Union, which I have always supported recall a person’s achievements and awards. But and remain its ardent supporter. Europe and this person has not received any awards; in fact Asia is an indivisible space where many coun- he was a long-term prisoner in one of the Mor- tries are located, and which should live in peace, dovian camps in Russia. But this man had never harmony, and interdependence with one anoth- said a word of resentment towards the authori- er. The idea of the Eurasian Union could outgrow ties who made his fate so miserable. On the con- the union of Russia, Kazakhstan, and Belarus to trary, speaking to younger generations he said: encompass a larger space from the Atlantic to the “no matter what happens to you and your loved Pacific and Indian oceans. Of course, there are ones, ask God only that your country is safe, that some obstacles to achieve this, mainly to do with your native land is secure.” Since then, I repeat economic factors and also customs. The recent these words to all. This is the most important experience of the European Union and its uncer- expression of our national culture. tain future is particularly unfortunate. The same difficulties may be arising as regards the Eura- After Ambassador Suleymenov’s presentation, a sian Union, which will be created in 2015. So we first panel discussed the current state of re- add to its name that it is an economic union to search on Kazakh literature, especially the classic avoid excessive politicization. works of Abai, Auezov, and Suleymenov, which shaped the Kazakh literary field. Favorite poets and leaders. I would not mention the classics, but will take more contemporary Peter Rollberg, IERES director, opened the leading figures – among them are Vladimir Ma- panel by presenting his paper on “An Inconven- yakovsky, Konstantin Simonov (in his last years I ient Sage: The Legacy of Abai”. was friends with him, being fond of his verses), Leonid Martynov (he is my mentor), and several As with all great artists, Abai’s legacy has been others. I was friends for instance with Andrei interpreted differently in each time period: Voznesensky, Robert Rozhdestvensky, Bella Ah- sometimes, the social relevance of Abai’s works madullina, and Yevgeny Yevtushenko.
Recommended publications
  • Exorcising Stalin's Ghost
    TURNING BACK TOTALITARIANISM: Exorcising Stalin’s Ghost Matthew R. Newton The Evergreen State College N e w t o n | 1 "During times of universal deceit, telling the truth becomes a revolutionary act." --George Orwell The death of Joseph Stalin left the Soviet Union in a state of dynastic confusion, and the most repressive elements of the society he established remained. After Nikita Khrushchev secured power in the mid-1950s, he embarked on a campaign to vanquish these elements. While boldly denouncing Stalin’s cult of personality and individual authority in his ‘Secret Speech’ of 1956, he failed to address the problems of a system that allowed Stalin to take power and empowered legions of Stalin-enablers. Khrushchev’s problem was complex in that he wanted to appease the entire Communist Party of the Soviet Union in 1956 and yet legitimize his position of power. The level of embeddedness of Stalinism in the Soviet Union was the biggest obstacle for Khrushchev. Characterized with the “permanent” infrastructure of the Soviet Union, Stalin’s autocratic rule was intertwined with virtually all aspects of Soviet life. These aspects can be broken down into four elements: Stalin’s status as an absolute champion of Communism, and his cult of personality; the enormous amount of propaganda in all forms that underlined Stalin as the “protector” of the Soviet Union during threat and impact of foreign war, and the censorship of any content that was not aligned with this mindset; the necessity and place of the Gulag prison camp in the Soviet economy, and how it sustained itself; and the transformation of Soviet society into something horrifically uniform and populated with citizens whom were universally fearful of arrest and arbitrary repression.
    [Show full text]
  • Download Free Sampler
    Thank you for downloading this free sampler of: FIFTY-FIVE YEARS WITH RUSSIA MAGNUS LJUNGGREN Series: Studies in Russian and Slavic Literatures, Cultures, and History Paperback | $25.00 | October 2016 | 9781618115386 | 102 pp. ; 8 b&w illus. ; 7 color illus. SUMMARY The academic career of internationally recognized Professor of Slavic Studies Magnus Ljunggren spans more than a half century. Here he looks back over his meetings with prominent members of the Russian intelligentsia who from the liberalizing XXII Party Congress in 1961 and down to the present have in various forms struggled with the totalitarian structures of Soviet and post- Soviet society. As a literary scholar Ljunggren has focused on Andrei Bely’s novel Petersburg, Russian Symbolism and Russian Silver Age literature and culture. His memoirs reflect on how his study of Symbolism and his commitment to the Russian civil rights movement over the years have stimulated each other and contributed to a deeper understanding of Russia’s distinctive character. Ljunggren’s gallery of intimate and colorful portraits of prominent cultural figures includes Bulat Okudzhava, Yevgeny Yevtushenko, Joseph Brodsky, Viktor Shklovsky, Lidia Chukovskaya, and Nina Berberova. ABOUT THE AUTHOR Magnus Ljunggren defended his doctoral thesis, “The Dream of Rebirth: A Study of Andrej Belyj’s Novel Peterburg,” at Stockholm University in 1982. He is presently professor emeritus of Russian language and literature at the University of Gothenburg. His most important monograph is The Russian Mephisto: A Study of the Life and Work of Emilii Medtner (1994). PRAISE “Magnus Ljunggren’s history allows us to revisit many lesser-known chapters from the cultural history of Russia’s twentieth century.
    [Show full text]
  • Vatra Veche 8, 2019
    8 Români din toate ţă rile, uni ţi-vă! Lunar de cultur ă * Serie veche nou ă* Anul XI, nr. 8 (128) august 2019 *ISSN 2066-0952 VATRA, Foaie ilustrat ă pentru familie (1894) *Fondatori I. Slavici, I. L. Caragiale, G. Co şbuc VATRA, 1971 *Redactor-şef fondator Romulus Guga* VATRA VECHE, 2009, Redactor-şef Nicolae B ăciu ţ _____________________________________________________________________________________________ _______________________________________________________________________________ INSCRIP ȚIE Tot ce se poate-nțelege E f ără speran ță și lege Și cre ște dospind din eres Tot ce e f ără-nțeles. ANA BLANDIANA Marcel Lup șe, Buzduganul florilor de in _____________________________________________________________________________________________________________________ Inscrip ție, de Ana Blandiana/1 Vatra veche dialog cu Ana Blandiana, de Nicolae B ăciu ț/3 Cununa de Aur a Serilor de Poezie de la Struga, de Nicolae Băciu ț/4 Cuvântul de acceptare al laureatului, de Ana Blandiana,/5 Cununa de Aur, 2019, de Nicolae Băciu ț/5 Eseu. Staulul Miori ței, de A.I. Brumaru/6 Mai altfel, despre Veronica Micle, de Dumitru Hurubă/ 9 Eminescum, de Răzvan Ducan/10 Remember -30. N. Steinhardt, de Veronica Pavel Lerner/11 Poeme de Dumitru Ichim/12 Ognean Stamboliev, Premiul pentru traducerea lui Eminescu/12 Elisabeta Bo țan, Premiul European Clemente Rebora 2018- 2019/12 Să ne reamintim de… Valentin Silvestru, de Dumitru Hurub ă/13 Coresponden ţa lui Dimitrie Stelaru, de Gheorghe Sar ău/14 Inedit. Blestemul chinezesc, de Francisc P ăcurariu/15 Vremea întreb ărilor (Octavian Paler), de Nicolae Postolache/17 Text și context în diarismul românesc (Eugen Simion), de Florian Copcea/20 Poeme de Tania Nicolescu/23 Scrisori deschise, de Constantin Stancu/24 Ochean întors.
    [Show full text]
  • ENGLISH Newsletter
    IN THIS ISSUE: Note From the Chair 2 New Faculty 3 Center for Excellence in Writing 4 Honoring Bruce Jackson 5 Yevgeny Yevtushenko 6 Graduate Student News 7 Undergraduate and Graduate Student News 8 Featured Alumna 9 Alumni News 10 In Memoriam 11 FALL 2012 DEPARTMENT OF ENGLISH NEWSLETTER DEPARTMENT OF ENGLISH www.english.buffalo.edu NOTE FROM THE CHAIR Dear Alumni and Alumnae, NEW BOOKS After a whirlwind spring semester, we are off to a busy start in the new academic year— as the following pages attest. In particular, I hope that those of you in the Western David Gray Chair of Poetry New York area will be able to join us in and Letters Steve McCaffery’s welcoming famous Russian poet Yevgeny The Darkness of the Present: Yevtushenko to Buffalo (see page 6). This Poetics, Anachronisms, and the is an extraordinary opportunity for poetry Anomaly (University of Alabama lovers to hear the voice of one of the great Press, 2012) includes new and writers of the twentieth century. He will also revised essays that collectively discuss his film work, at the screening of one investigate the roles of anomaly of his films. and anachronism as they work to unsettle commonplace notions of The Department also invites you to attend the “contemporary” in the field of an informal presentation free and open to the public hosted by Talking Leaves poetics. Bookstore (3158 Main Street) on Friday October 26 at 7:00 p.m. The riverrun Foundation has generously given three fellowships to the English Department to support graduate student accomplishment and research—one for the best course design and syllabus and two for graduate student travel to do archival research.
    [Show full text]
  • Green Desert the Life and Poetry of Olzhas Suleimenov Edited by Ra S Abazov
    Green Desert The Life and Poetry of Olzhas Suleimenov Edited by Ras Abazov Included in this preview: • Copyright Page • Table of Contents • Excerpt of Chapter 1 For additional information on adopting this book for your class, please contact us at 800.200.3908 x501 or via e-mail at [email protected] Green Desert Th e Life and Poetry of Olzhas Suleimenov EDITED BY Rafi s Abazov TRANSLATED BY Sergey Levchin Ilya Bernstein Copyright © 2011 University Readers, Inc. All rights reserved. No part of this publication may be reprinted, reproduced, transmitted, or utilized in any form or by any electronic, mechanical, or other means, now known or hereaft er invented, including photocopying, microfi lming, and recording, or in any information retrieval system without the written permission of University Readers, Inc. First published in the United States of America in 2011 by Cognella, a division of University Readers, Inc. Trademark Notice: Product or corporate names may be trademarks or registered trade- marks, and are used only for identifi cation and explanation without intent to infringe. Photos courtesy of Rafi s Abazov. 15 14 13 12 11 1 2 3 4 5 Printed in the United States of America ISBN: 978-1-60927-757-4 Contents Acknowledgments 1 Foreword 5 By Ambassador Erlan Idrissov Foreword 7 By Olzhas Suleimenov Introduction 9 By Rafi s Abazov Poems 23 Th e Whelps 23 Night in the Desert 24 Midday Heat 24 Samum 25 A Downpour in New York 26 Midnight Correspondences 27 By Islamic Tradition … 28 Th e Village Cobbler 29 Hail, Hail Strife 30 Th eir Names Rustle Like Battle Standards— 31 A Curse on the Postmaster 32 Childhood, Orchards, Ardor..
    [Show full text]
  • The Genesis of Osu's Slavic Library Collection Yevgeny
    ' THE GENESIS OF OSU'S SLAVIC LIBRARY COLLECTION OSEEN by Leon Twarog ISSN 1048-6615 [Editor's note: Leon Twarog In 1960 foreign language ing first and second year Rus­ (Professor Emeritus, OSU De­ offerings at Ohio State con­ sian. There were only four fac­ William K. Wolf, partment ofSlavic & East Eu­ sisted of French, Spanish, ulty members with partial Editor ropean Languages & Litera­ German, Latin, Greek, and teaching loads in Soviet and/or Russian which had been initi­ East European Studies: Irene Masing-Delic, tures) was the founder and CSEES Director longtime director of the OSU ated during World War II as Michael Condo ide in Eco­ Center for Slavic & East Euro­ part of the Anny Specialized nomics, Charles Morley in The Ohio Slavic & pean Studies.} Training Program. Russian History (Russian & Polish), East European Newsletter (OSEEN) In the Spring of 1960, after language instruction was Lou Nemzer in Political Sci­ is published quarterly seven years at Boston Univer­ housed in the German Depart­ ence, and Earle Brown in Ge­ by the Center for sity, I accepted Ohio State's ment. My appointment at rank ography. The library collection Slavic & East Euro­ offer to develop both a Depart­ of Full Professor with Tenure consisted of about 3,000 vol­ pean Studies (CSEES) at Ohio ment of Slavic Languages and was in the German Depart­ umes in the languages of the State University. Literatures, and an Area Stud­ ment w ith the clear under­ Soviet Union and Eastern Eu­ Funded with Title VI ies Program. I came to Ohio standing that I would head a rope, much smaller than the monies from the US State because, from my point new Department of Slavic collection at the C le veiand Department of Edu­ cation, OSEEN is of view, for Slavic Studies it Languages and Literatures in Public Library.
    [Show full text]
  • Totalitarianism
    775-780-0730s2 10/11/02 4:51 PM Page 775 TERMS & NAMES 2 • Joseph Stalin Totalitarianism • totalitarianism • command economy CASE STUDY: Stalinist Russia • collective farm • kulak • Great Purge MAIN IDEA WHY IT MATTERS NOW • socialist realism After Lenin died, Stalin seized power More recent dictators have used and transformed the Soviet Union into a Stalin’s tactics for seizing total control totalitarian state. over individuals and the state. SETTING THE STAGE Leon Trotsky and Joseph Stalin were among Lenin’s revolu- tionary supporters. They both helped create the Soviet state. After Lenin died, these two men became bitter rivals for control of the Communist Party. The outcome of this struggle would determine the future course of the Soviet Union. Stalin, Lenin’s suc- cessor, would aim at dramatically transforming the government and controlling every aspect of citizens’ lives. ■■■■■■■■■■ Stalin Becomes Dictator ■■■■■■■■■ ■ HISTORY■■■■■■■■MAKERS ■ Joseph Stalin was a quiet man who rarely received much public notice. During his early days as a Bolshevik, he changed his name from Dzhugashivili (joo •guhsh•VEEL •yih) to Stalin, which means “man of steel” in Russian. The name fit well. Stalin was cold, hard, and impersonal. Lenin, unsure of his successor, began to distrust Stalin. Lenin believed that Stalin was a dangerous man. Shortly before Lenin died, he wrote, “Comrade Stalin has concentrated enormous power in his hands, and I am not sure that he always knows how to use that power with sufficient caution.” From 1922 to 1927, Stalin began his ruthless climb to the head of the government. In 1922, as general secretary of the Communist Background Party, he worked behind the scenes.
    [Show full text]
  • X Winter International Arts Festi
    1 2 Уважаемые друзья! Поздравляю Вас с открытием юбилейного Зимнего меж- дународного фестиваля искусств. Отрадно, что яркая творческая инициатива маэстро Юрия Башмета, предложенная им десять лет назад, за прошедшее время обогатилась свежими, интересными идеями и задумками, придавшими проекту новое зву- чание. И сегодня фестиваль по праву считается одним из наиболее значимых и масштабных событий в жизни города и всей страны. Уверен, что нынешний форум в полной мере оправ- дает ожидания самой взыскательной публики. Подарит ценителям прекрасного радость встреч с выдающимися музыкантами и дирижёрами, представителями мировой оперной и балетной сцены, артистами театра и кинема- тографа. Станет серьёзным вкладом в развитие между- народных гуманитарных связей и личных, человеческих контактов. Желаю вам успехов, хорошего настроения и всего наилучшего. В. Путин 3 4 Официальный партнер Официальный партнер При поддержке Официальное цифровое телевидение фестиваля Партнер Светский партнер фестиваля Генеральный партнер Музыкальной академии Партнеры фестиваля 5 феврале 2017 г. в Сочи состоится Юбилейный, Деся- Пожалуй, в первую очередь следует отметить образова- тый Зимний Международный фестиваль искусств тельно-просветительскую программу фестиваля. Со вре- под руководством Юрия Башмета. мени своего основания Зимний международный форум ВПервый крупный юбилей — это обычно повод для под- искусств отличался широким спектром образователь- ведения первых итогов. И сочинскому форму искусств ных мероприятий. Творческие встречи, мастер-классы, по праву есть чем
    [Show full text]
  • Cover August.Indd
    AUGUST 2008 www.passportmagazine.ru ESa^SOY ZPVSMBOHVBHF /bAOdO\beSQ][PW\SeSabS`\[O\OUS[S\babgZS eWbVZ]QOZY\]eZSRUSO\Rc\RS`abO\RW\UEWbVO QZSO`dWaW]\O\RORWabW\QbWdSO^^`]OQVeS^`]RcQS SfQS^bW]\OZ`SacZba 8FBSFSFBEZUPEPUIFTBNFGPSZPV 1SPKFDU.BOBHFNFOU Moscow Office 2AYMOND&aDEL $POTUSVDUJPO.BOBHFNFOU TEl: +7 495 783 73 60 %FTJHO EMail: rAYMONDfADEL SAVANTINTERNATIONALCOM $PTU.BOBHFNFOU St. Petersburg Office *OWFTUNFOU$POTVMUBODZ SERGEY3VESHKOV TEl: + 7 812 703 57 75 EMail: SErGEySVESHKOV SAVANTINTERNATIONALCOM wwwsaVANTiNTERNaTiONalCOM Russia & CI3s5NITED+INgDOMs#ENTral & EASTERN%UrOPEs"ALTICSs3OUTH%ASTERN%UROPE advertising ADVERTISEMENT Contents 4 Calendar and Editor’s Choice What to do in Moscow in August 8 August in Russian History 10 Film, Books, and Music 4 12 Art History The Versatile Talent of Lev Kropivnitsky 14 Travel Sochi Beijing 14 18 Metro Feature The End of an Era 20 The Sporting Life Is 2008 the Year of the Bear? 22 Olympics 2008: J.R. Holden 16 Wait, who’s that guy scoring for Russia? 24 Olympics 2008: Russia’s Team Whom to watch 28 Russian Star: Larisa Latynina Russia’s gymnastics legend 20 30 Tea The story behind your cup of chai 32 Real Estate Island Paradise 34 Wine & Dine 24 40 Columns 44 Out & About 48 The Last Word Passport Poll 34 Letter from the Publisher Since the eyes of the world will be fi xed this month on the summer Olympics in Beijing, the ever au courant magazine you hold in your hands wanted to be in the swim (relay, backstroke, freestyle, maybe even butterfl y) as well. We thus bring you our August issue, devoted to the Olympics and their 2008 host country, China.
    [Show full text]
  • Dmitri Shostakovich
    May 4, 2017 Program Notes: Dmitri Shostakovich Dmitri Shostakovich two significant premieres. Any new to the enthusiastic reception of his Shostakovich became an official (1906-1975) Shostakovich symphony was bound Fifth Symphony in 1937, Shostakovich member of the Communist Party— to be a high-profile event, but the became a national hero with the for reasons that remain passionately Symphony No. 13 in B-flat unveiling of his Thirteenth Symphony morale-boosting triumph of his debated. His Twelfth Symphony minor, Op. 113 (Babi Yar) was fraught with even more than Seventh Symphony (Leningrad) (while carried on from the Eleventh to the usual political tension. For the in the West he was also lionized, memorialize the Revolution of 1917 Dmitri Shostakovich was born on first time since his Third (1930), the even appearing on the cover of (in a score that is widely considered September 25, 1906, in Saint Petersburg, composer was including voices in one TIME). But that didn’t spare him from to be the weakest of his symphonies). Russia and died on August 9, 1975, in of his symphonies, and the texts he having to endure yet another official Seen in this context, the Thirteenth Moscow. Shostakovich composed his had chosen to set for the Thirteenth denunciation after the Second World Symphony took a notably subversive Symphony No. 13 in B-flat minor in 1962, were by the highly controversial War. turn by addressing what was the setting texts by the young Russian poet young poet Yevgeny Yevtushenko. taboo topic of anti-Semitism. Yevgeny Yevtushenko. The genre of the symphony in general Born in 1932 in Siberia, Yevtushenko remained a potentially dangerous Shostakovich had been deeply remained a lightning rod in the Soviet First performance: December 18, 1962, undertaking, even when no text moved by Yevtushenko’s Babi Yar cultural landscape but eventually with soloist Vitali Gromadsky andKirill was involved.
    [Show full text]
  • The Independent Turn in Soviet-Era Russian Poetry: How Dmitry Bobyshev, Joseph Brodsky, Anatoly Naiman and Evgeny Rein Became the ‘Avvakumites’ of Leningrad
    The Independent Turn in Soviet-Era Russian Poetry: How Dmitry Bobyshev, Joseph Brodsky, Anatoly Naiman and Evgeny Rein Became the ‘Avvakumites’ of Leningrad. Margo Shohl Rosen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Margo Shohl Rosen All rights reserved ABSTRACT The Independent Turn in Soviet-Era Russian Poetry: How Dmitry Bobyshev, Joseph Brodsky, Anatoly Naiman and Evgeny Rein Became the ‘Avvakumites’ of Leningrad Margo Shohl Rosen The first post-World War II generation of Soviet Russian writers was faced with a crisis of language even more pervasive and serious than the “Crisis of Symbolism” at the beginning of the 20th century: the level of abstraction and formulaic speech used in public venues had become such that words and phrases could only gesture helplessly in the direction of mysterious meaning. Due to the traditional status of poetry in Russian culture and to various other factors explored in this dissertation, the generation of poets coming of age in the mid-1950s was in a unique position to spearhead a renewal of language. Among those who took up the challenge was a group of four friends in Leningrad: Dmitry Bobyshev, Joseph Brodsky, Anatoly Naiman, and Evgeny Rein. Because of the extreme position this group adopted regarding the use of language, I refer to them in this work not as “Akhmatova’s Orphans”—a term commonly applied to the quartet—but as literary “Avvakumites,” a name Anna Akhmatova suggested that invokes the history of Archpriest Avvakum, who by rejecting reforms in church ritual founded the Orthodox sect now known as Old Believers.
    [Show full text]
  • ALTAI SPECIAL on the Trail of Silk Route: Pilgrimage to Sumeru, Altai K
    ISSN 0971-9318 HIMALAYAN AND CENTRAL ASIAN STUDIES (JOURNAL OF HIMALAYAN RESEARCH AND CULTURAL FOUNDATION) NGO in Special Consultative Status with ECOSOC, United Nations Vol. 18 Nos. 3-4 July-December 2014 ALTAI SPECIAL On the Trail of Silk Route: Pilgrimage to Sumeru, Altai K. Warikoo Eurasian Philosophy of Culture: The Principles of Formation M. Yu. Shishin Altai as a Centre of Eurasian Cooperation A.V. Ivanov, I.V. Fotieva and A.V. Kremneva Altai – A Source of Spiritual Ecology as a Norm of Eurasian Civilization D.I.Mamyev Modeling the Concept “Altai” O.A. Staroseletz and N.N. Simonova The Phenomenon Altai in the System of World Culture E.I. Balakina and E.E. Balakina Altai as One of the Poles of Energy of the Geo-Cultural Phenomenon “Altai-Himalayas” I.A. Zhernosenko Altaian and Central Asian Beliefs about Sumeru Alfred Poznyakov Cross Border Tourism in Altai Mountain Region A.N. Dunets HIMALAYAN AND CENTRAL ASIAN STUDIES Editor : K. WARIKOO Guest Associate Editor : I.A. ZHERNOSENKO © Himalayan Research and Cultural Foundation, New Delhi. * All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted by any means, electrical, mechanical or otherwise without first seeking the written permission of the publisher or due acknowledgement. * The views expressed in this Journal are those of the authors and do not necessarily represent the opinions or policies of the Himalayan Research and Cultural Foundation. SUBSCRIPTION IN INDIA Single Copy (Individual) : Rs. 500.00 Annual (Individual)
    [Show full text]