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Capitulo Ii Desarrollo
CAPITULO II DESARROLLO CAPÍTULO II DESARROLLO 2.- BASES TEÓRICAS 2.1. DISEÑO El diseño se puede conceptualizar a partir de lo expresado por Frascara (2006, p. 10), como la creación y elaboración por la cual el diseñador traduce un propósito en un arte para la captación de la audiencia. En este contexto, González (1994, p. 8), define al diseño como una actividad abstracta que implica programar, proyectar, traducir lo invisible en visible, siendo esto el proceso de comunicación para la audiencia. 2.2. DISEÑO GRÁFICO El diseño gráfico según Tumbull y Baird (2003, p. 20), se define como un proceso de transmitir por medio de imágenes visuales que normalmente s encuentran plasmada en una superficie plana, dependiendo del proyecto que se elabore, y el medio que se emplee. 15 16 Los conocimientos sobre diseño gráfico tienen como base la propuesta en esta investigación (el diseño de la revista digital) como uno de los elementos más importantes, ya que son éstos quienes han proporcionado los saberes necesarios para construir la idea y luego plasmarlos a través de algún medio; en nuestro caso sería el espacio virtual o Web; para obtener más reconocimiento y así poder realizar el cometido planeado para su creación. Se podría decir entonces, que el diseño gráfico es la forma de articular varios elementos necesarios de manera creativa, o sea que, vaya dirigido con calidad y a través del medio más conveniente, a fin de satisfacer a los usuarios que requieran del producto. 2.3. DISEÑO GRÁFICO DIGITAL Para Ramos (2012), el diseño digital es aquella forma de informar, expresar algo a través de un lenguaje visual. -
The Leading Edge
ANN ISSUEISSSUE OF WOMEN’SWOM WEAR DAILY THE LEADING EDGE ONE FOR ALL? THE DEMOCRATIZATION OF DISTRIBUTION YOUNG HOLLYWOOD AT PLAY THE ORIGINAL MODEL MOGUL TELLS ALL WAL-MART’S CHANGE OF FACE REDEFINING PICTURE FAB PERFECT FOUR BREAKOUT BEAUTIES FOR THE MODERN AGE HIND SAHLI, JOAN SMALLS, ILVIE WITTEK AND TATI COTLIAR BB1005.001.Cover.a;14.indd 1 4/28/10 3:53:41 PM © 2010 Estée Lauder Inc. © 2010 Estée Lauder Inc. DNA damage and skin aging. The #1 Repair formula womenNow you around have morethe world control can’tover itlive than without. you think.* AdvancedAdvanced NightNight Repair InspiredThe one by revolutionary 25 years of formulagroundbreaking millions of DNAwomen research. can’t live without. Inspired by 25 years of groundbreaking DNA research, There’s a reason why millions of women love it. Estée Lauder scientists bring you this high-performance They start seeing the dramatic reduction in the serum to help continuously repair the appearance of visible signs of aging in just 4 weeks and can’t past damage. With the age-defying power of our exclusive imagine trusting their skin to anything else. In fact, Chronolux™ Technology, you’ll see a dramatic reduction women love sharing their secret for beautiful skin: in the visible signs of aging. “My skin looks younger and feels softer. It just looks *Based on unit sales of Advanced Night Repair as reported by the NPD for FY 2010 among select brands sold in fi ne department stores in the U.S. © 2010 Estée Lauder Inc. sold in fi the NPD for FY 2010 among select brands Night Repair as reported by Advanced *Based on unit sales of healthier, smoother and I have a more even skin tone.” CARLA,New USA For Eyes All the proven repair of our #1 Serum. -
5F58079 Hungry: a Young Model's Story of Appetite, Ambition, And
Hungry: A Young Model'S Story Of Appetite, Ambition, And The Ultimate Embrace Of Curves Crystal Renn, Marjorie Ingall - download pdf free book Download pdf Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves, Download Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves Online Free, Read Online Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves E-Books, Free Download Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves Best Book, Read Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves Ebook Download, Download PDF Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves, Download pdf Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves, Download PDF Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves Free Online, Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves pdf read online, Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves by Crystal Renn, Marjorie Ingall Download, Download Online Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves Book, online free Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves, PDF Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves Full Collection, Hungry: -
[75Ec3c2] (PDF) Hungry: a Young Model's Story of Appetite, Ambition
(PDF) Hungry: A Young Model'S Story Of Appetite, Ambition, And The Ultimate Embrace Of Curves Crystal Renn, Marjorie Ingall - pdf free book the book Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves, Crystal Renn, Marjorie Ingall epub Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves, Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves Free Read Online, Download Online Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves Book, Read Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves Full Collection Crystal Renn, Marjorie Ingall, Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves PDF Download, Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves PDF Download, Read Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves Full Collection, Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves Ebooks Free, Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves Read Download, Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves Download PDF, by Crystal Renn, Marjorie Ingall Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves, Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves PDF Download, -
Karen Grujicic Marcelja.Pdf
PONTIFICIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC-SP Karen Grujicic Marcelja De gordas a plus size Mudanças na representação das mulheres consideradas acima do peso DOUTORADO EM CIÊNCIAS SOCIAIS SÃO PAULO 2018 PONTIFICIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC-SP Karen Grujicic Marcelja De gordas a plus size Mudanças na representação das mulheres consideradas acima do peso DOUTORADO EM CIÊNCIAS SOCIAIS Tese apresentada à Banca Examinadora da Pontifícia Universidade Católica de São Paulo como exigência parcial para obtenção do título de Doutor em Ciências Sociais, na área de concentração de Antropologia, sob a orientação da Profª. Drª. Maria Celeste Mira SÃO PAULO 2018 Banca Examinadora ___________________________________________ Profª. Drª Ana Lúcia de Castro Universidade Estadual Paulista - UNESP ____________________________________________ Prof. Dr. Jorge Leite Jr. Universidade Federal de São Carlos - UFSCar ____________________________________________ Profª. Drª Mariza Martins Furquim Werneck Pontifícia Universidade Católica de São Paulo – PUC-SP ____________________________________________ Profª. Drª Rita de Cássia Alves Oliveira Pontifícia Universidade Católica de São Paulo – PUC-SP Para meus pais, Vera e Wilim; para meu marido e parceiro, Pedro; para minha filha, Helena, com o desejo de que sua geração tenha referências positivas para se relacionar com o próprio corpo com prazer, liberdade e amor. AGRADECIMENTOS Cheguei ao doutorado vinda de uma experiência muito gratificante no mestrado em Gerontologia, no qual estudei sobre corpo, mídia e consumo. Empolgada, logo me candidatei ao processo seletivo para o doutorado em Ciências Sociais. A intenção era estudar mais sobre corpo, dessa vez o gordo ao invés do velho, e o arcabouço teórico da Antropologia certamente era a melhor escolha para isso. -
Mover-Magazine.Com №19 (2021) TATIANA BOCHAROVA
mover-magazine.com №19 (2021) TATIANA BOCHAROVA THE REVIVAL ISSUE OUR CONTACTS: mover_magazine mover-magazine.com Last year was hard for all industries around the world, including fashion. The cancellation of fashion ditor’s weeks, closed boutiques, and sanitizers instead of perfume – the COVID-19 pandemic has become a major problem to the fashion industry and even Eletter questioned the survival of many of its segments. Everything began during Milan Fashion Week, one of the main events in the fashion world. Paris Men’s Fashion Week and Haute Couture Week have also been canceled. However, everything has its positive sides, including self-isolation. The designers showed all their cre- ativity in order to make their fans happy and satisfied even in difficult times. Online fashion shows, Zoom and WhatsApp photoshoots, virtual clothing and even dressing rooms... Pandemic opened a new reality for the fashion industry which seems to be actively developing even after the relaxation of restrictions. This MOVER issue is dedicated to the revival and the new life of the fashion world after the pandemic. May our hopes for the best become true and we’ll have an opportunity to enjoy this summer at the fullest. Yes, we mean great shopping as well! LANVIN 10 NEW TALENTS: THE MOST PROMISING DESIGNERS 14 FASHION REVIVAL 16 YUGEN COLLECTION 18 TATIANA BOCHAROVA 22 COSMIC 26 WOMEN’S DRESS AS AN ART: 4 GREATEST COLLABS IN FASHION HISTORY 32 SA LT WATER 36 JEAN-RENÉ WIEDEMANN 50 ANASTASIYA VASILEVA 56 OVERMATCH 58 TEAR OR WEAR? 64 THE HOTTEST ‘SS 21 TRENDS -
Glam July August 2016
Contents 12 PRE-FALL 2016 Designers hype up this season with high-shine power suits, animal prints and textures with lots of colour. 32 IT’S ALL ABOUT THE BAG Reem Salman speaks to Glam about the birth of her brand, Belquis, known for its high quality leather, GLAM structured designs and flawless attention to detail. QATAR'S NO. 1 FASHION MAGAZINE WWW.GLAMQATAR.COM 35 FOCUS ON STREET STYLE JULY / AUGUST 2016 Glam introduces Style Spy with blogger sisters – Kim and Bianca Castro, who inspire fashionistas to create their own look. Contents 28 WHAT’S NEW IN PARIS Glam scopes out the must-know lists on where to shop while travelling in Europe this Summer. 38 NERVOUS ENERGY Glam Talent of the Year 2015, Malia Bennett Henry, debuts her Spring Summer 2016 collection exclusively for Salam Stores and speaks about her inspiration and her creative design process. 44 THE WALKING ART Taking a simple concept to engage in an artistic dialogue with a piece of clothing is UAE- based designer Zaid Farouki. 48 COUTURE WITH A CONSCIENCE Turkey takes fashion on a path of peace, with Qatar as its first stop. 50 REFINED VERSATILITY GLAM Glam speaks to Dana Al Fardan on how QATAR'S NO. 1 FASHION MAGAZINE she stays connected with fashion, music JULY / AUGUST 2016 and the arts while being surrounded by the lineage of high-end luxury business. ON THE COVER FROM THE VICTORIA BECKHAM PRE-FALL 2016 COLLECTION Contributors PUBLISHER & EDITOR IN CHIEF YOUSUF BIN JASSIM AL DARWISH Karen Nicolet Karen Nicolet is a fashion and lifestyle blogger. -
Instagram Y El Canon De Belleza Actual: Modelos “Plus-Size"
GRADO EN PUBLICIDAD Y RELACIONES PÚBLICAS Instagram y el canon de belleza actual: modelos “plus-size". Modalidad A Autora: Aroa Nebot Muñoz Tutor: Carlos Fanjul Peyró Fecha de entrega: 24/05/2017 Instagram y el canon de belleza actual: modelos “plus-size” Resumen: La imagen de belleza parece pertenecer a un canon de mujeres delgadas, altas, rubias y con los ojos azules. Estas imágenes impregnan todos los espacios posibles, desde las revistas, los anuncios de publicidad, las páginas web… Dejando a las mujeres con crecientes insatisfacciones hacia su cuerpo, capaces de provocar graves daños a su salud mental y física. El movimiento “body positive” da voz a esa parte de la sociedad que desea cambiar la concepción de belleza estancada en un único tipo de mujer, ganando importancia gracias a las modelos influyentes en sus redes sociales que lideran este movimiento, con cuerpos “plus-size”. En este trabajo de investigación buscamos comprender la idea del canon actual y sus variaciones. También la influencia que estas modelos en Instagram, una red social en aumento de notoriedad y uso por la población. Se concluye con que la idea de que el canon está cambiando por la nueva realidad que vivimos, en la que las imágenes se visualizan de forma veloz y se crean en cualquier medio. La inclusión como iguales en revistas de moda de modelos con cuerpos ectomorfos y endomorfos muestra un cambio, apoyado y a veces criticado por el movimiento “body positive”. Lo que hace arriesgado para marcas y medios utilizar esta diversidad corporal como una moda pasajera, por la presión que ejercen las redes sociales y el daño que pueden hacer para la su reputación. -
Is the Fashion Industry Really Embracing Models Who Aren't a Size
shape pluS-size supermodel crystal renn Is the fashion industry really embracing models who aren’t a size zero, or is it all talk, no runway walk? by Johanna Lenander he first half of 2010 will go down in fash- as Doutzen Kroes, Alessandra Ambrosio, Power photographers like Steven Meisel ion history as a season of political cor- Miranda Kerr, Rosie Huntington- and the duo Inez van Lamsweerde and rectness. The notoriously fantasy-driven Whiteley and Bianca Balti for the Prada Vinoodh Matadin, who launched the and non-inclusive industry experienced and Louis Vuitton Fall 2010 shows, she careers of several pubescent starvelings, an insurgence of reality and diversity. shocked front-row regulars who hadn’t now reportedly refuse to shoot anyone The French and American editions of seen hips on a catwalk since the turn of under 16 and 18, respectively. British Marie Claire put out special no-retouch- the millennium. At the same time, the Vogue editor Alexandra Shulman has ing issues, 40+ babe Kristen McMenamy once-ubiquitous wave of frail, childlike, criticized designers who send size zero returned to Calvin Klein’s catwalk almost transparently thin Eastern Euro- samples that fit only wispy waifs, and along with Stella Tennant and Kirsty pean models seemed to have washed up has stated that the magazine adds bulk Hume (both over 30), and there was on the has-been shores. It was as if the to ultra-skinny models in retouch. Anna an influx of up-and-coming black and industry wanted to apologize for the past Wintour has declared that American brown beauties. -
Well Red “We Worked Very Hard to Get This Accomplished
ADAM’S CONSTANT THREE’S COMPANY CHANGE PUIG IS AIMING TO WORLD THE SHIFTING SOURCING LANDSCAPE, BECOME THE THIRD- ADAM LEVINE OF MAROON 5 INCLUDING WHICH COUNTRIES TO USE LARGEST PRESTIGE IS ADDING WOMEN’S WEAR FOR PRODUCTION, WAS A KEY TOPIC BEAUTY FIRM IN THE TO HIS COLLECTION FOR KMART. AT PRIME SOURCE. PAGE 9 WORLD. PAGE 6 PAGE 3 SPINNING OFF FROM SEARS Lands’ End Shares Fall 6.7% on Debut By DAVID MOIN and VICKI M. YOUNG INVESTORS WEREN’T too thrilled on Monday with the shares of either Lands’ End or its former parent, Sears Holdings Corp. Shares of each company saw their prices decline after Lands’ End offi cially became a public company TUESDAY, APRIL 8, 2014 ■ $3.00 ■ WOMEN’S WEAR DAILY again. The spin-off from Sears was completed on WWD Friday and Lands’ End now trades on the Nasdaq under the symbol “LE.” Prior to the spin-off, Sears received a dividend of $500 million from the cata- logue fi rm. Lands’ End will continue to pay Sears rent for the shops-in-shop space it occupies in 250 Sears’ stores. Lands’ End saw its stock price fall 6.7 percent to close at $29.55, from Friday’s close of $31.67. Shares of the company began preliminary trading on the Nasdaq on March 20 under the symbol “LEDMV” on a “when-issued” basis. That allows underwriters to book orders for purchases of a portion of any securities that are authorized but not yet issued. The shares had been down as much as 10 percent in intraday trading during a day when the overall market was down. -
Racism Postrace This Page Intentionally Left Blank ROOPALI MUKHERJEE | SARAH BANET-WEISER | HERMAN GRAY, EDITORS
Racism Postrace This page intentionally left blank ROOPALI MUKHERJEE | SARAH BANET- WEISER | HERMAN GRAY, EDITORS Racism Postrace duke university press Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of Amer i ca on acid- free paper ∞ Designed by Julienne Alexander Typeset in Garamond Premier Pro and Helvetica lt Std by Westchester Publishing Ser vices Library of Congress Cataloging- in- Publication Data Names: Mukherjee, Roopali, editor. | Banet-Weiser, Sarah, [date] editor. | Gray, Herman, [date] editor. Title: Racism Postrace / Roopali Mukherjee, Sarah Banet-Weiser, and Herman Gray, editors. Description: Durham : Duke University Press, 2019. | Includes bibliographical references and index. Identifiers: lccn 2018044275 (print) lccn 2019000354 (ebook) isbn 9781478003250 (ebook) isbn 9781478001386 (hardcover : alk. paper) isbn 9781478001805 (pbk. : alk. paper) Subjects: lcsh: Post-racialism—United States. | Race awareness—United States. | Racism—United States. | Ethnicity—United States—Psychological aspects. | United States—Race relations—Psychological aspects. | Ethnicity—United States—Philosophy. | United States—Race relations—Philosophy. Classification:lcc e184.a1 (ebook) | lcc e184.a1 r334 2019 (print) | ddc 305.800973—dc23 lc record available at https://lccn.loc.gov/2018044275 Cover art: Notes for a Poem on the Third World (chapter one). 2018. © Glenn Ligon, Courtesy Regen Projects, Los Angeles. Contents introduction | Post race Racial Proj ects SARAH BANET- WEISER, ROOPALI MUKHERJEE, AND HERMAN GRAY 1 PART ONE Assumptions 1 Race after Race HERMAN GRAY 23 2 Theorizing Race in the Age of In equality DANIEL MARTINEZ HOSANG AND JOSEPH LOWNDES 37 3 “ Jamming” the Color Line | Comedy, Carnival, and Contestations of Commodity Colorism RADHIKA PARAMESWARAN 57 4 On the Postracial Question RODERICK A. -
C:\Documents and Settings\Komp01\Pulpit\1
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