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The Study on Indirect Translation in Chinese Translation History from A
2017 3rd International Conference on Social Science and Management (ICSSM 2017) ISBN: 978-1-60595-445-5 The Study on Indirect Translation in Chinese Translation History From a Cultural Perspective Yue SUN Department of Arts and Science, Chengdu College of University of Electronic Science and Technology of China, Chengdu, Sichuan, China [email protected] Keywords: Indirect Translation, Culture, Direct Translation. Abstract. In comparison with direct translation, indirect translation has its own reasons and values of coming into being and existence. Though indirect translation is not as popular as it used to be in the past, it has played an important role in Chinese history of translation and would not disappear absolutely in the stage of translation with its unique characteristics. This paper tends to study indirect translation from a cultural perspective. Introduction of Indirect Translation Indirect Translation is a term used to denote the procedure whereby a text is not translated directly from an original ST, but via an intermediate translation in another language [1]. Indirect translation can also be called intermediate translation, mediated translation, retranslation or second-hand translation interchangeably. According to Toury, such a procedure is of course NORM-governed, and different literary systems will tolerate it to varying extents [2,3]. Indirect translation refers to translation from another language version rather than the original book. Some people may name indirect language as medium language translation. For example, Aesop’s Fables was first translated into Chinese from its English version in 1840, which had a profound effect and spread wide in our country; in the year 1955 Zhou Zuoren translated Aesop’s Fables from Greek. -
Introducing Translation Studies
Introducing Translation Studies Introducing Translation Studies remains the definitive guide to the theories and concepts that make up the field of translation studies. Providing an accessible and up-to-date overview, it has long been the essential textbook on courses worldwide. This fourth edition has been fully revised and continues to provide a balanced and detailed guide to the theoretical landscape. Each theory is applied to a wide range of languages, including Bengali, Chinese, English, French, German, Italian, Punjabi, Portuguese and Spanish. A broad spectrum of texts is analysed, including the Bible, Buddhist sutras, Beowulf, the fiction of García Márquez and Proust, European Union and UNESCO documents, a range of contemporary films, a travel brochure, a children’s cookery book and the translations of Harry Potter. Each chapter comprises an introduction outlining the translation theory or theories, illustrative texts with translations, case studies, a chapter summary and discussion points and exercises. New features in this fourth edition include: Q new material to keep up with developments in research and practice, including the sociology of translation, multilingual cities, translation in the digital age and specialized, audiovisual and machine translation Q revised discussion points and updated figures and tables Q new, in-chapter activities with links to online materials and articles to encourage independent research Q an extensive updated companion website with video introductions and journal articles to accompany each chapter, online exercises, an interactive timeline, weblinks, and PowerPoint slides for teacher support This is a practical, user-friendly textbook ideal for students and researchers on courses in Translation and Translation Studies. -
Translation Analysis of Extralinguistic Culture-Bound References in the English Subtitle of Aruna Dan Lidahnya Movie
IR - PERPUSTAKAAN UNIVERSITAS AIRLANGGA CHAPTER I INTRODUCTION 1.1 Background of the Study English subtitles are added in many Indonesian movies because they are promoted and broadcasted abroad. Adding subtitles also happens in some platforms proposed for watching movies, such as Netflix, Viu, and Hooq. In those platforms, the audiences who access the movie provided come from many countries with different languages. Therefore, most movies provide English subtitles and/or dubbing to ease audiences from all over the world. Hornby (1995) stated that subtitles are words that translate what is said in a movie into a different language and appear at the bottom of the screen. Hatim (2001) also declared that subtitling is a printed statement or fragment of dialogue that appears as a translation at the bottom of the screen during the scenes of a motion picture or television show in a foreign language. From the definitions provided by two experts above, it can be concluded that subtitle is a product of translation that used to transfer the dialogue of a movie into a foreign language. Subtitling, which can be called as movie translation, is a different kind of translation because it is limited by time and space. Hatim (2000) states that subtitling involves complicated procedures that are not common in other translation work of written text because subtitling is limited both by the time of the character’s expression in the movies as well as time for the reader to read the text and by the space of the 1 SKRIPSI TRANSLATION ANALYSIS OF... AISYAH ATTAMAMI IR - PERPUSTAKAAN UNIVERSITAS AIRLANGGA 2 screen. -
14914871.Pdf
CORE Metadata, citation and similar papers at core.ac.uk Provided by Helsingin yliopiston digitaalinen arkisto Crime stories from the country of huopatossu and juhannusruusut — Translation strategies for Finnish cultural realia in the English translations of two of Matti Yrjänä Joensuu’s crime novels Master’s Thesis Department of English University of Helsinki 7 April 2008 Paula Kylä-Harakka 1 CONTENTS ABBREVIATIONS ........................................................................................................................................... 2 1 INTRODUCTION .......................................................................................................................................... 3 2 MATTI YRJÄNÄ JOENSUU AND HARJUNPÄÄ CRIME NOVELS .................................................... 7 2.1 THE AUTHOR AND HIS NOVELS .................................................................................................................. 7 2.2 HARJUNPÄÄ JA POLIISIN POIKA (HARJUNPAA AND THE STONE MURDERS) ............................................... 10 2.3 HARJUNPÄÄ JA PAHAN PAPPI (THE PRIEST OF EVIL) ................................................................................ 11 2.4 THE TRANSLATORS AND THEIR TRANSLATIONS ....................................................................................... 12 3 REALIA ........................................................................................................................................................ 14 3.1 CULTURE ................................................................................................................................................ -
Sociolinguistics of Translation
Studia Slavica Hung. 52/1–2 (2007) 229–234 DOI: 10.1556/SSlav.52.2007.1-2.33 Sociolinguistics of translation KINGA KLAUDY ELTE Fordító- és Tolmácsképző Központ, Budapest, Múzeum krt. 4/F, H-1088 E-mail: [email protected] (Received: 1 September 2006; accepted: 16 October 2006) Abstract: The paper describes how sociolinguistics, revealing the relationship between language and society independently of translation, provides scientifically well-founded descriptions of the relationship between the source language and source language society, and the target language and the target language society, and might thus contribute to exploring the objective rules behind the translators’ decisions. Keywords: pragmatic adaptation, translation of dialects, translation of realia, untrans- latability, intercultural translation policy 1. The concept of pragmatic adaptation The history of thinking about translation has never failed to recognise the social importance of translation. In the history of translation in Hungary, especially in the 18th century (in the works of János Batsányi, Ferenc Kazinczy, György Bessenyei), thoughts on the social relevance of translation gained much more importance than the linguistic exploration of translation (on the Hungarian tradition see Radó in Baker 1998: 448–453). What is called in today’s modern terminology pragmatic adaptation (Neu- bert 1968), i. e. the adaptation of the translated work to the needs of the target language audience, has never been better accomplished than in the case of András Dugonics in 1807, who placed Voltaire’s Zadig into a Hungarian context under the title Cserei, egy honvári herceg, into 10th-century Hungary, the era of Taksony vezér (i. e. Taksony chief) (Dugonics 1807, 1975). -
Review Articles* Three Recent Bible Translations
JETS 46/3 (September 2003) 497–520 REVIEW ARTICLES* THREE RECENT BIBLE TRANSLATIONS: AN OLD TESTAMENT PERSPECTIVE michael a. lyons and william a. tooman** i. introduction A glance at a book distributor’s catalog or a publisher’s website is enough to confirm that the proliferation of English translations and study editions has reached Brobdingnagian proportions. On the one hand, the seemingly endless marketing of Bibles targeting niche groups based on age, race, gender, marital status, denomination, and addiction can create the danger- ous illusion that the people of God do not in fact share the same Word. On the other hand, the Bible has always been accompanied by a variety of trans- lations—at an early date by multiple Greek translations, followed shortly by translations in Aramaic, Syriac and Latin. In our opinion, the multiplicity of translations can be a sign of a healthy interest in the Bible and is to be expected where there is diversity in reading habits and abilities. Historically, motives for producing new translations or editions of the Bible have been numerous: the need to account for a change in language usage (semantic shift, obsolescence, a change in the use of gendered lan- guage), a desire to improve readability or accuracy (usually by emphasizing a dynamic or formal equivalence theory of translation), a desire to provide explanation, or the desire to address a perceived lack of biblical literacy or availability. Finally, some translations and study editions may be encouraged by publishers seeking to market a product to a particular target audience. Both doctrinal and cultural differences create an environment ripe for ex- ploitation by those who would have readers believe that “finally there is a Bible that is just for you!”1 * The three review articles in this issue discuss the following: The Holy Bible: English Stan- dard Version (Wheaton: Crossway, 2001), xii + 1328 pp. -
Descriptive Translation Studies – and Beyond Benjamins Translation Library (BTL)
Descriptive Translation Studies – and beyond Benjamins Translation Library (BTL) The Benjamins Translation Library (BTL) aims to stimulate research and training in Translation & Interpreting Studies – taken very broadly to encompass the many different forms and manifestations of translational phenomena, among them cultural translation, localization, adaptation, literary translation, specialized translation, audiovisual translation, audio-description, transcreation, transediting, conference interpreting, and interpreting in community settings in the spoken and signed modalities. For an overview of all books published in this series, please see http://benjamins.com/catalog/btl EST Subseries The European Society for Translation Studies (EST) Subseries is a publication channel within the Library to optimize EST’s function as a forum for the translation and interpreting research community. It promotes new trends in research, gives more visibility to young scholars’ work, publicizes new research methods, makes available documents from EST, and reissues classical works in translation studies which do not exist in English or which are now out of print. General Editor Associate Editor Honorary Editor Yves Gambier Miriam Shlesinger Gideon Toury University of Turku Bar-Ilan University Israel Tel Aviv University Advisory Board Rosemary Arrojo Zuzana Jettmarová Sherry Simon Binghamton University Charles University of Prague Concordia University Michael Cronin Alet Kruger Şehnaz Tahir Gürçaglar Dublin City University UNISA, South Africa Bogaziçi University Dirk Delabastita John Milton Maria Tymoczko FUNDP (University of Namur) University of São Paulo University of Massachusetts Daniel Gile Franz Pöchhacker Amherst Université Paris 3 - Sorbonne University of Vienna Lawrence Venuti Nouvelle Anthony Pym Temple University Amparo Hurtado Albir Universitat Rovira i Virgili Michaela Wolf Universitat Autònoma de Rosa Rabadán University of Graz Barcelona University of León Volume 100 Descriptive Translation Studies – and beyond. -
Introduction
Citation: Doherty, S. (2019). Translation technology evaluation research. In M. O’Hagan (Ed.), The Routledge handbook of translation and technology. Abingdon, Oxon: Routledge. Publisher link: https://www.routledge.coM/The-Routledge-Handbook-of-Translation-and- Technology-1st-Edition/OHagan/p/book/9781138232846 20. Translation technology evaluation research Stephen Doherty Abstract Central to the successful research, developMent and application of translation technology is its evaluation. Accordingly, there has been a growing deMand to evaluate translation technologies based on the systeMatic and rigorous application of scientific Methods to assess their design, developMent and outcoMes. Diverse needs of different stakeholders have led to a proliferation of evaluation Methods and Measures involving huMan- and Machine-based approaches that are used across acadeMia and industry research contexts. The chapter provides a critical description of conteMporary direct and indirect translation technology evaluation research in order to identify trends, eMerging issues, and potential solutions. It traces advances Made in the field to date and indicates reMaining gaps calling for further work. The author anticipates future research in the field to be able to deliver more standardized and inclusive approaches towards More Meaningful and nuanced evaluation indicators for the different stakeholders involved in the process and products of translation. Keywords: technology evaluation, huMan-based evaluation, autoMatic evaluation Metrics, translation quality -
Audiovisual Translation: a Contrastive Analysis of the Lord of the Rings: the Two Towers
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositorio Documental de la Universidad de Valladolid FACULTAD de FILOSOFÍA Y LETRAS DEPARTAMENTO de FILOLOGÍA INGLESA Grado en Estudios Ingleses TRABAJO DE FIN DE GRADO Audiovisual Translation: A Contrastive Analysis of The Lord of the Rings: The Two Towers Ricardo González Martínez Tutor: Qianting Yuan 2018-2019 Abstract Audiovisual translation is the translation of polysemiotic texts presented onscreen to mass audiences. Multimedia products such as films, documentaries, TV series, etc. need to be translated into other languages in order to reach a wider audience and to increase their popularity and consumption. Audiovisual materials can be translated by means of subtitling or dubbing. No matter which method is adopted, the translation of the source text has to be realized by implementing a number of translation techniques, such as literal translation, reduction or modulation. In the present thesis, these translation methods and techniques will be explored through a contrastive analysis of the Spanish translation of the English film The Lord of the Rings: The Two Towers. Key words: Audiovisual translation, polysemiotic, contrastive analysis, translation methods, translation techniques, The Lord of the Rings: The Two Towers. Resumen Se conoce como traducción audiovisual a aquel tipo de traducción realizada sobre textos polisemióticos presentados ante una audiencia masiva a través de una pantalla. Productos multimedia como películas, documentales o series de televisión han de ser traducidos a otros idiomas para incrementar su consumo y así alcanzar a un público mayor y aumentar su popularidad. El material sujeto a la traducción audiovisual puede transferirse mediante el subtitulado o el doblaje. -
Agency in Non-Professional Manga Translation in Iran
Agency in non-professional manga translation in Iran The InternationalInternational Journal Journal for for Translation & Int&erpretingInterpreting Research trans-int.org-int.org Saleh Delforouz Abdolmaleki University of Isfahan, Iran [email protected] Mansoor Tavakoli University of Isfahan, Iran [email protected] Saeed Ketabi University of Isfahan, Iran [email protected] DOI:10.12807/ti.110201.2018.a06 Abstract: The present study addresses the phenomenon of online non- professional translation of manga in the context of Iran from the perspective of agency. It focuses on the people involved in decision-making in non- professional translation production, the non-professional translators’ motivations for their free immaterial labor as well as the factors that can constrain or increase their willingness or ability to translate manga into Persian. These questions were answered based on the activities of AnimWorld, the largest Iranian community of non-professional translators. The results suggest that non-professional translations differ from professional translations in terms of decision-making processes, motivations of the individuals involved as well as the contexts where they practice. Keywords: agency, context, decision, fan translation, manga, motivation, non-professional translation, online community. 1. Introduction Unlike professional translation, which has traditionally been the focus of translation researchers working on the English-Persian language pair, non- professional translation has not yet been recognized as a distinctive phenomenon in the context of Iran. Professional translation refers to translations produced by individuals who “designate themselves as ‘translators’ or ‘interpreters’ and are recognized (and paid) as such by their commissioners” (Pérez-González & Susam-Saraeva, 2012, p.150) while non- professional translation refers to the translations undertaken by “individuals not only without formal training in linguistic mediation but also working for free” (Pérez-González & Susam-Saraeva, 2012, p.151). -
A Survey of Machine Translation: Its History, Current Status
A SURVEY OF MACHINE TRANSLATION: ITS HISTORY, CURRENTSTATUS, AND FUTURE PROSPECTS Jonathan Sloculn Microelectronics and Computer Technology Corporation Austin, Texas Elements of the history, state of the art, and probable future of Machine Translation (MT) are discussed. The treatment is largely tutorial, based on the assumption that this audience is, for the most part, ignorant of matters pertaining to translation in general, and MT in particular. The paper covers some of the major MT R&D groups, the general techniques they employ(ed), and the roles they play(ed) in the development of the field. The conclusions concern the seeming permanence of the translation problem, and potential re-integration of MT with mainstream Computational Linguistics. INTRODUCTION none. Paradoxically, MT systems were still being used by various government agencies here and abroad, because Machine Translation (MT) of natural human languages is there was simply no alternative means of gathering infor- not a subject about which most scholars feel neutral. mation from foreign [Russian] sources so quickly; in This field has had a long, colorful career, and boasts no addition, private companies were developing and selling shortage of vociferous detractors and proponents alike. MT systems based on the mid-60s technology so roundly During its first decade in the 1950s, interest and support castigated by ALPAC. Nevertheless the general disrepute was fueled by visions of high-speed high-quality trans- of MT resulted in a remarkably quiet third decade. lation of arbitrary texts (especially those of interest to the We are now into the fourth decade of MT, and there is military and intelligence communities, who funded MT a resurgence of interest throughout the world - plus a projects quite heavily). -
Theorizing in Unfamiliar Contexts: New Directions in Translation Studies
Theorizing in Unfamiliar Contexts: New Directions in Translation Studies James Luke Hadley Submitted for the Degree of Doctor of Philosophy University of East Anglia School of Language and Communication Studies April 2014 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution.” 1 ABSTRACT This thesis attempts to offer a reconceptualization of translation analysis. It argues that there is a growing interest in examining translations produced outside the discipline‟s historical field of focus. However, the tools of analysis employed may not have sufficient flexibility to examine translation if it is conceived more broadly. Advocating the use of abductive logic, the thesis infers translators‟ probable understandings of their own actions, and compares these with the reasoning provided by contemporary theories. It finds that it may not be possible to rely on common theories to analyse the work of translators who conceptualize their actions in radically different ways from that traditionally found in translation literature. The thesis exemplifies this issue through the dual examination of Geoffrey Chaucer‟s use of translation in the Canterbury Tales and that of Japanese storytellers in classical Kamigata rakugo. It compares the findings of the discipline‟s most pervasive theories with those gained through an abductive analysis of the same texts, finding that the results produced by the theories are invariably problematic.