An Overview of Romanian Literature
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From Woods and Water to the Gran Bazaar: Images of Romania in English Travelogues After Wwi
LINGUACULTURE 2, 2015 FROM WOODS AND WATER TO THE GRAN BAZAAR: IMAGES OF ROMANIA IN ENGLISH TRAVELOGUES AFTER WWI ANDI SÂSÂIAC Alexandru Ioan Cuza University of Iasi, Romania Abstract Although globalization brings different countries and cultures in closer and closer contact, people are still sensitive when it comes to aspects such as cultural specificity or ethnicity. The collapse of communism and the extension of the European Union have determined an increase of interest in Romania’s image, both on the part of foreigners and of Romanians themselves. The purpose of this paper is to follow the development of Romania’s image in English travelogues in the last hundred years, its evolution from a land of “woods and water” in the pre-communist era to a “grand bazaar” in the post- communist one, with clear attempts, in recent years, to re-discover a more idyllic picture of the country, one that should encourage ecological tourism. The article is also intended to illustrate the extra-textual (historical, economic, cultural) factors that have impacted, in different ways, on this image evolution. Key words: image, cliché, stereotype, travel writing, travelogue, history, power relations Introduction According to Latham jr. (25), immediately after WWI, Romania remained a subject of interest to the English-speaking world because of its war debts and because it was a member of the Little Entente (also comprising Czechoslovakia and Yugoslavia). Both the cultural and political life of Romania and its relations with the Western countries took a rather paradoxical turn after the accomplishment of the long standing ideal of Romanian unity in 1918. -
TS Eliot's the Waste Land As a Place Of
T.S. Eliot’s The Waste Land as a Place of Intercultural Exchanges T.S. Eliot’s The Waste Land as a Place of Intercultural Exchanges: A Translation Perspective By Roxana Ştefania Bîrsanu T.S. Eliot’s The Waste Land as a Place of Intercultural Exchanges: A Translation Perspective, by Roxana Ştefania Bîrsanu This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Roxana Ştefania Bîrsanu All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5969-9, ISBN (13): 978-1-4438-5969-1 To my son, Iustinian, with infinite love. TABLE OF CONTENTS List of Tables .............................................................................................. ix Acknowledgements ..................................................................................... x Preface ........................................................................................................ xi Chapter One ................................................................................................. 1 Perspective on the Translation Phenomenon in 20th Century Romania The Position of Translated Literature within the Romanian Literary System ............................................................................................. -
Romanian Presidency Programme V2
Teatrul Naţional din Iaşi Biblioteca Judeţeană „V.A. Urechia” Galaţi Public Domain Marked ROMANIAN PRESIDENCY OF THE COUNCIL OF THE EUROPEAN UNION “Exposing Online the European Cultural Heritage: the impact of Cultural Heritage on the Digital Transformation of the Society” 17-18 April 2019 | Iasi, Romania europeana.eu @EuropeanaEU ROMANIAN PRESIDENCY OF THE COUNCIL OF THE EUROPEAN UNION Context This conference, organized in the framework of the Romanian Presidency of the Council of the European Union and under the auspicies of Europeana Initiative, aims to highlight the impact of exposing cultural heritage online and to provide a platform to discuss the importance of national aggregation infrastructures to the digital transformation of cultural heritage sector using Romania as a case study. The meeting is aimed at cultural policy makers from EU member states (representatives from the Expert Group on Digital Cultural Heritage and Europeana), Romanian cultural heritage institutions involved in the implementation of E-cultura: Romanian Digital Library project and policy makers. The meeting will be joined by representatives of the European Commission and Romanian authorities. Central hypothesis Europe currently has a leading position in the world in digital cultural heritage. This leading position has been built through large investments of the EU (in Europeana and related projects) and of the Member States (in digitization and national infrastructures). Securing this leading position in the future, in particular with the advent of new technologies -
The Discourse on Humour in the Romanian Press Between 1948-1965
SLOVO, VOL. 31, NO. 2 (SUMMER 2018), 17-47 DOI: 10.14324/111.0954-6839.081 The Discourse on Humour in the Romanian Press between 1948-1965 EUGEN CONSTANTIN IGNAT University of Bucharest INTRODUCTION Once the official proclamation of the Romanian People’s Republic takes place, on the 30th of December 1947, the process of imposing new cultural values on society gradually permeates all areas of Romanian social life. Humour also becomes part of this process of transforming the social and cultural life, often regarded as a powerful weapon with which to attack ‘old’ bourgeois mentalities. According to Hans Speier, the official type of humour promoted by an authoritarian regime is political humour, which contributes to maintain the existent social order, or plays its part in changing it – all depending on those holding the reins over mass- media.1 Taking the Soviet Union as a model, the Romanian new regime imposes an official kind of humour, created through mass-media: the press, the radio, literature, cinematography, and television. This paper analyses the Romanian discourse on humour, reflected in the press, between 1948-1965,2 in cultural magazines3 such as Contemporanul (1948-1965), Probleme de 1 Hans Speier, ‘Wit and politics. An essay on laughter and power,’ American Journal of Sociology, 103 (1998), p.1353. 2 This period represents the first phase in the history of the communist regime in Romania. After a transitional period (1944-1947), the year 1948 marks the establishment of the communist regime in Romania. Through a series of political, economic, social, and cultural measures, such as the adoption of a new Constitution, banning of opposition parties, nationalization of the means of production, radical transformation of the education system or ‘Sovietisation’ of culture, the new regime radically transforms Romanian society. -
Romanian Literature Intoday'sworld
Journal of World Literature 3 (2018) 1–9 brill.com/jwl Romanian Literature in Today’s World Introduction Delia Ungureanu University of Bucharest and Harvard University [email protected] Thomas Pavel University of Chicago [email protected] What remains of a literature written and published for nearly half a century under a dictatorial regime? Will it turn out to be just a “‘parenthesis’ in history, meaningless in the future and unintelligible to anyone who did not live it”? So asks a major Romanian comparatist who chose exile in 1973, Matei Călinescu, quoting literary critic Alexandru George’s open letter to another preeminent figure of Romanian exile, Norman Manea. “What will last, indeed, of so many works written precisely to last, to bypass the misery and shame of an immediate nightmarish history?” (247). And how will this totalitarian legacy affect the present-day literature and its circulation and reception on the international market today? Călinescu concludes his 1991 article by placing his bet on “the young gener- ation of Romanians, less affected by the Ceaușescu legacy than their parents,” a generation that is “spontaneously inclined toward Europe, democracy and pluralism,” and includes “the young writers who call themselves ‘postmodern.’” (248). Quoting The Levant, a major epic in verse by Mircea Cărtărescu, the lead- ing figure of this generation, Călinescu trusts that “It is on such trends—which might well coalesce into a major new style equaling in importance the phe- nomenon of magical realism of the last forty years or so—that one could base one’s fondest hopes for the cultural future of Romania and of the newly liber- ated Eastern Europe as a whole” (248). -
103 Considerations on the Appearance And
CONSIDERATIONS ON THE APPEARANCE AND DEVELOPMENT OF HUMANITARIAN LEGISLATIVE NORMS IN THE FRAMEWORK OF INTERNATIONAL RELATIONS DURING THE MIDDLE AGES Vitalie RUSU* Abstract During the Middle Ages, war did not aim at glory, but interests, and the peace state was not considered honourable, but humiliating, as initially, the causes of a war could be: the obligation to avenge an offence or a crime, the conflicts between suzerains and vassals, the campaigns against some cities or ending rebellions. Most of the time, for kings, land owners and knights, war was the best choice to prove their power and to increase their wealth. The reason was the spoils of war. However, in all those conflicts, human people were affected, thus generating the need to develop some specific norms in order to protect them. Keywords: Humanitarian Law, war, conflict evolution, early international relations 1. Introductory Remarks At the beginning of feudalism, conquest wars and wars carried out for obtaining supremacy on vast areas were very frequent, and the ways and methods used in fights were very cruel. Later on, the problem of arguing a ―rightful‖ war became a problem. In this respect, regardless of the country, we shall not overlook the following moments: - after the period of feudal conflicts (11th - 12th centuries) an active struggle for limiting and forbidding armed conflicts began. During the same period, the rule according to which war can only be declared by the king was established; - gradually, the so called legal grounds for a ―rightful‖ war appear, among them the returning of stolen property and the country‘s defence. -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
Romania Redivivus
alexander clapp ROMANIA REDIVIVUS nce the badlands of neoliberal Europe, Romania has become its bustling frontier. A post-communist mafia state that was cast to the bottom of the European heap by opinion- makers sixteen years ago is now billed as the success story Oof eu expansion.1 Its growth rate at nearly 6 per cent is the highest on the continent, albeit boosted by fiscal largesse.2 In Bucharest more politicians have been put in jail for corruption over the past decade than have been convicted in the rest of Eastern Europe put together. Romania causes Brussels and Berlin almost none of the headaches inflicted by the Visegrád Group—Czechia, Hungary, Poland, Slovakia— which in 1993 declined to accept Romania as a peer and collectively entered the European Union three years before it. Romanians con- sistently rank among the most Europhile people in the Union.3 An anti-eu party has never appeared on a Romanian ballot, much less in the parliament. Scattered political appeals to unsavoury interwar traditions—Legionnairism, Greater Romanianism—attract fewer voters than do far-right movements across most of Western Europe. The two million Magyars of Transylvania, one of Europe’s largest minorities, have become a model for inter-ethnic relations after a time when the park benches of Cluj were gilded in the Romanian tricolore to remind every- one where they were. Indeed, perhaps the aptest symbol of Romania’s place in Europe today is the man who sits in the Presidential Palace of Cotroceni in Bucharest. Klaus Iohannis—a former physics teacher at a high school in Sibiu, once Hermannstadt—is an ethnic German head- ing a state that, a generation ago, was shipping hundreds of thousands of its ‘Saxons’ ‘back’ to Bonn at 4,000–10,000 Deutschmarks a head. -
The Greek “Proto-Question” and the Birth of Modern Citizenship
Chapter 1 The Greek “Proto-Question” and the Birth of Modern Citizenship 1 Natives and Foreigners under the Old Regime In 1611 a group of Wallachian boyars, led by the mare stolnic (High Steward) Bărcan of Merișani, plotted the assassination of the ruling Prince Radu Mihnea (r. 1611–1616). The attack was intended as retaliation for the fact that Radu Mihnea “surrounded them with numerous Greeks from Istanbul and Rumeli,” as a local chronicler reported.1 The plot was soon discovered by the Prince, who decapitated Bărcan along with eight other great boyars. This dramatic episode—the first instance in the Principalities’ history when “blood was spilled because of the Greeks,” as the historian A. D. Xenopol put it—marked the outbreak of what, in retrospect, Romantic historiography would term the “Greek Question” in Moldavia and Wallachia.2 Over the next two centuries (1611–1821), this “question” unfolded as a succession of violent anti-Greek plots, uprisings and legal campaigns by the local nobility and merchants against the unchecked political penetration and dominance of Ottoman Greeks. After the initial 1611 plot, a second major anti-Greek uprising took place during the reign of Alexandru Iliaș (r. 1616–1618); a third under Alexandru Coconul (r. 1623–1627); a fourth under Leon Tomșa (r. 1629–1632); a fifth under Matei Basarab (r. 1632–1654); a sixth under Radu Leon (r. 1664–1669); a seventh under Nicolae Mavrocordat (r. 1716–1717); and, finally, an eighth under Ioan Gheorghe Caragea (r. 1812–1818). This last uprising culminated with the 1821 failed coop- eration and eventual conflict between Tudor Vladimirescu and the Greek un- derground organization Philiki Hetaireia (Society of Friends), leading to the end of Phanariot rule. -
Georgiana Galateanu CV
GEORGIANA GALATEANU, a.k.a. FARNOAGA UCLA Department of Slavic, East European and Eurasian Languages and Cultures 322 Kaplan Hall, Box 951502, Los Angeles, CA 90095-1502 [email protected], tel. 310-825-8123 EDUCATION 1999 TESOL/CLAD/TEFL Certificate, UCLA Extension, Lifelong Education Department 1984 Ph.D. in Foreign Language Pedagogy, Foreign Languages Department, University of Bucharest, Romania 1969 M.A., English Language and Literature and Romanian Language and Literature, Foreign Languages Department, University of Bucharest, Romania 1967 B.A., English Language and Literature and Romanian Language and Literature, Foreign Languages Department, University of Bucharest, Romania EMPLOYMENT 1997 to present Continuing Lecturer, Romanian Language, Literature, and Civilization Dept. of Slavic, East European and Eurasian Languages and Cultures, UCLA Courses taught - Romanian 90, Introduction to Romanian Civilization - Romanian 152, Survey of Romanian Literature - Romanian 101 A-B-C, Elementary Romanian - Romanian 103, Intensive Elementary Romanian (Summer Session A) - Romanian 102 A-B-C, Advanced Romanian - Romanian 187 A-M, Advanced Language Tutorial Instruction in Romanian New courses – proposed, developed & taught - C&EE ST 91 (General Education/Central and East European Studies pre-requisite): Culture and Society in Central and Eastern Europe - M120 (Multi-listed Upper Division seminar): Women and Literature in Southeastern Europe - Fiat Lux seminar: Slavic 19. Politics and Literature in Eastern Europe - Applied Linguistics 119/219: -
Demisol - Sala 1 Colegiul National "Ion Luca Caragiale"
DEMISOL - SALA 1 COLEGIUL NATIONAL "ION LUCA CARAGIALE" Nr.crt. NUMELE ŞI PRENUMELE ELEVULUI ŞCOALA DE PROVENIENŢĂ CLASA 1 AGBA RAHIM CNILC 3 2 ALBU FILIP CNILC 3 3 ALDEA ROBERT REGINA ELISABETA BUSTENI 3 4 ALEXANDRESCU ALINA ANTON PANN PLOIESTI 3 5 ALIONTE ALEXANDRU OCTAVIAN TOMA CARAGIU PLOIESTI 3 6 ANGHEL DENISA ANDREEA GEORGE COSBUC PLOIESTI 3 7 ARDELEANU DENNIS SFANTA VINERI PLOIESTI 3 8 ARICISTEANU DORA TOMA CARAGIU PLOIESTI 3 9 ARMACZKI ADRIANA SFANTUL VASILE PLOIESTI 3 10 AURELIAN DANNY SFANTUL VASILE PLOIESTI 3 11 AVRAM DARIA CNILC 3 12 AVRAM DRAGOS ANDREI MURESANU 3 13 BACIU SARA SFANTA VINERI PLOIESTI 3 14 BAJENARU BIANCA EMILIANA SFANTA VINERI PLOIESTI 3 15 BAJINARU DENISA NR 2 BOLDESTI SCAENI 3 16 BANARIU MAIA CNILC 3 17 BANU ANDREI VLAD CONSTANTIN CANTACUZINO BAICOI 3 Nr.crt. NUMELE ŞI PRENUMELE ELEVULUI ŞCOALA DE PROVENIENŢĂ CLASA 1 ABIBULA AISEL SPECTRUM CONSTANTA 5 2 ACSINTE TANIA NR. 56 BUCURESTI 5 3 ALDEA MARIA NESTOR URECHIA BUSTENI 5 4 ALDOIU EDUARD GRIGORE MOISIL 5 5 ALEXANDRU DARIA CNILC 5 6 ALEXANDRU EDMOND FLORIN GRIGORE MOISIL 5 7 ALEXANDRU VALENTINA SFANTA VINERI PLOIESTI 5 8 ALEXE MIHNEA ANDREI ALEXANDRU IOAN CUZA PLOIESTI 5 9 ANDREESCU ALEXANDRU NR. 56 BUCURESTI 5 10 ANDREI ALBERTO NESTOR URECHIA BUSTENI 5 11 ANDREI IOANA REBECCA GRIGORE MOISIL 5 12 ANDREI MADALINA STEFANIA ALEXANDRU IOAN CUZA PLOIESTI 5 13 ANDRONACHE MADALINA GEORGIANA CNILC 5 14 ANDRONESCU CATALINA ANDREI MURESANU 5 15 ANDRONIC ARTHUR MIHAI CNILC 5 16 ANGHEL DAVID CNILC 5 17 ANTON STEFAN MIRCEA CEL BATRAN CONSTANTA 5 DEMISOL - SALA 2 COLEGIUL NATIONAL "ION LUCA CARAGIALE" Nr.crt. -
Frontiers of Romania: Nationalism and the Ideological Space of the Roman Limes
Print: ISBN 978-1-78491-763-0 Online: ISSN 2531-8810 EX NOVO Journal of Archaeology, Volume 2, December 2017: 63-83 63 Published Online: Dec 2017 Frontiers of Romania: Nationalism and the Ideological Space of the Roman Limes Emily R. Hanscam Dept. of Archaeology, Durham University Abstract Modern Romania is a nation-state containing space which has long been considered marginal - first as part of the Roman Empire and now within the European Union. The national narrative of Romania highlights this liminality, focusing on the interactions between the Romans and the local Dacians on the northeastern border regions of the Empire. Romania still contains significant material remnants of the Iron Age, including the Roman Limes, a series of fortifications on the Danube River meant to protect the Roman borders. As such, the archaeological tradition of this geographic space is heavily entangled with Romania’s identity as a frontier region. This paper outlines the formation of Romanian national space, focusing on the period between the seventeenth century and 1918. It considers the relationship between the materiality of the Roman Limes and ideological frontiers in Romania, examining the role of archaeology in the sustainment of the Romanian nation space. Keywords: Romania, Frontiers, Roman Limes, Ideological Space, Nationalism Introduction The foundation of the Romanian nation-state in the nineteenth century was a declaration that the intellectual elite of southeast Europe chose to orient themselves towards the West rather than the Ottoman East. Romania (Figs. 1, 2) achieved international recognition of political sovereignty in 1881, escaping subjugation by the Austro-Hungarian Empire and the Russian Empire as well as the Ottomans.