Mary Cassatt, Who Studied Under the French Impressionists and Put Her Name on the Impressionist Movement Both in France and the United States

Total Page:16

File Type:pdf, Size:1020Kb

Mary Cassatt, Who Studied Under the French Impressionists and Put Her Name on the Impressionist Movement Both in France and the United States Issue 4, Fall 2017 Penumbra: An Interdisciplinary Journal of Critical and Creative Inquiry www.unionpenumbra.org Issue 4, Fall 2017 © 2017 by Penumbra Editorial Team All rights reserved. Published in 2017. Penumbra is the official, refereed, scholarly journal of Union Institute & University’s Ph.D. Program in Interdisciplinary Studies. The journal is published at regular intervals and dedicated to challenging traditional academic and creative disciplinary boundaries in the context of social change. Penumbra’s purpose is to promote theoretically informed engagements with concrete issues and problems. The journal publishes socially engaged, innovative, creative and critical scholarship with a focus on ethical and political issues in the humanities, public policy, and leadership. Penumbra is a peer-edited and peer-reviewed journal committed to spanning the divide between scholarly and creative production, and to fostering work from graduate students, junior scholars and emerging artists, in addition to more established critical and creative voices. EDITOR Marianna Boncek ASSOCIATE EDITOR Jonina Stump ASSITANT EDITORS Amy Heath Gariot P. Louima Gariot P. Louima (2014- EDITORS EMERITI 2016) Elizabeth Aiossa (2013-2014) Jon Ross (2013-2014) John Giordano (2012-2013) Tiffany Taylor (2012-2013) ACADEMIC ADMINISTRATION Provost and Vice President for Dr. Nelson Soto Academic Affairs Associate Vice President for Arlene Sacks Academic Affairs PhD in Interdisciplinary Studies Dean Michael Raffanti EDITORAL BOARD Diane Allerdyce Larry Preston Union Institute & University Union Institute & University Shelley Armitage John Shook Union Institute & University George Mason University University at Buffalo Anthony Bogues Brown University George Shulman New York University Nancy Boxill Union Institute & University Richard Shusterman Florida Atlantic University Myriam Chancy University of Cincinnati Georgia Sorenson University of Maryland Richard Couto† University of Richmond James Henderson† Union Institute & University Vicki Crawford Morehouse College Christopher Voparil** Union Institute & University Toni Gregory † Union Institute & University Sylvia Hill University of the District of Columbia Michael Raffanti Union Institute & University *Member, Journal Advisory Jennifer Raymond Committee Union Institute & University **Chair, Journal Advisory Committee Karsten Piep* †Late Founding Board Union Institute & University Member GUIDELINES Submit online (preferred) at www.unionpenumbra.org or in email to [email protected]. Penumbra invites scholarship of all Submit as Microsoft Word kinds, creative nonfiction, fiction, compatible documents (do not submit poetry, and visual works that address PDFs). Article manuscripts should be any aspect of the journal’s mission double-spaced and between 4,000 to and scope. We seek submissions 6,000 words in length. Please follow from graduate students, junior MLA guidelines for in-text citations scholars, and emerging artists, in and bibliography. addition to more established critical and creative voices. All submissions Creative Submissions undergo double-blind peer review. Submissions may include a We do not accept previously maximum of five poems or flash published work. Simultaneous prose works; a single short story or submissions are acceptable, but the novel chapter of no more than 6,000 editors should be notified words; or creative non-fiction prose immediately upon a work’s of up to 6,000 words. Submit as acceptance for publication elsewhere. Microsoft Word compatible documents (do not submit PDFs). Submitting Online Interdisciplinary text-based works in Author name(s), email(s), and brief non-traditional formats are also bio(s) should be included in the acceptable. Please query the editors Author Comment box on the at [email protected] submission page. The author name(s) regarding text-based projects that do should not appear anywhere on the not meet our submission manuscript in compliance with our requirements. double-blind peer-review process. Images and Diagrams in Submitting in Email Manuscripts Submit two Word attachments. In the All line diagrams and photographs first document, include the title of the are termed “Figures” and should be work, author name(s), email(s), brief referred to as such in the manuscript. bio(s), and a 200-250 word article They should be numbered abstract in the first document. In a consecutively and presented in a second document, submit the article form suitable for immediate for consideration. Author name(s) reproduction (i.e. not requiring should not appear anywhere on the redrawing). They should be saved at manuscript in compliance with our 300 dpi and should be no smaller double-blind peer-review process. than 5 inches (130mm) on the shortest side. Images should be Scholarly Submissions submitted as .jpg or .eps files. All figures should have short descriptive Projects that do not meet these captions typed on a separate sheet. requirements will also be considered. Please contact the co-editors Visual Art/Interdisciplinary Arts regarding artists’ projects that do not Projects meet our submission requirements. If All visual artwork and proposed an original artwork for Penumbra is artists’ projects must be submitted proposed, samples of comparable electronically. A proposal for an work should be submitted along with artist’s project or portfolio should a one-page written proposal. All comprise a one-page written work must be submitted description accompanied by ten or electronically. Please contact the co- fewer uploaded sample images. Also editors if you have concerns about acceptable are hyperlinks to an submission format. online gallery of up to ten images, or up to three videos/multimedia pieces. IN THIS ISSUE Marianna Boncek 10 Editor’s Note and Jonina Stump “So . who are you now?”: Tico Tenorio 13 Performing Women in Stage Beauty’s English Restoration Confessions of a Study Abroad Allison Budaj 29 Coordinator Brandon 34 Tropics, The Great Synagogue of Constanta, Stateman's Memorial, Marlon Upcountry Misti 39 They Aren’t in the History Books: Chamberlain Women Artists in History Nancy Pratt 50 The Truth Women Tell: Arthritis, Heartache, and a Mercedes Sharon Lin 52 Swiftly Welcome Home Sisters! : A Kris Hege 56 Personal and Political Education Nancy 66 Faculty Colloquium at the Semotiuk Country Club Faubourg Tremé: Cultural and Janis Chandler 68 Societal Progress in a Neighborhood Faced with Gentrification Greta Enriquez 84 Friendship in Frankenstein: An Artistotelian-Thomistic Analysis CONTRIBUTORS SHARON LIN is a graduate of Stuyvesant ALLISON BUDAJ is a Humanities Instructor High School in New York City. Her work has and Study Abroad Coordinator at been recognized by the Scholastic Art & Chattahoochee Technical College in Marietta, Writing Georgia and Liberal Arts adjunct instructor Awards, The New York Times, the White with Southern New Hampshire University. House, the Philadelphia Office of Arts, She is pursuing an Ph.D. in Humanities and Culture and the Creative Economy, and the Culture with a certificate in Creative Writing Huffington Post. Her poetry appears in the and Women's and Gender Studies at Union Voices of the East Coast anthology, The Institute & University. Her dissertation Feminist Press, and the New York Public research focuses on gender representation and Library. Currently, she serves as the NYC emerging female roles in AMC's The Walking Youth Poet Laureate. She is an editor for Dead. KidSpirit Magazine and a poetry reader for Polyphony HS. She currently attends the MISTI CHAMBERLAIN is an experienced Massachusetts Institute of Technology and Artist with a demonstrated history of working works as a researcher for the MIT Media Lab. in museums and the higher education community. She is an advocate for Arts in BRANDON MARLON is a writer from Education and strongly believes that art can Ottawa, Canada. He received his B.A. in make a difference. She is a strong arts and Drama & English from the University of design professional working toward a Doctor Toronto and his M.A. in English from the of Philosophy (Ph.D.) focused in History/Art University of Victoria. His poetry was History from Union Institute & University. awarded the Harry Hoyt Lacey Prize in Poetry (Fall 2015), and his writing has been JANIS CHANDLER earned an M.A. in published in 200+ publications in 27 Literature & Writing from Union Institute & countries. www.brandonmarlon.com University and am a candidate for a Ph.D. in Interdisciplinary Studies at Union Institute & NANCY PRATT is a PhD candidate in University. She worked with evacuees sent to interdisciplinary studies at Union Institute & Massachusetts following Hurricane Katrina. University with a leadership major. Creative This played a role in the First Year seminars writing that reflects the lives of women is an she has taught, as well as in the creation of interest; unarmed civilian peacekeeping is a her educational blog, which emphasizes the passion. Pratt is an executive director at Case necessity for humanity and compassion in Western Reserve University. assisting the marginalized. NANCY LOU SEMOTIUK is pursuing a GRETA ENRIQUEZ is pursuing a Ph.D. in Ph.D. in Interdisciplinary Studies at Union Interdisciplinary Studies at the Union Institute & University. She teaches Institute & University. She works as a mental journalism and is an associate professor at health therapist in Massachusetts and New Walla Walla University. Jersey. TICO TENORIO is an English Professor at KRIS HEGE is currently pursuing
Recommended publications
  • Hamlet West End Announcement
    FOLLOWING A CRITICALLY ACCLAIMED & SELL-OUT RUN AT THE ALMEIDA THEATRE HAMLET STARRING THE BAFTA & OLIVIER AWARD-WINNING ANDREW SCOTT AND DIRECTED BY THE MULTI AWARD-WINNING DIRECTOR ROBERT ICKE WILL TRANSFER TO THE HAROLD PINTER THEATRE FOR A STRICTLY LIMITED SEASON FROM 9 JUNE – 2 SEPTEMBER 2017 ‘ANDREW SCOTT DELIVERS A CAREER-DEFINING PERFORMANCE… HE MAKES THE MOST FAMOUS SPEECHES FEEL FRESH AND UNPREDICTABLE’ EVENING STANDARD ‘IT IS LIVEWIRE, EDGE-OF-THE-SEAT STUFF’ TIME OUT Olivier Award-winning director, Robert Icke’s (Mary Stuart, The Red Barn, Uncle Vanya, Oresteia, Mr Burns and 1984), ground-breaking and electrifying production of William Shakespeare’s Hamlet, starring BAFTA award-winner Andrew Scott (Moriarty in BBC’s Sherlock, Denial, Spectre, Design For Living and Cock) in the title role, will transfer to the Harold Pinter Theatre, following a critically acclaimed and sell out run at the Almeida Theatre. Hamlet will run for a limited season only from 9 June to 2 September 2017 with press night on Thursday 15 June. Hamlet is produced by Ambassador Theatre Group (Sunday In The Park With George, Buried Child, Oresteia), Sonia Friedman Productions and the Almeida Theatre (Chimerica, Ghosts, King Charles III, 1984, Oresteia), who are renowned for introducing groundbreaking, critically acclaimed transfers to the West End. Rupert Goold, Artistic Director, Almeida Theatre said "We’re delighted that with this transfer more people will be able to experience our production of Hamlet. Robert, Andrew, and the entire Hamlet company have created an unforgettable Shakespeare which we’re looking forward to sharing even more widely over the summer in partnership with Sonia Friedman Productions and ATG.” Robert Icke, Director (and Almeida Theatre Associate Director) said “It has been such a thrill to work with Andrew and the extraordinary company of Hamlet on this play so far, and I'm delighted we're going to continue our work on this play in the West End this summer.
    [Show full text]
  • Rupert Everett ~ 36 Screen Credits
    Rupert Everett ~ 36 Screen Credits Look at that lip. Hauteur, condescension, disdain writ large. "I am a very limited actor. There's a certain amount I can do and that's it," said Everett in 2014. Maybe so, but - see My Best Friend's Wedding, An Ideal Husband, Separate Lies or Unconditional Love - how well he does it. Born in Burnham Deepdale, Norfolk on 29 May 1959 the second son of parents Anthony and Sara, RUPERT JAMES HECTOR EVERETT is of English, Scottish, Irish and more distant German and Dutch ancestry. His father, who died in 2009, was a Major in the British Army who later worked in business. When he was six, Rupert was taken into Braintree for his first trip to a cinema. There was a long queue, the child was typically fretful and the grown-ups thought about leaving, but finally decided not to: And so my mother bought the fateful tickets and unknowingly guided me through a pair of swing doors into the rest of my life ... ... Those huge curtains silently swished open and Mary Poppins sprang across the footlights and into my heart. After preliminary instruction from a governess, Everett was educated at Far- leigh House School, Andover from seven to thirteen then at Ampleforth College, Yorkshire from thirteen to sixteen, at which point he absconded to London to become an actor. After two years of living the bohemian life to the full (if not excess), he won a coveted place at the Central School of Speech and Drama, but after attending for two tempestuous and more or less unrewarding years was told not to return for a third.
    [Show full text]
  • Sherborne School and the Oscars
    ‘And the Academy Award goes to…’ Sherborne School and the Oscars Sherborne School is currently making its presence felt on the big screen. Not only has the School recently provided the set for two new films, The Imitation Game (2014) and Far from the Madding Crowd (2015), but two Old Shirburnian actors can currently be seen in two hugely successful films, Hugh Bonneville (d 1977-1981) in Paddington (2014) and Charlie Cox (c 1996-2001) in The Theory of Everything (2014). And, of course, Benedict Cumberbatch, himself the son of an Old Shirburnian, is portraying Old Shirburnian Alan Turing (h 1926-1931) in The Imitation Game (2014). The 87th Academy Award nominations for the 2015 Oscars see The Imitation Game (2014) with eight nominations, including Best Picture and Best Actor, and The Theory of Everything (2014) with one nomination for Best Picture. But we will have to wait until 22 February 2015 to find out who will win a coveted Oscar. Jeremy Irons (b 1962-1966) is the only Old Shirburnian to date known to have won an Oscar. This was for his portrayal of Claus von Bülow in Reversal of Fortune (1990) in which he starred alongside Glenn Close. However, with a number of new films in the pipe line - La Corrispondenza (2015), High-Rise (2015), Batman v Superman: Dawn of Justice (2016), and Race (2016) – he will no doubt be adding a few more awards to his mantelpiece in the future. It was while he was at Sherborne that Irons first took to the stage, appearing as Mr Puff in the 1966 production of The Critic.
    [Show full text]
  • 10-Fr-736-Booklet-W.O. Crops
    CARLISLE PRINCE OF FLOYD PLAYERS an oPera in two acts Phares royal Dobson shelton Kelley riDeout harms eDDy fr esh ! MILWAUKEE SYMPHONY ORCHESTRA WILLIAM BOGGS , CONDUCTOR FROM THE COMPOSER it is with great pleasure and pride that i congratulate the Florentine opera and soundmirror on this beautiful recording. it is the culmination of all the hard work and love that many people poured into making this opera a success. From its very beginning, Prince of Players has been a joy for me. back in 2011, i was flipping through tV channels and stopped on an interesting movie called staGe beauty, based on Jeffery hatcher’s play “the compleat Female stage beauty” and directed by sir richard eyre. the operatic potential struck me immediately. opera deals with crisis, and this was an enormous crisis in a young man’s life. i felt there was something combustible in the story, and that’s the basis of a good libretto. i always seek great emotional content for my operas and i thought this story had that. it is emotion that i am setting to music. if it lacks emotion, i know it immediately when i try to set it to music: nothing comes. From the story comes emotion, from the emotion comes the music. Fortunately for me, the story flowed easily, and drawing from the time-honored dramatic cycle of comfort, disaster, rebirth, i completed the libretto in less than two weeks. in 2013, the houston Grand opera commissioned Prince of Players as chamber opera, to be performed by its hGo studio singers, and staged by the young british director, michael Gieleta.
    [Show full text]
  • The Lady in the Van
    BBC Films THE LADY IN THE VAN Directed by Nicholas Hytner Written by Alan Bennett from his memoir 103 min East Coast Publicity West Coast Publicity Distributor Springer Associates PR Block-Korenbrot Sony Pictures Classics Gary Springer Eric Osuna Carmelo Pirrone 1501 Broadway, Suite 506 6100 Wilshire Blvd., Ste 170 Maya Anand New York, NY 10036 Los Angeles, CA 90048 550 Madison Ave. 212-354-4660 tel 323-634-7001 tel New York, NY 10022 [email protected] 323-634-7030 fax 212-833-8833 tel 212-833-8844 fax CREDITS CAST Maggie Smith MISS SHEPHERD Alex Jennings ALAN BENNETT Jim Broadbent UNDERWOOD Frances De La Tour MRS VAUGHAN WILLIAMS Roger Allam RUFUS DIRECTED BY Nicholas Hytner WRITTEN BY Alan Bennett from his memoir EXECUTIVE PRODUCERS Christine Langan, Ed Wethered, Charles Moore, Miles Ketley PRODUCERS Kevin Loader, Nicholas Hytner, Damian Jones DIRECTOR OF PHOTOGRAPHY Andrew Dunn PRODUCTION DESIGNER John Beard EDITOR Tariq Anwar COMPOSER George Fenton COSTUME DESIGNER Natalie Ward HAIR AND MAKE UP DESIGNER Naomi Donne CASTING DIRECTOR Toby Whale SYNOPSIS Alan Bennett’s story is based on the true story of Miss Shepherd (played by a magnificent Maggie Smith), a woman of uncertain origins who “temporarily” parked her van in Bennett’s London driveway and proceeded to live there for 15 years. What begins as a begrudged favor becomes a relationship that will change both their lives. Filmed on the street and in the house where Bennett and Miss Shepherd lived all those years, acclaimed director Nicholas Hytner reunites with iconic writer Alan Bennett (The Madness of King George, The History Boys) to bring this rare and touching portrait to the screen.
    [Show full text]
  • STAGE BEAUTY Richard Eyre Materialien Zueinemfilmvon Schule.At Kino Macht Schule
    www.kinomachtschule.at STAGE BEAUTY Materialien zu einem Film von Richard Eyre schule kino macht kino macht schule INHALTSVERZEICHNIS STAB und BESETZUNG . 3 SYNOPSIS . 4 INHALT . 4 DREHBUCHAUTOR JEFFREY HATCHER ÜBER DIE ENTSTEHUNG DES FILMS . 7 SAMUEL PEPYS UND SEINE „GEHEIMEN TAGEBÜCHER“ . 9 DAS ELISABETHANISCHE THEATER . 11 Impressum: Herausgeber, Medieninhaber: Filmladen Filmverleih Mariahilferstraße 58/7 1070 Wien Tel: 01/523 43 62-0 [email protected] Redaktion und Layout: Michael Roth Internet: www.kinomachtschule.at www.stagebeauty-derfilm.de www.filmladen.at STAGE BEAUTY 2 kino macht schule Richard Eyre Stage Beauty Großbritannien/Deutschland/USA 2004 110 Minuten / 35 mm / Cinemascope / Farbe / Dolby Digital englische Originalfassung mit deutschen Untertiteln Drehbuch Jeffrey Hatcher Kamera Andrew Dunn Schnitt Tariq Anwar Musik George Fenton Ton Jim Greenhorn, Ben Barker Ausstattung Jim Clay Kostüm Tim Hatley Produzenten Robert De Niro Jane Rosenthal Hardy Justice Produktion Qwerty Films Icon Entertainment International Tribeca N1 European Film Produktion BBC Films Artisan Entertainment Verleih Filmladen, der Verleih des VOTIV KINOS mit Billy Crudup (Ned Kynaston) Claire Danes (Maria) Rupert Everett (King Charles II) Tom Wilkinson (Betterton) Ben Chaplin (George Villiars) Hugh Bonneville (Samuel Pepys) Zoë Tapper (Nell Gwyn) Edward Fox (Hyde) Richard Griffiths (Sir Charles Sedley) u. a. STAGE BEAUTY 3 kino macht schule SYNOPSIS INHALT Wir schreiben die zweite Hälfte des 17. Jahrhunderts London in den 60er Jahren des 17. Jahrhunderts. In und auf englischen Bühnen sind ausschließlich einer Zeit, in der Frauen die Bühne nur zum Putzen Männer erlaubt. Maria ist die Garderobiere des betreten dürfen, ist der junge Ned Kynaston Englands berühmtesten Schauspielers seiner Zeit – Edward beliebteste leading lady.
    [Show full text]
  • Robert De Niro Filmography
    Topic relevant selected content from the highest rated entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the con- venience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mission: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it e ectively and globally. e content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accurate or reliable information. Some information in this book maybe misleading or simply wrong. e publisher does not guarantee the validity of the infor- mation found here. If you need speci c advice (for example, medical, legal, nancial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Robert De Niro 1 Robert De Niro filmography 9 Three Rooms in Manhattan 18 Greetings (film) 19 Sam's Song 21 The Wedding Party (film) 22 Bloody Mama 24 Hi, Mom!
    [Show full text]
  • Download Detailseite
    Berlinale 2007 NOTES ON A SCANDAL Wettbewerb TAGEBUCH EINES SKANDALS Außer Konkurrenz CHRONIQUE D’UN SCANDALE Regie: Richard Eyre USA/Großbritannien 2006 Darsteller Barbara Covett Judi Dench Länge 92 Min. Sheba Hart Cate Blanchett Format 35 mm, 1:1.85 Richard Hart Bill Nighy Farbe Steven Connolly Andrew Simpson Brian Bangs Phil Davis Stabliste Sandy Pabblem Michael Maloney Buch Patrick Marber, Polly Hart Juno Temple nach dem Roman Ben Hart Max Lewis von Zoë Heller Sue Hodge Joanna Scanlan Kamera Chris Menges Marjorie Julia McKenzie Schnitt John Bloom Bill Rumer Shaun Parkes Antonia Van Ted Mawson Tom Georgeson Drimmelen Linda Emma Kennedy Schnittassistenz Martin Corbett Gita Syreeta Kumar Ton Jim Greenhorn Elaine Clifford Wendy Nottingham Musik Philip Glass Antonia Robinson Tameka Empson Production Design, Davis Leon Skinner Kostüm Tim Hatley Lorraine Debra Gillett Art Directors Mark Raggett Hannah Moseley Cate Blanchett, Judi Dench Requisite Maxie McDonald Maske Lisa Westcott Regieassistenz Martin Harrison TAGEBUCH EINES SKANDALS Casting Maggie Lunn Die ebenso dominante wie einsame Lehrerin Barbara Covett führt mit eiser- Shaheen Baig ner Hand ihre Klasse an einer heruntergekommenen staatlichen Schule in Produktionsltg. Rachel Neale London, an der sie schon seit vielen Jahren unterrichtet. Ihre einzige „Be - Aufnahmeleitung Amanda Stevens zugs person“ ist ihre Katze Portia, ansonsten lebt Barbara ihr Leben allein, Produzenten Scott Rudin Robert Fox ohne Freunde und Vertraute. Was sie erfreut oder bedrückt, teilt sie aus- Ausführender schließlich ihrem Tagebuch mit – mal mehr, mal weniger aufrichtig. Produzent Redmond Morris Als mit der jungen Kunstlehrerin Sheba Hart eine neue Kollegin an ihre Co-Produktion BBC Film, London Schule kommt, glaubt Barbara in ihr die verwandte Seele und enge Freun- DNA Films, London din zu finden, nach der sie immer gesucht hat.
    [Show full text]
  • 2021 Dec Sept June Mar 2020 Dec a Christmas Carol Sept
    HISTORY OF Page 1 of 6 STAMFORD SHOESTRING THEATRE Updated 15th Jan 2020 Shoestring started life as Stamford Music and Drama Club in 1943. In 1959 the group morphed into Stamford Amateur Stage. In 1963, it changed its name again, and became Stamford Shoestring Theatre. Shoestring has performed on many stages in the town, starting with Stamford School and Stamford High School Halls, the Darby & Joan Hall, the Congregational (now United Reformed) Church Hall and finally came to rest at Stamford Theatre as Stamford Arts Centre's resident amateur repertory company from 1978. Performance history 2021 Dec Sept June Mar 2020 Dec A Christmas Carol Sept ?? June London Assurance Mar The Seagull 2019 Dec Blue Stockings Sept Ladybird, Ladybird The Roses of Eyam (at the Minack Theatre) June The Roses of Eyam Mar The Herd 2018 Dec My Boy Jack Sept Perfect Nonsense June Kindertransport Mar An Enemy of the People 2017 Dec Nell Gwynn Sept The Memory of Water June One Man, Two Guvnors Mar Tartuffe 2016 Dec Roots Sept Good People August The Shaugraun (at the Minack Theatre) June The Shaugraun Mar Good Things 2015 Dec See How They Run Sept The Homecoming July The Chalk Garden May Travels With My Aunt Mar A Dolls House HISTORY OF Page 2 of 6 STAMFORD SHOESTRING THEATRE Updated 15th Jan 2020 2014 Dec Cowardy Custard Sept The Accrington Pals June The Playboy of the Western World Mar A View from the Bridge 2013 Dec The Winslow Boy Sept God of Carnage June Anne Boleyn July Anne Boleyn (at the Minack Theatre) Mar Talking Heads 2012 Dec Men Should Weep Sept Ladies'
    [Show full text]
  • Avance De Programacin
    OFFICIAL SELECTION THE OTHER MAN , Richard Eyre (UK) Opening Night Film (Out of Competition) THE BROTHERS BLOOM , Rian Johnson (USA) Closing Night Film (Out of Competition) ARUITEMO, ARUITEMO / STILL WALKING , Hirokazu Kore-Eda (Japan) ASBE DU-PA / TWO-LEGGED HORSE , Samira Makhmalbaf (Iran - France) LA BELLE PERSONNE (The Beautiful Person), Christophe Honoré (France) BI MONG / DREAM , Kim Ki-duk (South Korea) CAMINO , Javier Fesser (Spain) DEN DU FRYGTER / FEAR ME NOT , Kristian Levring (Denmark) EID MILAD LAILA / LAILA’S BIRTHDAY , Rashid Masharawi (Tunisia - Palestine - Holland) FROZEN RIVER , Courtney Hunt (USA) Competitor for the Altadis-New Directors Award GENOVA , Michael Winterbottom (UK) LOUISE-MICHEL , Benoît Delépine, Gustave Kervern (France) MAMAN EST CHEZ LE COIFFEUR (Mommy Is at the Hairdresser's), Léa Pool (Canada) EL NIDO VACÍO (The Empty Nest), Daniel Burman (Argentina - Spain - France) PANDORANIN KUTUSU / PANDORA’S BOX , Yesim Ustaoglu (Turkey - France - Germany - Belgium) EL PATIO DE MI CÁRCEL (My Prison Yard), Belén Macías (Spain) Competitor for the Altadis-New Directors Award TIRO EN LA CABEZA (Bullet in the Head), Jaime Rosales (Spain) THE BOY IN THE STRIPED PYJAMAS , Mark Herman (Great Britain - USA) Out of Competition TROPIC THUNDER , Ben Stiller (USA) Out of Competition Altadis-New Directors Award OFFICIAL SELECTION THE OTHER MAN Director: Richard Eyre · Screenplay: Richard Eyre, Charles Wood · Photography: Haris Zambarloukos · Cast: Liam Neeson, Antonio Banderas, Laura Linney, Romola Garai Running time: 90 m. · UK Opening Night Film (Out of Competition) Peter and Lisa are settled in the comfort of their long-term marriage. Lisa is a successful shoe designer and Peter runs his own company.
    [Show full text]
  • SHAKESPEARE's FEMALE Icons
    The start ow SHAKESPEARE's FEMALE IcoNs Volume XXXI 2012 Vol. XXXI Digital Facsimile The Upstart Crow: A Shakespeare journal, Volume XXXI, 2012 is published by Clemson Universicy Digital Press. © 2013 Clemson Univcrsicy ISSN: 0886-2168 ~ EDITOR ·~ \ Elizabeth Rivlin CLEMSON UNIVERSITY DIGITAL PRESS ASSOCIATE EDITORS Ray Barfield, Wayne Chapman, Jonathan Field, Martin Jacobi, Michael LeMahieu, Chantelle MacPhee, Brian McGrath, Lee Morrissey, and Will Stockton BOOK REVIEW EDITOR Will Stockton, Clemson University ADVISORY BOARD James Berg, Pam Brown, Patricia Cahill, Ann C. Christensen, Katherine Conway, Herbert Coursen, Mary Agnes Edsall, John R. Ford, Walter Haden, Chris Hassel, Maurice Hunt, Natasha Korda, Paul Kottman, Richard Levin, Jeremy Lopez, Bindu Malieckal, John McDaniel, Ian Frederick Moulton, Peter Pauls, Kaara Peterson, Jeanne Roberts, and Jyotsna Singh BUSINESS MANAGER Kristin Sindorf ACCOUNTING FISCAL ANALYST Beverly Pressley EDITORIAL ASSISTANTS Charis Chapman and Jared Jamison EDITORIAL CORRESPONDENCE Editor, 1he Upstart Crow, Department of English, Clemson University, Strode Tower, Box 340523, Clemson, SC 29634-0523. Tel. (864) 656-3151. Fax (864) 656-1345. SUBSCRIPTION RATES Please note: after Volume XXXI, "'ubscription will no longer be available although copies of most volumes may be purchased from the online store to which visitors to our website will be directed. PDF facsimiles of all volumes, in the ncar future, wiU be available free for viewing on an open-access basis. Queries on existing subscriptions should be directed to The Business Manager at the same address as given above. Meanwhile, rates for the present (and last) volume of 1he Upstart Crow are as follows: 1-year subscription for individuals (Vol. XXXI): $17 1-year subscription for institutions (Vol.
    [Show full text]
  • Hamlet Refugee Week Hamlet
    HAMLET REFUGEE WEEK HAMLET CONTENTS. LIKE IT LIKE AS YOU YOU AS SONNETS 3 Welcome 4 Hamlet Company 8 Synopsis 10 Bringing Hamlet Home by Dr Farah Karim-Cooper 14 Ensemble Voices Contributions from the Globe Ensemble 22 Biographies & Rehearsal Photos GLOBE ON 32 Do You Mark That? by Emma Smith TOUR EMILIA 34 This Wooden ‘O’ GLOBE THE WINTER’S 36 The Globe Today PLAYER TALE 38 Education 42 Guided Tours & Exhibition 44 Food & Drink 45 Shop & Globe Player THE TWO 46 Support Us NOBLE EYAM 48 For Shakespeare’s Globe KINSMEN 51 Our Volunteer Stewards 54 Our Supporters LOVE’S OTHELLO LABOUR’S LOST Shakespeare’s Tales WELCOME. Telling Dear all, Celebrate the joy of storytelling at Shakespeare’s Telling Tales, A huge, huge welcome to Shakespeare’s Globe our lively family festival, now in its third year. and to the start of our 2018 Summer Season. What better way to kick off than with the words ‘Who’s 27 – 29 July 2018 There?’ from our opening play, Hamlet, followed Visit shakespearesglobe.com/tellingtales for news by As You Like It: two plays that we know were about our festival line-up as it’s announced. written specifically for the unique architectural #TellingTales playing conditions of the wooden ‘O’. Where else can you say and hear the words ‘this distracted Globe’ or ‘All the world’s a stage’ and not be immediately aware of the theatre in which you are sitting… or standing? Where else can Hamlet say ‘now I am alone’ and see the whites of the eyes of the 1,500 people that accompany him in that moment? There are, of course, as many understandings and interpretations of Shakespeare as there are people and if Shakespeare is one of our greatest playwrights, wrestling with the human condition in all its guises, then it must also be true that Shakespeare is for all.
    [Show full text]