Sherborne School and the Oscars
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Widescreen Weekend 2007 Brochure
The Widescreen Weekend welcomes all those fans of large format and widescreen films – CinemaScope, VistaVision, 70mm, Cinerama and Imax – and presents an array of past classics from the vaults of the National Media Museum. A weekend to wallow in the best of cinema. HOW THE WEST WAS WON NEW TODD-AO PRINT MAYERLING (70mm) BLACK TIGHTS (70mm) Saturday 17 March THOSE MAGNIFICENT MEN IN THEIR Monday 19 March Sunday 18 March Pictureville Cinema Pictureville Cinema FLYING MACHINES Pictureville Cinema Dir. Terence Young France 1960 130 mins (PG) Dirs. Henry Hathaway, John Ford, George Marshall USA 1962 Dir. Terence Young France/GB 1968 140 mins (PG) Zizi Jeanmaire, Cyd Charisse, Roland Petit, Moira Shearer, 162 mins (U) or How I Flew from London to Paris in 25 hours 11 minutes Omar Sharif, Catherine Deneuve, James Mason, Ava Gardner, Maurice Chevalier Debbie Reynolds, Henry Fonda, James Stewart, Gregory Peck, (70mm) James Robertson Justice, Geneviève Page Carroll Baker, John Wayne, Richard Widmark, George Peppard Sunday 18 March A very rare screening of this 70mm title from 1960. Before Pictureville Cinema It is the last days of the Austro-Hungarian Empire. The world is going on to direct Bond films (see our UK premiere of the There are westerns and then there are WESTERNS. How the Dir. Ken Annakin GB 1965 133 mins (U) changing, and Archduke Rudolph (Sharif), the young son of new digital print of From Russia with Love), Terence Young West was Won is something very special on the deep curved Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Emperor Franz-Josef (Mason) finds himself desperately looking delivered this French ballet film. -
Thursday 15 October 11:00 an Introduction to Cinerama and Widescreen Cinema 18:00 Opening Night Delegate Reception (Kodak Gallery) 19:00 Oklahoma!
Thursday 15 October 11:00 An Introduction to Cinerama and Widescreen Cinema 18:00 Opening Night Delegate Reception (Kodak Gallery) 19:00 Oklahoma! Please allow 10 minutes for introductions Friday 16 October before all films during Widescreen Weekend. 09.45 Interstellar: Visual Effects for 70mm Filmmaking + Interstellar Intermissions are approximately 15 minutes. 14.45 BKSTS Widescreen Student Film of The Year IMAX SCREENINGS: See Picturehouse 17.00 Holiday In Spain (aka Scent of Mystery) listings for films and screening times in 19.45 Fiddler On The Roof the Museum’s newly refurbished digital IMAX cinema. Saturday 17 October 09.50 A Bridge Too Far 14:30 Screen Talk: Leslie Caron + Gigi 19:30 How The West Was Won Sunday 18 October 09.30 The Best of Cinerama 12.30 Widescreen Aesthetics And New Wave Cinema 14:50 Cineramacana and Todd-AO National Media Museum Pictureville, Bradford, West Yorkshire. BD1 1NQ 18.00 Keynote Speech: Douglas Trumbull – The State of Cinema www.nationalmediamuseum.org.uk/widescreen-weekend 20.00 2001: A Space Odyssey Picturehouse Box Office 0871 902 5756 (calls charged at 13p per minute + your provider’s access charge) 20.00 The Making of The Magnificent Seven with Brian Hannan plus book signing and The Magnificent Seven (Cubby Broccoli) Facebook: widescreenweekend Twitter: @widescreenwknd All screenings and events in Pictureville Cinema unless otherwise stated Widescreen Weekend Since its inception, cinema has been exploring, challenging and Tickets expanding technological boundaries in its continuous quest to provide Tickets for individual screenings and events the most immersive, engaging and entertaining spectacle possible. can be purchased from the Picturehouse box office at the National Media Museum or by We are privileged to have an unrivalled collection of ground-breaking phoning 0871 902 5756. -
One Hollywood
FEATURES Amusements-Radio Part Five F Music—Art—Books 9 Part 5—-8 Pages WASHINGTON, D. C., SUNDAY MORNING, DECEMBER 26, 1937. PAGE F—1 “Snow White” Is Heralded The of Goes In for > Queen Taps Spectacle Comes Now a Dissenter As Picture to Make In the Annual Parade Movies Genuine Art Of “10»Best” Polls Agnostics Capitulate Before Disney. ^ With Some Observations 'About National’s Leading Lady Known This Yearly Business of To Washington Society. Awarding Palms. By Jay Carmody. By Douglas W. Churchill. night some months when the ago, night breathed coldly on the HOLLYWOOD. hills the Hollywood (advt.), conversation drifted around to the sub- OEL! Noel! At tbla glad Christmas time when every one else is gay of ONEject the movies as an art. "Ha,” said the possessor of one of the and forgiving And trying to lead a life free from acrimony for at least film colony’s highest intelligence quotients, "all you have to do to N a few dAgs, this department has withdrawn from the throng around realise the movies are not an art is to see some old pictures. Art is. timeless, the wassail bowl and retired to a corner to do a little disagreeing. For but movies so are definitely of their period their life is as short as this. Bea- this is the season when the "bests” are selected. A thousand groups and ■on’s hats—women’s hats, of course.”" individuals will name the “best” picture, the "best” performances, the "best” As for carrying the same meaning from one generation to another, as direction and the like. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business. -
DICKENS on SCREEN, BFI Southbank's Unprecedented
PRESS RELEASE 12/08 DICKENS ON SCREEN AT BFI SOUTHBANK IN FEBRUARY AND MARCH 2012 DICKENS ON SCREEN, BFI Southbank’s unprecedented retrospective of film and TV adaptations, moves into February and March and continues to explore how the work of one of Britain’s best loved storytellers has been adapted and interpreted for the big and small screens – offering the largest retrospective of Dickens on film and television ever staged. February 7 marks the 200th anniversary of Charles Dickens’ birth and BFI Southbank will host a celebratory evening in partnership with Film London and The British Council featuring the world premiere of Chris Newby’s Dickens in London, the innovative and highly distinctive adaptation of five radio plays by Michael Eaton that incorporates animation, puppetry and contemporary footage, and a Neil Brand score. The day will also feature three newly commissioned short films inspired by the man himself. Further highlights in February include a special presentation of Christine Edzard’s epic film version of Little Dorrit (1988) that will reunite some of the cast and crew members including Derek Jacobi, a complete screening of the rarely seen 1960 BBC production of Barnaby Rudge, as well as day long screenings of the definitive productions of Hard Times (1977) and Martin Chuzzlewit (1994). In addition, there will be the unique opportunity to experience all eight hours of the RSC’s extraordinary 1982 production of Nicholas Nickleby, including a panel discussion with directors Trevor Nunn and John Caird, actor David Threlfall and its adaptor, David Edgar. Saving some of the best for last, the season concludes in March with a beautiful new restoration of the very rare Nordisk version of Our Mutual Friend (1921) and a two-part programme of vintage, American TV adaptations of Dickens - most of which have never been screened in this country before and feature legendary Hollywood stars. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
CASTING ANNOUNCED for the GREATEST WEALTH in Celebration of the NHS
PRESS RELEASE WED 13 JUN CASTING ANNOUNCED FOR THE GREATEST WEALTH In celebration of the NHS One Voice: Monologues funded by the TS Eliot Estate Curated by Lolita Chakrabarti Directed by Adrian Lester The NHS from the 1940s-1970s: Monday 25 June, 8.30pm The NHS from the 1980s-present: Tuesday 26 June, 8.30pm The NHS from the 1940s-present (double bill): Friday 29 June, 8pm ‘No society can legitimately call itself civilised if a sick person is denied medical aid because of lack of means.’ Aneurin Bevan The Old Vic is pleased to announce casting for The Greatest Wealth, curated by Lolita Chakrabarti and directed by Adrian Lester to celebrate 70 years of the National Health Service. Jade Anouka, Louise English, Dervla Kirwan, Ruth Madeley, Art Malik, Meera Syal, Sophie Stone and David Threlfall will perform monologues written by Moira Buffini, Lolita Chakrabarti, Seiriol Davies, Matilda Ibini, Courttia Newland, Meera Syal, Jack Thorne and Paul Unwin in response to each decade since Aneurin Bevan launched the NHS at Park Hospital, Manchester, on 5 July 1948. Each evening will also include music performed by Gloria Obianyo. Lolita Chakrabarti said: ‘I am thrilled to be curating this One Voice for The Old Vic and delighted that so many talented and accomplished actors will be a part of it. To see how inventive but truthful each writer has been and then to realise their work with this calibre of actor is fantastic. This is going to be a very special event.’ The full line up is as follows: 1940s: Boo, by Jack Thorne, performed by Sophie Stone -
James Strong Director
James Strong Director Agents Michelle Archer Assistant Grace Baxter [email protected] 020 3214 0991 Credits Television Production Company Notes CRIME Buccaneer/Britbox Lead Director and Executive Producer. 2021 Episodes 1-3. Writer: Irvine Welsh, based on his novel by the same name. Producer: David Blair. Executive producers: Irvine Welsh, Dean Cavanagh, Dougray Scott andTony Wood. VIGIL World Productions / BBC One Lead Director and Executive Producer. 2019 - 2020 Episodes 1- 3. Starring Suranne Jones, Rose Leslie, Shaun Evans. Writer: Tom Edge. Executive Producer: Simon Heath. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes LIAR 2 Two Brothers/ ITV Lead Director and Executive Producer. 2019 Episodes 1-3. Writers: Jack and Harry Williams Producer: James Dean Executive Producer: Chris Aird Starring: Joanne Froggatt COUNCIL OF DADS NBC/ Jerry Bruckheimer Pilot Director and Executive Producer. 2019 Television/ Universal TV Inspired by the best-selling memoir of Bruce Feiler. Series ordered by NBC. Writers: Tony Phelan, Joan Rater. Producers: James Oh, Bruce Feiler. Exec Producers: Jerry Bruckheimer, Jonathan Littman, KristieAnne Read, Tony Phelan, Joan Rater. VANITY FAIR Mammoth/Amazon/ITV Lead Director and Executive Producer. 2017 - 2018 Episodes 1,2,3,4,5&7 Starring Olivia Cooke, Simon Russell Beale, Martin Clunes, Frances de la Tour, Suranne Jones. Writer: Gwyneth Hughes. Producer: Julia Stannard. Exec Producers: Gwyneth Hughes, Damien Timmer, Tom Mullens. LIAR ITV/Two Brothers Pictures Lead Director and Executive Producer. 2016 - 2017 Episodes 1 to 3. Writers: Harry and Jack Williams. -
Rupert Everett ~ 36 Screen Credits
Rupert Everett ~ 36 Screen Credits Look at that lip. Hauteur, condescension, disdain writ large. "I am a very limited actor. There's a certain amount I can do and that's it," said Everett in 2014. Maybe so, but - see My Best Friend's Wedding, An Ideal Husband, Separate Lies or Unconditional Love - how well he does it. Born in Burnham Deepdale, Norfolk on 29 May 1959 the second son of parents Anthony and Sara, RUPERT JAMES HECTOR EVERETT is of English, Scottish, Irish and more distant German and Dutch ancestry. His father, who died in 2009, was a Major in the British Army who later worked in business. When he was six, Rupert was taken into Braintree for his first trip to a cinema. There was a long queue, the child was typically fretful and the grown-ups thought about leaving, but finally decided not to: And so my mother bought the fateful tickets and unknowingly guided me through a pair of swing doors into the rest of my life ... ... Those huge curtains silently swished open and Mary Poppins sprang across the footlights and into my heart. After preliminary instruction from a governess, Everett was educated at Far- leigh House School, Andover from seven to thirteen then at Ampleforth College, Yorkshire from thirteen to sixteen, at which point he absconded to London to become an actor. After two years of living the bohemian life to the full (if not excess), he won a coveted place at the Central School of Speech and Drama, but after attending for two tempestuous and more or less unrewarding years was told not to return for a third. -
Catalog Sixty-Five Log Sixty-Five
Royal Books Royal Royal Cata Books catalog sixty-five log Sixty-Five log royalbooks.com THE CELLULOID PAPER TRAIL Royal Books is pleased to announce the publication of The Celluloid Paper Trail by Terms and Conditions Oak Knoll Press, the first book All books are first editions unless indicated otherwise. ever published on film script All items in wrappers or without dust jackets advertised have glassine covers, and all dust jackets are protected identification and description, by new archival covers. Single, unframed photographs lavishly illustrated and detailed, housed in new, archival mats. designed for any book scholar, In many cases, more detailed physical descriptions for including collectors, archivists, archives, manuscripts, film scripts, and other ephemeral items can be found on our website. librarians, and dealers. Any item is returnable within 30 days for a full refund. Books may be reserved by telephone, fax, or email, Available now at royalbooks.com. and are subject to prior sale. Payment can be made by credit card or, if preferred, by check or money order with an invoice. Libraries and institutions may be billed Please feel free to let us know if you would like according to preference. Reciprocal courtesies extended your copy signed or inscribed by the author. to dealers. We accept credit card payments by VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PAYPAL. Shipments are made via USPS Priority mail or Fedex Ground unless other arrangements are requested. All shipments are fully insured. Shipping is free within the United States. For international destinations, shipping is $60 for the first book and $10 for each thereafter.