Robert De Niro Filmography
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AMERICAN FILM INSTITUTE NATIONAL COUNCIL Championing the Art of the Moving Image
AMERICAN FILM INSTITUTE NATIONAL COUNCIL Championing the art of the moving image 1 The American Film Institute champions the “The stuff that dreams are made of…” future of the moving image as an art form. AFI was established to preserve and celebrate our nation’s proud film heritage and to ensure that excellence endures We believe in the in this American art form. Over half a century later, we revolutionary power of believe in the revolutionary power of film to bring us together as a nation — as a world — and we forge forward with an visual storytelling to ongoing mission to educate and inspire. share perspectives, And we do it with the support of people like you. inspire empathy and That’s where the AFI National Council comes in — a group that stands tall and proud in the motion picture community, drive culture forward. leading by example through advocacy, influence and a unique alchemy of time, energy and financial support. With a membership that includes passionate film-lovers — like you — the National Council is vital to the success of AFI’s mission. It is my personal hope that you will accept this invitation to join these leaders who believe in the importance of America’s art form and wish to make a difference. Sincerely, Kathleen Kennedy President, Lucasfilm Ltd. Chair, AFI Board of Trustees 2 1 “Art is a nation’s most precious heritage. For it is in our works of art that we reveal to ourselves, and to others, the inner vision which guides Established in 1965, the American Film Institute fulfills the nation’s enduring promise to us as a nation.” educate and inspire artists and audiences through the motion picture art form. -
A Bronx Tale Netflix
A bronx tale netflix click here to download A father becomes worried when a local gangster befriends his son in the Bronx in the s. Robert De Niro and Chazz Palminteri give captivating performances in this intense drama about a boy torn between his tough, hard-working father and a violent yet charismatic crime boss. Robert De Niro. Robert De Niro, Chazz Palminteri, Lillo Brancato. Here is the current availability status of A Bronx Tale () on Netflix USA, as well as 30 other Netflix countries worldwide. Last checked: TODAY. Results for 'A Bronx Tale'. Get Help. Help Center · Questions? Call Company. Blog · #DVD20 · Jobs · Investor Relations · Contact Details. Information page about 'A Bronx Tale' (starring Francis Capra, Robert De Niro, Chazz Palminteri and more) on Netflix UK:: from MaFt's NewOnNetflixUK. Netflixable has all the Netflix countries that A Bronx Tale is available in Worldwide!. A young man comes of age in an Italian-American neighborhood in the Bronx, guided by conflicting influences: his straight-arrow father (Robert De Niro) and the. Critics Consensus: A Bronx Tale sets itself apart from other coming-of-age dramas thanks to a solid script, a terrific cast, and director Robert De Niro's sensitive. Find out where to watch, buy, and rent A Bronx Tale Online on Moviefone. Looking to watch A Bronx Tale? Find out where A Bronx Tale is streaming, if A Bronx Tale is on Netflix, and get news and updates, on Decider. A Bronx Tale is available on Netflix UK. www.doorway.ru has complete Movie Lists, TV Show Lists, and what's newly added to Netflix Worldwide!. -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
A Transcultural Perspective on the Casting of the Rose Tattoo
RSA JOU R N A L 25/2014 GIULIANA MUS C IO A Transcultural Perspective on the Casting of The Rose Tattoo A transcultural perspective on the film The Rose Tattoo (Daniel Mann, 1955), written by Tennessee Williams, is motivated by its setting in an Italian-American community (specifically Sicilian) in Louisiana, and by its cast, which includes relevant Italian participation. A re-examination of its production and textuality illuminates not only Williams’ work but also the cultural interactions between Italy and the U.S. On the background, the popularity and critical appreciation of neorealist cinema.1 The production of the film The Rose Tattoo has a complicated history, which is worth recalling, in order to capture its peculiar transcultural implications in Williams’ own work, moving from some biographical elements. In the late 1940s Tennessee Williams was often traveling in Italy, and visited Sicily, invited by Luchino Visconti (who had directed The Glass Managerie in Rome, in 1946) for the shooting of La terra trema (1948), where he went with his partner Frank Merlo, an occasional actor of Sicilian origins (Williams, Notebooks 472). Thus his Italian experiences involved both his professional life, putting him in touch with the lively world of Italian postwar theater and film, and his affections, with new encounters and new friends. In the early 1950s Williams wrote The Rose Tattoo as a play for Anna Magnani, protagonist of the neorealist masterpiece Rome Open City (Roberto Rossellini, 1945). However, the Italian actress was not yet comfortable with acting in English and therefore the American stage version (1951) starred Maureen Stapleton instead and Method actor Eli Wallach. -
A-Bronx-Tale---Behind-The-Scenes.Pdf
FINDING THE MORAL RUDDER TO NAVIGATE LIFE IS NEVER EASY WHEN YOU’RE YOUNG. THIS IS A BRONX TALE, AND IT’S 1968. CHAZZ PALMINTERI TELLS THE TALE BEHIND THE TALE IN 1960 IN THE BELMONT AVENUE SECTION OF THE BRONX, I was sitting on my front stoop on 187th Street. A car started backing into a parking space and another car tried to sneak in behind him. One man jumped out of a car with a baseball bat, and a fight broke out. Another man came over to protect his friend, pulled out a gun, and shot the man with the bat. I was maybe ten feet from them. The man stared at me and we were bonded for life. In the days following I got to know the man who pulled the trigger, and I became his friend. How was I to know that this incident would shape my life forever? This was the beginning of A Bronx Tale. “I HAVE THE BEST OF BOTH WORLDS. WITH BOB, I HAVE THE AUTHENTICITY OF THE MOVIE. HE IS VERY ARTICULATE WITH THE WAY CERTAIN THINGS LOOK AND WHERE THE TRUTH IS IN THE CHARACTERS. JERRY IS THE REAL MUSICAL-COMEDY GUY. HE KNOWS STAGE MOVEMENT AND ALL THE NUTS-AND-BOLTS STUFF.” CHAZZ PALMINTERI, BOOK “YOU CAN’T HAVE TWO CONDUCTORS CONDUCTING THE ORCHESTRA AT THE SAME TIME—IT WILL DRIVE PEOPLE CRAZY. BUT YOU CAN HAVE TWO CONDUCTORS DISCUSSING WHAT THEY’VE SEEN AND IMPLEMENTING IT IN THE BEST WAY POSSIBLE. WE’VE WORKED OUT A PRETTY GOOD SYSTEM. -
Glengarry Glen Ross Free
FREE GLENGARRY GLEN ROSS PDF David Mamet | 144 pages | 26 Aug 2004 | Bloomsbury Publishing PLC | 9780413774187 | English | London, United Kingdom Glengarry Glen Ross movie review () | Roger Ebert When an office full of New York City real estate salesmen is given the news that all but the top two will be fired at the end of the week, the atmosphere begins to heat up. Shelley Levene, who has a sick daughter, does everything in his Glengarry Glen Ross to get better leads from his boss, John Williamson, but to no avail. When his coworker Dave Moss comes up with a plan to steal the leads, things get complicated for the tough-talking Glengarry Glen Ross. Joseph M. Caracciolo Jr. Jerry Tokofsky Stanley R. William Barclay Bob Shaw. Five minutes into the picture and there's so much awesomeness on the screen that it's almost overwhelming. Second time through and just as enjoyable as the first. First-rate cast, first-rate dialogue. Feels like a modernized Glengarry Glen Ross of a Salesman, with matching commentary on working class life "we work too hard"on shifting power structures the young managing the oldand on the emotional economics of capitalism subjection vs satisfaction. I didn't remember the characters being so consistently foul-mouthed, and this time through was slightly distracted by the film's heavy reliance on vulgarity. Nonetheless, this is an absolutely captivating film recommended to anyone who loves great actors, great characters, or great dialogue. It's amazing how a film focused exclusively on people talking can be so engrossing. -
Robert De Niro's Raging Bull
003.TAIT_20.1_TAIT 11-05-12 9:17 AM Page 20 R. COLIN TAIT ROBERT DE NIRO’S RAGING BULL: THE HISTORY OF A PERFORMANCE AND A PERFORMANCE OF HISTORY Résumé: Cet article fait une utilisation des archives de Robert De Niro, récemment acquises par le Harry Ransom Center, pour fournir une analyse théorique et histo- rique de la contribution singulière de l’acteur au film Raging Bull (Martin Scorcese, 1980). En utilisant les notes considérables de De Niro, cet article désire montrer que le travail de cheminement du comédien s’est étendu de la pré à la postproduction, ce qui est particulièrement bien démontré par la contribution significative mais non mentionnée au générique, de l’acteur au scénario. La performance de De Niro brouille les frontières des classes de l’auteur, de la « star » et du travail de collabo- ration et permet de faire un portrait plus nuancé du travail de réalisation d’un film. Cet article dresse le catalogue du processus, durant près de six ans, entrepris par le comédien pour jouer le rôle du boxeur Jacke LaMotta : De la phase d’écriture du scénario à sa victoire aux Oscars, en passant par l’entrainement d’un an à la boxe et par la prise de soixante livres. Enfin, en se fondant sur des données concrètes qui sont restées jusqu’à maintenant inaccessibles, en raison de la modestie et du désir du comédien de conserver sa vie privée, cet article apporte une nouvelle perspective pour considérer la contribution importante de De Niro à l’histoire américaine du jeu d’acteur. -
La Méthode De L'actors Studio, À Paraître
La Méthode de l’Actors Studio : Genèse, Pratique et Phénoménologie Ivan MAGRIN-CHAGNOLLEAU, CNRS Aix Marseille Univ, CNRS, PRISM, Marseille, France 1. Introduction 1.1. Qui Suis-Je ? Je voudrais commencer par donner quelques éléments biographiques puisqu’ils sont en lien étroit avec le sujet de cet article. Je me présente généralement comme artiste chercheur. Cela signifie que j’ai une activité artistique ainsi qu’une activité de recherche. Sur le plan artistique, je travaille régulièrement comme acteur, metteur en scène et auteur pour le théâtre et le cinéma. J’écris aussi de la poésie, je fais de la photographie, de la musique, comme interprète et compositeur, et de la performance. J’enseigne également le théâtre, le cinéma, la musique, la photographie, l’écriture, l’esthétique, et je coache aussi des artistes. En recherche, je travaille dans le paradigme de la création recherche, c’est-à-dire que je crois à une recherche en art fondée sur une pratique, ce qui est pour moi la manière la plus riche de conduire ma recherche, dans la mesure où je suis aussi artiste. C’est pour cela que je m’intéresse particulièrement à la dimension phénoménologique de la création, c’est-à-dire à la création comme expérience vécue. Je considère mon travail artistique comme faisant partie intégrale de mon travail de recherche. 1.2. Mon Expertise sur la Méthode de l’Actors Studio De 2004 à 2007, je me suis formé de manière intensive comme acteur et comme metteur en scène à l’Actors Studio à New York. J’ai donc appris la méthode de l’Actors Studio de professeurs qui avaient été eux-mêmes élèves de Lee Strasberg, le fondateur de la méthode1 2. -
Following Is a List of All 2019 Festival Jurors and Their Respective Categories
Following is a list of all 2019 Festival jurors and their respective categories: Feature Film Competition Categories The jurors for the 2019 U.S. Narrative Feature Competition section are: Jonathan Ames – Jonathan Ames is the author of nine books and the creator of two television shows, Bored to Death and Blunt Talk His novella, You Were Never Really Here, was recently adapted as a film, directed by Lynne Ramsay and starring Joaquin Phoenix. Cory Hardrict– Cory Hardrict has an impressive film career spanning over 10 years. He currently stars on the series The Oath for Crackle and will next be seen in the film The Outpostwith Scott Eastwood. He will star and produce the film. Dana Harris – Dana Harris is the editor-in-chief of IndieWire. Jenny Lumet – Jenny Lumet is the author of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, 2008 Toronto Film Critics Association Award, and 2008 Washington D.C. Film Critics Association Award and NAACP Image Award. The jurors for the 2019 International Narrative Feature Competition section are: Angela Bassett – Actress (What’s Love Got to Do With It, Black Panther), director (Whitney,American Horror Story), executive producer (9-1-1 and Otherhood). Famke Janssen – Famke Janssen is an award-winning Dutch actress, director, screenwriter, and former fashion model, internationally known for her successful career in both feature films and on television. Baltasar Kormákur – Baltasar Kormákur is an Icelandic director and producer. His 2012 filmThe Deep was selected as the Icelandic entry for the Best Foreign Language Oscar at the 85th Academy Awards. -
A Bronx Tale
A Bronx Tale Synopsis A Bronx Tale, a new musical set in the early 1960s, is based on the autobiographical play written by Chazz Palminteri. It tells the coming-of-age story of Calogero Anello, a young boy from a working class family who finds himself caught between his loving father and a charismatic mob boss. In Act One, Calogero witnesses Sonny, the mob boss, murdering someone right in front of his house on Belmont Avenue; Calogero covers for Sonny when questioned by the NYPD. Calogero’s father, Lorenzo, who is an MTA bus driver, wants to instill a strong sense of right and wrong in his son, but Calogero goes against his father’s wishes. After Sonny is released by the police with no charges against him, he takes Calogero under his wing and helps him get involved with the “glamorous” world of organized crime. Sometime later, Calogero is all grown up and a full prodigy of Sonny, but his father has no idea he has continued to see Sonny. Calogero has also developed a group of Italian- American friends that Sonny thinks is a bad influence over him and encourages Calogero to stick to his schoolwork. Calogero meets an African-American girl, Jane, on Webster Avenue which is a very different side of the Bronx than where Calogero lives. He asks his father for advice on what he should do when he and Jane go on a date. Calogero’s father doesn’t exactly approve of him going out with Jane because he is concerned for his son’s safety, considering the high racial tensions on the time period, but Lorenzo still gives him advice. -
UNITED STATES DISTRICT COURT SOUTHERN DISTRICT of NEW YORK BRETT GOLDBERG, Plaintiff, -V- PACE UNIVERSITY, Defendant. 20 Civ. 36
Case 1:20-cv-03665-PAE Document 40 Filed 04/21/21 Page 1 of 29 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK BRETT GOLDBERG, Plaintiff, 20 Civ. 3665 (PAE) -v- OPINION & ORDER PACE UNIVERSITY, Defendant. PAUL A. ENGELMAYER, District Judge: In spring 2020, confronted with the spread of COVID-19, undergraduate and graduate schools across the country rapidly transitioned to online instruction, to protect students, faculty, and staff. In response, students at many schools have brought suit, generally sounding in breach of contract, to recover tuition and fees paid for, purportedly, in-person experiences. Although some courts have construed these claims as impermissible claims of educational malpractice, others have sustained such claims, finding it well-pled that the college or university breached a specific and enforceable contractual promise that learning or other services would be in-person. Plaintiff Brett Goldberg (“Goldberg”) is a performing arts graduate student. He sues Pace University (“Pace”) to recover damages in connection with Pace’s transition to remote learning in March 2020 in light of the pandemic. Goldberg alleges that Pace breached its contract with him by transitioning his last semester to remote learning, postponing the production of his play, and retaining certain fees. He also brings claims for unjust enrichment and promissory estoppel, and a claim under New York General Business Law (“GBL”) § 349. Case 1:20-cv-03665-PAE Document 40 Filed 04/21/21 Page 2 of 29 Now pending is Pace’s motion for judgment on the pleadings, under Federal Rule of Civil Procedure 12(c), for failure to state a claim. -
New York, New York“
Bemerkungen zu „New York, New York“ Erscheinungsjahr: 1977 Regisseur: Martin Scorsese Mitwirkende: Robert de Niro, Liza Minelli, Lionel Stander, Barry Primus, Mary Kay Place, Georgie Auld Französisches Filmplakat Inhaltsübersicht: August 1945. In Amerika (speziell in New York) wird der V-J Day (Victory over Japan Day, Tag des Kriegsende mit Japan) begeistert gefeiert. Auf dem Times Square in New York tanzen und umarmen sich unbekannte Menschen. Jimmy Doyle (Robert de Niro), ein Saxophonist, tauscht sein Armee-Hemd gegen ein Hawaii-Hemd und taucht in die Menge ein. Später landet er in einem Nachtklub. Dort spielt Tommy Dorsey (dargestellt vom Bandleader/Posaunisten Bill Tole) mit seiner Band im Rahmen einer Rundfunkübertragung zum Tanz auf. Zu den Klängen von „I’m getting sentimental over you“, „Song of India“ und „Opus Number One“ feiert man. Jimmy versucht in diesem Club eine Partnerin zu finden. Plump und erfolglos flirtet er mit mehreren Frauen. Dort trifft er auch die junge Francine Evans (Liza Minelli). Sie hat im Krieg bei der Truppenbetreuung getingelt und hofft jetzt auf eine Karriere als Sängerin. Francine gibt sich abweisend und spröde, aber Jimmy lässt nicht locker und will die Telefonnummer von ihr. Jimmy Doyle (Robert de Niro) und Francine Evans (Liza Minelli) im Nachtklub Am nächsten Morgen teilen sich beide zufälligerweise ein Taxi. Jimmy muss zu einem Vorspiel, da er Arbeit als Musiker sucht. Er nimmt Francine zur Audition mit. Der Veranstalter, der das Vorspiel organisierte, mag das Bebop-Saxophonspiel von Jimmy nicht. Um den Musikagenten versöhnlich zu stimmen singt Francine den Jazzstandard "You brought a new kind of love to me", Jimmy begleitet sie mit dem Saxophon.