1979-2020 M1 Art Car by Andy Warhol
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Geschäftsbericht 2010
GESCHÄFTSBERICHT 2010 ZAHLEN UND FAKTEN Inhalt 04 BMW GROUP IN ZAHLEN 06 BERICHT DES AUFSICHTSRATS 12 KONZERNLAGEBERICHT 12 Das Geschäftsjahr im Überblick 14 Wirtschaftliche Rahmenbedingungen 18 Geschäftsverlauf 41 BMW Group – Kapitalmarktaktivitäten im Jahr 2010 44 Übernahmerelevante Angaben und Erläuterungen 47 Analyse der finanzwirtschaftlichen Situation 47 Konzerninternes Steuerungssystem 49 Ertragslage 51 Finanzlage 53 Vermögenslage 55 Nachtragsbericht 55 Wertschöpfungsrechnung 57 Finanzwirtschaftliche Kennzahlen 58 Erläuterungen zur BMW AG 62 Internes Kontrollsystem und Erläuterungen 63 Risikomanagement 70 Prognosebericht 74 KONZERNABSCHLUSS 74 Gewinn-und-Verlust-Rechnungen 74 Gesamtergebnisrechnung 76 Bilanzen 78 Kapitalflussrechnungen 80 Entwicklung des Konzerneigenkapitals 81 Konzernanhang 81 Grundsätze 89 Erläuterungen zur Gewinn-und- Verlust-Rechnung 95 Erläuterungen zur Gesamtergebnisrechnung 96 Erläuterungen zur Bilanz 117 Sonstige Angaben 133 Segmentinformationen 138 Versicherung der gesetzlichen Vertreter 139 Bestätigungsvermerk des Abschlussprüfers 140 ERKLÄRUNG ZUR UNTERNEHMENSFÜHRUNG Corporate Governance (Teil des Lageberichts) 140 Grundlegendes zur Unternehmens- verfassung 142 Erklärung des Vorstands und des Aufsichtsrats gemäß § 161 AktG 143 Mitglieder des Vorstands 144 Mitglieder des Aufsichtsrats 147 Zur Arbeitsweise von Vorstand und Aufsichtsrat und der Zusammen- setzung und Arbeitsweise von deren Ausschüssen 154 Vergütungsbericht 162 Angaben zu Unternehmensführungspraktiken, die über die gesetzlichen Anforderungen -
BMW M Motorsport Presents the New BMW M4 GT3.Pdf
BMW Corporate Communications For Release: Immediate Contacts: Bill Cobb BMW of North America Motorsport Press Officer 215-431-7223 (cell) / [email protected] Oleg Satanovsky BMW of North America Product and Technology Spokesperson 201-414-8694 (cell) / [email protected] Thomas Plucinsky BMW of North America Motorsport Communications 201-406-4801 (cell) / [email protected] BMW M Motorsport presents the new BMW M4 GT3 • Newest addition to BMW Motorsport’s Customer Racing program. • Based on new M4 Competition Coupe. • Eligible for 2022 IMSA WeatherTech GTD and SRO GT Classes • $530,000 excluding shipping. • Competition Package available for $55,000. Woodcliff Lake, N.J. – June 2, 2021…BMW Motorsport is proud to announce the new state-of-the-art BMW M4 GT3 customer race car based on the recently launched 2021 M4 Competition Coupe. Powering the new Coupe is the P58 3.0-liter inline-6-cylinder M TwinPower Turbo engine producing up to 590 hp. The BMW M4 GT3 will retail for $530,000 in the US (excl. shipping). The Competition Package adds $55,000 and includes additional headlights, backlit door numbers, TPMS with 8 sensors, spring and brake pedal travel measurement systems, BOSCH CAS-M rear-view camera radar system, an additional set of rims, and one day of training on the BMW M Motorsport M4 GT3 simulator. In North America, the BMW M4 GT3 will be eligible to compete in the GT Daytona and GT Daytona Pro classes of the IMSA WeatherTech SportsCar Championship, as BMW Corporate Communications well as the GT class of the SRO Fanatec GT World Challenge America powered by AWS and SRO GT America powered by AWS series. -
Women in the City Micol Hebron Chapman University, [email protected]
Chapman University Chapman University Digital Commons Art Faculty Articles and Research Art 1-2008 Women in the City Micol Hebron Chapman University, [email protected] Follow this and additional works at: http://digitalcommons.chapman.edu/art_articles Part of the Art and Design Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Women's Studies Commons Recommended Citation Hebron, Micol. “Women in the City”.Flash Art, 41, pp 90, January-February, 2008. Print. This Article is brought to you for free and open access by the Art at Chapman University Digital Commons. It has been accepted for inclusion in Art Faculty Articles and Research by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Women in the City Comments This article was originally published in Flash Art International, volume 41, in January-February 2008. Copyright Flash Art International This article is available at Chapman University Digital Commons: http://digitalcommons.chapman.edu/art_articles/45 group shows Women in the City S t\:'-: F RA:'-.CISCO in over 50 locations in the Los ments on um screens throughout Museum (which the Guerrilla Angeles region. Nobody walks in the city, presenting images of Girls have been quick to critique LA, but "Women in the City" desirable lu xury items and phrases for its disproportionate holdings of encourages the ear-flaneurs of Los that critique the politics of work by male artists). The four Angeles to put down their cell commodity culture. L{)uisc artists in "Women in the City," phones and lattcs and look for the Lawler's A movie will be shown renowned for their ground billboards, posters, LED screens without the pictures (1979) was re breaking exploration of gender and movie marquis that host the screened in it's original location stereotypes, the power of works in this eJ~;hibition. -
BMW M4 GT4 Information Brochure
Sheer Driving Pleasure SHEER RACING PLEASURE. THE BMW M4 GT4 IN DETAIL. Motorsport FOREWORD. BMW MOTORSPORT DIRECTOR JENS MARQUARDT. Dear BMW Motorsport customers, I am delighted to present the “Race Car of the Year 2018”* in detail: the BMW M4 GT4. Developing a classic customer racing car such as this, and making it available to private customer teams has always been one of BMW Motorsport’s core competencies. The BMW M4 Coupé production model is the perfect foundation for the development of our latest GT4 contender. Building upon it, our engineers have closed the gap between our entry-level car, the BMW M240i Racing, and our top model, the BMW M6 GT3. The BMW M4 GT4 is designed for use by private customer teams, and in 2018, for its debut season, already obtained considerable success around the world in the booming GT4 class. Using advanced technical solutions and characterized by its high build quality, the BMW M4 GT4 remains affordable, making it a compelling offer within the class. We are grateful to our customers around the world who, like us, believed in the car early on and chose to partner with us on the track. As a new racing season dawns, we believe the best is yet to come for the BMW M4 GT4 and the car has a lot more potential for success around the world. Interested? Look no further than this brochure for more information on the BMW M4 GT4. Kind regards, This is an interactive brochure. Click on the tabs below for example to choose a specific chapter. -
Bmw Sports Trophy. Terms of Participation 2019/2020
BMW SPORTS TROPHY. TERMS OF PARTICIPATION 2019/2020. BMW M Customer Racing TERMS OF PARTICIPATION FOR THE “BMW SPORTS TROPHY DRIVERS’ COMPETITION” AND THE “BMW SPORTS TROPHY TEAM COMPETITION”. PREAMBLE Within the registration process, the participant also receives The BMW Sports Trophy Drivers’ Competition and the BMW a personal driver ID or team ID number. This serves solely Sports Trophy Team Competition allow BMW M Customer to uniquely identify a participant. Racing to honour the performances of privateer drivers and teams, who successfully compete with BMW racing cars in The driver ID number and team ID number must be specified selected international and national racing events and series of in any communication with the organiser. It also serves as the considerable significance. login name for the online portal of the BMW Sports Trophy Drivers’ Competition and the BMW Sports Trophy Team Competition, as well as identification for purchasing BMW I. ORGANISER Sports Trophy Race Wear. The BMW Sports Trophy Drivers’ Competition and BMW Sports Trophy Team Competition are organised by BMW M GmbH, Employees of BMW Group or service providers, agencies Daimlerstr. 19 , 85748 Garching-Hochbrück, hereinafter called and other companies and any other persons involved in the organiser or “BMW M Customer Racing”. conception and implementation of the BMW Sports Trophy Drivers’ Competition and BMW Sports Trophy Team Competition, as well as their family members, are not permitted to participate. II. PARTICIPATION All drivers using BMW vehicles to compete in certain (see point Minors under the age of 16 and those not yet of the age of legal III) national and/or international racing events are authorised competence are not eligible to register for or participate in the to enter the BMW Sports Trophy Drivers’ Competition. -
Bmw Guggenheim Lab to Launch in New York City On
News Release Advisory Committee Daniel Barenboim Elizabeth Diller BMW GUGGENHEIM LAB TO LAUNCH IN Nicholas Humphrey Muchadeyi Ashton Masunda NEW YORK CITY ON AUGUST 3, BEFORE Enrique Peñalosa Juliet Schor TRAVELING TO BERLIN AND ASIA Rirkrit Tiravanija Wang Shi Six-Year Collaboration to Examine Contemporary Urban Issues in Nine Cities Around the World International Advisory Committee Selects New York BMW Guggenheim Lab Team Design of First Mobile Laboratory Unveiled NEW YORK, NY, May 6, 2011 – Richard Armstrong, Director of the Solomon R. Guggenheim Museum and Foundation, and Jim OʼDonnell, President and CEO, BMW North America, LLC, announced today that the BMW Guggenheim Lab will launch in New York City from August 3 to October 16. Following the New York installation, the BMW Guggenheim Lab will travel to Berlin in spring/summer 2012, and to a city in Asia to be announced later this year. Conceived as an urban think tank and mobile laboratory, the BMW Guggenheim Lab will explore issues confronting contemporary cities and provide a public place and online forum for sharing ideas and practical solutions. The BMW Guggenheim Lab and all of its programming will be free to the public. The new website (bmwguggenheimlab.org) and online communities will create and extend the opportunity to participate in this multidisciplinary urban experiment worldwide. Over the six-year migration of the BMW Guggenheim Lab, there will be three different themes and three distinct mobile structures, each designed by a different architect and each traveling to three cities around the world. The Solomon R. inaugural BMW Guggenheim Lab will be located on the border between Guggenheim Foundation 345 Hudson Street, 12th floor Manhattanʼs Lower East Side and East Village, at 33 East First Street (between New York, NY 10014 First and Second Avenues), on a site owned by the New York City Department of Phone +1 212 423 3500 bmwguggenheimlab.org Parks & Recreation. -
Jenny Holzer, Attempting to Evoke Thought in Society
Simple Truths By Elena, Raphaelle, Tamara and Zofia Introduction • A world without art would not only be dull, ideas and thoughts wouldn’t travel through society or provoke certain reactions on current events and public or private opinions. The intersection of arts and political activism are two fields defined by a shared focus of creating engagement that shifts boundaries, changes relationships and creates new paradigms. Many different artists denounce political issues in their artworks and aim to make large audiences more conscious of different political aspects. One particular artist that focuses on political art is Jenny Holzer, attempting to evoke thought in society. • Jenny Holzer is an American artist who focuses on differing perspectives on difficult political topics. Her work is primarily text-based, using mediums such as paper, billboards, and lights to display it in public spaces. • In order to make her art as accessible to the public, she intertwines aesthetic art with text to portray her political opinions from various points of view. The text strongly reinforces her message, while also leaving enough room for the work to be open to interpretation. Truisms, (1977– 79), among her best-known public works, is a series inspired by Holzer’s experience at Whitney Museum’s Independent Study Program. These form a series of statements, each one representing one individual’s ideology behind a political issue. When presented all together, the public is able to see multiple perspectives on multiple issues. Holzer’s goal in this was to create a less polarized and more tolerant view of our differing viewpoints, normally something that separates us and confines us to one way of thinking. -
The Rise of Pop
Expos 20: The Rise of Pop Fall 2014 Barker 133, MW 10:00 & 11:00 Kevin Birmingham (birmingh@fas) Expos Office: 1 Bow Street #223 Office Hours: Mondays 12:15-2 The idea that there is a hierarchy of art forms – that some styles, genres and media are superior to others – extends at least as far back as Aristotle. Aesthetic categories have always been difficult to maintain, but they have been particularly fluid during the past fifty years in the United States. What does it mean to undercut the prestige of high art with popular culture? What happens to art and society when the boundaries separating high and low art are gone – when Proust and Porky Pig rub shoulders and the museum resembles the supermarket? This course examines fiction, painting and film during a roughly ten-year period (1964-1975) in which reigning cultural hierarchies disintegrated and older terms like “high culture” and “mass culture” began to lose their meaning. In the first unit, we will approach the death of the high art novel in Thomas Pynchon’s The Crying of Lot 49, which disrupts notions of literature through a superficial suburban American landscape and through the form of the novel itself. The second unit turns to Andy Warhol and Pop Art, which critics consider either an American avant-garde movement undermining high art or an unabashed celebration of vacuous consumer culture. In the third unit, we will turn our attention to The Rocky Horror Picture Show and the rise of cult films in the 1970s. Throughout the semester, we will engage art criticism, philosophy and sociology to help us make sense of important concepts that bear upon the status of art in modern society: tradition, craftsmanship, community, allusion, protest, authority and aura. -
Das Kulturengagement Der BMW Group
Unternehmenskommunikation Presse-Information 2013 Das Kulturengagement der BMW Group Das Kulturengagement der BMW Group mit über 100 Projekten weltweit ist seit mehr als 40 Jahren ein essentieller Bestandteil der Unternehmenskommunikation. Schwerpunkte des kulturellen Engagements setzt die BMW Group in der Modernen und Zeitgenössischen Kunst, der Klassischen Musik und Jazz sowie in Architektur und Design. Immer dann, wenn sich die BMW Group kulturell engagiert, setzt sie voll auf die absolute Freiheit des kreativen Potentials – die in der Kunst genauso Garant für bahnbrechende Werke ist wie sie für die wichtigsten Innovationen in einem erfolgreichen Wirtschaftsunternehmen steht. Moderne und Zeitgenössische Kunst. 1972 entstanden drei von der BMW Group beauftragte, großformatige Gemälde: „Rot“, „Gelb“ und „Blau“, die der Künstler Gerhard Richter für das Foyer der Münchner Konzernzentrale anfertigte. In diese Zeit fallen auch die ersten kulturellen Engagements seitens BMW. Hervé Poulain initiierte die ersten BMW Art Cars, dessen nunmehr 17. Exemplar von Jeff Koons 2010 präsentiert wurde. Diesen einzigartigen „rolling sculptures“ widmet sich nun erstmals eine aufwändig gestaltete Publikation, die Ende dieses Jahres erscheint und die Historie der legendären BMW Art Cars im Detail nachzeichnet. Die Fotosammlung „AutoWerke“ mit Arbeiten von u.a. Thomas Demand, Thomas Struth, Candida Höfer und Rineke Dijkstra wurde 2005 im Rahmen der Neueröffnung des BMW Werk Leipzig dem dortigen Museum für Bildende Künste geschenkt. Formate zahlreicher Museen werden kontinuierlich weltweit unterstützt, die Akademie der Bildenden Künste München wird mit einem Ausstellungsraum gefördert, in dem Studierende ihre Werke und Installationen eigenständig kuratieren. Zur Förderung junger Kuratoren wurde 2011 die MINI/Goethe-Institut Kuratorenresidenz „Ludlow 38“ ins Leben gerufen, die Ausstellungsmachern aus Deutschland für den Zeitraum eines Jahres die Arbeit in New York ermöglicht. -
Barbara Kruger Born 1945 in Newark, New Jersey
This document was updated February 26, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Barbara Kruger Born 1945 in Newark, New Jersey. Lives and works in Los Angeles and New York. EDUCATION 1966 Art and Design, Parsons School of Design, New York 1965 Syracuse University, Syracuse, New York SELECTED SOLO EXHIBITIONS 2021-2023 Barbara Kruger: Thinking of You, I Mean Me, I Mean You, Art Institute of Chicago [itinerary: Los Angeles County Museum of Art; The Museum of Modern Art, New York] [forthcoming] [catalogue forthcoming] 2019 Barbara Kruger: Forever, Amorepacific Museum of Art (APMA), Seoul [catalogue] Barbara Kruger - Kaiserringträgerin der Stadt Goslar, Mönchehaus Museum Goslar, Goslar, Germany 2018 Barbara Kruger: 1978, Mary Boone Gallery, New York 2017 Barbara Kruger: FOREVER, Sprüth Magers, Berlin Barbara Kruger: Gluttony, Museet for Religiøs Kunst, Lemvig, Denmark Barbara Kruger: Public Service Announcements, Wexner Center for the Arts, Columbus, Ohio 2016 Barbara Kruger: Empatía, Metro Bellas Artes, Mexico City In the Tower: Barbara Kruger, National Gallery of Art, Washington, DC 2015 Barbara Kruger: Early Works, Skarstedt Gallery, London 2014 Barbara Kruger, Modern Art Oxford, England [catalogue] 2013 Barbara Kruger: Believe and Doubt, Kunsthaus Bregenz, Austria [catalogue] 2012-2014 Barbara Kruger: Belief + Doubt, Hirshhorn Museum and Sculpture Garden, Washington, DC 2012 Barbara Kruger: Questions, Arbeiterkammer Wien, Vienna 2011 Edition 46 - Barbara Kruger, Pinakothek -
Andy Warhol: When Junkies Ruled the World
Nebula 2.2 , June 2005 Andy Warhol: When Junkies Ruled the World. By Michael Angelo Tata So when the doorbell rang the night before, it was Liza in a hat pulled down so nobody would recognize her, and she said to Halston, “Give me every drug you’ve got.” So he gave her a bottle of coke, a few sticks of marijuana, a Valium, four Quaaludes, and they were all wrapped in a tiny box, and then a little figure in a white hat came up on the stoop and kissed Halston, and it was Marty Scorsese, he’d been hiding around the corner, and then he and Liza went off to have their affair on all the drugs ( Diaries , Tuesday, January 3, 1978). Privileged Intake Of all the creatures who populate and punctuate Warhol’s worlds—drag queens, hustlers, movie stars, First Wives—the drug user and abuser retains a particular access to glamour. Existing along a continuum ranging from the occasional substance dilettante to the hard-core, raging junkie, the consumer of drugs preoccupies Warhol throughout the 60s, 70s and 80s. Their actions and habits fascinate him, his screens become the sacred place where their rituals are projected and packaged. While individual substance abusers fade from the limelight, as in the disappearance of Ondine shortly after the commercial success of The Chelsea Girls , the loss of status suffered by Brigid Polk in the 70s and 80s, or the fatal overdose of exemplary drug fiend Edie Sedgwick, the actual glamour of drugs remains, never giving up its allure. 1 Drugs survive the druggie, who exists merely as a vector for the 1 While Brigid Berlin continues to exert a crucial influence on Warhol’s work in the 70s and 80s—for example, The Philosophy of Andy Warhol , as detailed by Bob Colacello in the chapter “Paris (and Philosophy )”—her street cred. -
Wedel Art Collective Launch Face Masks Designed by Leading Artists
Wedel Art Collective launch face masks designed by leading artists: Jenny Holzer, Rashid Johnson, Barbara Kruger, Raymond Pettibon, Lorna Simpson and Rosemarie Trockel Left to right, face masks designed by: Rosemarie Trockel; Jenny Holzer; Lorna Simpson; Barbara Kruger; Raymond Pettibon and Rashid Johnson. Courtesy Wedel Art Collective. Wedel Art Collective have collaborated with six international leading artists to produce a set of unique artist-designed face masks, all proceeds from which will be donated to international relief efforts and artist support for those affected by COVID-19. Launching exclusively on MATCHESFASHION from 24 August the project draws upon the power of contemporary art to encourage more people to wear face masks to protect, and support. Each of the participating artists are internationally celebrated for their work addressing some of the most important social and political issues of our times. Through the inspiration of these artists’ work, the limited-edition face masks reflect the artists’ passionate and urgent response to the pandemic, highlighting the need for community action. Artists include: Jenny Holzer (b. 1950, Ohio, USA); Rashid Johnson (b. 1977, Chicago, USA); Barbara Kruger (b. 1975, New Jersey, USA); Raymond Pettibon (b. 1957, Arizona, USA); Lorna Simpson (b. 1960, New York, USA); and Rosemarie Trockel (b. 1952, Schwerte, Germany). Jenny Holzer's face mask taps into the necessity of mask-wearing, reading “You – Me”. “I like to think of my work as useful,” Holzer says “That is a recurrent impulse, when something happens in the world, if I have an idea that be properly responsive… Not necessarily a cure or a solution but at least an offering.” Raymond Pettibon's mask design features Vavoom, a figure inspired by Felix the Cat that he has drawn since the mid-1980s.