California State University, Northridge Exploitation
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Joan Quinn Captured
Opening ReceptiOn: june 28, 7pm–10pm AdmissiOn is fRee Joan Quinn Captured Curated by Laura Whitcomb and organized by Brand Library Art Galleries panel discussions, talks and film screenings have been scheduled in conjunction with this gallery exhibition. Programs are free and are by reservation only. Tickets may be Joan Quinn Captured reserved at www.glendalearts.org. Join us for the opening reception on Saturday, June 28th, 7:00pm – 10:00pm. 6/28 EmErging LandscapE: 7/17 WarhoL/basquiat/quinn Los angeles 5:00pm film Jean Michel Basquiat: The exhibition ‘Joan Quinn Captured’ will 2:00pm panel Modern Art in Los Angeles: The Radiant Child showcase what is perhaps the largest portrait ‘Cool School’ Oral History Ed Moses 6:30pm panel Warhol & Basquiat: collection by contemporary artists in the world, 3:00PM film LA Suggested by the Art The Magazine of the 80s, Joan including such luminaries as Jean-Michel of Ed Ruscha Quinn’s work for Interview, the Basquiat, Shepard Fairey, Frank Gehry, Manipulator & Stuff Magazine; Robert Graham, David Hockney, Ed Ruscha, 4:30PM panel Los Angeles and the Contemporary Art Dawn Special Speaker Matthew Rolston Beatrice Wood and photographers Robert 7:00pm film Andy Warhol: Mapplethorpe, Helmut Newton, Matthew Rolston and Arthur A Documentary Film Tress. For the first time, this portrait collection will be exhibited in 7/3 EtErnaL rEturn collaboration with renowned works of the artists encouraging a 5:00pm film Beatrice Wood: Mama of Dada dialogue between the portraits and specific artist movements. The 7/24 don bachardy exhibition will also portray the world Joan Agajanian Quinn captured 6:30pm film Duggie Fields’ Jangled 6:00pm film Chris & Don: A Love Story as editor for her close friend Andy Warhol’s Interview magazine, 7:00pm talk Guest Artist Duggie Fields 7:30pm film Memories of Berlin: along with contributions to some of the most important fanzines of 8:00pm film The Great Wen the 1980’s that are proof of her role as a critical taste maker of her The Twilight of Weimar Culture time. -
The Magic Mushroom Growers Guide Version 3.2 Updated 10-02-96
The Magic Mushroom Growers Guide Version 3.2 Updated 10-02-96 This document provides complete directions for cultivating psilocybin mushrooms in your home. The strain this guide is intended to help you grow is Psilocybe cubensis (Amazonian strain) mushrooms. It is the intent of this document to enable the first time grower to succeed at a minimal cost and with a minimal amount of effort. This growing guide is the only reference you will need. After a person has completed the entire cycle successfully, later generations of mushrooms can be grown with even less cost and effort. The initial cash outlay will be well under $100 for a fully automated shroom factory. Subsequent crops can be produced for several dollars with expected yields of several ounces of dried mushrooms. What has changed since version 3.1 Following is a list of changes made to the document. • Version number was changed from 3.1 to 3.2 • Change pictures in opening. • Suggest ways to get help and provide PGP public key for private messages • Poor Man's terrarium setup. • Bulk growing. • Cris Clays email address and such. • Link to http://www.xs4all.nl/~psee/ as a spore seller. • No more packing of the substrate. • Vacuum cleaner instead of hair dryer. • Link to PF's pages. • Timer stuff. • Arrowhead Mills no longer sells brown rice flour as a mail order item. • Caution about jars sitting flat in boiling pan. • Low humidity cap appearance • Sealing a cake in a jar to reduce contamination risk when growing for spores. • Changing plates after start of spore print for lower contamination risk. -
University of Illinois
UNIVERSITY OF ILLINOIS A/? /'A 19...... THIS IS TO CERTIEY THAT THE THESIS PREPARED t'NDEK MY SUPERVISION BY A ENTITLED................ IS APPROVED BY ME AS EULFII.UNC THIS PART f)F THE REUUREMENTS FOR THE DECREE OB. u ... 1 i . Instructor in Change A pprove^: ‘ ...‘ HEAD op DEPARTMENT OP. Andy Warhol as a Neutral Facade By Rachael E , Russ Thesis for the Degree of Bachelor of Arts in Liberal Arts and Sciences College of Liberal Arts and Sciences University of Illinois Urbana, I11inois 1990 Table of Contents Introduction 1 Self Image 4 Consumerism 1 4 Religio. and Death I 8 Conclusion 2 4 Introduction "There*s nothing really to understand about my work.**1 2 taken literally this statement of Andy Warhol*s might cause one simply to dismiss his silk-screened images as the mechanical designs of a commercial artist, but it more accurately conveys his perceptions of self and the shallow world around him. As a leader of the revolutionary Pop Art movement, Warhol* s synthesis of popular culture and high art serves as vehicle for his philosophically more subtle, yet pessimistic attitude. In his philosophy he states, "Everything is nothing,"* which reflects his inherent insecurity with himself as manifested in his superficial existence. Warhol approaches his art and life on the surface in order to insulate himself from a more threatening reality. By experiencing life on a superficial level, he protects himself from pain or disappointment. When everything is nothing, he has nothing to lose. In his Philosophy, he illustrates his basic mistrust when describes a nightmare he had in which the people's faces are disfigured so that they 1 * Gretehen Berg. -
Rap and Islam in France: Arabic Religious Language Contact with Vernacular French Benjamin Hebblethwaite [email protected]
Rap and Islam in France: Arabic Religious Language Contact with Vernacular French Benjamin Hebblethwaite [email protected] 1. Context 2. Data & methods 3. Results 4. Analysis Kamelancien My research orientation: The intersection of Language, Religion and Music Linguistics French-Arabic • Interdisciplinary (language contact • Multilingual & sociolinguistics) • Multicultural • Multi-sensorial Ethnomusicology • Contemporary (rap lyrics) Religion This is a dynamic approach that links (Islam) language, culture and religion. These are core aspects of our humanity. Much of my work focuses on Haitian Vodou music. --La fin du monde by N.A.P. (1998) and Mauvais Oeil by Lunatic (2000) are considered breakthrough albums for lyrics that draw from the Arabic-Islamic lexical field. Since (2001) many artists have drawn from the Islamic lexical field in their raps. Kaotik, Paris, 2011, photo by Ben H. --One of the main causes for borrowing: the internationalization of the language setting in urban areas due to immigration (Calvet 1995:38). This project began with questions about the Arabic Islamic words and expressions used on recordings by French rappers from cities like Paris, Marseille, Le Havre, Lille, Strasbourg, and others. At first I was surprised by these borrowings and I wanted to find out how extensive this lexicon --North Africans are the main sources of Arabic inwas urban in rap France. and how well-known --Sub-Saharan Africans are also involved in disseminatingit is outside the of religiousrap. lexical field that is my focus. The Polemical Republic 2 recent polemics have attacked rap music • Cardet (2013) accuses rap of being a black and Arab hedonism that substitutes for political radicalism. -
Stroboscopic: Andy Warhol and the Exploding Plastic Inevitable Homay King Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2014 Stroboscopic: Andy Warhol and the Exploding Plastic Inevitable Homay King Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the History of Art, Architecture, and Archaeology Commons Custom Citation H. King, "Stroboscopic: Andy Warhol and the Exploding Plastic Inevitable," Criticism 56.3 (Fall 2014): 457-479. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/72 For more information, please contact [email protected]. King 6/15/15 Page 1 of 30 Stroboscopic:+Andy+Warhol+and+the+Exploding+Plastic+Inevitable+ by+Homay+King,+Associate+Professor,+Department+of+History+of+Art,+Bryn+Mawr+College+ Published+in+Criticism+56.3+(Fall+2014)+ <insert+fig+1+near+here>+ + Pops+and+Flashes+ At+least+half+a+dozen+distinct+sources+of+illumination+are+discernible+in+Warhol’s+The+ Velvet+Underground+in+Boston+(1967),+a+film+that+documents+a+relatively+late+incarnation+of+ Andy+Warhol’s+Exploding+Plastic+Inevitable,+a+multimedia+extravaganza+and+landmark+of+ the+expanded+cinema+movement+featuring+live+music+by+the+Velvet+Underground+and+an+ elaborate+projected+light+show.+Shot+at+a+performance+at+the+Boston+Tea+Party+in+May+of+ 1967,+with+synch+sound,+the+33\minute+color+film+combines+long+shots+of+the+Velvet+ -
100 Cans by Andy Warhol
Art Masterpiece: 100 Cans by Andy Warhol Oil on canvas 72 x 52 inches (182.9 x 132.1 cm) Collection Albright-Knox Art Gallery Keywords: Pop Art, Repetition, Complimentary Colors Activity: 100 Can Collective Class Mural Grade: 5th – 6th Meet the Artist • Born Andrew Warhol in 1928 near Pittsburgh, Pa. to Slovak immigrants. His father died in a construction accident when Andy was 13 years old. • He is known as an American painter, film-maker, publisher and major figure in the pop art movement. • Warhol was a sickly child, his mom would give him a Hershey bar for every coloring book page he finished. He excelled in art and won a scholarship to college. • After college, he moved to New York City and became a magazine illustrator – became known for his drawings of shoes. His mother lived with him – they had no hot water, the bathtub was in the kitchen and had up to 20 cats living with them. Warhol ate tomato soup every day for lunch. Chandler Unified School District Art Masterpiece • In the 1960’s, he started to make paintings of famous American products such as soup cans, coke bottles, dollar signs & celebrity portraits. He became known as the Prince of Pop – he brought art to the masses by making art out of daily life. • Warhol began to use a photographic silk-screen process to produce paintings and prints. The technique appealed to him because of the potential for repeating clean, hard-edged shapes with bright colors. • Andy wanted to remove the difference between fine art and the commercial arts used for magazine illustrations, comic books, record albums or ad campaigns. -
I – Introduction
QUEERING PERFORMATIVITY: THROUGH THE WORKS OF ANDY WARHOL AND PERFORMANCE ART by Claudia Martins Submitted to Central European University Department of Gender Studies In partial fulfillment for the degree of Master of Arts in Gender Studies CEU eTD Collection Budapest, Hungary 2008 I never fall apart, because I never fall together. Andy Warhol The Philosophy of Andy Warhol: From A to B and Back again CEU eTD Collection CONTENTS ILLUSTRATIONS..........................................................................................................iv ACKNOWLEDGMENTS.................................................................................................v ABSTRACT...................................................................................................................vi CHAPTER 1 - Introduction .............................................................................................7 CHAPTER 2 - Bringing the body into focus...................................................................13 CHAPTER 3 - XXI century: Era of (dis)embodiment......................................................17 Disembodiment in Virtual Spaces ..........................................................18 Embodiment Through Body Modification................................................19 CHAPTER 4 - Subculture: Resisting Ajustment ............................................................22 CHAPTER 5 - Sexually Deviant Bodies........................................................................24 CHAPTER 6 - Performing gender.................................................................................29 -
NO RAMBLING ON: the LISTLESS COWBOYS of HORSE Jon Davies
WARHOL pages_BFI 25/06/2013 10:57 Page 108 If Andy Warhol’s queer cinema of the 1960s allowed for a flourishing of newly articulated sexual and gender possibilities, it also fostered a performative dichotomy: those who command the voice and those who do not. Many of his sound films stage a dynamic of stoicism and loquaciousness that produces a complex and compelling web of power and desire. The artist has summed the binary up succinctly: ‘Talk ers are doing something. Beaut ies are being something’ 1 and, as Viva explained about this tendency in reference to Warhol’s 1968 Lonesome Cowboys : ‘Men seem to have trouble doing these nonscript things. It’s a natural 5_ 10 2 for women and fags – they ramble on. But straight men can’t.’ The brilliant writer and progenitor of the Theatre of the Ridiculous Ronald Tavel’s first two films as scenarist for Warhol are paradigmatic in this regard: Screen Test #1 and Screen Test #2 (both 1965). In Screen Test #1 , the performer, Warhol’s then lover Philip Fagan, is completely closed off to Tavel’s attempts at spurring him to act out and to reveal himself. 3 According to Tavel, he was so up-tight. He just crawled into himself, and the more I asked him, the more up-tight he became and less was recorded on film, and, so, I got more personal about touchy things, which became the principle for me for the next six months. 4 When Tavel turned his self-described ‘sadism’ on a true cinematic superstar, however, in Screen Test #2 , the results were extraordinary. -
CURRICULUM VITAE Nicolas Chevalier, Born 26Th of January 1983, French
CURRICULUM VITAE Nicolas Chevalier, born 26th of January 1983, French EDUCATION 2007 – 2010 PhD in Physics, Pierre & Marie Curie University, Saclay, France, top honors Thesis in experimental biophysics: « The influence of organic surfaces on the heterogeneous nucleation of calcium carbonate », under the supervision of Dr. P. Guenoun, LIONS laboratory, CEA Saclay. 2001 – 2006 M.S. in Physics, Swiss Federal Institute of Technology, EPFL, Lausanne, Switzerland Thesis work: modeling of crystal growth in gels, Prof. M. Droz, University of Geneva. 2003 – 2004 Lomonossov State University (MSU), Physics Faculty, Russia. 3rd Year abroad 2000 Scientific Baccalaureate, Lycée Français de Vienne, Austria, with top honors WORK EXPERIENCE 2016 – CNRS CR2 Researcher, Biophysics & Physical Embryology Laboratoire Matière Systèmes Complexes (MSC), Paris Diderot University, France Together with my collaborators, I Demonstrated that the first digestive movements in the embryo are due to mechanosensitive smooth muscle calcium waves and that they drive the anisotropic morphogenesis of the intestine. I developed the first robust protocol to grow embryonic intestinal explants in culture. Demonstrated key roles of the enteric nervous system in coordinating contractions of longitudinal and circular smooth muscle layers, giving rise to peristaltic transport. I demonstrated how the pressure-sensitive reflex of the intestine arises during embryonic development by asymmetric mechanosensitive neural inhibition of the smooth muscle layer. Revealed a nematic orientation phase transition of neurons in the developing mouse gut, driven by extracellular matrix (second harmonic generation microscopy). Developed novel methods to quantify the biophysical frictional properties of hair fibers, and elaborated a method to produce hydrophobic powders with important industrial applications. Collaborated with biologists to quantify intestinal motility in a desmin KO mouse model (A. -
Warhol, Andy (As Filmmaker) (1928-1987) Andy Warhol
Warhol, Andy (as filmmaker) (1928-1987) Andy Warhol. by David Ehrenstein Image appears under the Creative Commons Encyclopedia Copyright © 2015, glbtq, Inc. Attribution-Share Alike 3.0 Unported license. Entry Copyright © 2002, glbtq, Inc. Courtesy Jack Mitchell. Reprinted from http://www.glbtq.com As a painter Andy Warhol (the name he assumed after moving to New York as a young man) has been compared to everyone from Salvador Dalí to Norman Rockwell. But when it comes to his role as a filmmaker he is generally remembered either for a single film--Sleep (1963)--or for works that he did not actually direct. Born into a blue-collar family in Forest City, Pennsylvania on August 6, 1928, Andrew Warhola, Jr. attended art school at the Carnegie Institute of Technology in Pittsburgh. He moved to New York in 1949, where he changed his name to Andy Warhol and became an international icon of Pop Art. Between 1963 and 1967 Warhol turned out a dizzying number and variety of films involving many different collaborators, but after a 1968 attempt on his life, he retired from active duty behind the camera, becoming a producer/ "presenter" of films, almost all of which were written and directed by Paul Morrissey. Morrissey's Flesh (1968), Trash (1970), and Heat (1972) are estimable works. And Bad (1977), the sole opus of Warhol's lover Jed Johnson, is not bad either. But none of these films can compare to the Warhol films that preceded them, particularly My Hustler (1965), an unprecedented slice of urban gay life; Beauty #2 (1965), the best of the films featuring Edie Sedgwick; The Chelsea Girls (1966), the only experimental film to gain widespread theatrical release; and **** (Four Stars) (1967), the 25-hour long culmination of Warhol's career as a filmmaker. -
Scoundrels in Paradise
SCOUNDRELS IN PARADISE A TRUE STORY BY SCOTT ADLAI STEVENSON WITH JOHN GREENBURG COPYRIGHT 2012 ALL RIGHTS RESERVED BY SCOTT ADLAI STEVENSON AND JOHN GREENBURG FOR FILM/TV RIGHTS CONTACT: SCOTT ADLAI STEVENSON 520-255-6057 / [email protected] The events described in this book are true. Some names have been changed for purposes of privacy. PROLOGUE Even Good Stock Sometimes Has A Few Black Sheep My first childhood memory is a vision from the bottom of a swimming pool. I was two years old and playing with a few of my neighborhood friends in 1 Downey, California when I happened to fall into their backyard pool. I recall frantically trying to get my head above water, but despite my efforts, I landed on the bottom of the deep end. I stared up through the rippling water to the surface, where I could make out only the fuzzy outline of my mother. Fortunately, my older brother Michael noticed I was missing and dove in to save me. That feeling of sinking and then desperately struggling to reach the surface and keep my head above water has remained a constant companion. Ever since then, I spent a great deal of my life in over my head; nearly drowning in a deep pool of authoritarianism, materialism and greed that always seemed to surround me. Over the years, I developed an aversion to authoritarianism and materialism, and I have tried not to become a greedy, materialistic person with a rigid mindset. But in the environment I grew up in, it was like trying to remain dry while floating in a swimming pool. -
Linley Sambourne's Diary 1898
LINLEY SAMBOURNE'S DIARY 1898 Entries in front of Diary: Mrs Annie Hall Morgan, 96 Beaufort St, Elm Park Gardens. F. MODELS ADDRESS. (Derben) Mrs K Lawford, 112 George's Road, Newcastle on Tyne. Marie Bowey, 75 Disraeli Road, Putney. Tall very pretty model age 20. Kitty Linnington, 17 Danvers St, Paulton Square, Chelsea. Aged 17. Dark girl, good looking. Good figure. L.Cooke, 21. 2 Thanet Street, Euston Road. Tall, fair, good looking, good figure. Also sister age 19. Tall, fair, slim. A.E.Green, 3 Queens Buildings, High St, Cheltenham. L.G.Griffin, 5 Park Crescent Mews West. P.P. L.Jessop, Holly Lodge, Forest Rd, Walthamstow. Auguste Mani, 19 Adelaide Road, Richmond S.W. A. Fletcher, 60 Frederick St, Grays Inn Road. Annie Price (age 22) 2 Goodson Rd, Fulham. Mrs Sands, 82 Gloucester Terrace W. L.Griffin, Weaveland Road, Tisbury, Wilts. 1 Montpelier Row, Knightsbridge S.W. Daisy Williams, 3 Winchester Terrace, Putney. 19 Clonmore Street, Southfields, S.W. C.Powell, 27 Rupert St, Shaftesbury Avenue. C.Richards, 48 Achilles Rd, Fortune Green, West Hampstead, N.W. or Bolson Rd. 19 Bolton Road, Abbey Rd, N.W. S.Bakewell, Burlington Hotel. RAILWAY MANAGERS. Joe Wilkinson, Genl Manager G.W.Rly. J.Gooday, new Manager, L.B & S.C Rly. C.I.Owens Esqre, London & S.W.Rly, General Managers Off, H.Liddell Esqr, Waterloo St, S.E. W.R.Stevens Esqre, S.E.Rly Secretary's & Chief Office London Bridge Station S.E. C.Sheath, Depy Secy. The Decorations Company, 10 Green St, Leicester Square. Met at the Hickmans, 1st May; M.A.