Joan Quinn Captured

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Opening ReceptiOn: june 28, 7pm–10pm

AdmissiOn is fRee

Joan Quinn Captured

Curated by Laura Whitcomb and organized by Brand Library Art Galleries

panel discussions, talks and film screenings have been scheduled in conjunction with this gallery exhibition. Programs are free and are by reservation only. Tickets may be reserved at www.glendalearts.org.

Joan Quinn Captured

Join us for the opening reception on

EmErging LandscapE: Los angELEs
WarhoL/basquiat/quinn

5:00pm film Jean Michel Basquiat:

6/28
7/17

Saturday, June 28th, 7:00pm – 10:00pm.

The exhibition ‘Joan Quinn Captured’ will showcase what is perhaps the largest portrait collection by contemporary artists in the world, including such luminaries as Jean-Michel

Basquiat, Shepard Fairey, Frank Gehry,

The Radiant Child

2:00pm panel Modern Art in Los Angeles:
‘Cool School’ Oral History Ed Moses
6:30pm panel Warhol & Basquiat:

The Magazine of the 80s, Joan Quinn’s work for Interview, the

Manipulator & Stuff Magazine;

Special Speaker Matthew Rolston

3:00pm film LA Suggested by the Art of Ed Ruscha

4:30pm panel Los Angeles and the

Robert Graham, David Hockney, Ed Ruscha, Beatrice Wood and photographers Robert

Contemporary Art Dawn

7:00pm film Andy Warhol:

Mapplethorpe, Helmut Newton, Matthew Rolston and Arthur

Tress. For the first time, this portrait collection will be exhibited in collaboration with renowned works of the artists encouraging a dialogue between the portraits and specific artist movements. The exhibition will also portray the world Joan Agajanian Quinn captured as editor for her close friend Andy Warhol’s Interview magazine, along with contributions to some of the most important fanzines of the 1980’s that are proof of her role as a critical taste maker of her time. A special highlight is the historical recording in snapshots of the emerging Los Angeles art scene and the influence of the artistic interchange Quinn fostered between London, Tokyo and New York.

A Documentary Film

EtErnaL rEturn

7/3

5:00pm film Beatrice Wood: Mama of Dada

6:30pm film Duggie Fields’ Jangled 7:00pm talk Guest Artist Duggie Fields

8:00pm film The Great Wen

don bachardy

6:00pm film Chris & Don: A Love Story

7/24

7:30pm film Memories of Berlin:
The Twilight of Weimar Culture

8:00pm film Helmut by June

utopia, dystopia & dEsirE unbound

5:00pm talk Luciana Martinez de la Rosa

7/10

artists & thE stagE

6:00pm talk Artists Designing for

7/31

Curated by Laura Whitcomb in collaboration with curatorial advisors Amanda Quinn Olivar and Cheryl Bookout

6:00pm film Heavenly Bodies, Steven

the Theater
Arnold Film Special Screening

7:00pm film Aida

Exhibition on viEW: Jun E 28 – august 1

For more exhibition details visit brandlibrary.org.

7:00pm panel Steven Arnold &
7:30pm talk Special Guest Zandra Rhodes

8:30pm film Zandra Rhodes & Charles James
Late Surrealism
8:00pm film Short Films of Steven Arnold

Brand LiBrary & art Center AddRess 1601 West Mountain street, GLendaLe, CaLifornia 91201 phOne 818.548.2051

@brandlibrary

Recommended publications

Stroboscopic: Andy Warhol and the Exploding Plastic Inevitable Homay King Bryn Mawr College, [email protected]

Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2014 Stroboscopic: Andy Warhol and the Exploding Plastic Inevitable Homay King Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the History of Art, Architecture, and Archaeology Commons Custom Citation H. King, "Stroboscopic: Andy Warhol and the Exploding Plastic Inevitable," Criticism 56.3 (Fall 2014): 457-479. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/72 For more information, please contact [email protected]. King 6/15/15 Page 1 of 30 Stroboscopic:+Andy+Warhol+and+the+Exploding+Plastic+Inevitable+ by+Homay+King,+Associate+Professor,+Department+of+History+of+Art,+Bryn+Mawr+College+ Published+in+Criticism+56.3+(Fall+2014)+ <insert+fig+1+near+here>+ + Pops+and+Flashes+ At+least+half+a+dozen+distinct+sources+of+illumination+are+discernible+in+Warhol’s+The+ Velvet+Underground+in+Boston+(1967),+a+film+that+documents+a+relatively+late+incarnation+of+ Andy+Warhol’s+Exploding+Plastic+Inevitable,+a+multimedia+extravaganza+and+landmark+of+ the+expanded+cinema+movement+featuring+live+music+by+the+Velvet+Underground+and+an+ elaborate+projected+light+show.+Shot+at+a+performance+at+the+Boston+Tea+Party+in+May+of+ 1967,+with+synch+sound,+the+33\minute+color+film+combines+long+shots+of+the+Velvet+
100 Cans by Andy Warhol

Art Masterpiece: 100 Cans by Andy Warhol Oil on canvas 72 x 52 inches (182.9 x 132.1 cm) Collection Albright-Knox Art Gallery Keywords: Pop Art, Repetition, Complimentary Colors Activity: 100 Can Collective Class Mural Grade: 5th – 6th Meet the Artist • Born Andrew Warhol in 1928 near Pittsburgh, Pa. to Slovak immigrants. His father died in a construction accident when Andy was 13 years old. • He is known as an American painter, film-maker, publisher and major figure in the pop art movement. • Warhol was a sickly child, his mom would give him a Hershey bar for every coloring book page he finished. He excelled in art and won a scholarship to college. • After college, he moved to New York City and became a magazine illustrator – became known for his drawings of shoes. His mother lived with him – they had no hot water, the bathtub was in the kitchen and had up to 20 cats living with them. Warhol ate tomato soup every day for lunch. Chandler Unified School District Art Masterpiece • In the 1960’s, he started to make paintings of famous American products such as soup cans, coke bottles, dollar signs & celebrity portraits. He became known as the Prince of Pop – he brought art to the masses by making art out of daily life. • Warhol began to use a photographic silk-screen process to produce paintings and prints. The technique appealed to him because of the potential for repeating clean, hard-edged shapes with bright colors. • Andy wanted to remove the difference between fine art and the commercial arts used for magazine illustrations, comic books, record albums or ad campaigns.
Andy Warhol Exhibit American Fare Summer Sets

NYC ® Monthly JULY 2015 JULY 2015 JULY NYC MONTHLY.COM VOL. 5 NO.7 VOL. AMERICAN FARE AMERICAN CUISINE AT ITS FINEST SUMMER SETS HEADLINING ACTS YOU CAN'T MISS ANDY WARHOL EXHIBIT AT THE MUSEUM OF MODERN ART B:13.125” T:12.875” C M Y K S:12.75” The Next Big Thing Is Here lated. Appearance of device may vary. B:9.3125” S:8.9375” T:9.0625” The world’s frst dual-curved smartphone display Available now. Learn more at Samsung.com/GS6 ©2015 Samsung Electronics America, Inc. and Galaxy S are trademarks of Co., Ltd. Screen images simu FS:6.3125” FS:6.3125” F:6.4375” F:6.4375” 304653rga03_HmptMnthy TL Project Title: US - GS6_2015_S5053 Job Number: S5053 Executive Creative Director: None E.C.D. C.D. A.C.D A.D. C.W. Creative Director: None Client: SAMSUNG Bleed: 13.125” x 9.3125” Associate Creative Director: None Media: MAGAZINE Trim 1: 12.875” x 9.0625” Art Director: None Photographer: None Trim 2: None Copywriter: None Art Buyer: None STUDIO PRODUCTION IA PRODUCER ACCOUNT EX. ART BUYER Illustrator: None Live: 12.75” x 8.9375” Print Production: None Insertion Date: None Gutter: 0.125” Studio Manager: None Account Executive: None Traffic: None Publications/Delivery Company: Hamptons Monthly FILE IS BUILT AT: 100% THIS PRINT-OUT IS NOT FOR COLOR. 350 West 39th Street New York, NY 10018 212.946.4000 Round: 1 Version: C PACIFIC DIGITAL IMAGE • 333 Broadway, San Francisco CA 94133 • 415.274.7234 • www.pacdigital.com Filename:304653rga03_HmptMnthy.pdf_wf02 Operator:SpoolServer Time:13:37:40 Colors:Cyan, Magenta, Yellow, Black Date:15-05-06 NOTE TO RECIPIENT: This ﬁle is processed using a Prinergy Workﬂow System with an Adobe Postscript Level 3 RIP.
Warhol, Andy (As Filmmaker) (1928-1987) Andy Warhol

Warhol, Andy (as filmmaker) (1928-1987) Andy Warhol. by David Ehrenstein Image appears under the Creative Commons Encyclopedia Copyright © 2015, glbtq, Inc. Attribution-Share Alike 3.0 Unported license. Entry Copyright © 2002, glbtq, Inc. Courtesy Jack Mitchell. Reprinted from http://www.glbtq.com As a painter Andy Warhol (the name he assumed after moving to New York as a young man) has been compared to everyone from Salvador Dalí to Norman Rockwell. But when it comes to his role as a filmmaker he is generally remembered either for a single film--Sleep (1963)--or for works that he did not actually direct. Born into a blue-collar family in Forest City, Pennsylvania on August 6, 1928, Andrew Warhola, Jr. attended art school at the Carnegie Institute of Technology in Pittsburgh. He moved to New York in 1949, where he changed his name to Andy Warhol and became an international icon of Pop Art. Between 1963 and 1967 Warhol turned out a dizzying number and variety of films involving many different collaborators, but after a 1968 attempt on his life, he retired from active duty behind the camera, becoming a producer/ "presenter" of films, almost all of which were written and directed by Paul Morrissey. Morrissey's Flesh (1968), Trash (1970), and Heat (1972) are estimable works. And Bad (1977), the sole opus of Warhol's lover Jed Johnson, is not bad either. But none of these films can compare to the Warhol films that preceded them, particularly My Hustler (1965), an unprecedented slice of urban gay life; Beauty #2 (1965), the best of the films featuring Edie Sedgwick; The Chelsea Girls (1966), the only experimental film to gain widespread theatrical release; and **** (Four Stars) (1967), the 25-hour long culmination of Warhol's career as a filmmaker.
Album Review of the Velvet Underground & Nico

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Exhibiting Warhols's Screen Tests

1 EXHIBITING WARHOL’S SCREEN TESTS Ian Walker The work of Andy Warhol seems nighwell ubiquitous now, and its continuing relevance and pivotal position in recent culture remains indisputable. Towards the end of 2014, Warhol’s work could be found in two very different shows in Britain. Tate Liverpool staged Transmitting Andy Warhol, which, through a mix of paintings, films, drawings, prints and photographs, sought to explore ‘Warhol’s role in establishing new processes for the dissemination of art’.1 While, at Modern Art Oxford, Jeremy Deller curated the exhibition Love is Enough, bringing together the work of William Morris and Andy Warhol to idiosyncratic but striking effect.2 On a less grand scale was the screening, also at Modern Art Oxford over the week of December 2-7, of a programme of Warhol’s Screen Tests. They were shown in the ‘Project Space’ as part of a programme entitled Straight to Camera: Performance for Film.3 As the title suggests, this featured work by a number of artists in which a performance was directly addressed to the camera and recorded in unrelenting detail. The Screen Tests which Warhol shot in 1964-66 were the earliest works in the programme and stood, as it were, as a starting point for this way of working. Fig 1: Cover of Callie Angell, Andy Warhol’s Screen Tests, 2006 2 How they were made is by now the stuff of legend. A 16mm Bolex camera was set up in a corner of the Factory and the portraits made as the participants dropped by or were invited to sit.
California State University, Northridge Exploitation

CALIFORNIA STATE UNIVERSITY, NORTHRIDGE EXPLOITATION, WOMEN AND WARHOL A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art by Kathleen Frances Burke May 1986 The Thesis of Kathleen Frances Burke is approved: Louise Leyis, M.A. Dianne E. Irwin, Ph.D. r<Iary/ Kenan Ph.D. , Chair California State. University, Northridge ii DEDICATION This thesis is dedicated to Dr. Mary Kenon Breazeale, whose tireless efforts have brought it to fruition. She taught me to "see" and interpret art history in a different way, as a feminist, proving that women's perspectives need not always agree with more traditional views. In addition, I've learned that personal politics does not have to be sacrificed, or compartmentalized in my life, but that it can be joined with a professional career and scholarly discipline. My time as a graduate student with Dr. Breazeale has had a profound effect on my personal life and career, and will continue to do so whatever paths my life travels. For this I will always be grateful. ACKNOWLEDGEMENTS In addition, I would like to acknowledge the other members of my committee: Louise Lewis and Dr. Dianne Irwin. They provided extensive editorial comments which helped me to express my ideas more clearly and succinctly. I would like to thank the six branches of the Glendale iii Public Library and their staffs, in particular: Virginia Barbieri, Claire Crandall, Fleur Osmanson, Nora Goldsmith, Cynthia Carr and Joseph Fuchs. They provided me with materials and research assistance for this project. I would also like to thank the members of my family.
The Films of Andy Warhol Stillness, Repetition, and the Surface of Things

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Connolly .Indd

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WARHOL on VINYL: the Record Covers, 1949–1987+ June 21, 2014–March 15, 2015 WARHOL on VINYL: the Record Covers, 1949–1987+

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FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS

FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom/ For the program companion website, visit pbs.org/independentlens/jean-michel-basquiat/ TAMRA DAVIS’S JEAN-MICHEL BASQUIAT: THE RADIANT CHILD TO PREMIERE ON INDEPENDENT LENS TUESDAY, APRIL 12, 2011 AT 10PM ON PBS Definitive Documentary on the Meteoric Rise and Fall of the Brilliant Young Artist (San Francisco, CA) Centered on a rare interview that director Tamra Davis shot with her friend and contemporary Jean-Michel Basquiat over 20 years ago, Jean-Michel Basquiat: The Radiant Child is the definitive chronicle of the short but brilliant life of the young artist who revolutionized the New York art scene almost overnight. Jean-Michel Basquiat: The Radiant Child will premiere on the Emmy® Award-winning PBS series Independent Lens, hosted by America Ferrera, on Tuesday, April 12, 2011 at 10 PM (check local listings). The film is part of an April Art Month lineup, which also includes The Desert of Forbidden Art, Waste Land, and Marwencol. Told through interviews with his fellow artists, friends, and lovers, including Julian Schnabel, Larry Gagosian, Bruno Bischofberger, Fab 5 Freddy, Suzanne Mallouk, and Kenny Scharf, the film recounts Basquiat’s lightning-quick ascension from street kid to art world star. In the gritty, crime-ridden city that was New York in the late 1970s, artists, punk rockers, and writers flourished in the grimy oasis of the East Village.